Gillray, James (1757-1815) Assets (1002 in total)

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Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching)
Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching)

BAL42764: Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching)
'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching)

BAL42784: 'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Satirical Cartoon in the Daily Advertiser regarding Dundas' Speech in the House of Commons, 1797
Satirical Cartoon in the Daily Advertiser regarding Dundas' Speech in the House of Commons, 1797

BAL42773: Satirical Cartoon in the Daily Advertiser regarding Dundas' Speech in the House of Commons, 1797, Gillray, James (1757-1815) / Bridgeman Images

The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving)
The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving)

BAL42772: The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching)
The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching)

NCO189743: The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching), Gillray, James (1757-1815) / Bridgeman Images

Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)
Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)

NCO189756: Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

German Luxury, or Repos a l'Allemand, published by Hannah Humphrey in 1800 (hand-coloured etching)
German Luxury, or Repos a l'Allemand, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO190167: German Luxury, or Repos a l'Allemand, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, published by S.W. Fores in 1787 (hand-coloured etching)
Ancient Music, published by S.W. Fores in 1787 (hand-coloured etching)

NCO190404: Ancient Music, published by S.W. Fores in 1787 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching)
Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO190139: Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)
Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)

NCO190166: Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Physical Aid, or Britannia recovered from a trance: also, The Patriotic Courage of Sherry Andrews & a Peep into the Fog, published by Hannah Humphrey in 1803 (hand-coloured etching)
Physical Aid, or Britannia recovered from a trance: also, The Patriotic Courage of Sherry Andrews & a Peep into the Fog, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO190181: Physical Aid, or Britannia recovered from a trance: also, The Patriotic Courage of Sherry Andrews & a Peep into the Fog, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Incubus 1784 (hand-coloured etching)
The Incubus 1784 (hand-coloured etching)

NCO190408: The Incubus 1784 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

'There's more ways than one' or Coalition Expedients, published by Hannah Humphrey in 1788 (hand-coloured etching)
'There's more ways than one' or Coalition Expedients, published by Hannah Humphrey in 1788 (hand-coloured etching)

NCO191248: 'There's more ways than one' or Coalition Expedients, published by Hannah Humphrey in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Le Ministre d'Etat en grand costume, from the series, 'Habits of the New French Legislators and other Public Functionaries, published by Hannah Humphrey in 1798 (hand-coloured etching)
Le Ministre d'Etat en grand costume, from the series, 'Habits of the New French Legislators and other Public Functionaries, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO191270: Le Ministre d'Etat en grand costume, from the series, 'Habits of the New French Legislators and other Public Functionaries, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.
Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.

LZT1012650: Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806, Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon., Gillray, James (1757-1815) / Bridgeman Images

Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.
Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.

LZT1012533: Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby., Gillray, James (1757-1815) / Bridgeman Images

Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets.
Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets.

LZT1012627: Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets., Gillray, James (1757-1815) / Bridgeman Images

Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains.
Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains.

LZT1012647: Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains., Gillray, James (1757-1815) / Bridgeman Images

Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)
Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)

LLJ586338: Counsellor O.P. - defender of our Theatric Liberties (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)
Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)

LLJ586397: Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

FIA5360458: "Family walk", 1797 (watercolour), Gillray, James (1757-1815) / Bridgeman Images

Enchantments Lately Seen Upon the Mountains of Wales or
Enchantments Lately Seen Upon the Mountains of Wales or

HST3083638: Enchantments Lately Seen Upon the Mountains of Wales or "Shon-ap-Morgan's Reconcilement to the Fairy Princess", published June 30, 1796 (etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

A Sun setting in a Fog: with the Old Hanover Hack descending, 1783 (coloured engraving)
A Sun setting in a Fog: with the Old Hanover Hack descending, 1783 (coloured engraving)

HRP2624871: A Sun setting in a Fog: with the Old Hanover Hack descending, 1783 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Patriots amusing themselves, or Swedes practising at a post, 1792 (engraving)
Patriots amusing themselves, or Swedes practising at a post, 1792 (engraving)

HRP2624898: Patriots amusing themselves, or Swedes practising at a post, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Presentation of the Mahometan Credentials, or The final resource of French Atheists, 1793 (coloured engraving)
Presentation of the Mahometan Credentials, or The final resource of French Atheists, 1793 (coloured engraving)

HRP2624907: Presentation of the Mahometan Credentials, or The final resource of French Atheists, 1793 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Military Sketch of a Gilt Stick, or a Poker Emblazoned, 1800 (hand-coloured engraving)
A Military Sketch of a Gilt Stick, or a Poker Emblazoned, 1800 (hand-coloured engraving)

HRP2624535: A Military Sketch of a Gilt Stick, or a Poker Emblazoned, 1800 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A kick at the broad-bottoms!-i.e.-Emancipation of all the talents!, 1807 (coloured engraving)
A kick at the broad-bottoms!-i.e.-Emancipation of all the talents!, 1807 (coloured engraving)

HRP2624942: A kick at the broad-bottoms!-i.e.-Emancipation of all the talents!, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Block for the Wigs - or, the New State Whirligig, 1783 (coloured engraving)
A Block for the Wigs - or, the New State Whirligig, 1783 (coloured engraving)

HRP2624875: A Block for the Wigs - or, the New State Whirligig, 1783 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Devil to Pay, 1791 (coloured engraving)
The Devil to Pay, 1791 (coloured engraving)

HRP2624893: The Devil to Pay, 1791 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bridal Night, 1797 (coloured engraving)
The Bridal Night, 1797 (coloured engraving)

HRP2624921: The Bridal Night, 1797 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


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