Bayard, Emile Antoine (1837-91) Assets (223 in total)

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Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.
Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

LSE4331947: Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332512: Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325290: Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325273: Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)
Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)

ELD4835336: Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville
Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville

LSE4111115: Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”

LSE4111096: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106333: Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106349: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)
illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)

LSE4076835: illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325266: The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325279: L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325245: Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325282: The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325270: The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325462: The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Chief of the CREEKS Indians, from the South East of the United States.
Chief of the CREEKS Indians, from the South East of the United States.

JAB4121397: Chief of the CREEKS Indians, from the South East of the United States., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748773: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

A holy man. 1866 (engraving)
A holy man. 1866 (engraving)

JAB7147159: A holy man. 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive
L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive

LZT1013378: L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)
Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)

LZT1013400: Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)
A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)

CHT233789: A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325214: The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.
Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.

LSE4333778: Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.
Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

LSE4332083: Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331249: The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332234: Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332513: Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332491: The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329477: Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330018: The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325313: Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard
Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard

XEE4149349: Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862
Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862

XEE4150078: Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862, Bayard, Emile Antoine (1837-91) / Bridgeman Images

A group of women in front of a bar, forbidden to women, singing hymns to drunks against alcoholism, 1876 (engraving)
A group of women in front of a bar, forbidden to women, singing hymns to drunks against alcoholism, 1876 (engraving)

LSE4087545: A group of women in front of a bar, forbidden to women, singing hymns to drunks against alcoholism, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106341: Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images


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