Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (609 in total)

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Allegory of Temperance and Plenty
Allegory of Temperance and Plenty

CH5219: Allegory of Temperance and Plenty, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Jove the Thunderer with Eagle, from the Room of Olympian Deities in the Foresteria (Guesthouse) 1757 (fresco)
Jove the Thunderer with Eagle, from the Room of Olympian Deities in the Foresteria (Guesthouse) 1757 (fresco)

LSA363801: Jove the Thunderer with Eagle, from the Room of Olympian Deities in the Foresteria (Guesthouse) 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

St. Anthony Holding the Christ Child (pen, brown ink & wash)
St. Anthony Holding the Christ Child (pen, brown ink & wash)

AGN362067: St. Anthony Holding the Christ Child (pen, brown ink & wash), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Venus's Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 (fresco)
Venus's Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 (fresco)

LSA363848: Venus's Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Dog, Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)
Dog, Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363812: Dog, Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of Rinaldo, from Rinaldo Abandoning Armida, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco)
Detail of Rinaldo, from Rinaldo Abandoning Armida, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco)

LSA363851: Detail of Rinaldo, from Rinaldo Abandoning Armida, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of Aeneas, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido, from the Room of the Aeneid in the Palazzina, 1757 (fresco)
Detail of Aeneas, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido, from the Room of the Aeneid in the Palazzina, 1757 (fresco)

LSA363840: Detail of Aeneas, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of the horseman from Angelica Nursing the Wounded Medoro (fresco)
Detail of the horseman from Angelica Nursing the Wounded Medoro (fresco)

XIR371979: Detail of the horseman from Angelica Nursing the Wounded Medoro (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Asia, one of the Four Continents from the ceiling of the 'Treppenhaus', 1750-53 (fresco) (see also (112348 and 30573)
Asia, one of the Four Continents from the ceiling of the 'Treppenhaus', 1750-53 (fresco) (see also (112348 and 30573)

XIR168392: Asia, one of the Four Continents from the ceiling of the 'Treppenhaus', 1750-53 (fresco) (see also (112348 and 30573), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Rest on the Flight into Egypt, c.1720 (oil on canvas)
The Rest on the Flight into Egypt, c.1720 (oil on canvas)

SD873304: The Rest on the Flight into Egypt, c.1720 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Head of a Man looking up,  (red and white chalk on grey-blue paper)
Head of a Man looking up,  (red and white chalk on grey-blue paper)

CH1197620: Head of a Man looking up, (red and white chalk on grey-blue paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Sofonisba receiving the poison by Masinissa (fresco)
Sofonisba receiving the poison by Masinissa (fresco)

MRZ3498336: Sofonisba receiving the poison by Masinissa (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337)
The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337)

MRZ3498332: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337)
The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337)

MRZ3498339: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337)
The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337)

MRZ3498331: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337)
The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337)

MRZ3498338: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Hunter with Deer, 1718 (oil on canvas)
Hunter with Deer, 1718 (oil on canvas)

MRZ3619192: Hunter with Deer, 1718 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Grammar, 1760 (fresco transferred to canvas)
Grammar, 1760 (fresco transferred to canvas)

XOS3618017: Grammar, 1760 (fresco transferred to canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Punchinello as Tailor's Assistant, c.1800 (pen & ink on paper)
Punchinello as Tailor's Assistant, c.1800 (pen & ink on paper)

XOS3700570: Punchinello as Tailor's Assistant, c.1800 (pen & ink on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Humility, Indulgence and Truth, from the 'Sala Capitolare' (Hall of Surrender) c.1749 (fresco)
Humility, Indulgence and Truth, from the 'Sala Capitolare' (Hall of Surrender) c.1749 (fresco)

XIR245739: Humility, Indulgence and Truth, from the 'Sala Capitolare' (Hall of Surrender) c.1749 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770).
The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770).

GIA4764909: The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770)., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Baptism of Christ (fresco)
The Baptism of Christ (fresco)

MRZ3704225: The Baptism of Christ (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Last Supper, 1745-1750 (oil on canvas)
The Last Supper, 1745-1750 (oil on canvas)

JLJ4660345: The Last Supper, 1745-1750 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico
Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico

LRI4638221: Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco)
The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco)

IBE5382792: The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Innocence sending away Deceit, 1734 (fresco)
Innocence sending away Deceit, 1734 (fresco)

GRL5949104: Innocence sending away Deceit, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962676: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", detail regarding the landscape, 1756-57 (detail), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962682: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)
Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)

GRL5962697: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962724: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962748: Guest Lodgings, the Room of the Olympus: "Jupiter", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962754: Guest Lodgings, the Room of the Carnival Scenes: "New World", a scene with masks imitating an oil paiting, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962668: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962728: Guest Lodgings, Room of the Rural Scenes: "Landscape with peasants", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962666: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962690: Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


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