French School, (19th century) Assets (44107 in total)

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Illustration of the tale
Illustration of the tale

XEE4133055: Illustration of the tale "The Devil's Fork" late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of the tale
Illustration of the tale

XEE4133075: Illustration of the tale "Les Aventures de Grand Flandrin" fine 19e siecle (print), French School, (19th century) / Bridgeman Images

Anonymous illustration for
Anonymous illustration for

XEE4133094: Anonymous illustration for "Sleeping Beauty", fairy tale by Charles Perrault, late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of the tale
Illustration of the tale

XEE4133144: Illustration of the tale "The wolf, the goat and the seven birches", late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of Charles Perrault's fairy tale
Illustration of Charles Perrault's fairy tale

XEE4133206: Illustration of Charles Perrault's fairy tale "Cinderella or The Little Glass Slipper". late 19th century (print), French School, (19th century) / Bridgeman Images

End of the Spanish-American War (American Hispano) in 1898. American officers announcing the cessation of hostilities at the Spanish outposts. Engraving in “” Le petit parisien”” from 1898.
End of the Spanish-American War (American Hispano) in 1898. American officers announcing the cessation of hostilities at the Spanish outposts. Engraving in “” Le petit parisien”” from 1898.

XEE4133250: End of the Spanish-American War (American Hispano) in 1898. American officers announcing the cessation of hostilities at the Spanish outposts. Engraving in “” Le petit parisien”” from 1898., French School, (19th century) / Bridgeman Images

Illustration for
Illustration for

XEE4133263: Illustration for "Barbe bleue", fairy tale by Charles Perrault, late 19th century (print), French School, (19th century) / Bridgeman Images

English and Moroccans: An English canoe captured by soldiers of the Moroccan Sultan Abd al-Aziz, 1898 (engraving)
English and Moroccans: An English canoe captured by soldiers of the Moroccan Sultan Abd al-Aziz, 1898 (engraving)

XEE4133575: English and Moroccans: An English canoe captured by soldiers of the Moroccan Sultan Abd al-Aziz, 1898 (engraving), French School, (19th century) / Bridgeman Images

Drawing: a traveller drawing a scene of morals has the glow of a torch. Engraving in “” Le Journal de la jeunesse””, 1884.
Drawing: a traveller drawing a scene of morals has the glow of a torch. Engraving in “” Le Journal de la jeunesse””, 1884.

XEE4134417: Drawing: a traveller drawing a scene of morals has the glow of a torch. Engraving in “” Le Journal de la jeunesse””, 1884., French School, (19th century) / Bridgeman Images

The Walls of Pekin, China. Engraving in “The Youth Journal”, 1884.
The Walls of Pekin, China. Engraving in “The Youth Journal”, 1884.

XEE4134443: The Walls of Pekin, China. Engraving in “The Youth Journal”, 1884., French School, (19th century) / Bridgeman Images

An election day in New Orleans (New Orleans), United States, 1885 (print)
An election day in New Orleans (New Orleans), United States, 1885 (print)

XEE4134451: An election day in New Orleans (New Orleans), United States, 1885 (print), French School, (19th century) / Bridgeman Images

View of the room of Emperor Napoleon I (1769-1821) at the castle of Malmaison, at Rueil Malmaison., 19th century (photo)
View of the room of Emperor Napoleon I (1769-1821) at the castle of Malmaison, at Rueil Malmaison., 19th century (photo)

JLJ4612270: View of the room of Emperor Napoleon I (1769-1821) at the castle of Malmaison, at Rueil Malmaison., 19th century (photo), French School, (19th century) / Bridgeman Images

Portrait of Joseph Montgolfier, French industrialist and inventor .
Portrait of Joseph Montgolfier, French industrialist and inventor .

XEE4414927: Portrait of Joseph Montgolfier, French industrialist and inventor ., French School, (19th century) / Bridgeman Images

Two war invalids: a butt talking to a penguin. Chromolithography of the 19th century.
Two war invalids: a butt talking to a penguin. Chromolithography of the 19th century.

XEE4414969: Two war invalids: a butt talking to a penguin. Chromolithography of the 19th century., French School, (19th century) / Bridgeman Images

Portrait of Baron Georges Cuvier, French zoologist and paleontologist (1769-1832), founder of comparative anatomy. Chromolithography of the 19th century.
Portrait of Baron Georges Cuvier, French zoologist and paleontologist (1769-1832), founder of comparative anatomy. Chromolithography of the 19th century.

XEE4415014: Portrait of Baron Georges Cuvier, French zoologist and paleontologist (1769-1832), founder of comparative anatomy. Chromolithography of the 19th century., French School, (19th century) / Bridgeman Images

Charlemagne (742-814) chasing the Moors from Spain. 19th century chromolithography.
Charlemagne (742-814) chasing the Moors from Spain. 19th century chromolithography.

XEE4415031: Charlemagne (742-814) chasing the Moors from Spain. 19th century chromolithography., French School, (19th century) / Bridgeman Images

Short-winged tuna after “Histoire naturelle des poissons” by Cuvier, Valenciennes, Paris, 1828.
Short-winged tuna after “Histoire naturelle des poissons” by Cuvier, Valenciennes, Paris, 1828.

GIA4753469: Short-winged tuna after “Histoire naturelle des poissons” by Cuvier, Valenciennes, Paris, 1828., French School, (19th century) / Bridgeman Images

La trout commune d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.
La trout commune d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.

GIA4753523: La trout commune d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828., French School, (19th century) / Bridgeman Images

Revolution of 1848: Place de la Bastille, the July column and the elephant in plaster, c.1840-48 (engraving)
Revolution of 1848: Place de la Bastille, the July column and the elephant in plaster, c.1840-48 (engraving)

JLJ4564477: Revolution of 1848: Place de la Bastille, the July column and the elephant in plaster, c.1840-48 (engraving), French School, (19th century) / Bridgeman Images

Guards of the City of Paris (walking watch, horse watch, watchman, pump guard), 19th century (engraving)
Guards of the City of Paris (walking watch, horse watch, watchman, pump guard), 19th century (engraving)

JLJ4568139: Guards of the City of Paris (walking watch, horse watch, watchman, pump guard), 19th century (engraving), French School, (19th century) / Bridgeman Images

Journey of Samuel Wallis (1728-1795) to Polynesia: indigenous people holding banana branches in hand as a welcome greeting - illustration taken from “The Great Mariners of the 18th century””, 1879 - 1 of the 3 volumes of the “Histoire generale des grands voyages et des grands voyageurs” by Jules Verne
Journey of Samuel Wallis (1728-1795) to Polynesia: indigenous people holding banana branches in hand as a welcome greeting - illustration taken from “The Great Mariners of the 18th century””, 1879 - 1 of the 3 volumes of the “Histoire generale des grands voyages et des grands voyageurs” by Jules Verne

GIA4726804: Journey of Samuel Wallis (1728-1795) to Polynesia: indigenous people holding banana branches in hand as a welcome greeting - illustration taken from “The Great Mariners of the 18th century””, 1879 - 1 of the 3 volumes of the “Histoire generale des grands voyages et des grands voyageurs” by Jules Verne, French School, (19th century) / Bridgeman Images

The pond, 19th century (oil on canvas)
The pond, 19th century (oil on canvas)

JLJ4565732: The pond, 19th century (oil on canvas), French School, (19th century) / Bridgeman Images

Madame de Sauve (one of the women used by Catherine de Medicis (Caterina de Medici), to keep notes on the people of the court). Also known as Charlotte de Beaune, Baroness de Sauve, then later as Marquise de Noirmoutier, lover of Henri IV. In “” Histoire Populaire de la france””, sd. circa 1885. Engraving.
Madame de Sauve (one of the women used by Catherine de Medicis (Caterina de Medici), to keep notes on the people of the court). Also known as Charlotte de Beaune, Baroness de Sauve, then later as Marquise de Noirmoutier, lover of Henri IV. In “” Histoire Populaire de la france””, sd. circa 1885. Engraving.

XEE4415554: Madame de Sauve (one of the women used by Catherine de Medicis (Caterina de Medici), to keep notes on the people of the court). Also known as Charlotte de Beaune, Baroness de Sauve, then later as Marquise de Noirmoutier, lover of Henri IV. In “” Histoire Populaire de la france””, sd. circa 1885. Engraving., French School, (19th century) / Bridgeman Images

Myth of the Ages of Humanity: a representation of the Brazen Age, as a young man with a lion's skin and a spear weapon. (Bronze Age depicted as a young man, dressed with a lion fur and armed with a spear). From “Mythology of Youth” by Pierre Blanchard 1803.
Myth of the Ages of Humanity: a representation of the Brazen Age, as a young man with a lion's skin and a spear weapon. (Bronze Age depicted as a young man, dressed with a lion fur and armed with a spear). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417214: Myth of the Ages of Humanity: a representation of the Brazen Age, as a young man with a lion's skin and a spear weapon. (Bronze Age depicted as a young man, dressed with a lion fur and armed with a spear). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Representation of Liberte as a woman holding a Phrygian hat, and a spade. (The Liberty as a young woman, holding a Phrygian hat and a pike). From “Mythology of Youth” by Pierre Blanchard 1803.
Representation of Liberte as a woman holding a Phrygian hat, and a spade. (The Liberty as a young woman, holding a Phrygian hat and a pike). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417292: Representation of Liberte as a woman holding a Phrygian hat, and a spade. (The Liberty as a young woman, holding a Phrygian hat and a pike). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Orpheus charms the wild animals by playing his lyre From “Mythologie de la jeunesse “” by Pierre Blanchard 1803.
Orpheus charms the wild animals by playing his lyre From “Mythologie de la jeunesse “” by Pierre Blanchard 1803.

XEE4417401: Orpheus charms the wild animals by playing his lyre From “Mythologie de la jeunesse “” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

A representation of poverty, barefoot and clothed in shards, she sits on straw. (Representation of Poorness, dressed with tatters, barefoot, she sits on straw). From “Mythology of Youth” by Pierre Blanchard 1803.
A representation of poverty, barefoot and clothed in shards, she sits on straw. (Representation of Poorness, dressed with tatters, barefoot, she sits on straw). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417350: A representation of poverty, barefoot and clothed in shards, she sits on straw. (Representation of Poorness, dressed with tatters, barefoot, she sits on straw). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Julius Caesar rallies his troops in a fight against the Nerviens - in “Histoire de France” by L.-P. Anquetil, 1851
Julius Caesar rallies his troops in a fight against the Nerviens - in “Histoire de France” by L.-P. Anquetil, 1851

XEE4114343: Julius Caesar rallies his troops in a fight against the Nerviens - in “Histoire de France” by L.-P. Anquetil, 1851, French School, (19th century) / Bridgeman Images

Saint Louis rendering justice under a hetre - in “Histoire de France” by L.-P. Anquetil, 1851.
Saint Louis rendering justice under a hetre - in “Histoire de France” by L.-P. Anquetil, 1851.

XEE4114606: Saint Louis rendering justice under a hetre - in “Histoire de France” by L.-P. Anquetil, 1851., French School, (19th century) / Bridgeman Images

Portrait of Pieter (Petrus, Pierre) van Musschenbroek (1692 - 1761), Dutch physicist, inventor in 1745 of the first electric capacitor (bottle of Leiden) - in “” Album of Science; illustrious scientists; Great discoveries””” 1896.
Portrait of Pieter (Petrus, Pierre) van Musschenbroek (1692 - 1761), Dutch physicist, inventor in 1745 of the first electric capacitor (bottle of Leiden) - in “” Album of Science; illustrious scientists; Great discoveries””” 1896.

XEE4114922: Portrait of Pieter (Petrus, Pierre) van Musschenbroek (1692 - 1761), Dutch physicist, inventor in 1745 of the first electric capacitor (bottle of Leiden) - in “” Album of Science; illustrious scientists; Great discoveries””” 1896., French School, (19th century) / Bridgeman Images

Baron Louis Jacques Thenard (1777-1857), 1896 (engraving)
Baron Louis Jacques Thenard (1777-1857), 1896 (engraving)

XEE4114931: Baron Louis Jacques Thenard (1777-1857), 1896 (engraving), French School, (19th century) / Bridgeman Images

Portrait of Etienne Cabet, French Socialist (1788-1856)
Portrait of Etienne Cabet, French Socialist (1788-1856)

XEE4115740: Portrait of Etienne Cabet, French Socialist (1788-1856), French School, (19th century) / Bridgeman Images

Portrait of Armand Barbes, French Revolutionary (1809-1870).
Portrait of Armand Barbes, French Revolutionary (1809-1870).

XEE4115747: Portrait of Armand Barbes, French Revolutionary (1809-1870)., French School, (19th century) / Bridgeman Images

Portrait of Adolphe Billault (1805-1863).
Portrait of Adolphe Billault (1805-1863).

XEE4115795: Portrait of Adolphe Billault (1805-1863)., French School, (19th century) / Bridgeman Images

Portrait of Anatole Prevost Paradol, French journalist and politician (1829 -1870).
Portrait of Anatole Prevost Paradol, French journalist and politician (1829 -1870).

XEE4116155: Portrait of Anatole Prevost Paradol, French journalist and politician (1829 -1870)., French School, (19th century) / Bridgeman Images

Portrait of comedian Elisabeth Felix called Mademoiselle Rachel (1821-1858), 19th century (oil on canvas)
Portrait of comedian Elisabeth Felix called Mademoiselle Rachel (1821-1858), 19th century (oil on canvas)

JLJ4602114: Portrait of comedian Elisabeth Felix called Mademoiselle Rachel (1821-1858), 19th century (oil on canvas), French School, (19th century) / Bridgeman Images


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