Gillray, James (1757-1815) Assets (1003 in total)

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A Man of Importance, published by Hannah Humphrey in 1799 (hand-coloured etching)
A Man of Importance, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189774: A Man of Importance, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Corsican and his Blood Hounds at the Window of the Tuilleries, Looking over Paris, published by Hannah Humphrey in 1815 (hand-coloured etching)
The Corsican and his Blood Hounds at the Window of the Tuilleries, Looking over Paris, published by Hannah Humphrey in 1815 (hand-coloured etching)

NCO190150: The Corsican and his Blood Hounds at the Window of the Tuilleries, Looking over Paris, published by Hannah Humphrey in 1815 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching)
A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190486: A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)
The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)

NCO191247: The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Three Mr Wiggins's, published by Hannah Humphrey in 1803 (hand-coloured etching)
The Three Mr Wiggins's, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO191250: The Three Mr Wiggins's, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Petty Professor of Modern History brought to Light, published by Hannah Humphrey in 1810 (etching with aquatint)
A Petty Professor of Modern History brought to Light, published by Hannah Humphrey in 1810 (etching with aquatint)

NCO191713: A Petty Professor of Modern History brought to Light, published by Hannah Humphrey in 1810 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, 1807 (hand-coloured etching)
British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, 1807 (hand-coloured etching)

NCO191758: British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)
Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)

LLJ586702: Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving), Gillray, James (1757-1815) / Bridgeman Images

Very Slippy-Weather, pub. 1808 (hand coloured engraving)
Very Slippy-Weather, pub. 1808 (hand coloured engraving)

STC2491298: Very Slippy-Weather, pub. 1808 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving)
Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving)

STC2962468: Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving)
Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving)

STC2966822: Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving)
Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving)

STC2962484: Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Lady Putting on Her Hat, 1795 (etching)
A Lady Putting on Her Hat, 1795 (etching)

XJF869687: A Lady Putting on Her Hat, 1795 (etching), Gillray, James (1757-1815) / Bridgeman Images

Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul.
Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul.

LZT1012549: Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul., Gillray, James (1757-1815) / Bridgeman Images

Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground.
Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground.

LZT1012579: Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground., Gillray, James (1757-1815) / Bridgeman Images

St George and the Dragon, 1805 (coloured engraving)
St George and the Dragon, 1805 (coloured engraving)

HRP2624929: St George and the Dragon, 1805 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bridal Night, pub. 1797 (hand coloured engraving)
The Bridal Night, pub. 1797 (hand coloured engraving)

STC3035683: The Bridal Night, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

'The ravages of strong drink' - caricature
'The ravages of strong drink' - caricature

XLF3787592: 'The ravages of strong drink' - caricature, Gillray, James (1757-1815) / Bridgeman Images

Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching)
Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching)

NCO1218695: Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching)
Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching)

NCO1218698: Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving)
Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving)

STC2966796: Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching)
The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching)

NCO190475: The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching)
The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching)

NCO191724: The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching), Gillray, James (1757-1815) / Bridgeman Images

Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint)
Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint)

NCO189767: Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)
A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO190100: A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

BAL64348: "Temperance Enjoying a Frugal Meal", caricature of George III and Queen Charlotte (b/w print), Gillray, James (1757-1815) / Bridgeman Images

XJF121251: "John Bull's Progress", pub. by Hannah Humphrey, 1793 (etching) (b&w photo), Gillray, James (1757-1815) / Bridgeman Images

Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving)
Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving)

NCO190444: Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving), Gillray, James (1757-1815) / Bridgeman Images

The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191729: The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching)
A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO191726: A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Mendoza (aquatint)
Mendoza (aquatint)

BSA273439: Mendoza (aquatint), Gillray, James (1757-1815) / Bridgeman Images

Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving)
Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving)

NCO253712: Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving)
A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving)

NCO253709: A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805
Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805

LSE4110137: Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805, Gillray, James (1757-1815) / Bridgeman Images

A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching)
A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO189762: A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Modern Grace, or the Operatical Finale to the Ballet of Alonzo e caro, published by Hannah Humphrey in 1796 (pen and ink on paper)
Modern Grace, or the Operatical Finale to the Ballet of Alonzo e caro, published by Hannah Humphrey in 1796 (pen and ink on paper)

NCO190147: Modern Grace, or the Operatical Finale to the Ballet of Alonzo e caro, published by Hannah Humphrey in 1796 (pen and ink on paper), Gillray, James (1757-1815) / Bridgeman Images


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