Unknown Artist, (19th century) Assets (17905 in total)

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The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.
The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.

XEE4144196: The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

The carpet delights. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.
The carpet delights. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.

XEE4143961: The carpet delights. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The art of glass: the glassmakers. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of glass: the glassmakers. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143694: The art of glass: the glassmakers. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.
Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.

XEE4144272: Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.
Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.

XEE4144155: Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Basketry and Reading Workshop for the Blind located on Euston Road in London and organized by the Association for Promoting the General Welfare of the Blind, an association to help blind people find work. Engraving In “” The illustrated London News”” of 24 April 1858.
Basketry and Reading Workshop for the Blind located on Euston Road in London and organized by the Association for Promoting the General Welfare of the Blind, an association to help blind people find work. Engraving In “” The illustrated London News”” of 24 April 1858.

XEE4143989: Basketry and Reading Workshop for the Blind located on Euston Road in London and organized by the Association for Promoting the General Welfare of the Blind, an association to help blind people find work. Engraving In “” The illustrated London News”” of 24 April 1858., Unknown Artist, (19th century) / Bridgeman Images

Chromolithography of the end of the 19th century
Chromolithography of the end of the 19th century

XEE4141268: Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Rene Antoine Ferchault de Reaumur (1683-1757), French physicist and naturalist.
Portrait of Rene Antoine Ferchault de Reaumur (1683-1757), French physicist and naturalist.

XEE4144730: Portrait of Rene Antoine Ferchault de Reaumur (1683-1757), French physicist and naturalist., Unknown Artist, (19th century) / Bridgeman Images

View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.
View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.

XEE4144204: View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

Sugar manufacturing: a sugar cane mill in a sugar factory in the West Indies. Engraving from 1859.
Sugar manufacturing: a sugar cane mill in a sugar factory in the West Indies. Engraving from 1859.

XEE4142225: Sugar manufacturing: a sugar cane mill in a sugar factory in the West Indies. Engraving from 1859., Unknown Artist, (19th century) / Bridgeman Images

Alchemy: the peat of hermetic philosophers. 1857 (engraving)
Alchemy: the peat of hermetic philosophers. 1857 (engraving)

XEE4141535: Alchemy: the peat of hermetic philosophers. 1857 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist.
Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist.

XEE4143783: Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist., Unknown Artist, (19th century) / Bridgeman Images

The Benares ghat in India (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water). Engraving from 1857.
The Benares ghat in India (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water). Engraving from 1857.

XEE4143141: The Benares ghat in India (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water). Engraving from 1857., Unknown Artist, (19th century) / Bridgeman Images

The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143695: The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Gilding of books (covers) in iron in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Gilding of books (covers) in iron in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143601: Gilding of books (covers) in iron in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Late 19th century chromolithography
Late 19th century chromolithography

XEE4141262: Late 19th century chromolithography, Unknown Artist, (19th century) / Bridgeman Images

Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144288: Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143667: The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143587: Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143837: The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century
Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century

XEE4141319: Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143663: The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143846: The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.
Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.

XEE4144232: Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

Siam ambassadors crawled to Queen Victoria Iere (1819-1901) and Prince Albert (1819-1861) during their visit to Windsor Castle. Engraving In “” The illustrated London News”” of 5 December 1857.
Siam ambassadors crawled to Queen Victoria Iere (1819-1901) and Prince Albert (1819-1861) during their visit to Windsor Castle. Engraving In “” The illustrated London News”” of 5 December 1857.

XEE4143990: Siam ambassadors crawled to Queen Victoria Iere (1819-1901) and Prince Albert (1819-1861) during their visit to Windsor Castle. Engraving In “” The illustrated London News”” of 5 December 1857., Unknown Artist, (19th century) / Bridgeman Images

The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868.
The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868.

XEE4144251: The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868.
View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868.

XEE4144221: View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868., Unknown Artist, (19th century) / Bridgeman Images

The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143676: The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)
Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822)

XEE4144959: Telescope by William Herschel (Friedrich Wilhelm Herschel, 1738-1822), Unknown Artist, (19th century) / Bridgeman Images

Francois-Marie (Francois Marie) Arouet de Voltaire dit Voltaire (1694-1778), age 23 at the castle of Sully-sur-Loire (Sully sur Loire). Chromolithography of the late 19th century
Francois-Marie (Francois Marie) Arouet de Voltaire dit Voltaire (1694-1778), age 23 at the castle of Sully-sur-Loire (Sully sur Loire). Chromolithography of the late 19th century

XEE4142882: Francois-Marie (Francois Marie) Arouet de Voltaire dit Voltaire (1694-1778), age 23 at the castle of Sully-sur-Loire (Sully sur Loire). Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Their Royal Highnesses Princess Victoria (1840-1901) (Queen Victoria) and Crown Prince Frederick William of Prussia (1831-1888). Engraving from 1858.
Portrait of Their Royal Highnesses Princess Victoria (1840-1901) (Queen Victoria) and Crown Prince Frederick William of Prussia (1831-1888). Engraving from 1858.

XEE4143120: Portrait of Their Royal Highnesses Princess Victoria (1840-1901) (Queen Victoria) and Crown Prince Frederick William of Prussia (1831-1888). Engraving from 1858., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Bayard Taylor (1825-1878), American poet. Engraving In “” The illustrated London News”” of 23 January 1858.
Portrait of Bayard Taylor (1825-1878), American poet. Engraving In “” The illustrated London News”” of 23 January 1858.

XEE4144025: Portrait of Bayard Taylor (1825-1878), American poet. Engraving In “” The illustrated London News”” of 23 January 1858., Unknown Artist, (19th century) / Bridgeman Images

Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144302: Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Jean Dominique Cassini (1625-1712), French astronomer.
Jean Dominique Cassini (1625-1712), French astronomer.

XEE4144734: Jean Dominique Cassini (1625-1712), French astronomer., Unknown Artist, (19th century) / Bridgeman Images

Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144299: Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

View of a Chinese pirate ship in Canton. Engraving In “” The Illustrated London News”” of January 31, 1857.
View of a Chinese pirate ship in Canton. Engraving In “” The Illustrated London News”” of January 31, 1857.

XEE4144058: View of a Chinese pirate ship in Canton. Engraving In “” The Illustrated London News”” of January 31, 1857., Unknown Artist, (19th century) / Bridgeman Images


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