Rembrandt Harmensz. van Rijn (1606-69) Assets (910 in total)
Results
FIT88860:
AD.12.39-153 The Woman with the Arrow, 1661 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images
ID: FIT88860
AD.12.39-153 The Woman with the Arrow, 1661 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
FOG1546895:
A Standing Old Man, c.1638 (pen & ink with wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Fogg Art Museum, Harvard Art Museums, USA / Bridgeman Images
ID: FOG1546895
A Standing Old Man, c.1638 (pen & ink with wash on paper)
Rembrandt Harmensz. van Rijn (1606-69)
BST1547026:
Maria Bockenolle (Wife of Johannes Elison), 1634 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Boston, Massachusetts, USA / Bridgeman Images
ID: BST1547026
Maria Bockenolle (Wife of Johannes Elison), 1634 (oil on canvas)
Rembrandt Harmensz. van Rijn (1606-69)
NGW405347:
Self portrait in velvet cap and plume, 1638 (etching), Rembrandt Harmensz. van Rijn (1606-69) / National Museum Wales / Bridgeman Images
ID: NGW405347
Self portrait in velvet cap and plume, 1638 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
XJF412286:
The Baptism of the Eunuch, 1641 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Private Collection / Bridgeman Images
ID: XJF412286
The Baptism of the Eunuch, 1641 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
XIR239545:
Cornelius Claesz Anslo (1592-1646) 1640 (etching) (see 242867) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Musee de la Ville de Paris, Musee du Petit-Palais, France / Bridgeman Images
ID: XIR239545
Cornelius Claesz Anslo (1592-1646) 1640 (etching) (see 242867) (b/w photo)
Rembrandt Harmensz. van Rijn (1606-69)
XIR238395:
Presentation in the Temple (etching) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Musee de la Ville de Paris, Musee du Petit-Palais, France / Bridgeman Images
ID: XIR238395
Presentation in the Temple (etching) (b/w photo)
Rembrandt Harmensz. van Rijn (1606-69)
UCL273994:
Landscape with Haybarn and a Flock of Sheep, c.1652 (etching & drypoint on paper), Rembrandt Harmensz. van Rijn (1606-69) / UCL Art Museum, University College London, UK / Bridgeman Images
ID: UCL273994
Landscape with Haybarn and a Flock of Sheep, c.1652 (etching & drypoint on paper)
Rembrandt Harmensz. van Rijn (1606-69)
XDM1069898:
Christ Before Pilate: Large Plate, 1635-36 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Dallas Museum of Art, Texas, USA / Bridgeman Images
ID: XDM1069898
Christ Before Pilate: Large Plate, 1635-36 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
XOS996659:
Woman Reading, 1634 (etching), Rembrandt Harmensz. van Rijn (1606-69) / National Gallery of Art, Washington DC, USA / Bridgeman Images
ID: XOS996659
Woman Reading, 1634 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
XOS1121304:
The Three Crosses, 1653 (drypoint and burin with plate tone), Rembrandt Harmensz. van Rijn (1606-69) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images
ID: XOS1121304
The Three Crosses, 1653 (drypoint and burin with plate tone)
Rembrandt Harmensz. van Rijn (1606-69)
XOS497199:
Man with Sheet of Music, 1633 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Corcoran Collection, National Gallery of Art, Washington D.C., USA / Bridgeman Images
ID: XOS497199
Man with Sheet of Music, 1633 (oil on panel)
Rembrandt Harmensz. van Rijn (1606-69)
CTS449325:
A group of elderly scholars and, separately, a younger man's profile (pen & brown ink with wash & gouache on paper), Rembrandt Harmensz. van Rijn (1606-69) / The Devonshire Collections, Chatsworth / Bridgeman Images
ID: CTS449325
A group of elderly scholars and, separately, a younger man's profile (pen & brown ink with wash & gouache on paper)
Rembrandt Harmensz. van Rijn (1606-69)
CH1449070:
Ruined thatched cottage overgrown with bushes (pen & ink and wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Private Collection / Bridgeman Images
ID: CH1449070
Ruined thatched cottage overgrown with bushes (pen & ink and wash on paper)
Rembrandt Harmensz. van Rijn (1606-69)
CH1449072:
Vagrant couple with a dog (chalk and pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Private Collection / Bridgeman Images
ID: CH1449072
Vagrant couple with a dog (chalk and pen & ink on paper)
Rembrandt Harmensz. van Rijn (1606-69)
ATT1272598:
The Dream of Joseph, 1645 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Gemaldegalerie, Staatliche Museen zu Berlin, Germany / Bridgeman Images
ID: ATT1272598
The Dream of Joseph, 1645 (oil on canvas)
Rembrandt Harmensz. van Rijn (1606-69)
DMW753313:
The Angel Appearing to the Shepherds, 1634 (etching, drypoint & burin), Rembrandt Harmensz. van Rijn (1606-69) / Davis Museum and Cultural Center, Wellesley College, MA, USA / Bridgeman Images
ID: DMW753313
The Angel Appearing to the Shepherds, 1634 (etching, drypoint & burin)
Rembrandt Harmensz. van Rijn (1606-69)
XOS3545932:
Musical Company, 1626 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images
ID: XOS3545932
Musical Company, 1626 (oil on panel)
Rembrandt Harmensz. van Rijn (1606-69)
COU5934488:
Saskia seated at a table (red chalk on paper), Rembrandt Harmensz. van Rijn (1606-69) / The Courtauld, London (Samuel Courtauld Trust) / Bridgeman Images
ID: COU5934488
Saskia seated at a table (red chalk on paper)
Rembrandt Harmensz. van Rijn (1606-69)
XOS3614057:
Christ Crucified between the Two Thieves: The Three Crosses, 1653 (drypoint printed on vellum)
, Rembrandt Harmensz. van Rijn (1606-69) / Metropolitan Museum of Art, New York, USA / Bridgeman Images
ID: XOS3614057
Christ Crucified between the Two Thieves: The Three Crosses, 1653 (drypoint printed on vellum)
Rembrandt Harmensz. van Rijn (1606-69)
FIA5401436:
The revolte of Claude Civilis (Claudius Civilis, Gaius Julius Civilis, 1st century), 1662 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / National Museum, Stockholm, Sweden / Bridgeman Images
ID: FIA5401436
The revolte of Claude Civilis (Claudius Civilis, Gaius Julius Civilis, 1st century), 1662 (oil on canvas)
Rembrandt Harmensz. van Rijn (1606-69)
CTS6424753:
A man sculling a boat on the Bullewijk, with a view toward Ouderkerk, c. 1650, Rembrandt Harmensz. van Rijn (1606-69) / The Devonshire Collections, Chatsworth / Bridgeman Images
ID: CTS6424753
A man sculling a boat on the Bullewijk, with a view toward Ouderkerk, c. 1650
Rembrandt Harmensz. van Rijn (1606-69)
LRI4610493:
Self Portrait at the Gorgerin (1634, oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Gallerie degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images
ID: LRI4610493
Self Portrait at the Gorgerin (1634, oil on canvas)
Rembrandt Harmensz. van Rijn (1606-69)
BST2636818:
Two Studies of a Man in a High Cap, with Arms Crossed (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Boston, Massachusetts, USA / Bridgeman Images
ID: BST2636818
Two Studies of a Man in a High Cap, with Arms Crossed (pen & ink on paper)
Rembrandt Harmensz. van Rijn (1606-69)
TRK3025473:
Young Woman with Earrings, 1657, by Rembrandt Harmenszoon van Rijn (1606-1669)., Rembrandt Harmensz. van Rijn (1606-69) / State Hermitage Museum, St. Petersburg, Russia / Bridgeman Images
ID: TRK3025473
Young Woman with Earrings, 1657, by Rembrandt Harmenszoon van Rijn (1606-1669).
Rembrandt Harmensz. van Rijn (1606-69)
XDM1069899:
Samuel Manasseh Ben Israel, Jewish Author, 1636 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Dallas Museum of Art, Texas, USA / Bridgeman Images
ID: XDM1069899
Samuel Manasseh Ben Israel, Jewish Author, 1636 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
FIA3085143:
Self portrait with velvet cap, 1634 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Staatliche Museen, Berlin, Germany / Bridgeman Images
ID: FIA3085143
Self portrait with velvet cap, 1634 (oil on canvas)
Rembrandt Harmensz. van Rijn (1606-69)
XOS3432855:
The Standard Bearer, Floris Soop, 1654 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Metropolitan Museum of Art, New York, USA / Bridgeman Images
ID: XOS3432855
The Standard Bearer, Floris Soop, 1654 (oil on canvas)
Rembrandt Harmensz. van Rijn (1606-69)
GHL90441:
Angel Departing from the Family of Tobias, 1641 (etching), Rembrandt Harmensz. van Rijn (1606-69) / London Metropolitan Archives, City of London / Bridgeman Images
ID: GHL90441
Angel Departing from the Family of Tobias, 1641 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
FOG1546891:
Zacharias and the Angel, c.1635 (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Fogg Art Museum, Harvard Art Museums, USA / Bridgeman Images
ID: FOG1546891
Zacharias and the Angel, c.1635 (pen & ink on paper)
Rembrandt Harmensz. van Rijn (1606-69)
LMG142836:
The Circumcision (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Leeds Museums and Galleries (Leeds Art Gallery) U.K. / Bridgeman Images
ID: LMG142836
The Circumcision (pen & ink on paper)
Rembrandt Harmensz. van Rijn (1606-69)
HST166837:
An Old Man with a Beard, Fur Cap and a Velvet Cloak, c.1632 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Houston, Texas, USA / Bridgeman Images
ID: HST166837
An Old Man with a Beard, Fur Cap and a Velvet Cloak, c.1632 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
XIR239555:
The Circumcision, 1654 (etching) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Musee de la Ville de Paris, Musee du Petit-Palais, France / Bridgeman Images
ID: XIR239555
The Circumcision, 1654 (etching) (b/w photo)
Rembrandt Harmensz. van Rijn (1606-69)
XIR239561:
Medea, or the Marriage of Jason and Creusa, 1648 (etching) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Musee de la Ville de Paris, Musee du Petit-Palais, France / Bridgeman Images
ID: XIR239561
Medea, or the Marriage of Jason and Creusa, 1648 (etching) (b/w photo)
Rembrandt Harmensz. van Rijn (1606-69)
XIR244158:
Head of an Old Man, c.1650 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Musee Bonnat, Bayonne, France / Bridgeman Images
ID: XIR244158
Head of an Old Man, c.1650 (oil on canvas)
Rembrandt Harmensz. van Rijn (1606-69)
XOS996656:
The Agony in the garden, c.1657 (etching and drypoint), Rembrandt Harmensz. van Rijn (1606-69) / National Gallery of Art, Washington DC, USA / Bridgeman Images
ID: XOS996656
The Agony in the garden, c.1657 (etching and drypoint)