Gillray, James (1757-1815) Assets (1002 in total)
Results
FIT167669: Presages of the Millennium, published 1795 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images
XJF243297: The Theatrical Bubble... published by Hannah Humphrey (fl.1778-1822) 1805 (etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images
XCF275009: The Lover's Dream, 24th January 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO190400: A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO190421: The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193185: A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190137: Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190160: La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189766: Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190420: Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190468: The Balance of Power, or The Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190145: A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190195: Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190199: Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190413: The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190443: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191277: Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191213: Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191281: 8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191294: Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193152: The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193178: The Bear and his Leader, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193407: Old Wisdom: Blinking at the Stars, published in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images
XJF129851: Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images
NCO189746: Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO191276: The Friendly Agent, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images
JEF1763987: A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO272019: Ecclesiastical and Political, State of the Nation, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO260490: Ministerial Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images
NCO1218697: Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2490075: A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
BLL1203628: Hounds throwing off, 1800 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images
STC2562156: High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
