Rembrandt Harmensz. van Rijn (1606-69) Assets (910 in total)

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AD.12.39-153 The Woman with the Arrow, 1661 (etching)
AD.12.39-153 The Woman with the Arrow, 1661 (etching)

FIT88860: AD.12.39-153 The Woman with the Arrow, 1661 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

A Standing Old Man, c.1638 (pen & ink with wash on paper)
A Standing Old Man, c.1638 (pen & ink with wash on paper)

FOG1546895: A Standing Old Man, c.1638 (pen & ink with wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Fogg Art Museum, Harvard Art Museums, USA / Bridgeman Images

Maria Bockenolle (Wife of Johannes Elison), 1634 (oil on canvas)
Maria Bockenolle (Wife of Johannes Elison), 1634 (oil on canvas)

BST1547026: Maria Bockenolle (Wife of Johannes Elison), 1634 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Boston, Massachusetts, USA / Bridgeman Images

Self portrait in velvet cap and plume, 1638 (etching)
Self portrait in velvet cap and plume, 1638 (etching)

NGW405347: Self portrait in velvet cap and plume, 1638 (etching), Rembrandt Harmensz. van Rijn (1606-69) / National Museum Wales / Bridgeman Images

The Baptism of the Eunuch, 1641 (etching)
The Baptism of the Eunuch, 1641 (etching)

XJF412286: The Baptism of the Eunuch, 1641 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Private Collection / Bridgeman Images

Cornelius Claesz Anslo (1592-1646) 1640 (etching) (see 242867) (b/w photo)
Cornelius Claesz Anslo (1592-1646) 1640 (etching) (see 242867) (b/w photo)

XIR239545: Cornelius Claesz Anslo (1592-1646) 1640 (etching) (see 242867) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Musee de la Ville de Paris, Musee du Petit-Palais, France / Bridgeman Images

Presentation in the Temple (etching) (b/w photo)
Presentation in the Temple (etching) (b/w photo)

XIR238395: Presentation in the Temple (etching) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Musee de la Ville de Paris, Musee du Petit-Palais, France / Bridgeman Images

Landscape with Haybarn and a Flock of Sheep, c.1652 (etching & drypoint on paper)
Landscape with Haybarn and a Flock of Sheep, c.1652 (etching & drypoint on paper)

UCL273994: Landscape with Haybarn and a Flock of Sheep, c.1652 (etching & drypoint on paper), Rembrandt Harmensz. van Rijn (1606-69) / UCL Art Museum, University College London, UK / Bridgeman Images

Christ Before Pilate: Large Plate, 1635-36 (etching)
Christ Before Pilate: Large Plate, 1635-36 (etching)

XDM1069898: Christ Before Pilate: Large Plate, 1635-36 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Dallas Museum of Art, Texas, USA / Bridgeman Images

Woman Reading, 1634 (etching)
Woman Reading, 1634 (etching)

XOS996659: Woman Reading, 1634 (etching), Rembrandt Harmensz. van Rijn (1606-69) / National Gallery of Art, Washington DC, USA / Bridgeman Images

The Three Crosses, 1653 (drypoint and burin with plate tone)
The Three Crosses, 1653 (drypoint and burin with plate tone)

XOS1121304: The Three Crosses, 1653 (drypoint and burin with plate tone), Rembrandt Harmensz. van Rijn (1606-69) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images

Man with Sheet of Music, 1633 (oil on panel)
Man with Sheet of Music, 1633 (oil on panel)

XOS497199: Man with Sheet of Music, 1633 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Corcoran Collection, National Gallery of Art, Washington D.C., USA / Bridgeman Images

A group of elderly scholars and, separately, a younger man's profile (pen & brown ink with wash & gouache on paper)
A group of elderly scholars and, separately, a younger man's profile (pen & brown ink with wash & gouache on paper)

CTS449325: A group of elderly scholars and, separately, a younger man's profile (pen & brown ink with wash & gouache on paper), Rembrandt Harmensz. van Rijn (1606-69) / The Devonshire Collections, Chatsworth / Bridgeman Images

Ruined thatched cottage overgrown with bushes (pen & ink and wash on paper)
Ruined thatched cottage overgrown with bushes (pen & ink and wash on paper)

CH1449070: Ruined thatched cottage overgrown with bushes (pen & ink and wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Private Collection / Bridgeman Images

Vagrant couple with a dog (chalk and pen & ink on paper)
Vagrant couple with a dog (chalk and pen & ink on paper)

CH1449072: Vagrant couple with a dog (chalk and pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Private Collection / Bridgeman Images

The Dream of Joseph, 1645 (oil on canvas)
The Dream of Joseph, 1645 (oil on canvas)

ATT1272598: The Dream of Joseph, 1645 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Gemaldegalerie, Staatliche Museen zu Berlin, Germany / Bridgeman Images

The Angel Appearing to the Shepherds, 1634 (etching, drypoint & burin)
The Angel Appearing to the Shepherds, 1634 (etching, drypoint & burin)

DMW753313: The Angel Appearing to the Shepherds, 1634 (etching, drypoint & burin), Rembrandt Harmensz. van Rijn (1606-69) / Davis Museum and Cultural Center, Wellesley College, MA, USA / Bridgeman Images

Musical Company, 1626 (oil on panel)
Musical Company, 1626 (oil on panel)

XOS3545932: Musical Company, 1626 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images

Saskia seated at a table (red chalk on paper)
Saskia seated at a table (red chalk on paper)

COU5934488: Saskia seated at a table (red chalk on paper), Rembrandt Harmensz. van Rijn (1606-69) / The Courtauld, London (Samuel Courtauld Trust) / Bridgeman Images

Christ Crucified between the Two Thieves: The Three Crosses, 1653 (drypoint printed on vellum)
Christ Crucified between the Two Thieves: The Three Crosses, 1653 (drypoint printed on vellum)

XOS3614057: Christ Crucified between the Two Thieves: The Three Crosses, 1653 (drypoint printed on vellum) , Rembrandt Harmensz. van Rijn (1606-69) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

The revolte of Claude Civilis (Claudius Civilis, Gaius Julius Civilis, 1st century), 1662 (oil on canvas)
The revolte of Claude Civilis (Claudius Civilis, Gaius Julius Civilis, 1st century), 1662 (oil on canvas)

FIA5401436: The revolte of Claude Civilis (Claudius Civilis, Gaius Julius Civilis, 1st century), 1662 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / National Museum, Stockholm, Sweden / Bridgeman Images

A man sculling a boat on the Bullewijk, with a view toward Ouderkerk, c. 1650
A man sculling a boat on the Bullewijk, with a view toward Ouderkerk, c. 1650

CTS6424753: A man sculling a boat on the Bullewijk, with a view toward Ouderkerk, c. 1650, Rembrandt Harmensz. van Rijn (1606-69) / The Devonshire Collections, Chatsworth / Bridgeman Images

Self Portrait at the Gorgerin (1634, oil on canvas)
Self Portrait at the Gorgerin (1634, oil on canvas)

LRI4610493: Self Portrait at the Gorgerin (1634, oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Gallerie degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

Two Studies of a Man in a High Cap, with Arms Crossed (pen & ink on paper)
Two Studies of a Man in a High Cap, with Arms Crossed (pen & ink on paper)

BST2636818: Two Studies of a Man in a High Cap, with Arms Crossed (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Boston, Massachusetts, USA / Bridgeman Images

Young Woman with Earrings, 1657, by Rembrandt Harmenszoon van Rijn (1606-1669).
Young Woman with Earrings, 1657, by Rembrandt Harmenszoon van Rijn (1606-1669).

TRK3025473: Young Woman with Earrings, 1657, by Rembrandt Harmenszoon van Rijn (1606-1669)., Rembrandt Harmensz. van Rijn (1606-69) / State Hermitage Museum, St. Petersburg, Russia / Bridgeman Images

Samuel Manasseh Ben Israel, Jewish Author, 1636 (etching)
Samuel Manasseh Ben Israel, Jewish Author, 1636 (etching)

XDM1069899: Samuel Manasseh Ben Israel, Jewish Author, 1636 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Dallas Museum of Art, Texas, USA / Bridgeman Images

Self portrait with velvet cap, 1634 (oil on canvas)
Self portrait with velvet cap, 1634 (oil on canvas)

FIA3085143: Self portrait with velvet cap, 1634 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Staatliche Museen, Berlin, Germany / Bridgeman Images

The Standard Bearer, Floris Soop, 1654 (oil on canvas)
The Standard Bearer, Floris Soop, 1654 (oil on canvas)

XOS3432855: The Standard Bearer, Floris Soop, 1654 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

Angel Departing from the Family of Tobias, 1641 (etching)
Angel Departing from the Family of Tobias, 1641 (etching)

GHL90441: Angel Departing from the Family of Tobias, 1641 (etching), Rembrandt Harmensz. van Rijn (1606-69) / London Metropolitan Archives, City of London / Bridgeman Images

Zacharias and the Angel, c.1635 (pen & ink on paper)
Zacharias and the Angel, c.1635 (pen & ink on paper)

FOG1546891: Zacharias and the Angel, c.1635 (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Fogg Art Museum, Harvard Art Museums, USA / Bridgeman Images

The Circumcision (pen & ink on paper)
The Circumcision (pen & ink on paper)

LMG142836: The Circumcision (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Leeds Museums and Galleries (Leeds Art Gallery) U.K. / Bridgeman Images

An Old Man with a Beard, Fur Cap and a Velvet Cloak, c.1632 (etching)
An Old Man with a Beard, Fur Cap and a Velvet Cloak, c.1632 (etching)

HST166837: An Old Man with a Beard, Fur Cap and a Velvet Cloak, c.1632 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Museum of Fine Arts, Houston, Texas, USA / Bridgeman Images

The Circumcision, 1654 (etching) (b/w photo)
The Circumcision, 1654 (etching) (b/w photo)

XIR239555: The Circumcision, 1654 (etching) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Musee de la Ville de Paris, Musee du Petit-Palais, France / Bridgeman Images

Medea, or the Marriage of Jason and Creusa, 1648 (etching) (b/w photo)
Medea, or the Marriage of Jason and Creusa, 1648 (etching) (b/w photo)

XIR239561: Medea, or the Marriage of Jason and Creusa, 1648 (etching) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Musee de la Ville de Paris, Musee du Petit-Palais, France / Bridgeman Images

Head of an Old Man, c.1650 (oil on canvas)
Head of an Old Man, c.1650 (oil on canvas)

XIR244158: Head of an Old Man, c.1650 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Musee Bonnat, Bayonne, France / Bridgeman Images

The Agony in the garden, c.1657 (etching and drypoint)
The Agony in the garden, c.1657 (etching and drypoint)

XOS996656: The Agony in the garden, c.1657 (etching and drypoint), Rembrandt Harmensz. van Rijn (1606-69) / National Gallery of Art, Washington DC, USA / Bridgeman Images


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