Vinci, Leonardo da (1452-1519) Assets (3220 in total)

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A seated man, and studies and notes on the movement of water, c.1510 (pen & ink on paper)
A seated man, and studies and notes on the movement of water, c.1510 (pen & ink on paper)

ROC399250: A seated man, and studies and notes on the movement of water, c.1510 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

La Gioconda Nude (gouache & black chalk on paper)
La Gioconda Nude (gouache & black chalk on paper)

CND152191: La Gioconda Nude (gouache & black chalk on paper), Vinci, Leonardo da (1452-1519) / Musee Conde, Chantilly, France / Bridgeman Images

M S B 2173 fol. 74r Studies of wing articulation, 1487-90 (pen & ink on paper)
M S B 2173 fol. 74r Studies of wing articulation, 1487-90 (pen & ink on paper)

XJF308791: M S B 2173 fol. 74r Studies of wing articulation, 1487-90 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

A man tricked by gypsies, c.1493 (pen & ink on paper)
A man tricked by gypsies, c.1493 (pen & ink on paper)

ROC399243: A man tricked by gypsies, c.1493 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Head of a Woman (charcoal on paper)
Head of a Woman (charcoal on paper)

FAF152190: Head of a Woman (charcoal on paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

A woman in a landscape, c.1517 (black chalk on paper)
A woman in a landscape, c.1517 (black chalk on paper)

ROC405162: A woman in a landscape, c.1517 (black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A tempest, c.1517-18 (pen & ink, chalk, wash and heightening on paper)
A tempest, c.1517-18 (pen & ink, chalk, wash and heightening on paper)

ROC399234: A tempest, c.1517-18 (pen & ink, chalk, wash and heightening on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Studies of the Illumination of the Moon, A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)
Studies of the Illumination of the Moon, A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)

XBP340119: Studies of the Illumination of the Moon, A page from the Codex Leicester, 1508-12 (sepia ink on linen paper), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper
Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper

FTB165450: Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper, Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

Heads of horses, a lion and a man, c.1504 (pen & ink with wash and chalk on paper)
Heads of horses, a lion and a man, c.1504 (pen & ink with wash and chalk on paper)

ROC443677: Heads of horses, a lion and a man, c.1504 (pen & ink with wash and chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A skull sectioned, 1489 (pen & ink over black chalk on paper)
A skull sectioned, 1489 (pen & ink over black chalk on paper)

ROC399283: A skull sectioned, 1489 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473)
Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473)

LRI4572981: Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473), Vinci, Leonardo da (1452-1519) / Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

Ritratto di dama, Portrait of a lady from the court of Milan, 15th century (oil on wood)
Ritratto di dama, Portrait of a lady from the court of Milan, 15th century (oil on wood)

JLJ4685104: Ritratto di dama, Portrait of a lady from the court of Milan, 15th century (oil on wood), Vinci, Leonardo da (1452-1519) / Louvre, Paris, France / Bridgeman Images

The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper)
The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper)

ROC399266: The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The Virgin of the Rocks (with the Infant St. John adoring the Infant Christ accompanied by an Angel), detail, c.1508 (oil on panel)
The Virgin of the Rocks (with the Infant St. John adoring the Infant Christ accompanied by an Angel), detail, c.1508 (oil on panel)

BAL72633: The Virgin of the Rocks (with the Infant St. John adoring the Infant Christ accompanied by an Angel), detail, c.1508 (oil on panel), Vinci, Leonardo da (1452-1519) / National Gallery, London, UK / Bridgeman Images

The Bones and Muscle of the arm, c.1510 (pen & ink with wash over black chalk on paper)
The Bones and Muscle of the arm, c.1510 (pen & ink with wash over black chalk on paper)

ROC475901: The Bones and Muscle of the arm, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Christ as Salvator Mundi, c.1500-15 (oil on panel)
Christ as Salvator Mundi, c.1500-15 (oil on panel)

FIA5385563: Christ as Salvator Mundi, c.1500-15 (oil on panel), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

Study of Horses and Riders, c.1480 (metalpoint on paper)
Study of Horses and Riders, c.1480 (metalpoint on paper)

FIT63167: Study of Horses and Riders, c.1480 (metalpoint on paper), Vinci, Leonardo da (1452-1519) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)
Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)

XJF311683: Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper), Vinci, Leonardo da (1452-1519) / British Museum, London, UK / Bridgeman Images

Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)

XAL152901: Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper)
The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper)

ROC409851: The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink)

MEV5045218: Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)
A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)

ROC412168: A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)
Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)

LRI4615986: Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)
A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)

ROC480619: A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Study for the Angel of the Virgin of the Rocks, by Leonardo da Vinci (1452-1519), c. 1478-1485 (metalpoint heightened with white on prepared paper)
Study for the Angel of the Virgin of the Rocks, by Leonardo da Vinci (1452-1519), c. 1478-1485 (metalpoint heightened with white on prepared paper)

FAF152181: Study for the Angel of the Virgin of the Rocks, by Leonardo da Vinci (1452-1519), c. 1478-1485 (metalpoint heightened with white on prepared paper), Vinci, Leonardo da (1452-1519) / Biblioteca Reale, Musei Reali, Turin, Piedmont, Italy / Bridgeman Images

The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)
The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)

ROC399273: The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo)
Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo)

XJF308792: Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

The anatomy of the neck, c.1512-13 (pen & ink on blue paper)
The anatomy of the neck, c.1512-13 (pen & ink on blue paper)

ROC427467: The anatomy of the neck, c.1512-13 (pen & ink on blue paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper)
Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper)

ROC399218: Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)
Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)

ROC427439: Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A horse in profile, and from the front (metalpoint on paper)
A horse in profile, and from the front (metalpoint on paper)

ROC399220: A horse in profile, and from the front (metalpoint on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)
The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)

ROC399269: The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)
The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)

ROC399277: The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)
Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)

BEN140571: Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)
The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)

ROC409853: The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images


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