Gillray, James (1757-1815) Assets (1003 in total)

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A Kick at the Broad Bottoms, i.e. Emancipation of all the Talents, pub. 1807 (hand coloured engraving)
A Kick at the Broad Bottoms, i.e. Emancipation of all the Talents, pub. 1807 (hand coloured engraving)

STC2636941: A Kick at the Broad Bottoms, i.e. Emancipation of all the Talents, pub. 1807 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Comforts of a Rumford Stove, pub. 1800 (hand coloured engraving)
The Comforts of a Rumford Stove, pub. 1800 (hand coloured engraving)

STC2489981: The Comforts of a Rumford Stove, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)
The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)

STC1219481: The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pizarro contemplating over the product of his new Peruvian Mine, 1799 (coloured engraving)
Pizarro contemplating over the product of his new Peruvian Mine, 1799 (coloured engraving)

NCO2632288: Pizarro contemplating over the product of his new Peruvian Mine, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Metallic Tractors, 1801 (coloured engraving)
Metallic Tractors, 1801 (coloured engraving)

NCO2632291: Metallic Tractors, 1801 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632318: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving)
Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving)

STC2490625: Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.
The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.

LZT1012644: The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin., Gillray, James (1757-1815) / Bridgeman Images

The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,
The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,

LZT1012539: The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,, Gillray, James (1757-1815) / Bridgeman Images

Sandwich-Carrots! Dainty Sandwich Carrots, a Buxom Girl Pushing a Wheelbarrow of Carrots Along Bond Street, Looking Over Her Shoulder at an Older Man, Possibly the Son of John Montagu, 4th Earl of Sandwich, Who is Tugging at Her Apron. In the Background is a Bookstore Exhibiting the Royal Arms. Displayed in the Window Are Books with the Titles a Chip of the Old Block, Doe Hunting an Ode by an Old Buck Hound, a List of Servant Maids, the Beauties of Bond Street and a Journey Through Life from Maddox Street Unto Conduit Street and Back Again
Sandwich-Carrots! Dainty Sandwich Carrots, a Buxom Girl Pushing a Wheelbarrow of Carrots Along Bond Street, Looking Over Her Shoulder at an Older Man, Possibly the Son of John Montagu, 4th Earl of Sandwich, Who is Tugging at Her Apron. In the Background is a Bookstore Exhibiting the Royal Arms. Displayed in the Window Are Books with the Titles a Chip of the Old Block, Doe Hunting an Ode by an Old Buck Hound, a List of Servant Maids, the Beauties of Bond Street and a Journey Through Life from Maddox Street Unto Conduit Street and Back Again

LZT1012641: Sandwich-Carrots! Dainty Sandwich Carrots, a Buxom Girl Pushing a Wheelbarrow of Carrots Along Bond Street, Looking Over Her Shoulder at an Older Man, Possibly the Son of John Montagu, 4th Earl of Sandwich, Who is Tugging at Her Apron. In the Background is a Bookstore Exhibiting the Royal Arms. Displayed in the Window Are Books with the Titles a Chip of the Old Block, Doe Hunting an Ode by an Old Buck Hound, a List of Servant Maids, the Beauties of Bond Street and a Journey Through Life from Maddox Street Unto Conduit Street and Back Again, Gillray, James (1757-1815) / Bridgeman Images

Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving)
Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving)

STC872453: Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.
End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.

LZT1012628: End of the Irish Invasion or the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard., Gillray, James (1757-1815) / Bridgeman Images

New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.
New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.

LZT1012675: New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan., Gillray, James (1757-1815) / Bridgeman Images

NCO89952: "Dumourier dining in State at St. James's on the 15th May 1793", pub. by Hannah Humphrey, 1793 (etching) (see also 124839), Gillray, James (1757-1815) / Bridgeman Images

Exaltation of Faro's Daughters, pub. 1796 (hand coloured engraving)
Exaltation of Faro's Daughters, pub. 1796 (hand coloured engraving)

STC3035670: Exaltation of Faro's Daughters, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Jersey Smuggler detected, or Good cause for Separation, Marriage Vows are False as Dicers oaths, pub. 1796 (hand coloured engraving)
The Jersey Smuggler detected, or Good cause for Separation, Marriage Vows are False as Dicers oaths, pub. 1796 (hand coloured engraving)

STC3035671: The Jersey Smuggler detected, or Good cause for Separation, Marriage Vows are False as Dicers oaths, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Affability, 1795 (coloured engraving)
Affability, 1795 (coloured engraving)

HRP2624913: Affability, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint)
The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint)

HRP2624925: The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint), Gillray, James (1757-1815) / Bridgeman Images

The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving)
The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving)

HRP2624543: The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The British Butcher, supplying John Bull with a substitute for bread (etching)
The British Butcher, supplying John Bull with a substitute for bread (etching)

HRP2966586: The British Butcher, supplying John Bull with a substitute for bread (etching), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music [recto], 1787-1789 (hand-coloured etching on paper)
Ancient Music [recto], 1787-1789 (hand-coloured etching on paper)

HST3083720: Ancient Music [recto], 1787-1789 (hand-coloured etching on paper), Gillray, James (1757-1815) / Bridgeman Images

Sans-Culottes, Feeding Europe with the Bread of Liberty, published January 12, 1793 (etching on wove paper)
Sans-Culottes, Feeding Europe with the Bread of Liberty, published January 12, 1793 (etching on wove paper)

HST3083634: Sans-Culottes, Feeding Europe with the Bread of Liberty, published January 12, 1793 (etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, 1798 (etching on paper)
A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, 1798 (etching on paper)

HST3083655: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, 1798 (etching on paper), Gillray, James (1757-1815) / Bridgeman Images

Characters in High Life, 1795
Characters in High Life, 1795

HRP5245602: Characters in High Life, 1795, Gillray, James (1757-1815) / Bridgeman Images

A Sale of English Beauties in the East Indies, pub. 1786  (hand coloured engraving)
A Sale of English Beauties in the East Indies, pub. 1786  (hand coloured engraving)

STC3035659: A Sale of English Beauties in the East Indies, pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

George III  caricature by James Gillray
George III  caricature by James Gillray

XLF3787590: George III caricature by James Gillray, Gillray, James (1757-1815) / Bridgeman Images

Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving)
Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving)

LLM5997519: Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving)
Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving)

LLJ602574: Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Very Slippy Weather (coloured engraving)
Very Slippy Weather (coloured engraving)

LLJ582327: Very Slippy Weather (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving)
A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving)

STC872449: A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Peep at Christies or Tally Ho, and  His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue.
A Peep at Christies or Tally Ho, and  His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue.

LZT1012562: A Peep at Christies or Tally Ho, and His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue., Gillray, James (1757-1815) / Bridgeman Images

The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth.
The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth.

LZT1012552: The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth., Gillray, James (1757-1815) / Bridgeman Images

The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.
The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.

LZT1012646: The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right., Gillray, James (1757-1815) / Bridgeman Images

Gloria Mundi, or the Devil Addressing the Sun  Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.
Gloria Mundi, or the Devil Addressing the Sun  Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.

LZT1012629: Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death., Gillray, James (1757-1815) / Bridgeman Images

Les Invisibles, 1810 (hand-coloured engraving)
Les Invisibles, 1810 (hand-coloured engraving)

STC708888: Les Invisibles, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching)
Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching)

NCO1218696: Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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