Gillray, James (1757-1815) Assets (1003 in total)

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A peep at Christies; - or - tally-ho, and his Nimeny-pimmeney taking the morning lounge, pub. 1796 (hand coloured engraving)
A peep at Christies; - or - tally-ho, and his Nimeny-pimmeney taking the morning lounge, pub. 1796 (hand coloured engraving)

STC3035674: A peep at Christies; - or - tally-ho, and his Nimeny-pimmeney taking the morning lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)
Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)

NRM259570: Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Gout, 1799 (hand-coloured soft-ground etching on wove paper)
The Gout, 1799 (hand-coloured soft-ground etching on wove paper)

ONT995994: The Gout, 1799 (hand-coloured soft-ground etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching)
The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching)

HRP2624544: The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Guy Vaux, 1782 (coloured engraving)
Guy Vaux, 1782 (coloured engraving)

HRP2624873: Guy Vaux, 1782 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Argus, 1780 (engraving)
Argus, 1780 (engraving)

HRP2624866: Argus, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, 1787 (coloured engraving)
Ancient Music, 1787 (coloured engraving)

HRP2624888: Ancient Music, 1787 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Polonius, 1795 (coloured engraving)
Polonius, 1795 (coloured engraving)

HRP2624914: Polonius, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving)
And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving)

HRP2624865: And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Jack a' Both Sides, 1783 (coloured engraving)
Jack a' Both Sides, 1783 (coloured engraving)

HRP2624876: Jack a' Both Sides, 1783 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Rodney Introducing De Grasse, 1782 (coloured engraving)
Rodney Introducing De Grasse, 1782 (coloured engraving)

HRP2624872: Rodney Introducing De Grasse, 1782 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A new way to pay the National Debt, 1786 (coloured engraving)
A new way to pay the National Debt, 1786 (coloured engraving)

HRP2624884: A new way to pay the National Debt, 1786 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805
Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805

EVB2931185: Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805, Gillray, James (1757-1815) / Bridgeman Images

A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)
A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)

HST2908325: A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper), Gillray, James (1757-1815) / Bridgeman Images

A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper)
A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper)

HST3083722: A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper), Gillray, James (1757-1815) / Bridgeman Images

Malagrida, driving post, 1792 (etching)
Malagrida, driving post, 1792 (etching)

HRP2966589: Malagrida, driving post, 1792 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Gordon Knot or
The Gordon Knot or

HST3083640: The Gordon Knot or "The Bonny-Duchess Hunting the Bedfordshire Bull", published April 29, 1797 (etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

The State Watchman Discovered by the Genius of Britain, 1781
The State Watchman Discovered by the Genius of Britain, 1781

HRP5245424: The State Watchman Discovered by the Genius of Britain, 1781, Gillray, James (1757-1815) / Bridgeman Images

Gambling in society (engraving)
Gambling in society (engraving)

LLM3635121: Gambling in society (engraving), Gillray, James (1757-1815) / Bridgeman Images

Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)
Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)

LLJ586338: Counsellor O.P. - defender of our Theatric Liberties (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)
Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)

LLJ586397: Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

French Volunteers, marching to the Conquest of Great Britain, published by Hannah Humphrey in 1799 (hand-coloured etching)
French Volunteers, marching to the Conquest of Great Britain, published by Hannah Humphrey in 1799 (hand-coloured etching)

STC1275089: French Volunteers, marching to the Conquest of Great Britain, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains.
Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains.

LZT1012647: Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains., Gillray, James (1757-1815) / Bridgeman Images

Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.
Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.

LZT1012650: Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806, Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon., Gillray, James (1757-1815) / Bridgeman Images

Connoisseurs Examining a Collection of George Morland's, 1807 (engraving)
Connoisseurs Examining a Collection of George Morland's, 1807 (engraving)

STC2562208: Connoisseurs Examining a Collection of George Morland's, 1807 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Prince of Wales, 1802 (hand-coloured etching)
The Prince of Wales, 1802 (hand-coloured etching)

BLL1203617: The Prince of Wales, 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.
Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.

LZT1012533: Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby., Gillray, James (1757-1815) / Bridgeman Images

Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets.
Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets.

LZT1012627: Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets., Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Invasion or The Desruction of the French Armada, pub. 1797 (hand coloured engraving)
End of the Irish Invasion or The Desruction of the French Armada, pub. 1797 (hand coloured engraving)

STC2966811: End of the Irish Invasion or The Desruction of the French Armada, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Evening Consolation, pub. 1785 (hand coloured engraving)
Evening Consolation, pub. 1785 (hand coloured engraving)

STC2962527: Evening Consolation, pub. 1785 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Patriotic Petitions on the Convention, published by Hannah Humphrey (hand-coloured etching)
Patriotic Petitions on the Convention, published by Hannah Humphrey (hand-coloured etching)

NCO193107: Patriotic Petitions on the Convention, published by Hannah Humphrey (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793 (hand-coloured etching)
The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO193110: The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Fall of Dagon, or Rare News for Leadenhall Street, published by William Humphrey in 1784 (hand-coloured etching)
The Fall of Dagon, or Rare News for Leadenhall Street, published by William Humphrey in 1784 (hand-coloured etching)

NCO193194: The Fall of Dagon, or Rare News for Leadenhall Street, published by William Humphrey in 1784 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The House that Jack Built, published by Walker in 1809 (hand-coloured etching)
The House that Jack Built, published by Walker in 1809 (hand-coloured etching)

BBC193404: The House that Jack Built, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Flemish Characters, published by G. Humphrey in 1793 (hand-coloured engraving)
Flemish Characters, published by G. Humphrey in 1793 (hand-coloured engraving)

NCO190126: Flemish Characters, published by G. Humphrey in 1793 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)
Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)

NCO190166: Sir Sidney Smith (1764-1840) published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images


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