1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497527 Search Results

Neysa McMein (1888-1949), in her New York studio, c. 1920. She was a very successful portrait and commercial artist and member of the Algonquin Round Table. Among her many accomplishments was the creation of the first image of General Mills's fictional housewife, BETTY CROCKER
Neysa McMein (1888-1949), in her New York studio, c. 1920. She was a very successful portrait and commercial artist and member of the Algonquin Round Table. Among her many accomplishments was the creation of the first image of General Mills's fictional housewife, BETTY CROCKER

EVB2935553: Neysa McMein (1888-1949), in her New York studio, c. 1920. She was a very successful portrait and commercial artist and member of the Algonquin Round Table. Among her many accomplishments was the creation of the first image of General Mills's fictional housewife, BETTY CROCKER / Bridgeman Images

ID: EVB2935553

Neysa McMein (1888-1949), in her New York studio, c. 1920. She was a very successful portrait and commercial artist and member of the Algonquin Round Table. Among her many accomplishments was the creation of the first image of General Mills's fictional housewife, BETTY CROCKER

Consecutive images of a nude girl crawling. From Eadweard Muybridge's, ANIMAL LOCOMOTION, 1887
Consecutive images of a nude girl crawling. From Eadweard Muybridge's, ANIMAL LOCOMOTION, 1887

EVB2935577: Consecutive images of a nude girl crawling. From Eadweard Muybridge's, ANIMAL LOCOMOTION, 1887 / Bridgeman Images

ID: EVB2935577

Consecutive images of a nude girl crawling. From Eadweard Muybridge's, ANIMAL LOCOMOTION, 1887

Consecutive images of a man doing a back somersault. From Eadweard Muybridge's, THE ATTITUDES OF ANIMALS IN MOTION, 1881
Consecutive images of a man doing a back somersault. From Eadweard Muybridge's, THE ATTITUDES OF ANIMALS IN MOTION, 1881

EVB2935586: Consecutive images of a man doing a back somersault. From Eadweard Muybridge's, THE ATTITUDES OF ANIMALS IN MOTION, 1881 / Bridgeman Images

ID: EVB2935586

Consecutive images of a man doing a back somersault. From Eadweard Muybridge's, THE ATTITUDES OF ANIMALS IN MOTION, 1881

Swiss journalist Guido Baumann acting as border patrol man, Germany 1950s
Swiss journalist Guido Baumann acting as border patrol man, Germany 1950s

UTD2851823: Swiss journalist Guido Baumann acting as border patrol man, Germany 1950s / Bridgeman Images

ID: UTD2851823

Swiss journalist Guido Baumann acting as border patrol man, Germany 1950s

Swiss journalist Guido Baumann with a clapperboard, Germany 1950s
Swiss journalist Guido Baumann with a clapperboard, Germany 1950s

UTD2851826: Swiss journalist Guido Baumann with a clapperboard, Germany 1950s / Bridgeman Images

ID: UTD2851826

Swiss journalist Guido Baumann with a clapperboard, Germany 1950s

Bartender and mixer at the bar of cabaret and vaudeville theatre
Bartender and mixer at the bar of cabaret and vaudeville theatre

UTD2851850: Bartender and mixer at the bar of cabaret and vaudeville theatre "Haus Vaterland" in Hamburg, Germany 1950s / Bridgeman Images

ID: UTD2851850

Bartender and mixer at the bar of cabaret and vaudeville theatre "Haus Vaterland" in Hamburg, Germany 1950s

German TV director Juergen Roland in the office at the teletyper, Germany 1950s
German TV director Juergen Roland in the office at the teletyper, Germany 1950s

UTD2851856: German TV director Juergen Roland in the office at the teletyper, Germany 1950s / Bridgeman Images

ID: UTD2851856

German TV director Juergen Roland in the office at the teletyper, Germany 1950s

German TV and movie director Juergen Roland taking pictures of wife Eva and baby Kay at Hamburg, Germany 1950s
German TV and movie director Juergen Roland taking pictures of wife Eva and baby Kay at Hamburg, Germany 1950s

UTD2851868: German TV and movie director Juergen Roland taking pictures of wife Eva and baby Kay at Hamburg, Germany 1950s / Bridgeman Images

ID: UTD2851868

German TV and movie director Juergen Roland taking pictures of wife Eva and baby Kay at Hamburg, Germany 1950s

Voyagers and special guests on the Polydor ship
Voyagers and special guests on the Polydor ship

UTD2851898: Voyagers and special guests on the Polydor ship "Heimweh", Deutschland 1950s / Bridgeman Images

ID: UTD2851898

Voyagers and special guests on the Polydor ship "Heimweh", Deutschland 1950s

Voyagers and special guests on the Polydor ship
Voyagers and special guests on the Polydor ship

UTD2851922: Voyagers and special guests on the Polydor ship "Heimweh", Deutschland 1950s / Bridgeman Images

ID: UTD2851922

Voyagers and special guests on the Polydor ship "Heimweh", Deutschland 1950s

A wheel of fortune spins in Paris
A wheel of fortune spins in Paris

UTD2851925: A wheel of fortune spins in Paris / Bridgeman Images

ID: UTD2851925

A wheel of fortune spins in Paris

A wheel of fortune spins in Paris
A wheel of fortune spins in Paris

UTD2851931: A wheel of fortune spins in Paris / Bridgeman Images

ID: UTD2851931

A wheel of fortune spins in Paris

The defendant
The defendant

UTD2851982: The defendant / Bridgeman Images

ID: UTD2851982

The defendant

A young man at a staircase, Germany 1950s
A young man at a staircase, Germany 1950s

UTD2852027: A young man at a staircase, Germany 1950s / Bridgeman Images

ID: UTD2852027

A young man at a staircase, Germany 1950s

Our neighbors tonight - Family Schölermann
Our neighbors tonight - Family Schölermann

UTD2852042: Our neighbors tonight - Family Schölermann / Bridgeman Images

ID: UTD2852042

Our neighbors tonight - Family Schölermann

Our neighbors tonight - Family Schölermann
Our neighbors tonight - Family Schölermann

UTD2852048: Our neighbors tonight - Family Schölermann / Bridgeman Images

ID: UTD2852048

Our neighbors tonight - Family Schölermann

Kurt richter, CEO of record label Polydor, with staff members at the teletyper in the office at Hamburg, Germany 1950s
Kurt richter, CEO of record label Polydor, with staff members at the teletyper in the office at Hamburg, Germany 1950s

UTD2852057: Kurt richter, CEO of record label Polydor, with staff members at the teletyper in the office at Hamburg, Germany 1950s / Bridgeman Images

ID: UTD2852057

Kurt richter, CEO of record label Polydor, with staff members at the teletyper in the office at Hamburg, Germany 1950s

WORLD WAR I, Refugees from Belgium in Paris, photograph c.1914
WORLD WAR I, Refugees from Belgium in Paris, photograph c.1914

EVB2929348: WORLD WAR I, Refugees from Belgium in Paris, photograph c.1914 / Bridgeman Images

ID: EVB2929348

WORLD WAR I, Refugees from Belgium in Paris, photograph c.1914

Germany, Emperor William's Bridge, Berlin, photochrom, c.1900
Germany, Emperor William's Bridge, Berlin, photochrom, c.1900

EVB2929366: Germany, Emperor William's Bridge, Berlin, photochrom, c.1900 / Bridgeman Images

ID: EVB2929366

Germany, Emperor William's Bridge, Berlin, photochrom, c.1900

Italy, Lake Como, (Lago Di Como), Menaggio, photochrom, c.early 1900s
Italy, Lake Como, (Lago Di Como), Menaggio, photochrom, c.early 1900s

EVB2929378: Italy, Lake Como, (Lago Di Como), Menaggio, photochrom, c.early 1900s / Bridgeman Images

ID: EVB2929378

Italy, Lake Como, (Lago Di Como), Menaggio, photochrom, c.early 1900s

Serbia, landing place and cathedral, Belgrade, photochrom, c.early 1900s
Serbia, landing place and cathedral, Belgrade, photochrom, c.early 1900s

EVB2929384: Serbia, landing place and cathedral, Belgrade, photochrom, c.early 1900s / Bridgeman Images

ID: EVB2929384

Serbia, landing place and cathedral, Belgrade, photochrom, c.early 1900s

Los Angeles, Pitzer Ranch, Reservoir, The Pitzer Reservoir drew water from the onsite fieldstone pumphouse to irrigate the citrus orchards, Claremont, California, photograph c.1980s
Los Angeles, Pitzer Ranch, Reservoir, The Pitzer Reservoir drew water from the onsite fieldstone pumphouse to irrigate the citrus orchards, Claremont, California, photograph c.1980s

EVB2929390: Los Angeles, Pitzer Ranch, Reservoir, The Pitzer Reservoir drew water from the onsite fieldstone pumphouse to irrigate the citrus orchards, Claremont, California, photograph c.1980s / Bridgeman Images

ID: EVB2929390

Los Angeles, Pitzer Ranch, Reservoir, The Pitzer Reservoir drew water from the onsite fieldstone pumphouse to irrigate the citrus orchards, Claremont, California, photograph c.1980s

Los Angeles, arrival board at Union Station, photograph by Dick Whittington, Los Angeles, California, May 19, 1939
Los Angeles, arrival board at Union Station, photograph by Dick Whittington, Los Angeles, California, May 19, 1939

EVB2929393: Los Angeles, arrival board at Union Station, photograph by Dick Whittington, Los Angeles, California, May 19, 1939 / Bridgeman Images

ID: EVB2929393

Los Angeles, arrival board at Union Station, photograph by Dick Whittington, Los Angeles, California, May 19, 1939

Los Angeles, Edwards Air Force Base, observation tower, south of west end of sled track, Lancaster vicinity, California, c.1980s
Los Angeles, Edwards Air Force Base, observation tower, south of west end of sled track, Lancaster vicinity, California, c.1980s

EVB2929396: Los Angeles, Edwards Air Force Base, observation tower, south of west end of sled track, Lancaster vicinity, California, c.1980s / Bridgeman Images

ID: EVB2929396

Los Angeles, Edwards Air Force Base, observation tower, south of west end of sled track, Lancaster vicinity, California, c.1980s

Los Angeles, Federal Title Building, the Federal Title Building was designed by Walker and Eisen, a prominent Southern California architectural firm and constructed in 1927. It is an important part of the Hill Street streetscape. 437 South Hill Street, California, photograph c.1980s
Los Angeles, Federal Title Building, the Federal Title Building was designed by Walker and Eisen, a prominent Southern California architectural firm and constructed in 1927. It is an important part of the Hill Street streetscape. 437 South Hill Street, California, photograph c.1980s

EVB2929405: Los Angeles, Federal Title Building, the Federal Title Building was designed by Walker and Eisen, a prominent Southern California architectural firm and constructed in 1927. It is an important part of the Hill Street streetscape. 437 South Hill Street, California, photograph c.1980s / Bridgeman Images

ID: EVB2929405

Los Angeles, Federal Title Building, the Federal Title Building was designed by Walker and Eisen, a prominent Southern California architectural firm and constructed in 1927. It is an important part of the Hill Street streetscape. 437 South Hill Street, California, photograph c.1980s

Los Angeles, Pan Pacific Auditorium, the structure achieves not just the styling of the great streamlined World's Fairs of the 1930's, but their festivity and sophistication as well. The entrance pylons are scaled to give the building an impressiveness beyond actual size. Burned to the ground in 1989, 1600 Beverly Boulevard, California, photograph 1980s
Los Angeles, Pan Pacific Auditorium, the structure achieves not just the styling of the great streamlined World's Fairs of the 1930's, but their festivity and sophistication as well. The entrance pylons are scaled to give the building an impressiveness beyond actual size. Burned to the ground in 1989, 1600 Beverly Boulevard, California, photograph 1980s

EVB2929408: Los Angeles, Pan Pacific Auditorium, the structure achieves not just the styling of the great streamlined World's Fairs of the 1930's, but their festivity and sophistication as well. The entrance pylons are scaled to give the building an impressiveness beyond actual size. Burned to the ground in 1989, 1600 Beverly Boulevard, California, photograph 1980s / Bridgeman Images

ID: EVB2929408

Los Angeles, Pan Pacific Auditorium, the structure achieves not just the styling of the great streamlined World's Fairs of the 1930's, but their festivity and sophistication as well. The entrance pylons are scaled to give the building an impressiveness beyond actual size. Burned to the ground in 1989, 1600 Beverly Boulevard, California, photograph 1980s

Switzerland, the clock tower, Berne, photochrom, c.early 1900s
Switzerland, the clock tower, Berne, photochrom, c.early 1900s

EVB2929420: Switzerland, the clock tower, Berne, photochrom, c.early 1900s / Bridgeman Images

ID: EVB2929420

Switzerland, the clock tower, Berne, photochrom, c.early 1900s

Czar Nicholas II (right of center), of Russia, and, Kaiser William II (front right), the last German Emperor, c.1900s
Czar Nicholas II (right of center), of Russia, and, Kaiser William II (front right), the last German Emperor, c.1900s

EVB2929429: Czar Nicholas II (right of center), of Russia, and, Kaiser William II (front right), the last German Emperor, c.1900s / Bridgeman Images

ID: EVB2929429

Czar Nicholas II (right of center), of Russia, and, Kaiser William II (front right), the last German Emperor, c.1900s

Latvia (part of Russia at the time of the photograph). La Suisse de Livonie seen from the town of Krimulda (then known as Kremon), photochrom, cira 1900
Latvia (part of Russia at the time of the photograph). La Suisse de Livonie seen from the town of Krimulda (then known as Kremon), photochrom, cira 1900

EVB2929438: Latvia (part of Russia at the time of the photograph). La Suisse de Livonie seen from the town of Krimulda (then known as Kremon), photochrom, cira 1900 / Bridgeman Images

ID: EVB2929438

Latvia (part of Russia at the time of the photograph). La Suisse de Livonie seen from the town of Krimulda (then known as Kremon), photochrom, cira 1900

Election ticket for William W. Holden, of Wake, North Carolina, reads: 'For the Constitution', 1868
Election ticket for William W. Holden, of Wake, North Carolina, reads: 'For the Constitution', 1868

EVB2929456: Election ticket for William W. Holden, of Wake, North Carolina, reads: 'For the Constitution', 1868 / Bridgeman Images

ID: EVB2929456

Election ticket for William W. Holden, of Wake, North Carolina, reads: 'For the Constitution', 1868

The grave marker of Virginia Dare, the first European Christian born in America on August 18, 1587. Photograph, January 5, 1924
The grave marker of Virginia Dare, the first European Christian born in America on August 18, 1587. Photograph, January 5, 1924

EVB2929459: The grave marker of Virginia Dare, the first European Christian born in America on August 18, 1587. Photograph, January 5, 1924 / Bridgeman Images

ID: EVB2929459

The grave marker of Virginia Dare, the first European Christian born in America on August 18, 1587. Photograph, January 5, 1924

Portrait of a Native American man, original title: 'The Red Man', photograph by Gertrude Kasebier, 1902
Portrait of a Native American man, original title: 'The Red Man', photograph by Gertrude Kasebier, 1902

EVB2929480: Portrait of a Native American man, original title: 'The Red Man', photograph by Gertrude Kasebier, 1902, Käsebier, Gertrude (1852-1934) / Bridgeman Images

ID: EVB2929480

Portrait of a Native American man, original title: 'The Red Man', photograph by Gertrude Kasebier, 1902

Käsebier, Gertrude (1852-1934)

Astronomy, The James Lick Telescope at the University of California's Lick Observatory, engtaving c. 1889
Astronomy, The James Lick Telescope at the University of California's Lick Observatory, engtaving c. 1889

EVB2929504: Astronomy, The James Lick Telescope at the University of California's Lick Observatory, engtaving c. 1889 / Bridgeman Images

ID: EVB2929504

Astronomy, The James Lick Telescope at the University of California's Lick Observatory, engtaving c. 1889

President John F. Kennedy, Attorney General Robert F. Kennedy, and FBI director J. Edgar Hoover, speak about increased wiretapping, February 24, 1961
President John F. Kennedy, Attorney General Robert F. Kennedy, and FBI director J. Edgar Hoover, speak about increased wiretapping, February 24, 1961

EVB2929528: President John F. Kennedy, Attorney General Robert F. Kennedy, and FBI director J. Edgar Hoover, speak about increased wiretapping, February 24, 1961 / Bridgeman Images

ID: EVB2929528

President John F. Kennedy, Attorney General Robert F. Kennedy, and FBI director J. Edgar Hoover, speak about increased wiretapping, February 24, 1961

World War II, Shop window of Asahi Dye Works with sign reading: 'Closing, we won't take it to Owens Valley for U', just before the Japanese were evacuated from Little Tokyo to the War Relocation Center, in Owens Valley, a typed caption reads 'War Migration of Japanese', Los Angeles, California, April, 1942
World War II, Shop window of Asahi Dye Works with sign reading: 'Closing, we won't take it to Owens Valley for U', just before the Japanese were evacuated from Little Tokyo to the War Relocation Center, in Owens Valley, a typed caption reads 'War Migration of Japanese', Los Angeles, California, April, 1942

EVB2929567: World War II, Shop window of Asahi Dye Works with sign reading: 'Closing, we won't take it to Owens Valley for U', just before the Japanese were evacuated from Little Tokyo to the War Relocation Center, in Owens Valley, a typed caption reads 'War Migration of Japanese', Los Angeles, California, April, 1942 / Bridgeman Images

ID: EVB2929567

World War II, Shop window of Asahi Dye Works with sign reading: 'Closing, we won't take it to Owens Valley for U', just before the Japanese were evacuated from Little Tokyo to the War Relocation Center, in Owens Valley, a typed caption reads 'War Migration of Japanese', Los Angeles, California, April, 1942

New York City. Exterior view of the Rigging House, 120 William Street, New York City, a 17th century building, formerly a Methodist church in the 1760s. Hand-colored lithograph, 1846
New York City. Exterior view of the Rigging House, 120 William Street, New York City, a 17th century building, formerly a Methodist church in the 1760s. Hand-colored lithograph, 1846

EVB2929594: New York City. Exterior view of the Rigging House, 120 William Street, New York City, a 17th century building, formerly a Methodist church in the 1760s. Hand-colored lithograph, 1846 / Bridgeman Images

ID: EVB2929594

New York City. Exterior view of the Rigging House, 120 William Street, New York City, a 17th century building, formerly a Methodist church in the 1760s. Hand-colored lithograph, 1846


Back to top