Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (609 in total)
Results
MEP852683: Abraham and the Angels (Abramo e gli angeli), 1727-28 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MEB853559: The Temptations of St Anthony the Abbot, 1720 - 1725 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
SD873304: The Rest on the Flight into Egypt, c.1720 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
ELC849427: Gathering of the Manna, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
DTR1128828: Saint Joseph and the Christ Child, 1767/69 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR371979: Detail of the horseman from Angelica Nursing the Wounded Medoro (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CH1197620: Head of a Man looking up, (red and white chalk on grey-blue paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CH1197621: Head of an Old Man looking up, (red and white chalk on blue paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR168392: Asia, one of the Four Continents from the ceiling of the 'Treppenhaus', 1750-53 (fresco) (see also (112348 and 30573), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR245739: Humility, Indulgence and Truth, from the 'Sala Capitolare' (Hall of Surrender) c.1749 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR218788: Rinaldo Abandoning Armida, detail of Armida, from 'Gerusalemme Liberata' by Torquato Tasso (1544-95), 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3704225: The Baptism of Christ (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XOS3700570: Punchinello as Tailor's Assistant, c.1800 (pen & ink on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XOS3618017: Grammar, 1760 (fresco transferred to canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3498331: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3498336: Sofonisba receiving the poison by Masinissa (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3498338: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3498332: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3498339: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LRI4638221: Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
JLJ4660345: The Last Supper, 1745-1750 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3619192: Hunter with Deer, 1718 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
IBE5382792: The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949100: Time discovers Truth, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949104: Innocence sending away Deceit, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949091: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949106: Vigilance triumphs upon Slumber, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949092: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GIA4764909: The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770)., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962676: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", detail regarding the landscape, 1756-57 (detail), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962682: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962697: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962724: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962748: Guest Lodgings, the Room of the Olympus: "Jupiter", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962754: Guest Lodgings, the Room of the Carnival Scenes: "New World", a scene with masks imitating an oil paiting, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
