Unknown Artist, (19th century) Assets (17745 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Fencing: patent of Cont pointe of April 1826.
Fencing: patent of Cont pointe of April 1826.

XEE4409273: Fencing: patent of Cont pointe of April 1826., Unknown Artist, (19th century) / Bridgeman Images

Cle of Chambellan, Mexico, 19th century (metal)
Cle of Chambellan, Mexico, 19th century (metal)

XEE4409469: Cle of Chambellan, Mexico, 19th century (metal), Unknown Artist, (19th century) / Bridgeman Images

Horace Vernet (1789-1863)
Horace Vernet (1789-1863)

XEE4409977: Horace Vernet (1789-1863), Unknown Artist, (19th century) / Bridgeman Images

Carl Marie Von Weber, German composer (1786-1826)
Carl Marie Von Weber, German composer (1786-1826)

XEE4409982: Carl Marie Von Weber, German composer (1786-1826), Unknown Artist, (19th century) / Bridgeman Images

Wedding Token, 1884
Wedding Token, 1884

XEE4410012: Wedding Token, 1884, Unknown Artist, (19th century) / Bridgeman Images

Journey of Emperor Napoleon III (1808-1873) and his wife Eugenie de Montijo (1826-1920) to the Duch of Savoy following the annexation of the Count of Savoy (March Turin Treaty): here the imperial couple visiting Arles meet young girls from the region. Engraving from “” Le monde illustrious”” 22/09/1860 Collection privee
Journey of Emperor Napoleon III (1808-1873) and his wife Eugenie de Montijo (1826-1920) to the Duch of Savoy following the annexation of the Count of Savoy (March Turin Treaty): here the imperial couple visiting Arles meet young girls from the region. Engraving from “” Le monde illustrious”” 22/09/1860 Collection privee

XEE4190987: Journey of Emperor Napoleon III (1808-1873) and his wife Eugenie de Montijo (1826-1920) to the Duch of Savoy following the annexation of the Count of Savoy (March Turin Treaty): here the imperial couple visiting Arles meet young girls from the region. Engraving from “” Le monde illustrious”” 22/09/1860 Collection privee, Unknown Artist, (19th century) / Bridgeman Images

Scientific shows: Cabinet has disappeared in which one instantly disappears the person who locks himself in it. Engraving in “” La Nature””, 1883. Private collection.
Scientific shows: Cabinet has disappeared in which one instantly disappears the person who locks himself in it. Engraving in “” La Nature””, 1883. Private collection.

XEE4191357: Scientific shows: Cabinet has disappeared in which one instantly disappears the person who locks himself in it. Engraving in “” La Nature””, 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Easter Day in Russia: the custom of eggs in the Moscow government. Braces of the inhabitants offering red eggs to celebrate the resurrection of Christ. Engraving in “” Le Parisien””, 1894. Private collection.
Easter Day in Russia: the custom of eggs in the Moscow government. Braces of the inhabitants offering red eggs to celebrate the resurrection of Christ. Engraving in “” Le Parisien””, 1894. Private collection.

XEE4191536: Easter Day in Russia: the custom of eggs in the Moscow government. Braces of the inhabitants offering red eggs to celebrate the resurrection of Christ. Engraving in “” Le Parisien””, 1894. Private collection., Unknown Artist, (19th century) / Bridgeman Images

A scene of “Falstaff” from the Opera eponym by Giuseppe Verdi was created in 1893. Engraving in “” Le Parisien””, 1894. Private collection.
A scene of “Falstaff” from the Opera eponym by Giuseppe Verdi was created in 1893. Engraving in “” Le Parisien””, 1894. Private collection.

XEE4191560: A scene of “Falstaff” from the Opera eponym by Giuseppe Verdi was created in 1893. Engraving in “” Le Parisien””, 1894. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Reception at the Hotel d'Aumale in Paris, rue du Faubourg Saint Honore (Saint-Honore) in the presence of the President of the Republique Adolphe Thiers, Engraving in “The Universe illustrious”, 1872. Private collection.
Reception at the Hotel d'Aumale in Paris, rue du Faubourg Saint Honore (Saint-Honore) in the presence of the President of the Republique Adolphe Thiers, Engraving in “The Universe illustrious”, 1872. Private collection.

XEE4192204: Reception at the Hotel d'Aumale in Paris, rue du Faubourg Saint Honore (Saint-Honore) in the presence of the President of the Republique Adolphe Thiers, Engraving in “The Universe illustrious”, 1872. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Eclipse lovers: the population of Paris observing the eclipse de Soleil of September 7, 1820. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889.
Eclipse lovers: the population of Paris observing the eclipse de Soleil of September 7, 1820. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889.

XEE4192279: Eclipse lovers: the population of Paris observing the eclipse de Soleil of September 7, 1820. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889., Unknown Artist, (19th century) / Bridgeman Images

Annexation of Savoy to France, 14 June 1860: signature of the verbal transfer process by the Knight Bianchi of Castagnie, representative of the King of Sardinia. Present: Mr. Dieu; Senator Laity, representative of Napoleon III; Mr. Lerainville; L'Archeveque and Mr. Du Paquier. Engraving in “” Le Monde Illustré”” No 167 of 23 June 1860.
Annexation of Savoy to France, 14 June 1860: signature of the verbal transfer process by the Knight Bianchi of Castagnie, representative of the King of Sardinia. Present: Mr. Dieu; Senator Laity, representative of Napoleon III; Mr. Lerainville; L'Archeveque and Mr. Du Paquier. Engraving in “” Le Monde Illustré”” No 167 of 23 June 1860.

XEE4191238: Annexation of Savoy to France, 14 June 1860: signature of the verbal transfer process by the Knight Bianchi of Castagnie, representative of the King of Sardinia. Present: Mr. Dieu; Senator Laity, representative of Napoleon III; Mr. Lerainville; L'Archeveque and Mr. Du Paquier. Engraving in “” Le Monde Illustré”” No 167 of 23 June 1860., Unknown Artist, (19th century) / Bridgeman Images

Exit a performance at the boulevard des italiens in Paris. Engraving in “” L'Univers illustrious””, 1872. Private collection.
Exit a performance at the boulevard des italiens in Paris. Engraving in “” L'Univers illustrious””, 1872. Private collection.

XEE4192209: Exit a performance at the boulevard des italiens in Paris. Engraving in “” L'Univers illustrious””, 1872. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Omnibus has three wheels or tricycle in the streets of Paris. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889.
Omnibus has three wheels or tricycle in the streets of Paris. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889.

XEE4192282: Omnibus has three wheels or tricycle in the streets of Paris. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Marie Amelie d'Orleans, Princess of France (1865-1951) and Queen of Portugal by marriage to the Duke of Bragance who became King Charles I of Portugal (1863-1908). Engraving in “” Le Monde illustrious””, 1886. Private collection.
Portrait of Marie Amelie d'Orleans, Princess of France (1865-1951) and Queen of Portugal by marriage to the Duke of Bragance who became King Charles I of Portugal (1863-1908). Engraving in “” Le Monde illustrious””, 1886. Private collection.

XEE4191244: Portrait of Marie Amelie d'Orleans, Princess of France (1865-1951) and Queen of Portugal by marriage to the Duke of Bragance who became King Charles I of Portugal (1863-1908). Engraving in “” Le Monde illustrious””, 1886. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Scientific shows: living spectra. Experience the spectra on the theatre stage. A comedian fights a ghost. Engraving in “” La Nature””, 1883. Private collection.
Scientific shows: living spectra. Experience the spectra on the theatre stage. A comedian fights a ghost. Engraving in “” La Nature””, 1883. Private collection.

XEE4191351: Scientific shows: living spectra. Experience the spectra on the theatre stage. A comedian fights a ghost. Engraving in “” La Nature””, 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

The court of the conservatoire des arts et metiers where the statues of Denis Papin (1647-1714), physicist, mathematician and inventor and Nicolas Leblanc (1742-1806), French chemist. Inauguration of the statue of Denis Papin on January 16, 1887. Engraving in “” Le monde illustrious””, 1887. Private collection.
The court of the conservatoire des arts et metiers where the statues of Denis Papin (1647-1714), physicist, mathematician and inventor and Nicolas Leblanc (1742-1806), French chemist. Inauguration of the statue of Denis Papin on January 16, 1887. Engraving in “” Le monde illustrious””, 1887. Private collection.

XEE4191452: The court of the conservatoire des arts et metiers where the statues of Denis Papin (1647-1714), physicist, mathematician and inventor and Nicolas Leblanc (1742-1806), French chemist. Inauguration of the statue of Denis Papin on January 16, 1887. Engraving in “” Le monde illustrious””, 1887. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Victor Masse (1822-1884), French composer.
Portrait of Victor Masse (1822-1884), French composer.

XEE4191683: Portrait of Victor Masse (1822-1884), French composer., Unknown Artist, (19th century) / Bridgeman Images

The funeral of Alexandre Dumas pere (1802-1870) at Villers Cotterets (Villers-Cotterets). Engraving in “” L'Univers illustrious””, 1872. Private collection.
The funeral of Alexandre Dumas pere (1802-1870) at Villers Cotterets (Villers-Cotterets). Engraving in “” L'Univers illustrious””, 1872. Private collection.

XEE4192227: The funeral of Alexandre Dumas pere (1802-1870) at Villers Cotterets (Villers-Cotterets). Engraving in “” L'Univers illustrious””, 1872. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Slavery and fish farming in Rome: the freed Pollion having a slave thrown at the morays of his ponds - engraving, 19th century
Slavery and fish farming in Rome: the freed Pollion having a slave thrown at the morays of his ponds - engraving, 19th century

LSE4401699: Slavery and fish farming in Rome: the freed Pollion having a slave thrown at the morays of his ponds - engraving, 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of August Klingemann (1777-1831), German playwright.
Portrait of August Klingemann (1777-1831), German playwright.

XEE4404505: Portrait of August Klingemann (1777-1831), German playwright., Unknown Artist, (19th century) / Bridgeman Images

The goat, Little Chevy. Illustration of the tale “Bon medor and Little Chevrette””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The goat, Little Chevy. Illustration of the tale “Bon medor and Little Chevrette””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404534: The goat, Little Chevy. Illustration of the tale “Bon medor and Little Chevrette””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The disguise wolf takes the Grandma's place in the bed. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The disguise wolf takes the Grandma's place in the bed. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404700: The disguise wolf takes the Grandma's place in the bed. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Abbe Terray (Terray) French statesman, Controller General of Finance (1715-1778).
Portrait of Abbe Terray (Terray) French statesman, Controller General of Finance (1715-1778).

XEE4404896: Portrait of Abbe Terray (Terray) French statesman, Controller General of Finance (1715-1778)., Unknown Artist, (19th century) / Bridgeman Images

Jenny Lind (1820-1887), Swedish singer in 1847
Jenny Lind (1820-1887), Swedish singer in 1847

XEE4404921: Jenny Lind (1820-1887), Swedish singer in 1847, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Carl Gustav Jacobi (Charles or Karl Gustav Jacob, 1804-1851) German mathematician.
Portrait of Carl Gustav Jacobi (Charles or Karl Gustav Jacob, 1804-1851) German mathematician.

XEE4404502: Portrait of Carl Gustav Jacobi (Charles or Karl Gustav Jacob, 1804-1851) German mathematician., Unknown Artist, (19th century) / Bridgeman Images

The wolf runs away with little kid. Illustration of the tale “Bon medor and Little Chevrette””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The wolf runs away with little kid. Illustration of the tale “Bon medor and Little Chevrette””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404526: The wolf runs away with little kid. Illustration of the tale “Bon medor and Little Chevrette””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Semiramis, legendary queen of Assyria and Babylonia and her son Ninias.
Semiramis, legendary queen of Assyria and Babylonia and her son Ninias.

XEE4404545: Semiramis, legendary queen of Assyria and Babylonia and her son Ninias., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404591: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404662: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The ogre at the table, feels the presence of little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The ogre at the table, feels the presence of little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404726: The ogre at the table, feels the presence of little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Carnival of Rome based on a drawing by Gierdziejewski in 1858.
Carnival of Rome based on a drawing by Gierdziejewski in 1858.

XEE4404839: Carnival of Rome based on a drawing by Gierdziejewski in 1858., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Catherine II (1729-1796), Imperator of Russia.
Portrait of Catherine II (1729-1796), Imperator of Russia.

XEE4404967: Portrait of Catherine II (1729-1796), Imperator of Russia., Unknown Artist, (19th century) / Bridgeman Images

Inauguration by Captain Durville of the monument in honour of the French navigator Jean-Francois Galaup, count of La Perouse (Jean Francois Laperouse, 1741-1788). in “Histoire générale de la marine” by Van Tenac, 1850.
Inauguration by Captain Durville of the monument in honour of the French navigator Jean-Francois Galaup, count of La Perouse (Jean Francois Laperouse, 1741-1788). in “Histoire générale de la marine” by Van Tenac, 1850.

XEE4405020: Inauguration by Captain Durville of the monument in honour of the French navigator Jean-Francois Galaup, count of La Perouse (Jean Francois Laperouse, 1741-1788). in “Histoire générale de la marine” by Van Tenac, 1850., Unknown Artist, (19th century) / Bridgeman Images

the Vandals seized Carthage in 439. in “L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.
the Vandals seized Carthage in 439. in “L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

XEE4405090: the Vandals seized Carthage in 439. in “L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color., Unknown Artist, (19th century) / Bridgeman Images

Claude Ptolemy (v. 90 - v. 168), Greek astronomer, mathematician and geographer. Engraving of the 19th century.
Claude Ptolemy (v. 90 - v. 168), Greek astronomer, mathematician and geographer. Engraving of the 19th century.

XEE4405105: Claude Ptolemy (v. 90 - v. 168), Greek astronomer, mathematician and geographer. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images


Back to top