CPH365851:
The Virgin in Glory in the act of handing the scapular to St. Simon Stock (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363809:
Detail of Calchas and Iphigenia from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363823:
Detail of Thetis, from Thetis Consoling her Son Achilles, from the Room of the Iliad in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363846:
Mercury Exhorting Aeneas to Leave Carthage, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363847:
Venus's Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
FTB95842:
Fortitude and Justice, from the 'Sala Capitolare' (Hall of Surrender) c.1749 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962709:
Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LRI6347340:
Fame announces to the inhabitants of the villa the arrival of Henry III, detail, c. 1750 (fresco mounted on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363833:
Ruggero Freeing Angelica, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962662:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Briseis is lead to the presence of King Agamemnon", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
TRK5667359:
The Adoration of the Magi, 1753, by Giandomenico Tiepolo (1727-1804)., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images