XEE4151855: The prison of Saint John the Baptist - decor of the 3rd act of “Herodiade”, opera in four acts and seven paintings by Jules Massenet, on a libretto by Paul Milliet and Henri Gremont - engraving in “La musique populaire”” illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images
XEE4151460: Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4152545: The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing Tuileries - From “” Architecture francoise”” by Jacques-Francois Blondel - Elevation of the main facade cote jardin de Tuileries - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel, Unknown Artist, (19th century) / Bridgeman Images
XEE4151369: Passage of the Pyrenees by the Moors - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4152393: Louis XVIII at the deathbed of the Duke of Berry - Les derniers moments du Duke de Berry on 13 February 1820 (1778 - 1820) à l'opera de Paris surrounds by Louis XVIII et de la famille royale - engraving in “Histoire de France racontee à mes petits enfants”” by Guizot, Unknown Artist, (19th century) / Bridgeman Images
XEE4151074: Charlemagne receiving the gift of a clepsydra (water clock) from Harun al-Rashid - In 797 the caliph of Baghdad, Haroun ar-Rachid (765-809) offers Charlemagne a clepsydra (water clock, time measurement) emblematic of the technological know-how of Arab civilization -, Unknown Artist, (19th century) / Bridgeman Images
XEE4151378: Atlant defeated by Bradamante - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
LSE4079495: The woman, home doctor: water as a curative means. 1.Alution of a sick person in bed, 2.Alution by fire, 3.Alution alternates in a bathtub, 4.Rain shower, 5.Shower with a tap tube of a kitchen, 6.Watering in a small interior - in “The woman, home doctor””, 19th century, Unknown Artist, (19th century) / Bridgeman Images