Blake, William (1757-1827) Assets (1068 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)
The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)

NGV909180: The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761455: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Thel and the Worm by William Blake
Thel and the Worm by William Blake

XLA3761473: Thel and the Worm by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 32:6 illustrated by William Blake
The Book of Job 32:6 illustrated by William Blake

XLA3765287: The Book of Job 32:6 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

Air, plate 6 from 'For Children. The Gates of Paradise', 1793 (engraving)
Air, plate 6 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146935: Air, plate 6 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173624: A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour)
'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour)

XYC225896: 'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 107 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 107 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222552: 'Elegy written in a Country Church-Yard', design 107 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Mary's Lamentation for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Mary's Lamentation for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113933: Mary's Lamentation for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83207: P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, w/c, pen and ink on paper)
No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, w/c, pen and ink on paper)

FIT77535: No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, w/c, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83157: P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83165: P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83176: P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83100: P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c)
P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c)

FIT83142: P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel; Title Page, 1789 (relief etching and w/c)
The Book of Thel; Title Page, 1789 (relief etching and w/c)

XND70213: The Book of Thel; Title Page, 1789 (relief etching and w/c), Blake, William (1757-1827) / Bridgeman Images

The Last Trumpet (pen & ink with wash on paper)
The Last Trumpet (pen & ink with wash on paper)

AGN265321: The Last Trumpet (pen & ink with wash on paper), Blake, William (1757-1827) / Bridgeman Images

On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper)
On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper)

XYC225768: On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion: plate 99
Jerusalem The Emanation of the Giant Albion: plate 99

XND70240: Jerusalem The Emanation of the Giant Albion: plate 99 "All Human Forms" (the reunion of Jerusalem, representing Man, and a God who unites the elements of Jesus and Jehovah), c.1804-20 (w/c on relief etching), Blake, William (1757-1827) / Bridgeman Images

Friedrich Gottlieb Klopstock, 1800-03 (tempera on canvas)
Friedrich Gottlieb Klopstock, 1800-03 (tempera on canvas)

MAN1772303: Friedrich Gottlieb Klopstock, 1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Thomas Alphonso Hayley (tempera on canvas)
Thomas Alphonso Hayley (tempera on canvas)

MAN1772301: Thomas Alphonso Hayley (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

'Introduction', plate 31 (Bentley 30) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Introduction', plate 31 (Bentley 30) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220120: 'Introduction', plate 31 (Bentley 30) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Nurse's Song, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.13 (Bentley 24) 1789-94 (relief etching with pen and w/c on paper)
Nurse's Song, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.13 (Bentley 24) 1789-94 (relief etching with pen and w/c on paper)

XYC225780: Nurse's Song, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.13 (Bentley 24) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Ethinthus queen of waters...', plate 16 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)
'Ethinthus queen of waters...', plate 16 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

XYC223027: 'Ethinthus queen of waters...', plate 16 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images

'Infant Sorrow', plate 39 (Bentley 48) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Infant Sorrow', plate 39 (Bentley 48) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220127: 'Infant Sorrow', plate 39 (Bentley 48) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt13 The Little Boy Lost: plate 13 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt13 The Little Boy Lost: plate 13 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83166: P.125-1950.pt13 The Little Boy Lost: plate 13 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt32 Earth's Answer: plate 32 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt32 Earth's Answer: plate 32 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83132: P.124-1950.pt32 Earth's Answer: plate 32 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt16 A Cradle Song: plate 16 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt16 A Cradle Song: plate 16 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83169: P.125-1950.pt16 A Cradle Song: plate 16 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Thomas Otway (oil on canvas)
Thomas Otway (oil on canvas)

MAN329196: Thomas Otway (oil on canvas), Blake, William (1757-1827) / Bridgeman Images

William Cowper (tempera on canvas)
William Cowper (tempera on canvas)

MAN1772298: William Cowper (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Torquato Tasso, (tempera on canvas)
Torquato Tasso, (tempera on canvas)

MAN1772305: Torquato Tasso, (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

'When on the highest lift...', plate 36 from 'Milton, a Poem in Two Books', c.1804-08 (hand-coloured etching)
'When on the highest lift...', plate 36 from 'Milton, a Poem in Two Books', c.1804-08 (hand-coloured etching)

XOS433497: 'When on the highest lift...', plate 36 from 'Milton, a Poem in Two Books', c.1804-08 (hand-coloured etching), Blake, William (1757-1827) / Bridgeman Images

'Then Thel astonish'd...', plate 6 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)
'Then Thel astonish'd...', plate 6 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

XYC285545: 'Then Thel astonish'd...', plate 6 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode on the Death of a Favourite Cat', design 7 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285540 for verso)
'Ode on the Death of a Favourite Cat', design 7 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285540 for verso)

XYC285539: 'Ode on the Death of a Favourite Cat', design 7 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285540 for verso), Blake, William (1757-1827) / Bridgeman Images

'Songs of Experience', plate 31, 1794 (colour printed relief etching)
'Songs of Experience', plate 31, 1794 (colour printed relief etching)

XYC285534: 'Songs of Experience', plate 31, 1794 (colour printed relief etching), Blake, William (1757-1827) / Bridgeman Images


Back to top