Unknown Artist, (19th century) Assets (17905 in total)

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Illustration for the opera “” Aida” by Italian composer Giuseppe Verdi (1813-1901). chromolithograph of the late 19th century.
Illustration for the opera “” Aida” by Italian composer Giuseppe Verdi (1813-1901). chromolithograph of the late 19th century.

GIA4797501: Illustration for the opera “” Aida” by Italian composer Giuseppe Verdi (1813-1901). chromolithograph of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Italian doctor and politician Carlo Botta (1766-1837).
Portrait of the Italian doctor and politician Carlo Botta (1766-1837).

GIA4797728: Portrait of the Italian doctor and politician Carlo Botta (1766-1837)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century
Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century

GIA4798008: Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Harpsichord. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Harpsichord. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798243: Harpsichord. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Linen ecanguard machine. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Linen ecanguard machine. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798314: Linen ecanguard machine. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

At the top, field irrigation system, at the bottom a draught horse. Plate drawn from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
At the top, field irrigation system, at the bottom a draught horse. Plate drawn from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798359: At the top, field irrigation system, at the bottom a draught horse. Plate drawn from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Mechanical press. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Mechanical press. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798380: Mechanical press. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Level (or level) measurement system. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Level (or level) measurement system. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798398: Level (or level) measurement system. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Salt production: plan of a saline with two machines.
Salt production: plan of a saline with two machines.

GIA4799282: Salt production: plan of a saline with two machines., Unknown Artist, (19th century) / Bridgeman Images

Cola di Rienzo (1314-1354), in the campaign to become a tribune of the Roman people, explains to the people of Rome the frescoes he had installed in the Capitol symbolizing the agony of Rome in a dechainee sea surrounded by Troy, Jerusalem, Carthage and Babylon. Engraving of the 19th century
Cola di Rienzo (1314-1354), in the campaign to become a tribune of the Roman people, explains to the people of Rome the frescoes he had installed in the Capitol symbolizing the agony of Rome in a dechainee sea surrounded by Troy, Jerusalem, Carthage and Babylon. Engraving of the 19th century

GIA4800719: Cola di Rienzo (1314-1354), in the campaign to become a tribune of the Roman people, explains to the people of Rome the frescoes he had installed in the Capitol symbolizing the agony of Rome in a dechainee sea surrounded by Troy, Jerusalem, Carthage and Babylon. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Customs and methods of transport: skins of inflated animals used to cross rivers. Engraving of the 19th century
Customs and methods of transport: skins of inflated animals used to cross rivers. Engraving of the 19th century

GIA4801048: Customs and methods of transport: skins of inflated animals used to cross rivers. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

View of the theatre du Vaudeville in Paris.
View of the theatre du Vaudeville in Paris.

GIA4802315: View of the theatre du Vaudeville in Paris., Unknown Artist, (19th century) / Bridgeman Images

View of the Royal Palace in Paris, 1820 (Engraving)
View of the Royal Palace in Paris, 1820 (Engraving)

LRI4730647: View of the Royal Palace in Paris, 1820 (Engraving), Unknown Artist, (19th century) / Bridgeman Images

View of the part of the Imperial Palace named the Chancery of Empire in Vienna, 1815 (engraving)
View of the part of the Imperial Palace named the Chancery of Empire in Vienna, 1815 (engraving)

LRI4731004: View of the part of the Imperial Palace named the Chancery of Empire in Vienna, 1815 (engraving), Unknown Artist, (19th century) / Bridgeman Images

General view of the city of Vienna with detail of the main buildings and monuments, 1800 (engraving)
General view of the city of Vienna with detail of the main buildings and monuments, 1800 (engraving)

LRI4731051: General view of the city of Vienna with detail of the main buildings and monuments, 1800 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Interior view of the imperial theater in the district of Josephstadt in Vienna, 1815 (engraving)
Interior view of the imperial theater in the district of Josephstadt in Vienna, 1815 (engraving)

LRI4731119: Interior view of the imperial theater in the district of Josephstadt in Vienna, 1815 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Isabella I the Catholic (1451 - 1504), Queen of Castile.
Portrait of Isabella I the Catholic (1451 - 1504), Queen of Castile.

GIA4734014: Portrait of Isabella I the Catholic (1451 - 1504), Queen of Castile., Unknown Artist, (19th century) / Bridgeman Images

Napoleonian wars: the battle of Kulm (current Chlumec), c.19th century (colour litho)
Napoleonian wars: the battle of Kulm (current Chlumec), c.19th century (colour litho)

FIA5396415: Napoleonian wars: the battle of Kulm (current Chlumec), c.19th century (colour litho), Unknown Artist, (19th century) / Bridgeman Images

The legend of the Christmas tree: appearance of an angel. Illustration of the 19th century.
The legend of the Christmas tree: appearance of an angel. Illustration of the 19th century.

GIA4738329: The legend of the Christmas tree: appearance of an angel. Illustration of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Hannibal crosses the Alps with elephants and arrives in Italy in 218 BC. (Second Punic War). Engraving of the 19th century.
Hannibal crosses the Alps with elephants and arrives in Italy in 218 BC. (Second Punic War). Engraving of the 19th century.

GIA4742823: Hannibal crosses the Alps with elephants and arrives in Italy in 218 BC. (Second Punic War). Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

A wolf hunt. 19th century engraving.
A wolf hunt. 19th century engraving.

GIA4744211: A wolf hunt. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis XIV (1638 - 1715), King of France.
Portrait of Louis XIV (1638 - 1715), King of France.

GIA4744567: Portrait of Louis XIV (1638 - 1715), King of France., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Lotharia II (825-869) King of Lotharingia engraving of 1830
Portrait of Lotharia II (825-869) King of Lotharingia engraving of 1830

GIA4744773: Portrait of Lotharia II (825-869) King of Lotharingia engraving of 1830, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis XIII (1601 - 1643), King of France engraving of 1830
Portrait of Louis XIII (1601 - 1643), King of France engraving of 1830

GIA4745108: Portrait of Louis XIII (1601 - 1643), King of France engraving of 1830, Unknown Artist, (19th century) / Bridgeman Images

Dalila is about to cut Samson's hair reforming her strength. 19th century.
Dalila is about to cut Samson's hair reforming her strength. 19th century.

GIA4761846: Dalila is about to cut Samson's hair reforming her strength. 19th century., Unknown Artist, (19th century) / Bridgeman Images

Marie of Burgundy (1457 - 1482), daughter of Charles the Bold and wife of Maximilian of Austria. 19th century engraving.
Marie of Burgundy (1457 - 1482), daughter of Charles the Bold and wife of Maximilian of Austria. 19th century engraving.

GIA4764018: Marie of Burgundy (1457 - 1482), daughter of Charles the Bold and wife of Maximilian of Austria. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

L'eole, la machine volving by Clement Ader (1841 - 1925), 1891.
L'eole, la machine volving by Clement Ader (1841 - 1925), 1891.

GIA4764393: L'eole, la machine volving by Clement Ader (1841 - 1925), 1891., Unknown Artist, (19th century) / Bridgeman Images

Wooden velocipede model. Pierre Michaux, invented the pedal in the early 1860s.
Wooden velocipede model. Pierre Michaux, invented the pedal in the early 1860s.

GIA4764518: Wooden velocipede model. Pierre Michaux, invented the pedal in the early 1860s., Unknown Artist, (19th century) / Bridgeman Images

View of the strada del molo and the Castel Sant'Elmo overlooking the city of Naples. Watercolour, 1850.
View of the strada del molo and the Castel Sant'Elmo overlooking the city of Naples. Watercolour, 1850.

GIA4765348: View of the strada del molo and the Castel Sant'Elmo overlooking the city of Naples. Watercolour, 1850., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Pépin II (823 - 864), King of Aquitaine. engraving from 1830.
Portrait of Pépin II (823 - 864), King of Aquitaine. engraving from 1830.

GIA4766410: Portrait of Pépin II (823 - 864), King of Aquitaine. engraving from 1830., Unknown Artist, (19th century) / Bridgeman Images

Westerners (including Jean-Francois Galaup, Count of La Perouse (Jean Francois Laperouse, 1741-1788) accompanied by Indians examine the statues of the island of Easter (Rapa Nui). Engraving of the 19th century.
Westerners (including Jean-Francois Galaup, Count of La Perouse (Jean Francois Laperouse, 1741-1788) accompanied by Indians examine the statues of the island of Easter (Rapa Nui). Engraving of the 19th century.

GIA4767225: Westerners (including Jean-Francois Galaup, Count of La Perouse (Jean Francois Laperouse, 1741-1788) accompanied by Indians examine the statues of the island of Easter (Rapa Nui). Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

View of the abbey of Port Royal des Champs (Port-Royal-des-Champs).
View of the abbey of Port Royal des Champs (Port-Royal-des-Champs).

GIA4767294: View of the abbey of Port Royal des Champs (Port-Royal-des-Champs)., Unknown Artist, (19th century) / Bridgeman Images

General view of the ice factory (Ferdinand Square process).
General view of the ice factory (Ferdinand Square process).

GIA4767634: General view of the ice factory (Ferdinand Square process)., Unknown Artist, (19th century) / Bridgeman Images

China. Transport of water in rice plantations from one level to another - in “” The Old and Modern Costume”” by Jules Ferrario, 1819 -1820.
China. Transport of water in rice plantations from one level to another - in “” The Old and Modern Costume”” by Jules Ferrario, 1819 -1820.

GIA4767684: China. Transport of water in rice plantations from one level to another - in “” The Old and Modern Costume”” by Jules Ferrario, 1819 -1820., Unknown Artist, (19th century) / Bridgeman Images

Example of agoraphobia or fear of open spaces. The case of Alexis Gombaud who could not cross the courtyard of his house alone.
Example of agoraphobia or fear of open spaces. The case of Alexis Gombaud who could not cross the courtyard of his house alone.

GIA4767700: Example of agoraphobia or fear of open spaces. The case of Alexis Gombaud who could not cross the courtyard of his house alone., Unknown Artist, (19th century) / Bridgeman Images

French propaganda against the Spanish influenza epidemic has its starting point: the disease is represented allegorially as a worrying figure approaching a person asleep in the dormitory of a migrant ship.
French propaganda against the Spanish influenza epidemic has its starting point: the disease is represented allegorially as a worrying figure approaching a person asleep in the dormitory of a migrant ship.

GIA4767753: French propaganda against the Spanish influenza epidemic has its starting point: the disease is represented allegorially as a worrying figure approaching a person asleep in the dormitory of a migrant ship., Unknown Artist, (19th century) / Bridgeman Images


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