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Hin-mah-too-yah-lat-kekt or Hinmatóowyalahtq?it surrenders to General Nelson Appleton Miles on October 5, 1877, thereby ending the  Nez Perce War.
Hin-mah-too-yah-lat-kekt or Hinmatóowyalahtq?it surrenders to General Nelson Appleton Miles on October 5, 1877, thereby ending the  Nez Perce War.

KWE2967834: Hin-mah-too-yah-lat-kekt or Hinmatóowyalahtq?it surrenders to General Nelson Appleton Miles on October 5, 1877, thereby ending the Nez Perce War. / Bridgeman Images

An Apache Indian home in the 19th century.  From The History of Our Country, published 1900
An Apache Indian home in the 19th century.  From The History of Our Country, published 1900

KWE2967843: An Apache Indian home in the 19th century. From The History of Our Country, published 1900 / Bridgeman Images

Portrait of Standing Rock policeman Lieutenant Bull Head, the man who killed Sitting Bull.  From The History of Our Country, published 1900
Portrait of Standing Rock policeman Lieutenant Bull Head, the man who killed Sitting Bull.  From The History of Our Country, published 1900

KWE2967850: Portrait of Standing Rock policeman Lieutenant Bull Head, the man who killed Sitting Bull. From The History of Our Country, published 1900 / Bridgeman Images

Militia commander Keller Anderson is captured by coal miners at Coal Creek, Anderson County, Tennessee, United States of America, during The Coal Creek War, c.1892.
Militia commander Keller Anderson is captured by coal miners at Coal Creek, Anderson County, Tennessee, United States of America, during The Coal Creek War, c.1892.

KWE2967855: Militia commander Keller Anderson is captured by coal miners at Coal Creek, Anderson County, Tennessee, United States of America, during The Coal Creek War, c.1892. / Bridgeman Images

Práxedes Mariano Mateo Sagasta y Escolar, 1825 - 1903.  S
Práxedes Mariano Mateo Sagasta y Escolar, 1825 - 1903.  S

KWE2967866: Práxedes Mariano Mateo Sagasta y Escolar, 1825 - 1903. S / Bridgeman Images

John Miller, 1781 -1846.   American publisher, War of 1812 veteran, and politician from Missouri.
John Miller, 1781 -1846.   American publisher, War of 1812 veteran, and politician from Missouri.

KWE2967873: John Miller, 1781 -1846. American publisher, War of 1812 veteran, and politician from Missouri. / Bridgeman Images

A map of Hawaii c. 1898.  The eight major islands of the Hawaiian archipelago.  From The History of Our Country, published 1900
A map of Hawaii c. 1898.  The eight major islands of the Hawaiian archipelago.  From The History of Our Country, published 1900

KWE2967879: A map of Hawaii c. 1898. The eight major islands of the Hawaiian archipelago. From The History of Our Country, published 1900 / Bridgeman Images

Street Decoration, Klaksvik, Faroe Islands (photo)
Street Decoration, Klaksvik, Faroe Islands (photo)

DVY3025497: Street Decoration, Klaksvik, Faroe Islands (photo) / Bridgeman Images

Statues, Torshavn, Faroe Islands, Denmark (photo)
Statues, Torshavn, Faroe Islands, Denmark (photo)

DVY3025508: Statues, Torshavn, Faroe Islands, Denmark (photo), Joensen, Fridtjof (1920-88) / Bridgeman Images

Waterfall, Skogafoss, Iceland (photo)
Waterfall, Skogafoss, Iceland (photo)

DVY3025515: Waterfall, Skogafoss, Iceland (photo) / Bridgeman Images

Arch, Leptis Magna, Libya (photo)
Arch, Leptis Magna, Libya (photo)

DVY3025524: Arch, Leptis Magna, Libya (photo) / Bridgeman Images

The Battle of Las Guasimas, Cuba, June 24, 1898, the first land engagement of the Spanish-American War.   From The History of Our Country, published 1900
The Battle of Las Guasimas, Cuba, June 24, 1898, the first land engagement of the Spanish-American War.   From The History of Our Country, published 1900

KWE2967886: The Battle of Las Guasimas, Cuba, June 24, 1898, the first land engagement of the Spanish-American War. From The History of Our Country, published 1900 / Bridgeman Images

An 1870 map showing the proposed route of the The Nicaraguan Canal, a planned shipping route through Nicaragua to connect the Caribbean Sea, and therefore the Atlantic Ocean, with the Pacific Ocean.
An 1870 map showing the proposed route of the The Nicaraguan Canal, a planned shipping route through Nicaragua to connect the Caribbean Sea, and therefore the Atlantic Ocean, with the Pacific Ocean.

KWE2967898: An 1870 map showing the proposed route of the The Nicaraguan Canal, a planned shipping route through Nicaragua to connect the Caribbean Sea, and therefore the Atlantic Ocean, with the Pacific Ocean. / Bridgeman Images

Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)
Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)

XCC2968008: Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bather (Evening) III, 1896 (etching on tan wove paper)
Bather (Evening) III, 1896 (etching on tan wove paper)

XCC2968254: Bather (Evening) III, 1896 (etching on tan wove paper), Zorn, Anders Leonard (1860-1920) / Bridgeman Images

Study for The Last Supper, c.1792 (pen & brown ink & brush & brown wash, with touches of pen & black ink, graphite, & traces of red chalk & brush & red chalk wash, on lunette-shaped tan laid paper, laid down on tan wove card)
Study for The Last Supper, c.1792 (pen & brown ink & brush & brown wash, with touches of pen & black ink, graphite, & traces of red chalk & brush & red chalk wash, on lunette-shaped tan laid paper, laid down on tan wove card)

XCC2968271: Study for The Last Supper, c.1792 (pen & brown ink & brush & brown wash, with touches of pen & black ink, graphite, & traces of red chalk & brush & red chalk wash, on lunette-shaped tan laid paper, laid down on tan wove card), Huet, Jean-Baptiste (1745-1811) / Bridgeman Images

Christ in the House of Simon, late 17th-early 18th century (pen & brown ink with brush & brown wash, heightened with lead white (partly oxidized), over black chalk, on blue-gray laid paper, laid down on ivory laid paper)
Christ in the House of Simon, late 17th-early 18th century (pen & brown ink with brush & brown wash, heightened with lead white (partly oxidized), over black chalk, on blue-gray laid paper, laid down on ivory laid paper)

XCC2968292: Christ in the House of Simon, late 17th-early 18th century (pen & brown ink with brush & brown wash, heightened with lead white (partly oxidized), over black chalk, on blue-gray laid paper, laid down on ivory laid paper), Veronese, (Paolo Caliari) (1528-88) (after) / Bridgeman Images

Beata Humbelina with Crucifix, c.1700 (brush & black & gray wash, over graphite & red chalk, on ivory laid paper, laid down on ivory laid paper)
Beata Humbelina with Crucifix, c.1700 (brush & black & gray wash, over graphite & red chalk, on ivory laid paper, laid down on ivory laid paper)

XCC2968296: Beata Humbelina with Crucifix, c.1700 (brush & black & gray wash, over graphite & red chalk, on ivory laid paper, laid down on ivory laid paper), Lischka, Johann Christoph (1650-1712) / Bridgeman Images

Ruins of the Opera After the Fire of 1781, 1781 (black chalk on ivory laid paper)
Ruins of the Opera After the Fire of 1781, 1781 (black chalk on ivory laid paper)

XCC2968304: Ruins of the Opera After the Fire of 1781, 1781 (black chalk on ivory laid paper), Robert, Hubert (1733-1808) / Bridgeman Images

Affections Offering (Valentine), c.1850 (collaged elements with w/c & silver & gold paint on cut & embossed ivory wove paper (lace))
Affections Offering (Valentine), c.1850 (collaged elements with w/c & silver & gold paint on cut & embossed ivory wove paper (lace))

XCC2968314: Affections Offering (Valentine), c.1850 (collaged elements with w/c & silver & gold paint on cut & embossed ivory wove paper (lace)), American School, (19th century) / Bridgeman Images

Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave; neck and armholes finished with wool (camelid) in overcast stitches; seams joined with wool (camelid) in darning stitches)
Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave; neck and armholes finished with wool (camelid) in overcast stitches; seams joined with wool (camelid) in darning stitches)

XCC2968354: Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave; neck and armholes finished with wool (camelid) in overcast stitches; seams joined with wool (camelid) in darning stitches), Peruvian School / Bridgeman Images

The Seven Bishops of the Church of England going to the Tower of London in 1688, where they were imprisoned and tried for seditious libel over their opposition to the second Declaration of Indulgence issued by James II.  From The Story of England, published 1930.
The Seven Bishops of the Church of England going to the Tower of London in 1688, where they were imprisoned and tried for seditious libel over their opposition to the second Declaration of Indulgence issued by James II.  From The Story of England, published 1930.

MOR2968390: The Seven Bishops of the Church of England going to the Tower of London in 1688, where they were imprisoned and tried for seditious libel over their opposition to the second Declaration of Indulgence issued by James II. From The Story of England, published 1930. / Bridgeman Images

Lintel of the  archway of Prasat Hin Muang Tam, Buriram province, Thailand (photo)
Lintel of the  archway of Prasat Hin Muang Tam, Buriram province, Thailand (photo)

SBL3042522: Lintel of the archway of Prasat Hin Muang Tam, Buriram province, Thailand (photo) / Bridgeman Images

View from the passage way of Prasat Hin Phimai temple, Phimai historical park, Thailand (photo)
View from the passage way of Prasat Hin Phimai temple, Phimai historical park, Thailand (photo)

SBL3042573: View from the passage way of Prasat Hin Phimai temple, Phimai historical park, Thailand (photo) / Bridgeman Images

Elephant Sculpture, Lisbon, Portugal (photo)
Elephant Sculpture, Lisbon, Portugal (photo)

DVY3025530: Elephant Sculpture, Lisbon, Portugal (photo) / Bridgeman Images

Plinth with figures, Lisbon, Portugal (photo)
Plinth with figures, Lisbon, Portugal (photo)

DVY3025533: Plinth with figures, Lisbon, Portugal (photo) / Bridgeman Images

Statues on Seating, Porto, Portugal (photo)
Statues on Seating, Porto, Portugal (photo)

DVY3025548: Statues on Seating, Porto, Portugal (photo) / Bridgeman Images

Porto, Portugal (photo)
Porto, Portugal (photo)

DVY3025556: Porto, Portugal (photo) / Bridgeman Images

Carthage Cathedral; Tunisia (photo)
Carthage Cathedral; Tunisia (photo)

DVY3025581: Carthage Cathedral; Tunisia (photo) / Bridgeman Images

Young Mother, 1888 (pastel on blue-gray wove paper (faded to tan), mounted on canvas, on a strainer)
Young Mother, 1888 (pastel on blue-gray wove paper (faded to tan), mounted on canvas, on a strainer)

XCC2968493: Young Mother, 1888 (pastel on blue-gray wove paper (faded to tan), mounted on canvas, on a strainer), Cassatt, Mary Stevenson (1844-1926) / Bridgeman Images

The Three Skulls, 1902-06 (w/c, with graphite & touches of gouache, on ivory wove paper)
The Three Skulls, 1902-06 (w/c, with graphite & touches of gouache, on ivory wove paper)

XCC2968515: The Three Skulls, 1902-06 (w/c, with graphite & touches of gouache, on ivory wove paper), Cezanne, Paul (1839-1906) / Bridgeman Images

Cutting at Little Weeton, 1882 (sepia photo)
Cutting at Little Weeton, 1882 (sepia photo)

STT2968563: Cutting at Little Weeton, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

Drewton Cutting, 1882 (sepia photo)
Drewton Cutting, 1882 (sepia photo)

STT2968572: Drewton Cutting, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)
Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

XCC2968606: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Upton Cutting, 1882 (sepia photo)
Upton Cutting, 1882 (sepia photo)

STT2968611: Upton Cutting, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

Cudworth Tip, 1882 (sepia photo)
Cudworth Tip, 1882 (sepia photo)

STT2968621: Cudworth Tip, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images


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