Blake, William (1757-1827) Assets (1068 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256356: Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel, plate 2 (Title Page), 1789 (relief etching with pen and w/c)
The Book of Thel, plate 2 (Title Page), 1789 (relief etching with pen and w/c)

XYC309854: The Book of Thel, plate 2 (Title Page), 1789 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715569: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715582: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'To Tirzah', plate 42 (Bentley 52) from 'Songs of innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with ink & w/c)
'To Tirzah', plate 42 (Bentley 52) from 'Songs of innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with ink & w/c)

XYC220130: 'To Tirzah', plate 42 (Bentley 52) from 'Songs of innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with ink & w/c), Blake, William (1757-1827) / Bridgeman Images

Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper)
Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper)

XYC314975: Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

John Dryden, c.1800 (tempera on canvas)
John Dryden, c.1800 (tempera on canvas)

MAN1772300: John Dryden, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Louis Vaz de Camoens, c.1800 (tempera on canvas)
Louis Vaz de Camoens, c.1800 (tempera on canvas)

MAN1772295: Louis Vaz de Camoens, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c)
Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c)

XYC123133: Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Europe a Prophecy 'Unwilling I look up', 1794 (relief etching with white line engraving and w/c)
Europe a Prophecy 'Unwilling I look up', 1794 (relief etching with white line engraving and w/c)

XND70220: Europe a Prophecy 'Unwilling I look up', 1794 (relief etching with white line engraving and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83178: P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Crucifixion (pen and wash)
The Crucifixion (pen and wash)

AGN81579: The Crucifixion (pen and wash), Blake, William (1757-1827) / Bridgeman Images

PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash)
PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash)

FIT84913: PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash), Blake, William (1757-1827) / Bridgeman Images

Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper)
Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper)

FIT111438: Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images

The Harlot and the Giant, illustration to Canto 32 of Purgatory from Dante's 'Divine Comedy', 1824-27 (pen, ink & w/c over pencil & black chalk on paper)
The Harlot and the Giant, illustration to Canto 32 of Purgatory from Dante's 'Divine Comedy', 1824-27 (pen, ink & w/c over pencil & black chalk on paper)

NGV191595: The Harlot and the Giant, illustration to Canto 32 of Purgatory from Dante's 'Divine Comedy', 1824-27 (pen, ink & w/c over pencil & black chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper)
Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper)

FOG909450: Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper), Blake, William (1757-1827) / Bridgeman Images

Utha Emerging From the Sea by William Blake
Utha Emerging From the Sea by William Blake

XLA3761489: Utha Emerging From the Sea by William Blake, Blake, William (1757-1827) / Bridgeman Images

Frontispiece to 'America' by William Blake
Frontispiece to 'America' by William Blake

XLA3761478: Frontispiece to 'America' by William Blake, Blake, William (1757-1827) / Bridgeman Images

Los, Enitharmon and Orc by William Blake
Los, Enitharmon and Orc by William Blake

XLA3761485: Los, Enitharmon and Orc by William Blake, Blake, William (1757-1827) / Bridgeman Images

Page 39 of 'Jerusalem' by William Blake
Page 39 of 'Jerusalem' by William Blake

XLA3761500: Page 39 of 'Jerusalem' by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Demons Tormenting Ceampolo by William Blake
The Demons Tormenting Ceampolo by William Blake

XLA3766583: The Demons Tormenting Ceampolo by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 38:1-2 illustrated by William Blake
The Book of Job 38:1-2 illustrated by William Blake

XLA3765293: The Book of Job 38:1-2 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 1:  18-19 by William Blake
The Book of Job 1:  18-19 by William Blake

XLA3765264: The Book of Job 1: 18-19 by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 2: 10 &12
The Book of Job 2: 10 &12

XLA3765270: The Book of Job 2: 10 &12, Blake, William (1757-1827) / Bridgeman Images

A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285522: A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink)
Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink)

CH393595: Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink), Blake, William (1757-1827) / Bridgeman Images

'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151896: 'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)
A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)

XYC173212: A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218333: 'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222871: 'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218331: 'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225886: 'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

The Vision of Eliphaz, 1825 (pen, w/c and pencil)
The Vision of Eliphaz, 1825 (pen, w/c and pencil)

XND70238: The Vision of Eliphaz, 1825 (pen, w/c and pencil), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of The Giant Albion;
Jerusalem The Emanation of The Giant Albion;

XND70245: Jerusalem The Emanation of The Giant Albion; "Then the Divine Hand" showing Christ soaring above Albion within whose bosom "the Divine hand found the Two Limits, Satan and Adam", 1804 (relief etching and white line engraving with w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83153: P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83197: P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images


Back to top