Unknown Artist, (19th century) Assets (17905 in total)

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La Courtille: folk ball - 19th century
La Courtille: folk ball - 19th century

LSE4079547: La Courtille: folk ball - 19th century, Unknown Artist, (19th century) / Bridgeman Images

Horse riding: Shepherd F. Knapp, trotter - in “” the centaur””, 1866.
Horse riding: Shepherd F. Knapp, trotter - in “” the centaur””, 1866.

LSE4077957: Horse riding: Shepherd F. Knapp, trotter - in “” the centaur””, 1866., Unknown Artist, (19th century) / Bridgeman Images

Representation of the French popular song “” King Dagobert”” representing King Dagobert I (circa 600-639) and Saint Eloi de Noyon (ca. 588-660): “The Good Saint Eloi
Representation of the French popular song “” King Dagobert”” representing King Dagobert I (circa 600-639) and Saint Eloi de Noyon (ca. 588-660): “The Good Saint Eloi

XEE4153582: Representation of the French popular song “” King Dagobert”” representing King Dagobert I (circa 600-639) and Saint Eloi de Noyon (ca. 588-660): “The Good Saint Eloi, Unknown Artist, (19th century) / Bridgeman Images

Officer of the Corpguard of the King of Sweden, 1893
Officer of the Corpguard of the King of Sweden, 1893

LSE4077106: Officer of the Corpguard of the King of Sweden, 1893, Unknown Artist, (19th century) / Bridgeman Images

Les Parisiennes à Montmorency (swing) - in “” Le Bon Genre””, 19th century
Les Parisiennes à Montmorency (swing) - in “” Le Bon Genre””, 19th century

LSE4079849: Les Parisiennes à Montmorency (swing) - in “” Le Bon Genre””, 19th century, Unknown Artist, (19th century) / Bridgeman Images

Atelier du fer - Ecole municipale d'apprentices du boulevard de la Villette in Paris in 1875 - engraving
Atelier du fer - Ecole municipale d'apprentices du boulevard de la Villette in Paris in 1875 - engraving

XEE4152921: Atelier du fer - Ecole municipale d'apprentices du boulevard de la Villette in Paris in 1875 - engraving, Unknown Artist, (19th century) / Bridgeman Images

The Deroulede meeting. Speech by Paul Deroulede (1846-1914), one of the founders of the League of Patriotes - in “The Petity Journal” of Oct. 1898
The Deroulede meeting. Speech by Paul Deroulede (1846-1914), one of the founders of the League of Patriotes - in “The Petity Journal” of Oct. 1898

LSE4078210: The Deroulede meeting. Speech by Paul Deroulede (1846-1914), one of the founders of the League of Patriotes - in “The Petity Journal” of Oct. 1898, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Robert I (ca. 860-923), King of West Francia from 922 to 923 - Robert I, king of West Francia from 922 to 923 - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821
Portrait of Robert I (ca. 860-923), King of West Francia from 922 to 923 - Robert I, king of West Francia from 922 to 923 - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821

XEE4153713: Portrait of Robert I (ca. 860-923), King of West Francia from 922 to 923 - Robert I, king of West Francia from 922 to 923 - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images

Riding: winners of the Steeple - in “” the Centaure””, 1868, city of Paris.
Riding: winners of the Steeple - in “” the Centaure””, 1868, city of Paris.

LSE4077944: Riding: winners of the Steeple - in “” the Centaure””, 1868, city of Paris., Unknown Artist, (19th century) / Bridgeman Images

Sunday lunch (grocer, coffee shop, apothecary) - engraving, 19th century
Sunday lunch (grocer, coffee shop, apothecary) - engraving, 19th century

LSE4078622: Sunday lunch (grocer, coffee shop, apothecary) - engraving, 19th century, Unknown Artist, (19th century) / Bridgeman Images

Game: “” le baiser devine”” - in “” le Bon genre””, n°45, 19th century
Game: “” le baiser devine”” - in “” le Bon genre””, n°45, 19th century

LSE4079860: Game: “” le baiser devine”” - in “” le Bon genre””, n°45, 19th century, Unknown Artist, (19th century) / Bridgeman Images

Man orchestra - drawing, late 19th century
Man orchestra - drawing, late 19th century

LSE4078586: Man orchestra - drawing, late 19th century, Unknown Artist, (19th century) / Bridgeman Images

Vision of Wolfang Amadeus Mozart (1756-1791) in the chapel (large organ) of Weingarten Abbey in Germany - engraving in “” Popular Music””” illustrious weekly newspaper - 1882
Vision of Wolfang Amadeus Mozart (1756-1791) in the chapel (large organ) of Weingarten Abbey in Germany - engraving in “” Popular Music””” illustrious weekly newspaper - 1882

XEE4151743: Vision of Wolfang Amadeus Mozart (1756-1791) in the chapel (large organ) of Weingarten Abbey in Germany - engraving in “” Popular Music””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis I the 'Pious' (778-840) King of France, Holy Roman Emperor - engraving from “Instruction sur l'Histoire de France” by Charles Constant Le Tellier 1821
Portrait of Louis I the 'Pious' (778-840) King of France, Holy Roman Emperor - engraving from “Instruction sur l'Histoire de France” by Charles Constant Le Tellier 1821

XEE4153733: Portrait of Louis I the 'Pious' (778-840) King of France, Holy Roman Emperor - engraving from “Instruction sur l'Histoire de France” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images

Scene of the “” Sicilian ou l'amour peintre””, comedy by Moliere (1622-1673). Hali, the jester of Araste, distracts the attention of Don Pedre, the jealous, to allow lovers Araste and Isidore to meet. (Act I, scene XII)
Scene of the “” Sicilian ou l'amour peintre””, comedy by Moliere (1622-1673). Hali, the jester of Araste, distracts the attention of Don Pedre, the jealous, to allow lovers Araste and Isidore to meet. (Act I, scene XII)

XEE4153586: Scene of the “” Sicilian ou l'amour peintre””, comedy by Moliere (1622-1673). Hali, the jester of Araste, distracts the attention of Don Pedre, the jealous, to allow lovers Araste and Isidore to meet. (Act I, scene XII), Unknown Artist, (19th century) / Bridgeman Images

Gerard Dou or Gerrit Dou or Dow 1613-1675 Dutch Golden Age painter
Gerard Dou or Gerrit Dou or Dow 1613-1675 Dutch Golden Age painter

XEE4154700: Gerard Dou or Gerrit Dou or Dow 1613-1675 Dutch Golden Age painter, Unknown Artist, (19th century) / Bridgeman Images

Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151484: Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Rue Saint Martin (Abbaye Saint Martin) in Tournay (Tournai) in Belgium in 1882
Rue Saint Martin (Abbaye Saint Martin) in Tournay (Tournai) in Belgium in 1882

XEE4152227: Rue Saint Martin (Abbaye Saint Martin) in Tournay (Tournai) in Belgium in 1882, Unknown Artist, (19th century) / Bridgeman Images

Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151531: Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Gabrielle de Rochechouart de Mortemart, Marquise de Thianges (1633 -1693), French aristocrat - Engraving of 1862 in “” The Queens of the World”” by our first writers. Book published under the direction of J. G. D. ARMENGAUD.
Portrait of Gabrielle de Rochechouart de Mortemart, Marquise de Thianges (1633 -1693), French aristocrat - Engraving of 1862 in “” The Queens of the World”” by our first writers. Book published under the direction of J. G. D. ARMENGAUD.

XEE4153511: Portrait of Gabrielle de Rochechouart de Mortemart, Marquise de Thianges (1633 -1693), French aristocrat - Engraving of 1862 in “” The Queens of the World”” by our first writers. Book published under the direction of J. G. D. ARMENGAUD., Unknown Artist, (19th century) / Bridgeman Images

The effects of the organ of Weingasten representation of the legend of “” The human voice of the organ of Weingarten””. After having delivered his enchanting organ by Satan to Weingarten Abbey, Jean Gabler, the organ builder, suffers the disastrous consequences of his pact with the devil, and is forced to destroy his creation.
The effects of the organ of Weingasten representation of the legend of “” The human voice of the organ of Weingarten””. After having delivered his enchanting organ by Satan to Weingarten Abbey, Jean Gabler, the organ builder, suffers the disastrous consequences of his pact with the devil, and is forced to destroy his creation.

XEE4153587: The effects of the organ of Weingasten representation of the legend of “” The human voice of the organ of Weingarten””. After having delivered his enchanting organ by Satan to Weingarten Abbey, Jean Gabler, the organ builder, suffers the disastrous consequences of his pact with the devil, and is forced to destroy his creation., Unknown Artist, (19th century) / Bridgeman Images

The Death of Sir Humphrey Gilbert, 1583 - The drowning of Sir Humphrey Gilbert (1537-1583) in an Atlantic storm in 1583 - engraving -
The Death of Sir Humphrey Gilbert, 1583 - The drowning of Sir Humphrey Gilbert (1537-1583) in an Atlantic storm in 1583 - engraving -

XEE4153697: The Death of Sir Humphrey Gilbert, 1583 - The drowning of Sir Humphrey Gilbert (1537-1583) in an Atlantic storm in 1583 - engraving -, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles III says the Simple (879-929) king of the Francs - CHARLES III (879-929) - Charles the Simple - King of France, 893-923 - engraving from “Instruction sur l'Histoire de France” by Charles Constant Le Tellier 1821
Portrait of Charles III says the Simple (879-929) king of the Francs - CHARLES III (879-929) - Charles the Simple - King of France, 893-923 - engraving from “Instruction sur l'Histoire de France” by Charles Constant Le Tellier 1821

XEE4153969: Portrait of Charles III says the Simple (879-929) king of the Francs - CHARLES III (879-929) - Charles the Simple - King of France, 893-923 - engraving from “Instruction sur l'Histoire de France” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Anselm Huttenbrenner (1794-1868) Austrian composer
Portrait of Anselm Huttenbrenner (1794-1868) Austrian composer

XEE4150158: Portrait of Anselm Huttenbrenner (1794-1868) Austrian composer, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis VI, called The Fat - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821
Portrait of Louis VI, called The Fat - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821

XEE4153612: Portrait of Louis VI, called The Fat - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images

Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151467: Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Barbarian House of the Gallo Romaine period (Gallo-roman) - (Barbarian House Gallo Roman era) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889
Barbarian House of the Gallo Romaine period (Gallo-roman) - (Barbarian House Gallo Roman era) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889

XEE4154062: Barbarian House of the Gallo Romaine period (Gallo-roman) - (Barbarian House Gallo Roman era) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889, Unknown Artist, (19th century) / Bridgeman Images

Portrait of George Sand, 19th century (engraving)
Portrait of George Sand, 19th century (engraving)

XEE4153389: Portrait of George Sand, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Sir William Davenant (D'Avenant) (1606-1668) English poet and playwright - engraving
Portrait of Sir William Davenant (D'Avenant) (1606-1668) English poet and playwright - engraving

XEE4153461: Portrait of Sir William Davenant (D'Avenant) (1606-1668) English poet and playwright - engraving, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882
Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882

XEE4151799: Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

Italy Map 1853 - Geographic Map of Italy in 1853
Italy Map 1853 - Geographic Map of Italy in 1853

XEE4153548: Italy Map 1853 - Geographic Map of Italy in 1853, Unknown Artist, (19th century) / Bridgeman Images

Maison Assyrienne - (Assyrian House, Universal Exhibition, Paris, 1889) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889
Maison Assyrienne - (Assyrian House, Universal Exhibition, Paris, 1889) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889

XEE4154049: Maison Assyrienne - (Assyrian House, Universal Exhibition, Paris, 1889) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889, Unknown Artist, (19th century) / Bridgeman Images

Revenge of Marphise (Marfisa) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Revenge of Marphise (Marfisa) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151504: Revenge of Marphise (Marfisa) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Accident medicine - on the most effective relief to be given to the drowned people, 1852 (engraving)
Accident medicine - on the most effective relief to be given to the drowned people, 1852 (engraving)

XEE4151311: Accident medicine - on the most effective relief to be given to the drowned people, 1852 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles Garnier, 1882 (engraving)
Portrait of Charles Garnier, 1882 (engraving)

XEE4151658: Portrait of Charles Garnier, 1882 (engraving), Unknown Artist, (19th century) / Bridgeman Images

portrait of Valentin Esprit Flechier (1632-1710) English preacher and author, Bishop of Nimes
portrait of Valentin Esprit Flechier (1632-1710) English preacher and author, Bishop of Nimes

XEE4152041: portrait of Valentin Esprit Flechier (1632-1710) English preacher and author, Bishop of Nimes, Unknown Artist, (19th century) / Bridgeman Images


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