Gillray, James (1757-1815) Assets (1003 in total)

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A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.
A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.

LZT1012649: A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings., Gillray, James (1757-1815) / Bridgeman Images

A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.
A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.

LZT1012636: A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown., Gillray, James (1757-1815) / Bridgeman Images

The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving)
The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving)

STC872451: The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The French Consular Triumvirate, 1800 (engraving)
The French Consular Triumvirate, 1800 (engraving)

REV884389: The French Consular Triumvirate, 1800 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching)
Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching)

NCO1218697: Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Hounds throwing off, 1800 (hand-coloured etching & aquatint)
Hounds throwing off, 1800 (hand-coloured etching & aquatint)

BLL1203628: Hounds throwing off, 1800 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Richard Howe, 1st Earl Howe ('Black-Dick turn'd taylor'), pub. 1788 (hand coloured engraving)
Richard Howe, 1st Earl Howe ('Black-Dick turn'd taylor'), pub. 1788 (hand coloured engraving)

STC2966795: Richard Howe, 1st Earl Howe ('Black-Dick turn'd taylor'), pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of Patriotic Information, pub. 1798 (hand coloured engraving)
Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of Patriotic Information, pub. 1798 (hand coloured engraving)

STC2966819: Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of Patriotic Information, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving)
Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving)

STC2966882: Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving) , Gillray, James (1757-1815) / Bridgeman Images

A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching)
A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching)

JEF1763987: A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching), Gillray, James (1757-1815) / Bridgeman Images

Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving)
Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving)

STC3025364: Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Her Royal Highness the Duchess of York, pub. 1792 (hand coloured engraving)
Her Royal Highness the Duchess of York, pub. 1792 (hand coloured engraving)

STC3025379: Her Royal Highness the Duchess of York, pub. 1792 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)
….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)

STC3025945: ….this is a Sorry Sight! Pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pity the Sorrows of a Poor Old Man, pub. 1796 (hand coloured engraving)
Pity the Sorrows of a Poor Old Man, pub. 1796 (hand coloured engraving)

STC2962481: Pity the Sorrows of a Poor Old Man, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bottomless Pitt, 1792 (engraving)
The Bottomless Pitt, 1792 (engraving)

NCO2632292: The Bottomless Pitt, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself, 1809 (coloured engraving)
The Life of William Cobbett, written by himself, 1809 (coloured engraving)

NCO2632322: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)
Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)

STC2636968: Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day.
A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day.

LZT1012595: A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day., Gillray, James (1757-1815) / Bridgeman Images

The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.
The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.

LZT1012635: The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown., Gillray, James (1757-1815) / Bridgeman Images

Very Slippy Weather, 1808 (coloured engraving)
Very Slippy Weather, 1808 (coloured engraving)

NCO1127956: Very Slippy Weather, 1808 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

TRI168502: "Scientific Researches! New Discoveries in PNEUMATICKS! or An Experimental Lecture on the Powers of Air", cartoon of a lecture at the Royal Institution demonstrating the effects of laughing gas (nitrous oxide) (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching)
The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO191215: The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching)
8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191281: 8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching)
Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191717: Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)
Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

NCO191735: Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Presages of the Millennium, published 1795 (hand coloured etching)
Presages of the Millennium, published 1795 (hand coloured etching)

FIT167669: Presages of the Millennium, published 1795 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)
Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)

NCO189746: Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO189779: The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching)
A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO190136: A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)
A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO190191: A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129851: Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)
New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189799: New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dutch Divisions, published by S.W. Fores in 1787 (etching)
The Dutch Divisions, published by S.W. Fores in 1787 (etching)

NCO190102: The Dutch Divisions, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190114: A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching)
A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching)

NCO190145: A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching)
La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190160: La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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