Dore, Gustave (1832-83) Assets (2602 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Bertrade of Montfort (1070-1117) Queen of France (wife of Philip I King of France) in Fontevrault - Engraving by Gustave Dore of the 19th century in “” National History Illustred of France from the Most Retreated Times to the Today” 1876 - Private Collection
Bertrade of Montfort (1070-1117) Queen of France (wife of Philip I King of France) in Fontevrault - Engraving by Gustave Dore of the 19th century in “” National History Illustred of France from the Most Retreated Times to the Today” 1876 - Private Collection

XEE4145949: Bertrade of Montfort (1070-1117) Queen of France (wife of Philip I King of France) in Fontevrault - Engraving by Gustave Dore of the 19th century in “” National History Illustred of France from the Most Retreated Times to the Today” 1876 - Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)
Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)

XEE4156174: Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156220: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)
Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)

XEE4156265: Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156167: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156193: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156263: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Joshua Commanding the Sun to Stand Still, 19th century (engraving)
Joshua Commanding the Sun to Stand Still, 19th century (engraving)

XEE4160441: Joshua Commanding the Sun to Stand Still, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Saint Peter and Saint John healing a blade, 19th century (engraving)
Saint Peter and Saint John healing a blade, 19th century (engraving)

XEE4161000: Saint Peter and Saint John healing a blade, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Christ and the Adultere Woman, 19th century (engraving)
Christ and the Adultere Woman, 19th century (engraving)

XEE4160284: Christ and the Adultere Woman, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The feast of Belshazzar, 19th century (engraving)
The feast of Belshazzar, 19th century (engraving)

XEE4160944: The feast of Belshazzar, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Fall of Babylon, 19th century (engraving)
The Fall of Babylon, 19th century (engraving)

XEE4161004: The Fall of Babylon, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Middle Ages: First crusade. Godefroy de Bouillon crusade defeating the Muslim forces of Sultan Kilij Arslan a Dorylee in Asia Minor, 1097, 19th century (engraving)
Middle Ages: First crusade. Godefroy de Bouillon crusade defeating the Muslim forces of Sultan Kilij Arslan a Dorylee in Asia Minor, 1097, 19th century (engraving)

XEE4160116: Middle Ages: First crusade. Godefroy de Bouillon crusade defeating the Muslim forces of Sultan Kilij Arslan a Dorylee in Asia Minor, 1097, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Triumph of Mordecai, 19th century (engraving)
Triumph of Mordecai, 19th century (engraving)

XEE4160855: Triumph of Mordecai, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)
Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)

XEE4156225: Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)
Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)

XEE4156245: Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Isaac blesses Jacob, 19th century (engraving)
Isaac blesses Jacob, 19th century (engraving)

XEE4162073: Isaac blesses Jacob, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie), 1861 (engraving)
The Hell of Dante Alighieri (the Divine Comedie), 1861 (engraving)

PCT4265370: The Hell of Dante Alighieri (the Divine Comedie), 1861 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “”... Nessun di voi sia fello! (Let none of you be rebellious!)” , chant 21, v. 72.
Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “”... Nessun di voi sia fello! (Let none of you be rebellious!)” , chant 21, v. 72.

PCT4265388: Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “”... Nessun di voi sia fello! (Let none of you be rebellious!)” , chant 21, v. 72., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9.

PCT4265309: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9., Dore, Gustave (1832-83) / Bridgeman Images

A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328444: A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328428: The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328448: the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328440: The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328889: A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328906: A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328887: An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325083: A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324934: A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324900: The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325138: Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326329: The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The brigand Agostin is attacked by a wolf, near the dead horse still reached in the cart abandons comedians, or hides the little Chiquita. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.
The brigand Agostin is attacked by a wolf, near the dead horse still reached in the cart abandons comedians, or hides the little Chiquita. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.

PCT4271543: The brigand Agostin is attacked by a wolf, near the dead horse still reached in the cart abandons comedians, or hides the little Chiquita. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: Sindbad and his companions having taken sea aboard a raft are pursued by giants who throw huge stones at them
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: Sindbad and his companions having taken sea aboard a raft are pursued by giants who throw huge stones at them

PCT4278273: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: Sindbad and his companions having taken sea aboard a raft are pursued by giants who throw huge stones at them, Dore, Gustave (1832-83) / Bridgeman Images

Louis VII (1120 - 1180) kneeling before St. Bernard of Clairvaux (San Bernardo di Chiaravalle) in Vezelay. Engraving by Gustave Doré. 19th century
Louis VII (1120 - 1180) kneeling before St. Bernard of Clairvaux (San Bernardo di Chiaravalle) in Vezelay. Engraving by Gustave Doré. 19th century

GIA4762611: Louis VII (1120 - 1180) kneeling before St. Bernard of Clairvaux (San Bernardo di Chiaravalle) in Vezelay. Engraving by Gustave Doré. 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Saladin (1138-1193) (Salah al-Din Yusuf al-Ayyubi (al-Ayyubi). Engraving by Gustave Doré. 19th century.
Saladin (1138-1193) (Salah al-Din Yusuf al-Ayyubi (al-Ayyubi). Engraving by Gustave Doré. 19th century.

GIA4742594: Saladin (1138-1193) (Salah al-Din Yusuf al-Ayyubi (al-Ayyubi). Engraving by Gustave Doré. 19th century., Dore, Gustave (1832-83) / Bridgeman Images


Back to top