Bayard, Emile Antoine (1837-91) Assets (225 in total)

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Victor Hugo's Miserables: sentimental plot against a background of historical fresco. Cosette and Marius lovers (love - idylle rue Plumet) and the barricades of Paris (Revolution - Epopee rue St Denis (Saint-Denis). Illustration by Emile Bayard for the Ollendorff edition of 1906.
Victor Hugo's Miserables: sentimental plot against a background of historical fresco. Cosette and Marius lovers (love - idylle rue Plumet) and the barricades of Paris (Revolution - Epopee rue St Denis (Saint-Denis). Illustration by Emile Bayard for the Ollendorff edition of 1906.

PCT4274601: Victor Hugo's Miserables: sentimental plot against a background of historical fresco. Cosette and Marius lovers (love - idylle rue Plumet) and the barricades of Paris (Revolution - Epopee rue St Denis (Saint-Denis). Illustration by Emile Bayard for the Ollendorff edition of 1906., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The amazement of the Eskimals discovering the music boxes in the vicinity of Friedrichsthal (Greenland), engraved after the drawing by Emile Bayard, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “Le tour du monde” 1874, edited by Edouard Charton, edition Paris . Selva Collection.
The amazement of the Eskimals discovering the music boxes in the vicinity of Friedrichsthal (Greenland), engraved after the drawing by Emile Bayard, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “Le tour du monde” 1874, edited by Edouard Charton, edition Paris . Selva Collection.

LSE4329606: The amazement of the Eskimals discovering the music boxes in the vicinity of Friedrichsthal (Greenland), engraved after the drawing by Emile Bayard, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “Le tour du monde” 1874, edited by Edouard Charton, edition Paris . Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

the Count Almavira in “Le barbier de Seville” in “Oeuvres completes de Beaumarchais”, ed. Laplace Sanchez & cie, Paris, 1876 (engraving)
the Count Almavira in “Le barbier de Seville” in “Oeuvres completes de Beaumarchais”, ed. Laplace Sanchez & cie, Paris, 1876 (engraving)

LSE4106373: the Count Almavira in “Le barbier de Seville” in “Oeuvres completes de Beaumarchais”, ed. Laplace Sanchez & cie, Paris, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Figaro in “The Barber of Seville” written by Beaumarchais, 1876 (engraving)
Figaro in “The Barber of Seville” written by Beaumarchais, 1876 (engraving)

LSE4111083: Figaro in “The Barber of Seville” written by Beaumarchais, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Scene from the childhood of Blaise Pascal (1623-62) (engraving) (b/w photo)
Scene from the childhood of Blaise Pascal (1623-62) (engraving) (b/w photo)

CHT224438: Scene from the childhood of Blaise Pascal (1623-62) (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Emperor Charlemagne watching the arrival of Norman ships on the French coast - Viking ships and warriors - drakkar, Scandinavian navigation, Nordic invasion - engraving by Emile Bayard illustrating “The history of popular France by Henri Martin, 19th century.
Emperor Charlemagne watching the arrival of Norman ships on the French coast - Viking ships and warriors - drakkar, Scandinavian navigation, Nordic invasion - engraving by Emile Bayard illustrating “The history of popular France by Henri Martin, 19th century.

PCT4290756: Emperor Charlemagne watching the arrival of Norman ships on the French coast - Viking ships and warriors - drakkar, Scandinavian navigation, Nordic invasion - engraving by Emile Bayard illustrating “The history of popular France by Henri Martin, 19th century., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi with his friend the dog Capi and his harp - Edition Hetzel 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi with his friend the dog Capi and his harp - Edition Hetzel 1880 -

PCT4291438: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi with his friend the dog Capi and his harp - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Leaving for the Moon, illustration from 'Around the Moon' by Jules Verne (1828-1905)  (engraving)
Leaving for the Moon, illustration from 'Around the Moon' by Jules Verne (1828-1905)  (engraving)

XEE5027606: Leaving for the Moon, illustration from 'Around the Moon' by Jules Verne (1828-1905) (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Mother Chaplu in “The Deputies of the Hall”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Mother Chaplu in “The Deputies of the Hall”

LSE4111095: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Mother Chaplu in “The Deputies of the Hall”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

A water carrier, itinerant merchant posing with his equipment, a kind of tank box and a container uses as a measure and cup, in Roustchouk (Romania), engraving after the drawing of Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A water carrier, itinerant merchant posing with his equipment, a kind of tank box and a container uses as a measure and cup, in Roustchouk (Romania), engraving after the drawing of Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329501: A water carrier, itinerant merchant posing with his equipment, a kind of tank box and a container uses as a measure and cup, in Roustchouk (Romania), engraving after the drawing of Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration for
Illustration for

XEE4150073: Illustration for "Les miserables - Premiere partie: Fantine” written by Victor Hugo, 1862 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Christening, 1863 (oil on canvas)
The Christening, 1863 (oil on canvas)

CH827374: The Christening, 1863 (oil on canvas), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fete Champetre, 1878 (oil on canvas)
Fete Champetre, 1878 (oil on canvas)

CH989279: Fete Champetre, 1878 (oil on canvas), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Livingstone surprised by an elephant,  in
Livingstone surprised by an elephant,  in

LSE4090909: Livingstone surprised by an elephant, in "Le Tour du Monde”, 1st semester 1873 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo, Les Chatiments, illustration by Emile Bayard. “” It would be a mistake to believe that these things/will end up with songs and apotheoses”””. It is said that this evocation of the future caused the dread of Napoleon 3.
Victor Hugo, Les Chatiments, illustration by Emile Bayard. “” It would be a mistake to believe that these things/will end up with songs and apotheoses”””. It is said that this evocation of the future caused the dread of Napoleon 3.

PCT4267415: Victor Hugo, Les Chatiments, illustration by Emile Bayard. “” It would be a mistake to believe that these things/will end up with songs and apotheoses”””. It is said that this evocation of the future caused the dread of Napoleon 3., Bayard, Emile Antoine (1837-91) / Bridgeman Images

illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched.
illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched.

PCT4259482: illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Melac Father in “The Two Friends”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Melac Father in “The Two Friends”

LSE4111099: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Melac Father in “The Two Friends”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)

LSE4111103: Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748783: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748779: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Rosine dans “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Rosine dans “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106343: Rosine dans “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Rabies vaccination: Louis Pasteur (1822-1895), 1886 (print)
Rabies vaccination: Louis Pasteur (1822-1895), 1886 (print)

JLJ4682823: Rabies vaccination: Louis Pasteur (1822-1895), 1886 (print), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Writer Alexandre Dumas Jr, 19th century (gouache)
Writer Alexandre Dumas Jr, 19th century (gouache)

JLJ4607785: Writer Alexandre Dumas Jr, 19th century (gouache), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Prehistory: A feast at the time of polished stone. Neolithic era. Engraving from 1870.
Prehistory: A feast at the time of polished stone. Neolithic era. Engraving from 1870.

THT4429464: Prehistory: A feast at the time of polished stone. Neolithic era. Engraving from 1870., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Surfing, the practice of Hawaiian favorite game, here by women, in balance, standing or sitting, on the board, on the crete des waves, who bring them back to the beach, engraving after Emile Bayard's drawing, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “Le tour du monde” direction 1873, under the d'Edouard Charton, Hachette edition, Paris. Selva Collection.
Surfing, the practice of Hawaiian favorite game, here by women, in balance, standing or sitting, on the board, on the crete des waves, who bring them back to the beach, engraving after Emile Bayard's drawing, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “Le tour du monde” direction 1873, under the d'Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329539: Surfing, the practice of Hawaiian favorite game, here by women, in balance, standing or sitting, on the board, on the crete des waves, who bring them back to the beach, engraving after Emile Bayard's drawing, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “Le tour du monde” direction 1873, under the d'Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Rosine, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773.
Rosine, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773.

GIA4760117: Rosine, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A prehistoric cave at night, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published Hachette, 1870 (engraving) (b/w photo)
A prehistoric cave at night, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published Hachette, 1870 (engraving) (b/w photo)

CHT233790: A prehistoric cave at night, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published Hachette, 1870 (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Jean Valjean, Marius wounded on his back, fleeing in the water of Paris Illustration of the novel “Les Miserables”” by Victor Hugo (1802-1885) Illustration by Emile Bayard - (Jean Valjean brings Marius on his back, through the sewers of Paris) Engraving Private collection
Jean Valjean, Marius wounded on his back, fleeing in the water of Paris Illustration of the novel “Les Miserables”” by Victor Hugo (1802-1885) Illustration by Emile Bayard - (Jean Valjean brings Marius on his back, through the sewers of Paris) Engraving Private collection

ELD4838474: Jean Valjean, Marius wounded on his back, fleeing in the water of Paris Illustration of the novel “Les Miserables”” by Victor Hugo (1802-1885) Illustration by Emile Bayard - (Jean Valjean brings Marius on his back, through the sewers of Paris) Engraving Private collection, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330475: Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330933: The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331233: The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Un jardin à Fes, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Un jardin à Fes, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332079: Un jardin à Fes, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving)
Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving)

JLJ4682497: Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277480: View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -

PCT4291281: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress, 19th century (engraving)
Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress, 19th century (engraving)

LSE4333771: Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress, 19th century (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images


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