Unknown Artist, (19th century) Assets (17905 in total)

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Portrait of Cardinal Joseph Fesch (1763 - 1839). Engraving of the end of the 19th century in “Histoire de France”” by H. Martin.
Portrait of Cardinal Joseph Fesch (1763 - 1839). Engraving of the end of the 19th century in “Histoire de France”” by H. Martin.

XEE4117675: Portrait of Cardinal Joseph Fesch (1763 - 1839). Engraving of the end of the 19th century in “Histoire de France”” by H. Martin., Unknown Artist, (19th century) / Bridgeman Images

Removal of cannons and armor from the storage cabinet (building in the center of the image). Book of the end of the 19th century.
Removal of cannons and armor from the storage cabinet (building in the center of the image). Book of the end of the 19th century.

XEE4117701: Removal of cannons and armor from the storage cabinet (building in the center of the image). Book of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Maria Garcia called the Malibran (1808-1836) singer mezzo soprano.
Portrait of Maria Garcia called the Malibran (1808-1836) singer mezzo soprano.

YAC4122413: Portrait of Maria Garcia called the Malibran (1808-1836) singer mezzo soprano., Unknown Artist, (19th century) / Bridgeman Images

Chromolithography of the end of the 19th century
Chromolithography of the end of the 19th century

XEE4141268: Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century
Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century

XEE4141319: Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

Conversion of Widukind or Witikind before Charlemagne in 785. Chromolithography of the late 19th century.
Conversion of Widukind or Witikind before Charlemagne in 785. Chromolithography of the late 19th century.

XEE4142312: Conversion of Widukind or Witikind before Charlemagne in 785. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century.
Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century.

XEE4143054: Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

View of the City of Berlin (Berlino) in 1858.
View of the City of Berlin (Berlino) in 1858.

XEE4143139: View of the City of Berlin (Berlino) in 1858., Unknown Artist, (19th century) / Bridgeman Images

Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143596: Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Gold beater. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Gold beater. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143631: Gold beater. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143653: Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143667: The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of glass: the glassmakers. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of glass: the glassmakers. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143694: The art of glass: the glassmakers. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143846: The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.
The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.

XEE4143966: The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Basketry and Reading Workshop for the Blind located on Euston Road in London and organized by the Association for Promoting the General Welfare of the Blind, an association to help blind people find work. Engraving In “” The illustrated London News”” of 24 April 1858.
Basketry and Reading Workshop for the Blind located on Euston Road in London and organized by the Association for Promoting the General Welfare of the Blind, an association to help blind people find work. Engraving In “” The illustrated London News”” of 24 April 1858.

XEE4143989: Basketry and Reading Workshop for the Blind located on Euston Road in London and organized by the Association for Promoting the General Welfare of the Blind, an association to help blind people find work. Engraving In “” The illustrated London News”” of 24 April 1858., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Bayard Taylor (1825-1878), American poet. Engraving In “” The illustrated London News”” of 23 January 1858.
Portrait of Bayard Taylor (1825-1878), American poet. Engraving In “” The illustrated London News”” of 23 January 1858.

XEE4144025: Portrait of Bayard Taylor (1825-1878), American poet. Engraving In “” The illustrated London News”” of 23 January 1858., Unknown Artist, (19th century) / Bridgeman Images

Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.
Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.

XEE4144149: Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.
Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.

XEE4144155: Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.
The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.

XEE4144196: The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.
View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.

XEE4144204: View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.
Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.

XEE4144272: Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144302: Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Jean Dominique Cassini (1625-1712), French astronomer.
Jean Dominique Cassini (1625-1712), French astronomer.

XEE4144734: Jean Dominique Cassini (1625-1712), French astronomer., Unknown Artist, (19th century) / Bridgeman Images

Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)
Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)

XEE4144959: Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822), Unknown Artist, (19th century) / Bridgeman Images

Refrigerated storerooms for meat - Engraving from “La Science francaise””, 1892 - Refrigerated storerooms for meat - Engraving from “La Science francaise”, 1892
Refrigerated storerooms for meat - Engraving from “La Science francaise””, 1892 - Refrigerated storerooms for meat - Engraving from “La Science francaise”, 1892

XEE4145777: Refrigerated storerooms for meat - Engraving from “La Science francaise””, 1892 - Refrigerated storerooms for meat - Engraving from “La Science francaise”, 1892, Unknown Artist, (19th century) / Bridgeman Images

Siam ambassadors crawl towards the French imperiale family during a solemn audience in Fontainebleau in the presence of Napoleon III (1808-1873), Eugenie (Eugenia de Montijo, 1826-1920) and Prince Imperial Eugene Louis Napoleon (1856-1879), June 29, 1861 - Engraving In “The Illustrous World”, 1861 61 - Reception of the Siamese ambassadors, with presents , by the French imperial family at Fontainebleau, 29th June 1861 - Engraving from “” Le Monde Illustré””, 1861
Siam ambassadors crawl towards the French imperiale family during a solemn audience in Fontainebleau in the presence of Napoleon III (1808-1873), Eugenie (Eugenia de Montijo, 1826-1920) and Prince Imperial Eugene Louis Napoleon (1856-1879), June 29, 1861 - Engraving In “The Illustrous World”, 1861 61 - Reception of the Siamese ambassadors, with presents , by the French imperial family at Fontainebleau, 29th June 1861 - Engraving from “” Le Monde Illustré””, 1861

XEE4145937: Siam ambassadors crawl towards the French imperiale family during a solemn audience in Fontainebleau in the presence of Napoleon III (1808-1873), Eugenie (Eugenia de Montijo, 1826-1920) and Prince Imperial Eugene Louis Napoleon (1856-1879), June 29, 1861 - Engraving In “The Illustrous World”, 1861 61 - Reception of the Siamese ambassadors, with presents , by the French imperial family at Fontainebleau, 29th June 1861 - Engraving from “” Le Monde Illustré””, 1861, Unknown Artist, (19th century) / Bridgeman Images

Lord Melbourne (William Lamb - 1779-1848) instructing the young queen Victoria
Lord Melbourne (William Lamb - 1779-1848) instructing the young queen Victoria

XEE4146981: Lord Melbourne (William Lamb - 1779-1848) instructing the young queen Victoria, Unknown Artist, (19th century) / Bridgeman Images

Sir James Mackintosh (1765-1832) British physician, philosopher, journalist, judge and politician - Sir James Mackintosh (1765-1832) Scottish jurist, politician and historian
Sir James Mackintosh (1765-1832) British physician, philosopher, journalist, judge and politician - Sir James Mackintosh (1765-1832) Scottish jurist, politician and historian

XEE4147016: Sir James Mackintosh (1765-1832) British physician, philosopher, journalist, judge and politician - Sir James Mackintosh (1765-1832) Scottish jurist, politician and historian, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Octave Feuillet (1821-1890), French novelist, playwright and academician - Engraving in “Le journal illustrious”” of 1891
Portrait of Octave Feuillet (1821-1890), French novelist, playwright and academician - Engraving in “Le journal illustrious”” of 1891

XEE4147757: Portrait of Octave Feuillet (1821-1890), French novelist, playwright and academician - Engraving in “Le journal illustrious”” of 1891, Unknown Artist, (19th century) / Bridgeman Images

The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing Tuileries - From “” Architecture francoise”” by Jacques-Francois Blondel - Elevation of the main facade cote jardin de Tuileries - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel
The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing Tuileries - From “” Architecture francoise”” by Jacques-Francois Blondel - Elevation of the main facade cote jardin de Tuileries - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel

XEE4152545: The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing Tuileries - From “” Architecture francoise”” by Jacques-Francois Blondel - Elevation of the main facade cote jardin de Tuileries - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel, Unknown Artist, (19th century) / Bridgeman Images

A Scottish Puritan - 19th century (engraving)
A Scottish Puritan - 19th century (engraving)

XEE4152565: A Scottish Puritan - 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis Ludwig Spohr (1784 - 1859) German composer, violinist and conductor.
Portrait of Louis Ludwig Spohr (1784 - 1859) German composer, violinist and conductor.

XEE4153306: Portrait of Louis Ludwig Spohr (1784 - 1859) German composer, violinist and conductor., Unknown Artist, (19th century) / Bridgeman Images

Portrait of George Sand, 19th century (engraving)
Portrait of George Sand, 19th century (engraving)

XEE4153389: Portrait of George Sand, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

The effects of the organ of Weingasten representation of the legend of “” The human voice of the organ of Weingarten””. After having delivered his enchanting organ by Satan to Weingarten Abbey, Jean Gabler, the organ builder, suffers the disastrous consequences of his pact with the devil, and is forced to destroy his creation.
The effects of the organ of Weingasten representation of the legend of “” The human voice of the organ of Weingarten””. After having delivered his enchanting organ by Satan to Weingarten Abbey, Jean Gabler, the organ builder, suffers the disastrous consequences of his pact with the devil, and is forced to destroy his creation.

XEE4153587: The effects of the organ of Weingasten representation of the legend of “” The human voice of the organ of Weingarten””. After having delivered his enchanting organ by Satan to Weingarten Abbey, Jean Gabler, the organ builder, suffers the disastrous consequences of his pact with the devil, and is forced to destroy his creation., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Eudes (Odon) (v. 860 - 898), Count of Paris and Troyes, then King of France - EUDES count of Paris elected to French throne after the deposition of Charles the Emperor - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821
Portrait of Eudes (Odon) (v. 860 - 898), Count of Paris and Troyes, then King of France - EUDES count of Paris elected to French throne after the deposition of Charles the Emperor - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821

XEE4153601: Portrait of Eudes (Odon) (v. 860 - 898), Count of Paris and Troyes, then King of France - EUDES count of Paris elected to French throne after the deposition of Charles the Emperor - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images


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