Bayard, Emile Antoine (1837-91) Assets (225 in total)

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illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)
illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)

LSE4076835: illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”

LSE4111096: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville
Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville

LSE4111115: Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106333: Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106349: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Châtiments, 19th Century (b/w engraving)
Les Châtiments, 19th Century (b/w engraving)

DGC909589: Les Châtiments, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving)
Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving)

DGC909655: Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Attack of Zimbiso in search of Livingstone 1871-1872 (drawing)
Attack of Zimbiso in search of Livingstone 1871-1872 (drawing)

XRH1735077: Attack of Zimbiso in search of Livingstone 1871-1872 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”
Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”

PCT4258195: Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.
Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.

PCT4273374: Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.
Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.

PCT4274624: Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277459: Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325270: The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325462: The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329390: A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329596: Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330053: Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330119: The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332514: Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748773: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Chief of the CREEKS Indians, from the South East of the United States.
Chief of the CREEKS Indians, from the South East of the United States.

JAB4121397: Chief of the CREEKS Indians, from the South East of the United States., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A holy man. 1866 (engraving)
A holy man. 1866 (engraving)

JAB7147159: A holy man. 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)
La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)

DGC909615: La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

La fête chez Thérèse, 19th Century (b/w engraving)
La fête chez Thérèse, 19th Century (b/w engraving)

DGC909598: La fête chez Thérèse, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)
Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)

LZT1013400: Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -
Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -

PCT4295352: Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard
Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard

XEE4149349: Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Ziba Khanoum, Persian princess, 19th century (engraving)
Portrait of Ziba Khanoum, Persian princess, 19th century (engraving)

LSE4333778: Portrait of Ziba Khanoum, Persian princess, 19th century (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325214: The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329477: Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330018: The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332513: Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325313: Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862
Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862

XEE4150078: Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862, Bayard, Emile Antoine (1837-91) / Bridgeman Images

The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331249: The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277466: View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images


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