1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2501742 Search Results

Page of a manuscript by Pedanius Dioscorides (Dioscorides) Anazarebus, Greek doctor. 13th century.
Page of a manuscript by Pedanius Dioscorides (Dioscorides) Anazarebus, Greek doctor. 13th century.

GIA5033494: Page of a manuscript by Pedanius Dioscorides (Dioscorides) Anazarebus, Greek doctor. 13th century. / Bridgeman Images

ID: GIA5033494

Page of a manuscript by Pedanius Dioscorides (Dioscorides) Anazarebus, Greek doctor. 13th century.

The composer Franz von Suppe surrounds Carl Binder, Anton Storch, Heinrich Proch and Anton Emil Titl - lithography by Josef Kriehuber, 1852
The composer Franz von Suppe surrounds Carl Binder, Anton Storch, Heinrich Proch and Anton Emil Titl - lithography by Josef Kriehuber, 1852

XEE5033100: The composer Franz von Suppe surrounds Carl Binder, Anton Storch, Heinrich Proch and Anton Emil Titl - lithography by Josef Kriehuber, 1852 / Bridgeman Images

ID: XEE5033100

The composer Franz von Suppe surrounds Carl Binder, Anton Storch, Heinrich Proch and Anton Emil Titl - lithography by Josef Kriehuber, 1852

Rebecca at the well Rebecca receiving from Eliezer the hands of Abraham presents from Abraham. Eliezer, Abraham's servant, charged to find a wife for his son Isaac, met Rebecca, who followed him to marry the young man. Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy
Rebecca at the well Rebecca receiving from Eliezer the hands of Abraham presents from Abraham. Eliezer, Abraham's servant, charged to find a wife for his son Isaac, met Rebecca, who followed him to marry the young man. Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy

MRZ5033119: Rebecca at the well Rebecca receiving from Eliezer the hands of Abraham presents from Abraham. Eliezer, Abraham's servant, charged to find a wife for his son Isaac, met Rebecca, who followed him to marry the young man. Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy / Bridgeman Images

ID: MRZ5033119

Rebecca at the well Rebecca receiving from Eliezer the hands of Abraham presents from Abraham. Eliezer, Abraham's servant, charged to find a wife for his son Isaac, met Rebecca, who followed him to marry the young man. Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy

Kossuch earthenware jug, beginning of the 20th century
Kossuch earthenware jug, beginning of the 20th century

MAJ5033171: Kossuch earthenware jug, beginning of the 20th century / Bridgeman Images

ID: MAJ5033171

Kossuch earthenware jug, beginning of the 20th century

View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing Alessandro Farnese (1545-1592) during the Battle of Flanders (Battle of Saint Quentin) in 1577 - Plaisance, Italy
View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing Alessandro Farnese (1545-1592) during the Battle of Flanders (Battle of Saint Quentin) in 1577 - Plaisance, Italy

MRZ5033179: View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing Alessandro Farnese (1545-1592) during the Battle of Flanders (Battle of Saint Quentin) in 1577 - Plaisance, Italy / Bridgeman Images

ID: MRZ5033179

View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing Alessandro Farnese (1545-1592) during the Battle of Flanders (Battle of Saint Quentin) in 1577 - Plaisance, Italy

Representation of Saint Apolline of Alexandria and Saint Lucia View of the Tramezzo between the altar side church and the choir of the convent by Bernardino Luini (1481-1532): altarpiece of the adoration of the Magi - Church of San Maurizio al Monastero Maggiore - Milan, Italy
Representation of Saint Apolline of Alexandria and Saint Lucia View of the Tramezzo between the altar side church and the choir of the convent by Bernardino Luini (1481-1532): altarpiece of the adoration of the Magi - Church of San Maurizio al Monastero Maggiore - Milan, Italy

MRZ5033243: Representation of Saint Apolline of Alexandria and Saint Lucia View of the Tramezzo between the altar side church and the choir of the convent by Bernardino Luini (1481-1532): altarpiece of the adoration of the Magi - Church of San Maurizio al Monastero Maggiore - Milan, Italy / Bridgeman Images

ID: MRZ5033243

Representation of Saint Apolline of Alexandria and Saint Lucia View of the Tramezzo between the altar side church and the choir of the convent by Bernardino Luini (1481-1532): altarpiece of the adoration of the Magi - Church of San Maurizio al Monastero Maggiore - Milan, Italy

Portrait of George Sand after Louis Leopold Boilly
Portrait of George Sand after Louis Leopold Boilly

XEE5033093: Portrait of George Sand after Louis Leopold Boilly, Boilly, Louis Leopold (1761-1845) (after) / Bridgeman Images

ID: XEE5033093

Portrait of George Sand after Louis Leopold Boilly

Boilly, Louis Leopold (1761-1845) (after)

Venus and Adonis Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy
Venus and Adonis Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy

MRZ5033112: Venus and Adonis Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy / Bridgeman Images

ID: MRZ5033112

Venus and Adonis Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy

Board game: board of the German game “” Naval Battle””” 19th century
Board game: board of the German game “” Naval Battle””” 19th century

MAJ5033137: Board game: board of the German game “” Naval Battle””” 19th century / Bridgeman Images

ID: MAJ5033137

Board game: board of the German game “” Naval Battle””” 19th century

Elijah the Prophhete and the Widow of Sarepta Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy
Elijah the Prophhete and the Widow of Sarepta Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy

MRZ5033151: Elijah the Prophhete and the Widow of Sarepta Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy / Bridgeman Images

ID: MRZ5033151

Elijah the Prophhete and the Widow of Sarepta Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy

Onnaing earthenware dish, 1880-1900
Onnaing earthenware dish, 1880-1900

MAJ5033169: Onnaing earthenware dish, 1880-1900 / Bridgeman Images

ID: MAJ5033169

Onnaing earthenware dish, 1880-1900

View of the Arco della Pace (Arc de Triomphe du Simplon or Arc de la Paix) built between 1807 and 1838 by the Italian architect Luigi Cagnola, Milan Italy
View of the Arco della Pace (Arc de Triomphe du Simplon or Arc de la Paix) built between 1807 and 1838 by the Italian architect Luigi Cagnola, Milan Italy

MRZ5033193: View of the Arco della Pace (Arc de Triomphe du Simplon or Arc de la Paix) built between 1807 and 1838 by the Italian architect Luigi Cagnola, Milan Italy / Bridgeman Images

ID: MRZ5033193

View of the Arco della Pace (Arc de Triomphe du Simplon or Arc de la Paix) built between 1807 and 1838 by the Italian architect Luigi Cagnola, Milan Italy

Onnaing Earthenware Pot Cover, 1850-1900
Onnaing Earthenware Pot Cover, 1850-1900

MAJ5033205: Onnaing Earthenware Pot Cover, 1850-1900 / Bridgeman Images

ID: MAJ5033205

Onnaing Earthenware Pot Cover, 1850-1900

Onnaing earthenware jugs, 1850-1900
Onnaing earthenware jugs, 1850-1900

MAJ5033208: Onnaing earthenware jugs, 1850-1900 / Bridgeman Images

ID: MAJ5033208

Onnaing earthenware jugs, 1850-1900

Virgin and Child with Saint John the Baptist (child). Painting by Polidoro Veneziano (Polidoro Lanzani or Polidoro da Lanciano 1515-1565). Museo Civico, Modena.
Virgin and Child with Saint John the Baptist (child). Painting by Polidoro Veneziano (Polidoro Lanzani or Polidoro da Lanciano 1515-1565). Museo Civico, Modena.

VEN5032642: Virgin and Child with Saint John the Baptist (child). Painting by Polidoro Veneziano (Polidoro Lanzani or Polidoro da Lanciano 1515-1565). Museo Civico, Modena. / Bridgeman Images

ID: VEN5032642

Virgin and Child with Saint John the Baptist (child). Painting by Polidoro Veneziano (Polidoro Lanzani or Polidoro da Lanciano 1515-1565). Museo Civico, Modena.

Still life, art of tea and herbal tea.
Still life, art of tea and herbal tea.

MAJ5030889: Still life, art of tea and herbal tea. / Bridgeman Images

ID: MAJ5030889

Still life, art of tea and herbal tea.

Shema of a moon eclipse: Xylography of 1540 in
Shema of a moon eclipse: Xylography of 1540 in

XEE5030906: Shema of a moon eclipse: Xylography of 1540 in "De la sfera del mondo" by Alessandro Piccolomini philosopher and astronomer Biblioteca Marciana, Venezia / Bridgeman Images

ID: XEE5030906

Shema of a moon eclipse: Xylography of 1540 in "De la sfera del mondo" by Alessandro Piccolomini philosopher and astronomer Biblioteca Marciana, Venezia

The Predictions of St. Peter and St. Paul - Frontispice for the Predichee of Gian Paolo Oliva 1659
The Predictions of St. Peter and St. Paul - Frontispice for the Predichee of Gian Paolo Oliva 1659

XEE5030918: The Predictions of St. Peter and St. Paul - Frontispice for the Predichee of Gian Paolo Oliva 1659 / Bridgeman Images

ID: XEE5030918

The Predictions of St. Peter and St. Paul - Frontispice for the Predichee of Gian Paolo Oliva 1659

Extraction of Renal Calculations - in” Two Books of Surgery” by Ambroise Pare, 1551, Biblioteca Nazionale Braidense Milano
Extraction of Renal Calculations - in” Two Books of Surgery” by Ambroise Pare, 1551, Biblioteca Nazionale Braidense Milano

XEE5030950: Extraction of Renal Calculations - in” Two Books of Surgery” by Ambroise Pare, 1551, Biblioteca Nazionale Braidense Milano / Bridgeman Images

ID: XEE5030950

Extraction of Renal Calculations - in” Two Books of Surgery” by Ambroise Pare, 1551, Biblioteca Nazionale Braidense Milano

The Cassiopee of the Atlas of Hevelius (1690): Cassiopee, wife of the Ethiopian King Cephee, sitting on an armchair adorned with palm trees. Engraving from “Les étoiles et les autres curiosites du ciel” by Camille Flammarion, 1882.
The Cassiopee of the Atlas of Hevelius (1690): Cassiopee, wife of the Ethiopian King Cephee, sitting on an armchair adorned with palm trees. Engraving from “Les étoiles et les autres curiosites du ciel” by Camille Flammarion, 1882.

MAJ5031040: The Cassiopee of the Atlas of Hevelius (1690): Cassiopee, wife of the Ethiopian King Cephee, sitting on an armchair adorned with palm trees. Engraving from “Les étoiles et les autres curiosites du ciel” by Camille Flammarion, 1882. / Bridgeman Images

ID: MAJ5031040

The Cassiopee of the Atlas of Hevelius (1690): Cassiopee, wife of the Ethiopian King Cephee, sitting on an armchair adorned with palm trees. Engraving from “Les étoiles et les autres curiosites du ciel” by Camille Flammarion, 1882.

Geography: map showing the Gulf of Mexico, the Caribbean Islands, Central America (Honduras, Costarica), northern South America (Venezuela) and southern United States. Map from an Atlas of 1763. Biblioteca Jose Marti, Havana, Cuba
Geography: map showing the Gulf of Mexico, the Caribbean Islands, Central America (Honduras, Costarica), northern South America (Venezuela) and southern United States. Map from an Atlas of 1763. Biblioteca Jose Marti, Havana, Cuba

VEN5031255: Geography: map showing the Gulf of Mexico, the Caribbean Islands, Central America (Honduras, Costarica), northern South America (Venezuela) and southern United States. Map from an Atlas of 1763. Biblioteca Jose Marti, Havana, Cuba / Bridgeman Images

ID: VEN5031255

Geography: map showing the Gulf of Mexico, the Caribbean Islands, Central America (Honduras, Costarica), northern South America (Venezuela) and southern United States. Map from an Atlas of 1763. Biblioteca Jose Marti, Havana, Cuba

The Diverse and Artifiose Machine by Agostino Ramelli in 1588 - Plate 188E (engraving)
The Diverse and Artifiose Machine by Agostino Ramelli in 1588 - Plate 188E (engraving)

XEE5031717: The Diverse and Artifiose Machine by Agostino Ramelli in 1588 - Plate 188E (engraving) / Bridgeman Images

ID: XEE5031717

The Diverse and Artifiose Machine by Agostino Ramelli in 1588 - Plate 188E (engraving)

Passion of Christ (detail), 1529 (fresco)
Passion of Christ (detail), 1529 (fresco)

MRZ5031739: Passion of Christ (detail), 1529 (fresco), Luini, Bernardino (c.1480-1532) / Bridgeman Images

ID: MRZ5031739

Passion of Christ (detail), 1529 (fresco)

Luini, Bernardino (c.1480-1532)

Portrait of William John Macquorn Rankine, Scottish engineer and physicist
Portrait of William John Macquorn Rankine, Scottish engineer and physicist

XEE5031790: Portrait of William John Macquorn Rankine, Scottish engineer and physicist / Bridgeman Images

ID: XEE5031790

Portrait of William John Macquorn Rankine, Scottish engineer and physicist

One of the last southern constellations visible in France is that of the Whale, represented as a fantastic animal with a forked tongue and a long tail. South of the Whale the Celestial maps contain three modern constellations: the Sculptor's Workshop and the Chemical Furnace (first designed by astronomer Lacaille in 1752) and the Electronic Machine, which first appeared in the Atlas de Bode). Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.
One of the last southern constellations visible in France is that of the Whale, represented as a fantastic animal with a forked tongue and a long tail. South of the Whale the Celestial maps contain three modern constellations: the Sculptor's Workshop and the Chemical Furnace (first designed by astronomer Lacaille in 1752) and the Electronic Machine, which first appeared in the Atlas de Bode). Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.

MAJ5031828: One of the last southern constellations visible in France is that of the Whale, represented as a fantastic animal with a forked tongue and a long tail. South of the Whale the Celestial maps contain three modern constellations: the Sculptor's Workshop and the Chemical Furnace (first designed by astronomer Lacaille in 1752) and the Electronic Machine, which first appeared in the Atlas de Bode). Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882. / Bridgeman Images

ID: MAJ5031828

One of the last southern constellations visible in France is that of the Whale, represented as a fantastic animal with a forked tongue and a long tail. South of the Whale the Celestial maps contain three modern constellations: the Sculptor's Workshop and the Chemical Furnace (first designed by astronomer Lacaille in 1752) and the Electronic Machine, which first appeared in the Atlas de Bode). Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.

French mirror with crystal frame, gold mirror decorated with diamonds and floreau motifs of 1810, mirrors with gold frame of 1815.
French mirror with crystal frame, gold mirror decorated with diamonds and floreau motifs of 1810, mirrors with gold frame of 1815.

MAJ5031872: French mirror with crystal frame, gold mirror decorated with diamonds and floreau motifs of 1810, mirrors with gold frame of 1815. / Bridgeman Images

ID: MAJ5031872

French mirror with crystal frame, gold mirror decorated with diamonds and floreau motifs of 1810, mirrors with gold frame of 1815.

Frontispice of
Frontispice of

XEE5031697: Frontispice of "Astronomical and Physical Observations made in the Isle of Cayenne" by Jean Richer French Astronomer / Bridgeman Images

ID: XEE5031697

Frontispice of "Astronomical and Physical Observations made in the Isle of Cayenne" by Jean Richer French Astronomer

The Life of Jesus: “” Presentation at the Temple”” Fresco by Bernardino de Scapis dit Bernardino Luini (1481-1532) 1525 Santuario della Beata Vergine dei Miracoli, Saronno, Italy.
The Life of Jesus: “” Presentation at the Temple”” Fresco by Bernardino de Scapis dit Bernardino Luini (1481-1532) 1525 Santuario della Beata Vergine dei Miracoli, Saronno, Italy.

MRZ5031701: The Life of Jesus: “” Presentation at the Temple”” Fresco by Bernardino de Scapis dit Bernardino Luini (1481-1532) 1525 Santuario della Beata Vergine dei Miracoli, Saronno, Italy. / Bridgeman Images

ID: MRZ5031701

The Life of Jesus: “” Presentation at the Temple”” Fresco by Bernardino de Scapis dit Bernardino Luini (1481-1532) 1525 Santuario della Beata Vergine dei Miracoli, Saronno, Italy.

Altarpiece of the Virgin and Child: “” Mary and the Child Jesus”” Painting by Bernardino de Scapis dit Bernardino Luini (1481-1532) 1516-1517 Chiesa di Sant'Andrea, Maggianico, Italy.
Altarpiece of the Virgin and Child: “” Mary and the Child Jesus”” Painting by Bernardino de Scapis dit Bernardino Luini (1481-1532) 1516-1517 Chiesa di Sant'Andrea, Maggianico, Italy.

MRZ5031715: Altarpiece of the Virgin and Child: “” Mary and the Child Jesus”” Painting by Bernardino de Scapis dit Bernardino Luini (1481-1532) 1516-1517 Chiesa di Sant'Andrea, Maggianico, Italy. / Bridgeman Images

ID: MRZ5031715

Altarpiece of the Virgin and Child: “” Mary and the Child Jesus”” Painting by Bernardino de Scapis dit Bernardino Luini (1481-1532) 1516-1517 Chiesa di Sant'Andrea, Maggianico, Italy.

Portrait of Abu Bakr Mohammad Ibn Zakariya al-Razi, also known as Razi or Al-Razi, or Ar-Razi, or Ibn Zakaria or as Rhazes and Rasis
Portrait of Abu Bakr Mohammad Ibn Zakariya al-Razi, also known as Razi or Al-Razi, or Ar-Razi, or Ibn Zakaria or as Rhazes and Rasis

XEE5031789: Portrait of Abu Bakr Mohammad Ibn Zakariya al-Razi, also known as Razi or Al-Razi, or Ar-Razi, or Ibn Zakaria or as Rhazes and Rasis / Bridgeman Images

ID: XEE5031789

Portrait of Abu Bakr Mohammad Ibn Zakariya al-Razi, also known as Razi or Al-Razi, or Ar-Razi, or Ibn Zakaria or as Rhazes and Rasis

Zodiacal Constellations - The Virgin and the Balance: The constellation of the Virgin, drawn as a young woman with two wings, carrying a branch in her right hand and an epi in her left hand, and the constellation of Libra. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.
Zodiacal Constellations - The Virgin and the Balance: The constellation of the Virgin, drawn as a young woman with two wings, carrying a branch in her right hand and an epi in her left hand, and the constellation of Libra. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.

MAJ5031813: Zodiacal Constellations - The Virgin and the Balance: The constellation of the Virgin, drawn as a young woman with two wings, carrying a branch in her right hand and an epi in her left hand, and the constellation of Libra. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882. / Bridgeman Images

ID: MAJ5031813

Zodiacal Constellations - The Virgin and the Balance: The constellation of the Virgin, drawn as a young woman with two wings, carrying a branch in her right hand and an epi in her left hand, and the constellation of Libra. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.

The constellation of Hydra, with a Curbeau that tingled it and a Cup of Balancing, originated from the myth of Apollo who had sent a crow with a cup full of water to make a sacrifice to Jupiter. Below the Hydre, the French astronomer Lalande (1732-1807) drew a Cat (felis) and Lacaille (1713-1762) a scientific apparatus, a Pneumatic Machine. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.
The constellation of Hydra, with a Curbeau that tingled it and a Cup of Balancing, originated from the myth of Apollo who had sent a crow with a cup full of water to make a sacrifice to Jupiter. Below the Hydre, the French astronomer Lalande (1732-1807) drew a Cat (felis) and Lacaille (1713-1762) a scientific apparatus, a Pneumatic Machine. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.

MAJ5031824: The constellation of Hydra, with a Curbeau that tingled it and a Cup of Balancing, originated from the myth of Apollo who had sent a crow with a cup full of water to make a sacrifice to Jupiter. Below the Hydre, the French astronomer Lalande (1732-1807) drew a Cat (felis) and Lacaille (1713-1762) a scientific apparatus, a Pneumatic Machine. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882. / Bridgeman Images

ID: MAJ5031824

The constellation of Hydra, with a Curbeau that tingled it and a Cup of Balancing, originated from the myth of Apollo who had sent a crow with a cup full of water to make a sacrifice to Jupiter. Below the Hydre, the French astronomer Lalande (1732-1807) drew a Cat (felis) and Lacaille (1713-1762) a scientific apparatus, a Pneumatic Machine. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.

Portrait of JOSEPH SKODA Professor of Internal Medicine in Vienna
Portrait of JOSEPH SKODA Professor of Internal Medicine in Vienna

XEE5031839: Portrait of JOSEPH SKODA Professor of Internal Medicine in Vienna / Bridgeman Images

ID: XEE5031839

Portrait of JOSEPH SKODA Professor of Internal Medicine in Vienna

Portrait of Simon Stevin Belgian Mathematician
Portrait of Simon Stevin Belgian Mathematician

XEE5031855: Portrait of Simon Stevin Belgian Mathematician / Bridgeman Images

ID: XEE5031855

Portrait of Simon Stevin Belgian Mathematician

Portrait of VASILY YAKOVLEVICH Struve, Russian Astronomer of German origin
Portrait of VASILY YAKOVLEVICH Struve, Russian Astronomer of German origin

XEE5031864: Portrait of VASILY YAKOVLEVICH Struve, Russian Astronomer of German origin / Bridgeman Images

ID: XEE5031864

Portrait of VASILY YAKOVLEVICH Struve, Russian Astronomer of German origin

Portrait Joseph Ludwig Franz Ressel Austrian engineer
Portrait Joseph Ludwig Franz Ressel Austrian engineer

XEE5031696: Portrait Joseph Ludwig Franz Ressel Austrian engineer / Bridgeman Images

ID: XEE5031696

Portrait Joseph Ludwig Franz Ressel Austrian engineer


Back to top