French School, (19th century) Assets (44107 in total)
Results
XEE4134441: The river Scheldt seen from the port of Antwerp, Belgium. Engraving in “Le Journal de la jeunesse””, 1885., French School, (19th century) / Bridgeman Images
XEE4134447: Nobles Coreens. Engraving in “Le Journal de la jeunesse”, 1885., French School, (19th century) / Bridgeman Images
LSE4330213: Les chasseurs montagnards de l'île Formose, engraving after a drawing by D.Maillard, illustrating the voyage to China, by J.Thompson, in 1870-1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images
LSE4330581: Costume of the bodyguard of the prevote, followed by an officer of the guards (1574 a 1589). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images
LSE4330606: Costumes of prince, of his ecus and his valet, in the 15th century. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images
LSE4330635: Portrait of Francois I of Lorraine (1519-1563), Duke of Guise and Duke of Aumale, even of France, childhood companion of King Henry II (1519-1559), he was a renowned military leader and distinguished himself as leader of Catholics during the wars of religion. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images
XEE4135378: Capture of Samory Toure, Sudanese leader and opponent of French colonization in Africa, by Captain Gouraud and Lieutenant Jacquin. Sudan, 1898 - in "Le Pelerin" October 23, 1898 (print), French School, (19th century) / Bridgeman Images
LSE4331256: The size of the teeth in the Okanda, drawing by D. Maillard, to illustrate the story of a trip to Gabon and the Ogoue River in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., French School, (19th century) / Bridgeman Images
XEE4135852: Exit of Emperor Napoleon III (1808-1873) from the Comedie Francaise (Comedie-Francaise) after a representation of “” Chatterton”””. Paris, 1857. Engraving in “” Le Monde Illustré”” n°36 of 19 December 1857., French School, (19th century) / Bridgeman Images
XEE4136122: Saint Cloud celebrations. France, 1857. Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857., French School, (19th century) / Bridgeman Images
LSE4334156: Presentation page of the book “” Le cuisinier et le medecin, l'art de conserving ou de restablir sa sante par une alimentation convenable””, edited by L.M.Lombard, edition L.Curmer, 1855, Paris., French School, (19th century) / Bridgeman Images
LSE4330733: On New Year's Day, in a bedroom, a man, in pajamas and night cap, got up from his bed to vomit in his night vase; above his bed, a portrait of a legionary. Graffiti around 1873, on the wall of an apartment at 31 Clock Street in Sedan. Photography Leonard de Selva, France, 2008., French School, (19th century) / Bridgeman Images
LSE4332180: The Australian shepherd, engraved after a drawing by D.Maillart, to illustrate the story six months in Australia, by Desire Charnay, a mission assignment by the Ministry of Public Education, in 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., French School, (19th century) / Bridgeman Images
LSE4335264: Pius VII (Pius or Pio) (1742-1823) excommunicating Napoleon (1769-1821) in 1809. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris., French School, (19th century) / Bridgeman Images
LSE4402511: The Medicine of Venus without the doctor or the Art of waking oneself from syphilis or secret diseases by means gentle, prompt, radical and easy to use in the greatest secret. Engraving by Alexandre Gabriel, 1830., French School, (19th century) / Bridgeman Images
JLJ4678365: Paris headquarters from 1870, 19th century (engraving), French School, (19th century) / Bridgeman Images
XEE4414899: The oceanographic laboratory of Concarneau. In” Album de la Science””, Éditions Jouvet, 1896., French School, (19th century) / Bridgeman Images
XEE4414957: Portrait of the Marquis de Condorcet, 19th century (engraving), French School, (19th century) / Bridgeman Images
XEE4414985: Tibetans converting with French explorers Henri d'Orleans (1867-1901) and Gabriel Bonvalot (1853-1933). Chromolithography of the 19th century., French School, (19th century) / Bridgeman Images
XEE4414992: Top: Achmed Shah Mosque in Kandahar and portraits of rich Afghans. Bottom: Kabul bazaar in Afghanistan. Advertising chromolithography of the 19th century., French School, (19th century) / Bridgeman Images
XEE4415011: Death of Turenne (Henri de la Tour d'Auvergne, Viscount de Turenne), marechal of France, fighting Montecuccoli in Sasbach (or Salzbach), Germany, 1675. Chromolithography of the 19th century., French School, (19th century) / Bridgeman Images
XEE4415589: Danse Villageoise Russe.Engraving by Durand after a Russian print., French School, (19th century) / Bridgeman Images
XEE4417190: The Chaos god represented with a piece of zodiac. From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417219: Representation of Thalie, muse of comedy and idyllic poetry, depicting crowned with ivy, wearing boots, holding a comic mask in her hand and a shepper's staff. From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417222: Representation of Terpsichore, muse of dance, she plays lyre (Representation of Terpsichore, Muse of dance, holding a lyre). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417344: Representation of the god Terme, in the form of a terminal, to mark possessions and lands. (Representation of god terminus, as a stone terminal of land and possessions). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417382: Persee representation coming to the rescue of Andromede enchainee a un rock (Perseus save Andromeda enchained to a rock) From “Mythologie de la jeunesse “” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417425: Personification of Abundance, holding a horn of abundance. Personification of abundance, holding a cornucopia. From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
LSE4417509: Colonial architecture in Vietnam: Facade of Puginier School, Christian school founded by Monsignor Puginier, built in 1898, military style architecture., French School, (19th century) / Bridgeman Images
XEE4404440: Le elle est Jolie Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images
XEE4404446: Le bon dieu Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images
XEE4404772: Transformations of Paris under the Second Empire, Haussmann Paris. Aspect of the new rue Etienne Marcel. Percee connecting Turbigo Street to Opera Avenue. The new post office hotel. Cover of “” The Illustrous World”” of October 4, 1884., French School, (19th century) / Bridgeman Images
XEE4404873: Portrait of Robert Joseph Pothier (1699-1772), French jurisconsult., French School, (19th century) / Bridgeman Images
XEE4404928: Special military school of Saint-Cyr (Saint Cyr), interior service: Games room., French School, (19th century) / Bridgeman Images
XEE4404933: Firefighters of Paris. The rescue comes first. Climbing to arrive near the disasters is done immediately by means of the hooks, the chair knots or the lifebag mounted by the pump manager and the first servant. The sappers below support the end of it; the sinister is poured into the bag, the head is first. In “” Album militaire scene de la vie du soldat, firemen de Paris”” 1892., French School, (19th century) / Bridgeman Images
