Bayard, Emile Antoine (1837-91) Assets (223 in total)

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The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard.
The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard.

GIA4766904: The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)
Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)

ELD4835336: Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106333: Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville
Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville

LSE4111115: Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”

LSE4111096: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -
A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -

PCT4288191: A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration for
Illustration for

XEE4150096: Illustration for "Les Miserables" (Fantine), 1862 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”
Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”

PCT4258195: Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.
Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.

PCT4270350: Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.
Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.

PCT4273374: Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.
Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.

PCT4274624: Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.
Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.

PCT4277434: Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.
The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.

PCT4276304: The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277459: Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)
illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)

LSE4076835: illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106349: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748773: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Chief of the CREEKS Indians, from the South East of the United States.
Chief of the CREEKS Indians, from the South East of the United States.

JAB4121397: Chief of the CREEKS Indians, from the South East of the United States., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A holy man. 1866 (engraving)
A holy man. 1866 (engraving)

JAB7147159: A holy man. 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)
A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)

CHT233789: A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fete Champetre, 1878 (oil on canvas)
Fete Champetre, 1878 (oil on canvas)

CH989279: Fete Champetre, 1878 (oil on canvas), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)
Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)

LZT1013400: Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph), Bayard, Emile Antoine (1837-91) / Bridgeman Images

L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive
L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive

LZT1013378: L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive, Bayard, Emile Antoine (1837-91) / Bridgeman Images

La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)
La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)

DGC909615: La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

La fête chez Thérèse, 19th Century (b/w engraving)
La fête chez Thérèse, 19th Century (b/w engraving)

DGC909598: La fête chez Thérèse, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard
Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard

XEE4149349: Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862
Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862

XEE4150078: Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.
Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

LSE4332083: Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332513: Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.
Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.

LSE4333778: Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332491: The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330018: The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332234: Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331249: The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Count of Almaviva, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773.
The Count of Almaviva, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773.

GIA4760123: The Count of Almaviva, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106329: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images


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