Dore, Gustave (1832-83) Assets (2601 in total)

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Saint Peter and Saint John healing a blade, 19th century (engraving)
Saint Peter and Saint John healing a blade, 19th century (engraving)

XEE4161000: Saint Peter and Saint John healing a blade, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326329: The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328440: The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324900: The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9.

PCT4265309: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267132: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267142: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267164: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve Hunts from Paradise - Illustration by Gustave Dore for The Bible -
Adam and Eve Hunts from Paradise - Illustration by Gustave Dore for The Bible -

PCT4284991: Adam and Eve Hunts from Paradise - Illustration by Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -
Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -

PCT4285021: Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -, Dore, Gustave (1832-83) / Bridgeman Images

The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328428: The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328887: An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Dandolo preaching the crusade in the church of St Mark in Venice - engraving by Gustave Doré, 19th century
Dandolo preaching the crusade in the church of St Mark in Venice - engraving by Gustave Doré, 19th century

LSE4106848: Dandolo preaching the crusade in the church of St Mark in Venice - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Fable de Lafontaine: the horse and the donkey according to Gustave Doré
Fable de Lafontaine: the horse and the donkey according to Gustave Doré

LSE4108042: Fable de Lafontaine: the horse and the donkey according to Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

The Wolf and the Lamb
The Wolf and the Lamb

XEE4108473: The Wolf and the Lamb "Fables” from La Fontaine (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Rabelais young - engraving, by Gustave Dore, 1873.
Portrait of Rabelais young - engraving, by Gustave Dore, 1873.

LSE4101659: Portrait of Rabelais young - engraving, by Gustave Dore, 1873., Dore, Gustave (1832-83) / Bridgeman Images

Old Testament. Mattathias and the Apostate. Drawing by Gustave Dore.
Old Testament. Mattathias and the Apostate. Drawing by Gustave Dore.

TRK2006657: Old Testament. Mattathias and the Apostate. Drawing by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616). Governor Sancho.  engraving.
The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616). Governor Sancho.  engraving.

TRK2007168: The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616). Governor Sancho. engraving., Dore, Gustave (1832-83) / Bridgeman Images

Elijah Raiseth the Son of the widow of Zarephath (engraving)
Elijah Raiseth the Son of the widow of Zarephath (engraving)

TRK2637169: Elijah Raiseth the Son of the widow of Zarephath (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The alarm shouted - illustration of fear by Gustave Doré, engraving, 1874
The alarm shouted - illustration of fear by Gustave Doré, engraving, 1874

LSE4085991: The alarm shouted - illustration of fear by Gustave Doré, engraving, 1874, Dore, Gustave (1832-83) / Bridgeman Images

The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616).
The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616).

TRK1775165: The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616)., Dore, Gustave (1832-83) / Bridgeman Images

A Street in Whitechapel - in “” London” by Gustave Dore, 1876
A Street in Whitechapel - in “” London” by Gustave Dore, 1876

LSE4103620: A Street in Whitechapel - in “” London” by Gustave Dore, 1876, Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve disobeying God, Banishes from the Garden of Eden (engraving)
Adam and Eve disobeying God, Banishes from the Garden of Eden (engraving)

TRK2597857: Adam and Eve disobeying God, Banishes from the Garden of Eden (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Isaac blesses his son Jacob and sends him to Mesopotamia. Engraving.
Isaac blesses his son Jacob and sends him to Mesopotamia. Engraving.

TRK831359: Isaac blesses his son Jacob and sends him to Mesopotamia. Engraving., Dore, Gustave (1832-83) / Bridgeman Images

A plowman from his own village brings Quixote home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixote - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
A plowman from his own village brings Quixote home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixote - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4869089: A plowman from his own village brings Quixote home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixote - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza in the heart of the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote and sancho Panza in the heart of the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868690: Don Quixote and sancho Panza in the heart of the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote threatens the peasant who was shipping the shepherd boy Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote threatens the peasant who was shipping the shepherd boy Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4869156: Don Quixote threatens the peasant who was shipping the shepherd boy Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Saladin (1138-1193) (Salah al-Din Yusuf al-Ayyubi (al-Ayyubi). Engraving by Gustave Doré. 19th century.
Saladin (1138-1193) (Salah al-Din Yusuf al-Ayyubi (al-Ayyubi). Engraving by Gustave Doré. 19th century.

GIA4742594: Saladin (1138-1193) (Salah al-Din Yusuf al-Ayyubi (al-Ayyubi). Engraving by Gustave Doré. 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032106: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032113: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The fee shows Cinderella the pumpkin that will allow her to go to the ball, by Gustave Dore, 1879 (engraving)
The fee shows Cinderella the pumpkin that will allow her to go to the ball, by Gustave Dore, 1879 (engraving)

ELD4831664: The fee shows Cinderella the pumpkin that will allow her to go to the ball, by Gustave Dore, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The death of Eleazar Macchabee (Maccabee or Macabee), young brother of Judas Maccabee, under the rule of Antiochos IV Epiphane (175-164 BC). He's crushed by an elephant. “The Bible” illustrated by Gustave Dore. Engraving of the 19th century.
The death of Eleazar Macchabee (Maccabee or Macabee), young brother of Judas Maccabee, under the rule of Antiochos IV Epiphane (175-164 BC). He's crushed by an elephant. “The Bible” illustrated by Gustave Dore. Engraving of the 19th century.

GIA4779092: The death of Eleazar Macchabee (Maccabee or Macabee), young brother of Judas Maccabee, under the rule of Antiochos IV Epiphane (175-164 BC). He's crushed by an elephant. “The Bible” illustrated by Gustave Dore. Engraving of the 19th century., Dore, Gustave (1832-83) / Bridgeman Images

La Parque et L'Amour, 1879 (bronze)
La Parque et L'Amour, 1879 (bronze)

PNH351940: La Parque et L'Amour, 1879 (bronze), Dore, Gustave (1832-83) / Bridgeman Images

Bishopsgate Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by A. Sargent, pub. 1872 (engraving)
Bishopsgate Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by A. Sargent, pub. 1872 (engraving)

STC377543: Bishopsgate Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by A. Sargent, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Ancient Mariner with the Wedding Guest first page of 'The Rime of the Ancient Mariner', by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving)
The Ancient Mariner with the Wedding Guest first page of 'The Rime of the Ancient Mariner', by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving)

XJF393823: The Ancient Mariner with the Wedding Guest first page of 'The Rime of the Ancient Mariner', by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Mariner begs the Hermit to give him absolution from his sin, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner begs the Hermit to give him absolution from his sin, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393856: The Mariner begs the Hermit to give him absolution from his sin, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images


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