Vinci, Leonardo da (1452-1519) Assets (3161 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

A rocky outcrop, c.1510 (black chalk on paper)
A rocky outcrop, c.1510 (black chalk on paper)

ROC478415: A rocky outcrop, c.1510 (black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A plan of a weir and embankment on the Arno east of Florence, 1504 (pen & ink with brown and blue wash, over black chalk on paper)
A plan of a weir and embankment on the Arno east of Florence, 1504 (pen & ink with brown and blue wash, over black chalk on paper)

ROC3930012: A plan of a weir and embankment on the Arno east of Florence, 1504 (pen & ink with brown and blue wash, over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Asses and an ox, c.1478 (pen & ink with chalk on paper)
Asses and an ox, c.1478 (pen & ink with chalk on paper)

ROC487772: Asses and an ox, c.1478 (pen & ink with chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa) (drawing)
Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa) (drawing)

JLJ4653223: Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa) (drawing), Vinci, Leonardo da (1452-1519) / Musee Conde, Chantilly, France / Bridgeman Images

The drapery of a kneeling figure, c.1491-94 (brush & black ink heightened with white on blue prepared paper)
The drapery of a kneeling figure, c.1491-94 (brush & black ink heightened with white on blue prepared paper)

ROC409848: The drapery of a kneeling figure, c.1491-94 (brush & black ink heightened with white on blue prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A standing masquerader, c.1517 (black chalk on paper)
A standing masquerader, c.1517 (black chalk on paper)

ROC478422: A standing masquerader, c.1517 (black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A study of drapery for a Salvator Mundi, c.1504-8 (red chalk with touches of white chalk and pen and ink on pale red prepared paper)
A study of drapery for a Salvator Mundi, c.1504-8 (red chalk with touches of white chalk and pen and ink on pale red prepared paper)

ROC3703867: A study of drapery for a Salvator Mundi, c.1504-8 (red chalk with touches of white chalk and pen and ink on pale red prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Study for a Madonna with a Cat, c.1478-80 (pen and ink over stylus underdrawing on paper)
Study for a Madonna with a Cat, c.1478-80 (pen and ink over stylus underdrawing on paper)

XJF311691: Study for a Madonna with a Cat, c.1478-80 (pen and ink over stylus underdrawing on paper), Vinci, Leonardo da (1452-1519) / British Museum, London, UK / Bridgeman Images

Dodecahedron, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo)
Dodecahedron, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo)

XIR217648: Dodecahedron, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo), Vinci, Leonardo da (1452-1519) / Bibliotheque Nationale, Paris, France / Bridgeman Images

The rivers and mountains of central Italy, c.1502-4 (pen and ink, and brown and blue wash, over black chalk)
The rivers and mountains of central Italy, c.1502-4 (pen and ink, and brown and blue wash, over black chalk)

ROC3955998: The rivers and mountains of central Italy, c.1502-4 (pen and ink, and brown and blue wash, over black chalk), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Recto: The bones and schematised muscles of the leg, c.1510 (pen & ink over traces of black chalk on paper)
Recto: The bones and schematised muscles of the leg, c.1510 (pen & ink over traces of black chalk on paper)

ROC5892727: Recto: The bones and schematised muscles of the leg, c.1510 (pen & ink over traces of black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Marsh marigold (Caltha palustris) and wood anemone (Anemone nemorosa), c.1505 (pen & ink over chalk on paper)
Marsh marigold (Caltha palustris) and wood anemone (Anemone nemorosa), c.1505 (pen & ink over chalk on paper)

ROC493253: Marsh marigold (Caltha palustris) and wood anemone (Anemone nemorosa), c.1505 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The head of a youth in profile, c.1510 (chalk on red paper)
The head of a youth in profile, c.1510 (chalk on red paper)

ROC443714: The head of a youth in profile, c.1510 (chalk on red paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The Skeleton, c.1510 (pen & ink with wash over black chalk on paper)
The Skeleton, c.1510 (pen & ink with wash over black chalk on paper)

ROC399276: The Skeleton, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The muscles of the upper spine, c.1510 (pen & ink with wash, over black chalk on paper)
The muscles of the upper spine, c.1510 (pen & ink with wash, over black chalk on paper)

ROC409854: The muscles of the upper spine, c.1510 (pen & ink with wash, over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper)
The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper)

ROC409849: The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Battle of Horsemen Study for the Battle of Anghiari (opposing the Milanese against the Florentines on 29/06/1440) Drawing in the pen of Leonardo da Vinci (Leonard de Vinci) (1452-1519) Sun. 14,7 x 15,5 cm Venice Gallerie dell'Accademia
Battle of Horsemen Study for the Battle of Anghiari (opposing the Milanese against the Florentines on 29/06/1440) Drawing in the pen of Leonardo da Vinci (Leonard de Vinci) (1452-1519) Sun. 14,7 x 15,5 cm Venice Gallerie dell'Accademia

GIA4707673: Battle of Horsemen Study for the Battle of Anghiari (opposing the Milanese against the Florentines on 29/06/1440) Drawing in the pen of Leonardo da Vinci (Leonard de Vinci) (1452-1519) Sun. 14,7 x 15,5 cm Venice Gallerie dell'Accademia, Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

The throat, and the muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper) (recto of 399265)
The throat, and the muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper) (recto of 399265)

ROC5321249: The throat, and the muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper) (recto of 399265), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899938)
UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899938)

ROC3899937: UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899938), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The brachial plexus, c.1508 (pen & ink over black chalk on paper)
The brachial plexus, c.1508 (pen & ink over black chalk on paper)

ROC478431: The brachial plexus, c.1508 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The bones and muscles of a bird's wing  c.1512-13 (pen & ink over chalk on paper)
The bones and muscles of a bird's wing  c.1512-13 (pen & ink over chalk on paper)

ROC2837523: The bones and muscles of a bird's wing c.1512-13 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The Last Supper, 1495-97 (fresco) (post restoration)
The Last Supper, 1495-97 (fresco) (post restoration)

BAL230520: The Last Supper, 1495-97 (fresco) (post restoration), Vinci, Leonardo da (1452-1519) / Museo del Cenacolo Vinciano,Santa Maria delle Grazie (Museum of the Last Supper), Milan, Italy / Bridgeman Images

Portrait of Isabella d'Este, marchioness of Mantua, ca. 1500 (drawing on paper)
Portrait of Isabella d'Este, marchioness of Mantua, ca. 1500 (drawing on paper)

LRI4582011: Portrait of Isabella d'Este, marchioness of Mantua, ca. 1500 (drawing on paper), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

The veins and muscles of the arm, c.1510 (pen & ink over black chalk on paper)
The veins and muscles of the arm, c.1510 (pen & ink over black chalk on paper)

ROC399275: The veins and muscles of the arm, c.1510 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Studies of drapery for a Salvator Mundi, c.1504-8 (red chalk with pen and ink and white heightening on pale red prepared paper)
Studies of drapery for a Salvator Mundi, c.1504-8 (red chalk with pen and ink and white heightening on pale red prepared paper)

ROC3703868: Studies of drapery for a Salvator Mundi, c.1504-8 (red chalk with pen and ink and white heightening on pale red prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A Map of the Pontine marshes, 1515 (pen & ink with wash, gouache & chalk on paper)
A Map of the Pontine marshes, 1515 (pen & ink with wash, gouache & chalk on paper)

ROC489436: A Map of the Pontine marshes, 1515 (pen & ink with wash, gouache & chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Study of a Madonna and Child (black ink on paper)
Study of a Madonna and Child (black ink on paper)

AII80163: Study of a Madonna and Child (black ink on paper), Vinci, Leonardo da (1452-1519) / Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

Studies of horses and soldiers for the 'Battle of Anghiari', c.1503-04 (chalk on paper)
Studies of horses and soldiers for the 'Battle of Anghiari', c.1503-04 (chalk on paper)

ROC399226: Studies of horses and soldiers for the 'Battle of Anghiari', c.1503-04 (chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Study of Two Warriors' Heads for the Battle of Anghiari, 1504-05 (black chalk and sanguine on paper)
Study of Two Warriors' Heads for the Battle of Anghiari, 1504-05 (black chalk and sanguine on paper)

FIA5399582: Study of Two Warriors' Heads for the Battle of Anghiari, 1504-05 (black chalk and sanguine on paper), Vinci, Leonardo da (1452-1519) / Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary / Bridgeman Images

Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)
Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)

ROC5674268: Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The mesentery of the bowel and its blood supply, with notes, c.1508 (pen & ink over chalk on paper)
The mesentery of the bowel and its blood supply, with notes, c.1508 (pen & ink over chalk on paper)

ROC443645: The mesentery of the bowel and its blood supply, with notes, c.1508 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The Ermine as a Symbol of Purity, c.1494 (pen and brown ink over black on paper)
The Ermine as a Symbol of Purity, c.1494 (pen and brown ink over black on paper)

FIT167665: The Ermine as a Symbol of Purity, c.1494 (pen and brown ink over black on paper), Vinci, Leonardo da (1452-1519) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

The tendons of the lower leg and foot, c.1510 (pen & ink over black chalk on paper)
The tendons of the lower leg and foot, c.1510 (pen & ink over black chalk on paper)

ROC399278: The tendons of the lower leg and foot, c.1510 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The proportions of the head, and a standing nude, c.1490 (pen & ink and metalpoint on paper)
The proportions of the head, and a standing nude, c.1490 (pen & ink and metalpoint on paper)

ROC399251: The proportions of the head, and a standing nude, c.1490 (pen & ink and metalpoint on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)
A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)

XBP341803: A page from the Codex Leicester, 1508-12 (sepia ink on linen paper), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

Drapery study for a kneeling figure in Profil Perdu to the right, c.1472-75 (brush & grey tempera with white on canvas)
Drapery study for a kneeling figure in Profil Perdu to the right, c.1472-75 (brush & grey tempera with white on canvas)

XAL291495: Drapery study for a kneeling figure in Profil Perdu to the right, c.1472-75 (brush & grey tempera with white on canvas), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images


Back to top