Rembrandt Harmensz. van Rijn (1606-69) Assets (910 in total)

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Angel Departing from the Family of Tobias, 1641 (etching)
Angel Departing from the Family of Tobias, 1641 (etching)

GHL90441: Angel Departing from the Family of Tobias, 1641 (etching), Rembrandt Harmensz. van Rijn (1606-69) / London Metropolitan Archives, City of London / Bridgeman Images

Self-portrait etching at a window, 1648 (etching)
Self-portrait etching at a window, 1648 (etching)

XOS1109218: Self-portrait etching at a window, 1648 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images

The Agony in the garden, c.1657 (etching and drypoint)
The Agony in the garden, c.1657 (etching and drypoint)

XOS996656: The Agony in the garden, c.1657 (etching and drypoint), Rembrandt Harmensz. van Rijn (1606-69) / National Gallery of Art, Washington DC, USA / Bridgeman Images

Self portrait with velvet cap, 1634 (oil on canvas)
Self portrait with velvet cap, 1634 (oil on canvas)

FIA3085143: Self portrait with velvet cap, 1634 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Staatliche Museen, Berlin, Germany / Bridgeman Images

Portrait of a Man, 1632 (oil on wood)
Portrait of a Man, 1632 (oil on wood)

XOS3928802: Portrait of a Man, 1632 (oil on wood), Rembrandt Harmensz. van Rijn (1606-69) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

Samuel Manasseh Ben Israel, Jewish Author, 1636 (etching)
Samuel Manasseh Ben Israel, Jewish Author, 1636 (etching)

XDM1069899: Samuel Manasseh Ben Israel, Jewish Author, 1636 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Dallas Museum of Art, Texas, USA / Bridgeman Images

The Standard Bearer, Floris Soop, 1654 (oil on canvas)
The Standard Bearer, Floris Soop, 1654 (oil on canvas)

XOS3432855: The Standard Bearer, Floris Soop, 1654 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

Old man in a turban, seated in profile, turning to the left (chalk & graphite on paper)
Old man in a turban, seated in profile, turning to the left (chalk & graphite on paper)

CH1449068: Old man in a turban, seated in profile, turning to the left (chalk & graphite on paper), Rembrandt Harmensz. van Rijn (1606-69) / Private Collection / Bridgeman Images

Two men in discussion, 1641 (quill & reed pen in brown ink with corrections in white bodycolour (darkened) on laid paper)
Two men in discussion, 1641 (quill & reed pen in brown ink with corrections in white bodycolour (darkened) on laid paper)

COU5934491: Two men in discussion, 1641 (quill & reed pen in brown ink with corrections in white bodycolour (darkened) on laid paper), Rembrandt Harmensz. van Rijn (1606-69) / The Courtauld, London (Samuel Courtauld Trust) / Bridgeman Images

Abraham's Sacrifice, 1655 (etching & drypoint)
Abraham's Sacrifice, 1655 (etching & drypoint)

IMJ386194: Abraham's Sacrifice, 1655 (etching & drypoint), Rembrandt Harmensz. van Rijn (1606-69) / The Israel Museum, Jerusalem, Israel / Bridgeman Images

A Farm on the Amsteldijk, c.1650-52 (pen & ink and wash on paper)
A Farm on the Amsteldijk, c.1650-52 (pen & ink and wash on paper)

FOG2636173: A Farm on the Amsteldijk, c.1650-52 (pen & ink and wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Fogg Art Museum, Harvard Art Museums, USA / Bridgeman Images

A philosopher in meditation (painting)
A philosopher in meditation (painting)

JLJ4575870: A philosopher in meditation (painting), Rembrandt Harmensz. van Rijn (1606-69) / Louvre, Paris, France / Bridgeman Images

The return of the prodigal son (detail)
The return of the prodigal son (detail)

IBE5371198: The return of the prodigal son (detail), Rembrandt Harmensz. van Rijn (1606-69) / State Hermitage Museum, St. Petersburg, Russia / Bridgeman Images

A Quack, c.1637 (pen & brown ink on laid paper)
A Quack, c.1637 (pen & brown ink on laid paper)

ONT996243: A Quack, c.1637 (pen & brown ink on laid paper), Rembrandt Harmensz. van Rijn (1606-69) / Art Gallery of Ontario, Toronto, Canada / Bridgeman Images

Portrait of a Man Wearing a Black Hat, 1634 (oil on panel)
Portrait of a Man Wearing a Black Hat, 1634 (oil on panel)

BST1547024: Portrait of a Man Wearing a Black Hat, 1634 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Boston, Massachusetts, USA / Bridgeman Images

Reverend Johannes Elison, 1634 (oil on canvas)
Reverend Johannes Elison, 1634 (oil on canvas)

BST1547025: Reverend Johannes Elison, 1634 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Boston, Massachusetts, USA / Bridgeman Images

B.99.II Death of the Virgin, c.1639 (etching)
B.99.II Death of the Virgin, c.1639 (etching)

FIT107386: B.99.II Death of the Virgin, c.1639 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

A Cavalry Fight (pen & ink on paper)
A Cavalry Fight (pen & ink on paper)

LMG142824: A Cavalry Fight (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Leeds Museums and Galleries (Leeds Art Gallery) U.K. / Bridgeman Images

Farmhouse beneath trees, with a footbridge, c.1650 (pen & ink with wash on paper)
Farmhouse beneath trees, with a footbridge, c.1650 (pen & ink with wash on paper)

FIT1547408: Farmhouse beneath trees, with a footbridge, c.1650 (pen & ink with wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

Landscape (pen & ink on paper)
Landscape (pen & ink on paper)

CTS1152808: Landscape (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / The Devonshire Collections, Chatsworth / Bridgeman Images

Self-portrait with earring and gold chain (Painting, 1655)
Self-portrait with earring and gold chain (Painting, 1655)

LRI4576068: Self-portrait with earring and gold chain (Painting, 1655), Rembrandt Harmensz. van Rijn (1606-69) / Kunsthistorisches Museum, Vienna, Austria / Bridgeman Images

Studies of a tall headdress; and of a head reversed from the recto (pen & ink on paper) (verso of 2636119)
Studies of a tall headdress; and of a head reversed from the recto (pen & ink on paper) (verso of 2636119)

CTS2636120: Studies of a tall headdress; and of a head reversed from the recto (pen & ink on paper) (verso of 2636119), Rembrandt Harmensz. van Rijn (1606-69) / The Devonshire Collections, Chatsworth / Bridgeman Images

A Rabbi with a Cap, 1635 (oil on panel)
A Rabbi with a Cap, 1635 (oil on panel)

ROC930041: A Rabbi with a Cap, 1635 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Royal Collection Trust / Bridgeman Images

Rembrandt's Mother in Widow's Dress and Black Gloves, c.1632-35 (etching)
Rembrandt's Mother in Widow's Dress and Black Gloves, c.1632-35 (etching)

MNS822640: Rembrandt's Mother in Widow's Dress and Black Gloves, c.1632-35 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

Jan Lutma, the Elder, Goldsmith and Sculptor, 1656 (etching & drypoint)
Jan Lutma, the Elder, Goldsmith and Sculptor, 1656 (etching & drypoint)

HST862013: Jan Lutma, the Elder, Goldsmith and Sculptor, 1656 (etching & drypoint), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Houston, Texas, USA / Bridgeman Images

The Tribute Money, c.1635 (etching)
The Tribute Money, c.1635 (etching)

XDM1069897: The Tribute Money, c.1635 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Dallas Museum of Art, Texas, USA / Bridgeman Images

Self-Portrait with Saskia, 1636 (etching)
Self-Portrait with Saskia, 1636 (etching)

XDM1068065: Self-Portrait with Saskia, 1636 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Dallas Museum of Art, Texas, USA / Bridgeman Images

Negress Lying Down, 1658 (engraving)
Negress Lying Down, 1658 (engraving)

LMG259691: Negress Lying Down, 1658 (engraving), Rembrandt Harmensz. van Rijn (1606-69) / Leeds Museums and Galleries (Leeds Art Gallery) U.K. / Bridgeman Images

Portrait of a Man, possibly the poet Jan Harmensz. Krul (1602-1646), 1633 (oil on canvas)
Portrait of a Man, possibly the poet Jan Harmensz. Krul (1602-1646), 1633 (oil on canvas)

KSL242004: Portrait of a Man, possibly the poet Jan Harmensz. Krul (1602-1646), 1633 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Gemaeldegalerie Alte Meister, Kassel, Germany / Bridgeman Images

Head of an old man, 1631 (etching)
Head of an old man, 1631 (etching)

XJF412291: Head of an old man, 1631 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Private Collection / Bridgeman Images

Portrait of the Actor Willem Bartholsz Ruyter, c.1638 (pen, ink and wash on paper)
Portrait of the Actor Willem Bartholsz Ruyter, c.1638 (pen, ink and wash on paper)

XOS3704043: Portrait of the Actor Willem Bartholsz Ruyter, c.1638 (pen, ink and wash on paper) , Rembrandt Harmensz. van Rijn (1606-69) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images

Portrait of a Man, thought to be Dr. Ephraïm Bueno, 1645-47 (oil on panel)
Portrait of a Man, thought to be Dr. Ephraïm Bueno, 1645-47 (oil on panel)

XOS3704045: Portrait of a Man, thought to be Dr. Ephraïm Bueno, 1645-47 (oil on panel) , Rembrandt Harmensz. van Rijn (1606-69) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images

Jupiter and Antiope, c.1659 (etching)
Jupiter and Antiope, c.1659 (etching)

XOS1109222: Jupiter and Antiope, c.1659 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images

Landscape with buildings and lovers, embracing, after Titian (pen & brown ink with red chalk on paper)
Landscape with buildings and lovers, embracing, after Titian (pen & brown ink with red chalk on paper)

CTS2912824: Landscape with buildings and lovers, embracing, after Titian (pen & brown ink with red chalk on paper), Rembrandt Harmensz. van Rijn (1606-69) / The Devonshire Collections, Chatsworth / Bridgeman Images

The Oriental Noble also known as The Slavic Noble - Painting by Rembrandt van Rijn (1606-1669), 1632, oil on canvas 152.5 x 111.1 cm, New York, The Metropolitan Museum of Art, inv. n* 20.155.2
The Oriental Noble also known as The Slavic Noble - Painting by Rembrandt van Rijn (1606-1669), 1632, oil on canvas 152.5 x 111.1 cm, New York, The Metropolitan Museum of Art, inv. n* 20.155.2

XEE5033333: The Oriental Noble also known as The Slavic Noble - Painting by Rembrandt van Rijn (1606-1669), 1632, oil on canvas 152.5 x 111.1 cm, New York, The Metropolitan Museum of Art, inv. n* 20.155.2, Rembrandt Harmensz. van Rijn (1606-69) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

The Three Trees, 1643 (etching)
The Three Trees, 1643 (etching)

TOW143313: The Three Trees, 1643 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Towner Art Gallery, Eastbourne, East Sussex, UK / Bridgeman Images


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