Unknown Artist, (19th century) Assets (17905 in total)

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Irish girl - engraving, 19th century
Irish girl - engraving, 19th century

LSE4104526: Irish girl - engraving, 19th century, Unknown Artist, (19th century) / Bridgeman Images

Le Platane d'Occident (Platanus occidentalis) - in “Exercises de botany à l'usage des commercants”, redige by JC Philibert, Imprimerie de Crapelet, Paris, 1801
Le Platane d'Occident (Platanus occidentalis) - in “Exercises de botany à l'usage des commercants”, redige by JC Philibert, Imprimerie de Crapelet, Paris, 1801

LSE4102939: Le Platane d'Occident (Platanus occidentalis) - in “Exercises de botany à l'usage des commercants”, redige by JC Philibert, Imprimerie de Crapelet, Paris, 1801, Unknown Artist, (19th century) / Bridgeman Images

Le Dandelion commun (Leontodon caraxacum) - in “Exercises de botany à l'usage des tradants”, written by J.C. Philibert, Imprimerie de Crapelet, Paris, 1801
Le Dandelion commun (Leontodon caraxacum) - in “Exercises de botany à l'usage des tradants”, written by J.C. Philibert, Imprimerie de Crapelet, Paris, 1801

LSE4102896: Le Dandelion commun (Leontodon caraxacum) - in “Exercises de botany à l'usage des tradants”, written by J.C. Philibert, Imprimerie de Crapelet, Paris, 1801, Unknown Artist, (19th century) / Bridgeman Images

Manufacture of porcelain: cooking. Chromolithography of the end of the 19th century
Manufacture of porcelain: cooking. Chromolithography of the end of the 19th century

XEE4141257: Manufacture of porcelain: cooking. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

View of the transatlantic liner “Great Eastern” (Leviathan) under construction at the Thames Shipyard in London. Engraving In “” The illustrated London News”” of 7 November 1857.
View of the transatlantic liner “Great Eastern” (Leviathan) under construction at the Thames Shipyard in London. Engraving In “” The illustrated London News”” of 7 November 1857.

XEE4143997: View of the transatlantic liner “Great Eastern” (Leviathan) under construction at the Thames Shipyard in London. Engraving In “” The illustrated London News”” of 7 November 1857., Unknown Artist, (19th century) / Bridgeman Images

The art of lathe: metal work in a workshop of a turnner-repeller. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of lathe: metal work in a workshop of a turnner-repeller. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143669: The art of lathe: metal work in a workshop of a turnner-repeller. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Wedding ceremony at the Germans. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.
Wedding ceremony at the Germans. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

XEE4144686: Wedding ceremony at the Germans. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Nicolaas Zannekin (? -1328), Flemish peasant and leader of the Peasant revolt in Flanders (1325-1328) - Portrait of Nicolaas Zannekin or Nicolas Zanekin, or Zannequin, Tribun and Flemish adventurer, leader of the Karl revolt against the Count of Flanders (1325-1328) - Engraving of 1868 in time “History of Belgium since primitive until the end of the regne of Leopold I”” by Theodore Juste (1818-1888) - Private collection
Portrait of Nicolaas Zannekin (? -1328), Flemish peasant and leader of the Peasant revolt in Flanders (1325-1328) - Portrait of Nicolaas Zannekin or Nicolas Zanekin, or Zannequin, Tribun and Flemish adventurer, leader of the Karl revolt against the Count of Flanders (1325-1328) - Engraving of 1868 in time “History of Belgium since primitive until the end of the regne of Leopold I”” by Theodore Juste (1818-1888) - Private collection

XEE4144955: Portrait of Nicolaas Zannekin (? -1328), Flemish peasant and leader of the Peasant revolt in Flanders (1325-1328) - Portrait of Nicolaas Zannekin or Nicolas Zanekin, or Zannequin, Tribun and Flemish adventurer, leader of the Karl revolt against the Count of Flanders (1325-1328) - Engraving of 1868 in time “History of Belgium since primitive until the end of the regne of Leopold I”” by Theodore Juste (1818-1888) - Private collection, Unknown Artist, (19th century) / Bridgeman Images

Representation of “Lucie de Lammermoor” (Lucia di Lammermoor) by Gaetano Donizetti at “Her Majesty's Theatre” in London in 1857. Lucia (MARIA PICCOLOURINI) and Edgardo (Antonio Giuglini).
Representation of “Lucie de Lammermoor” (Lucia di Lammermoor) by Gaetano Donizetti at “Her Majesty's Theatre” in London in 1857. Lucia (MARIA PICCOLOURINI) and Edgardo (Antonio Giuglini).

XEE4143112: Representation of “Lucie de Lammermoor” (Lucia di Lammermoor) by Gaetano Donizetti at “Her Majesty's Theatre” in London in 1857. Lucia (MARIA PICCOLOURINI) and Edgardo (Antonio Giuglini)., Unknown Artist, (19th century) / Bridgeman Images

Preparation of lacquer in India. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Preparation of lacquer in India. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143645: Preparation of lacquer in India. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Marquetry: marquetry has the work. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Marquetry: marquetry has the work. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143714: Marquetry: marquetry has the work. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The King of France Louis XII has Ludovic Marie Sforza, known as the More (Ludovico Maria Sforza detto il Moro) (1452-1508) locked in the castle of Loches, in Touraine. Chromolithography of the late 19th century
The King of France Louis XII has Ludovic Marie Sforza, known as the More (Ludovico Maria Sforza detto il Moro) (1452-1508) locked in the castle of Loches, in Touraine. Chromolithography of the late 19th century

XEE4142894: The King of France Louis XII has Ludovic Marie Sforza, known as the More (Ludovico Maria Sforza detto il Moro) (1452-1508) locked in the castle of Loches, in Touraine. Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

Case of the collar, the trial (1785-1786): Jeanne de Valois-Saint-Remy (Valois Saint Remy), Comtesse de La Motte (Lamotte) or Comtesse de La Motte Valois (Lamotte-Valois, La Motte-Valois) (1756-1791) before the Parliament of Paris. Engraving of the 19th century.
Case of the collar, the trial (1785-1786): Jeanne de Valois-Saint-Remy (Valois Saint Remy), Comtesse de La Motte (Lamotte) or Comtesse de La Motte Valois (Lamotte-Valois, La Motte-Valois) (1756-1791) before the Parliament of Paris. Engraving of the 19th century.

XEE4144359: Case of the collar, the trial (1785-1786): Jeanne de Valois-Saint-Remy (Valois Saint Remy), Comtesse de La Motte (Lamotte) or Comtesse de La Motte Valois (Lamotte-Valois, La Motte-Valois) (1756-1791) before the Parliament of Paris. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The crossbow. Guillaume Tell (William Tell) (legendary heros of Swiss independence). Chromolithography of the late 19th century.
The crossbow. Guillaume Tell (William Tell) (legendary heros of Swiss independence). Chromolithography of the late 19th century.

XEE4143825: The crossbow. Guillaume Tell (William Tell) (legendary heros of Swiss independence). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of John (Johann) I of Brabant, known as the Victorious (1253-1294), was Duke of Brabant from 1267-1294 and Duke of Limburg from 1288-1294. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.
Portrait of John (Johann) I of Brabant, known as the Victorious (1253-1294), was Duke of Brabant from 1267-1294 and Duke of Limburg from 1288-1294. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

XEE4144698: Portrait of John (Johann) I of Brabant, known as the Victorious (1253-1294), was Duke of Brabant from 1267-1294 and Duke of Limburg from 1288-1294. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection., Unknown Artist, (19th century) / Bridgeman Images

The door faix. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century.
The door faix. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century.

XEE4143973: The door faix. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Adam Billaut, dit Maitre Adam (1602-1662) French carpenter, poet and songwriter. Engraving from 1896.
Portrait of Adam Billaut, dit Maitre Adam (1602-1662) French carpenter, poet and songwriter. Engraving from 1896.

XEE4144764: Portrait of Adam Billaut, dit Maitre Adam (1602-1662) French carpenter, poet and songwriter. Engraving from 1896., Unknown Artist, (19th century) / Bridgeman Images

Mechanical manufacture of dragees. Chromolithography of the end of the 19th century
Mechanical manufacture of dragees. Chromolithography of the end of the 19th century

XEE4141290: Mechanical manufacture of dragees. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

The art of glass: painted stained glass windows. Theodoric's soldiers break a stained glass window to enter the church of Brioude (Haute Loire) in 521. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of glass: painted stained glass windows. Theodoric's soldiers break a stained glass window to enter the church of Brioude (Haute Loire) in 521. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143629: The art of glass: painted stained glass windows. Theodoric's soldiers break a stained glass window to enter the church of Brioude (Haute Loire) in 521. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

View of Square Montholon and the bridge of Rue Bellefond in Paris in the 9th arrondissement. Engraving in “The Universe illustrious”, 1868.
View of Square Montholon and the bridge of Rue Bellefond in Paris in the 9th arrondissement. Engraving in “The Universe illustrious”, 1868.

XEE4144248: View of Square Montholon and the bridge of Rue Bellefond in Paris in the 9th arrondissement. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

Charity feasts in Marseille commemorating the arrival of Francois I where he met Pope Clement VII: farandole dansee place saint Ferreol (Saint-Ferreol) in front of the grandstand of King Francois I. Engraving in “” L'Univers illustrious””, 1868.
Charity feasts in Marseille commemorating the arrival of Francois I where he met Pope Clement VII: farandole dansee place saint Ferreol (Saint-Ferreol) in front of the grandstand of King Francois I. Engraving in “” L'Univers illustrious””, 1868.

XEE4144190: Charity feasts in Marseille commemorating the arrival of Francois I where he met Pope Clement VII: farandole dansee place saint Ferreol (Saint-Ferreol) in front of the grandstand of King Francois I. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

Revolution of September 1868 in Spain (Gloriosa): arrives from Salustiano Olozaga (1805-1873) in Madrid. Engraving in “” L'Univers illustrious””, 1868.
Revolution of September 1868 in Spain (Gloriosa): arrives from Salustiano Olozaga (1805-1873) in Madrid. Engraving in “” L'Univers illustrious””, 1868.

XEE4144239: Revolution of September 1868 in Spain (Gloriosa): arrives from Salustiano Olozaga (1805-1873) in Madrid. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

Burghers of Calais in front of Edward III king of England in 1347 (chromo)
Burghers of Calais in front of Edward III king of England in 1347 (chromo)

XEE4142901: Burghers of Calais in front of Edward III king of England in 1347 (chromo), Unknown Artist, (19th century) / Bridgeman Images

The pier at the corner of the Saint Michel bridge (Saint-Michel) in Paris during the hurricane of March 8. Engraving in “The Universe illustrious”, 1868.
The pier at the corner of the Saint Michel bridge (Saint-Michel) in Paris during the hurricane of March 8. Engraving in “The Universe illustrious”, 1868.

XEE4144199: The pier at the corner of the Saint Michel bridge (Saint-Michel) in Paris during the hurricane of March 8. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

Manufacture of porcelain, Kaolin quarry. Chromolithography of the end of the 19th century
Manufacture of porcelain, Kaolin quarry. Chromolithography of the end of the 19th century

XEE4141252: Manufacture of porcelain, Kaolin quarry. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

View of Victoria City in Hong Kong. Engraving In “” The Illustrated London News”” of March 14, 1857.
View of Victoria City in Hong Kong. Engraving In “” The Illustrated London News”” of March 14, 1857.

XEE4144043: View of Victoria City in Hong Kong. Engraving In “” The Illustrated London News”” of March 14, 1857., Unknown Artist, (19th century) / Bridgeman Images

Audience given by Pope Pius IX (Pio) (1792-1878) to foreign ecclesiastics in the Sistine Chapel (cappella sistina) in Rome on the occasion of the celebrations of the canonization of the 26 “martyrs of Japan”, a group of Catholics crucified in Japan in 1597. Engraving in “Le Monde illustrious”” from 1862. Private collection.
Audience given by Pope Pius IX (Pio) (1792-1878) to foreign ecclesiastics in the Sistine Chapel (cappella sistina) in Rome on the occasion of the celebrations of the canonization of the 26 “martyrs of Japan”, a group of Catholics crucified in Japan in 1597. Engraving in “Le Monde illustrious”” from 1862. Private collection.

XEE4144664: Audience given by Pope Pius IX (Pio) (1792-1878) to foreign ecclesiastics in the Sistine Chapel (cappella sistina) in Rome on the occasion of the celebrations of the canonization of the 26 “martyrs of Japan”, a group of Catholics crucified in Japan in 1597. Engraving in “Le Monde illustrious”” from 1862. Private collection., Unknown Artist, (19th century) / Bridgeman Images

A velocipedes race at the Pre Catelan (Pre-Catelan).
A velocipedes race at the Pre Catelan (Pre-Catelan).

XEE4144179: A velocipedes race at the Pre Catelan (Pre-Catelan)., Unknown Artist, (19th century) / Bridgeman Images

Funeral of a chief Germain in Antiquite: his body is burned with his weapons and his horse. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.
Funeral of a chief Germain in Antiquite: his body is burned with his weapons and his horse. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

XEE4144682: Funeral of a chief Germain in Antiquite: his body is burned with his weapons and his horse. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection., Unknown Artist, (19th century) / Bridgeman Images

Pottery: Fleury machine used for the mechanical molding of bricks. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: Fleury machine used for the mechanical molding of bricks. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143749: Pottery: Fleury machine used for the mechanical molding of bricks. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Works rue de la Montagne Sainte-Genevieve (Sainte Genevieve) in the 5th arrondissement of Paris in 1858.
Works rue de la Montagne Sainte-Genevieve (Sainte Genevieve) in the 5th arrondissement of Paris in 1858.

XEE4143124: Works rue de la Montagne Sainte-Genevieve (Sainte Genevieve) in the 5th arrondissement of Paris in 1858., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles Alexandre de Calonne, French politician (1734 -1802) - in “” L'Histoire de France”” by Henri Martin, 19th century.
Portrait of Charles Alexandre de Calonne, French politician (1734 -1802) - in “” L'Histoire de France”” by Henri Martin, 19th century.

XEE4144961: Portrait of Charles Alexandre de Calonne, French politician (1734 -1802) - in “” L'Histoire de France”” by Henri Martin, 19th century., Unknown Artist, (19th century) / Bridgeman Images

Siecle des Lumieres: portrait of Denis Diderot (1713-1784), French writer and philosopher. Engraving from 1876.
Siecle des Lumieres: portrait of Denis Diderot (1713-1784), French writer and philosopher. Engraving from 1876.

XEE4144743: Siecle des Lumieres: portrait of Denis Diderot (1713-1784), French writer and philosopher. Engraving from 1876., Unknown Artist, (19th century) / Bridgeman Images

View of the Sutti Chowra Ghat on the Ganges, in Cawnpore (Kanpur), India in 1857.
View of the Sutti Chowra Ghat on the Ganges, in Cawnpore (Kanpur), India in 1857.

XEE4143137: View of the Sutti Chowra Ghat on the Ganges, in Cawnpore (Kanpur), India in 1857., Unknown Artist, (19th century) / Bridgeman Images

Luigi Galvani discovered in 1780 the irritability of the frog muscle by electricity, 1867 (engraving)
Luigi Galvani discovered in 1780 the irritability of the frog muscle by electricity, 1867 (engraving)

JAB4121293: Luigi Galvani discovered in 1780 the irritability of the frog muscle by electricity, 1867 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Le marquis de Montcalm-Gozon, 1864 (engraving)
Le marquis de Montcalm-Gozon, 1864 (engraving)

JAB4121726: Le marquis de Montcalm-Gozon, 1864 (engraving), Unknown Artist, (19th century) / Bridgeman Images


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