XYC256356:
Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220130:
'To Tirzah', plate 42 (Bentley 52) from 'Songs of innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with ink & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC314975:
Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XND70220:
Europe a Prophecy 'Unwilling I look up', 1794 (relief etching with white line engraving and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83178:
P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT84913:
PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash), Blake, William (1757-1827) / Bridgeman Images
NGV191595:
The Harlot and the Giant, illustration to Canto 32 of Purgatory from Dante's 'Divine Comedy', 1824-27 (pen, ink & w/c over pencil & black chalk on paper), Blake, William (1757-1827) / Bridgeman Images
FOG909450:
Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper), Blake, William (1757-1827) / Bridgeman Images
XYC285522:
A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC151896:
'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC173212:
A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222871:
'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC218331:
'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225886:
'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
XND70245:
Jerusalem The Emanation of The Giant Albion; "Then the Divine Hand" showing Christ soaring above Albion within whose bosom "the Divine hand found the Two Limits, Satan and Adam", 1804 (relief etching and white line engraving with w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83153:
P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83197:
P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images