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The Brewery Excelsior, 3 rue Mazagran in Nancy (Meurthe and Moselle). Architects Lucien Weissenburger (1860-1929) and Alexandre Mienville, 1911. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The Brewery Excelsior, 3 rue Mazagran in Nancy (Meurthe and Moselle). Architects Lucien Weissenburger (1860-1929) and Alexandre Mienville, 1911. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640727: The Brewery Excelsior, 3 rue Mazagran in Nancy (Meurthe and Moselle). Architects Lucien Weissenburger (1860-1929) and Alexandre Mienville, 1911. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Weissenburger, Lucien (1860-1929) / Bridgeman Images

Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640802: Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Masson, Charles (1894-1971) / Bridgeman Images

Architect house, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Architect house, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640820: Architect house, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., César, Félicien (1849-1930) / Bridgeman Images

Extravehicular output of Cosmonauts - 06/2014 - Cosmonauts extravehicular activity 06/2014: Extravehicular output of cosmonauts Alexander Skvortsov (red stripes) and Oleg Artemyev for the maintenance of the International Space Station (ISS). A Progress ship is visible, mooring at the station. 19 June 2014. English cosmonauts Alexander Skvortsov (red stripes) and Oleg Artemyev, both Expedition 40 flight engineers, participate in a session of extravehicular activity (EVA) as work continues on the International Space Station. During the seven-hour, 23-minute spacewalk Skvortsov and Artemyev completed installation and experiment tasks outside the station's Russian segment. The Progress 55 spacecraft, currently docked to the Pirs Docking Compartment, is at left. 19 June 2014.
Extravehicular output of Cosmonauts - 06/2014 - Cosmonauts extravehicular activity 06/2014: Extravehicular output of cosmonauts Alexander Skvortsov (red stripes) and Oleg Artemyev for the maintenance of the International Space Station (ISS). A Progress ship is visible, mooring at the station. 19 June 2014. English cosmonauts Alexander Skvortsov (red stripes) and Oleg Artemyev, both Expedition 40 flight engineers, participate in a session of extravehicular activity (EVA) as work continues on the International Space Station. During the seven-hour, 23-minute spacewalk Skvortsov and Artemyev completed installation and experiment tasks outside the station's Russian segment. The Progress 55 spacecraft, currently docked to the Pirs Docking Compartment, is at left. 19 June 2014.

PIX4640856: Extravehicular output of Cosmonauts - 06/2014 - Cosmonauts extravehicular activity 06/2014: Extravehicular output of cosmonauts Alexander Skvortsov (red stripes) and Oleg Artemyev for the maintenance of the International Space Station (ISS). A Progress ship is visible, mooring at the station. 19 June 2014. English cosmonauts Alexander Skvortsov (red stripes) and Oleg Artemyev, both Expedition 40 flight engineers, participate in a session of extravehicular activity (EVA) as work continues on the International Space Station. During the seven-hour, 23-minute spacewalk Skvortsov and Artemyev completed installation and experiment tasks outside the station's Russian segment. The Progress 55 spacecraft, currently docked to the Pirs Docking Compartment, is at left. 19 June 2014. / Bridgeman Images

Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933), 1902-1904 and Jacques Philippon, expansion in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933), 1902-1904 and Jacques Philippon, expansion in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640873: Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933), 1902-1904 and Jacques Philippon, expansion in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640600: La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Sauvage, Henri (1873-1932) / Bridgeman Images

Le Magasin Genin, 2 rue Benit (architect Henri Gutton, 1900) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Le Magasin Genin, 2 rue Benit (architect Henri Gutton, 1900) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640734: Le Magasin Genin, 2 rue Benit (architect Henri Gutton, 1900) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Gutton, Henri (1851-1933) / Bridgeman Images

Mine sur un asteroide - Illustration - Asteroid mining outpost - Artist's view a mining base installed on an asteroid. A massive manned mining outpost is built around a rocky near - Earth asteroid about 300 million miles from Earth. This oblong asteroid is approximately 2,000 feet long by 1,000 feet wide. The mining base and its supporting structure is almost one - half statute mile long
Mine sur un asteroide - Illustration - Asteroid mining outpost - Artist's view a mining base installed on an asteroid. A massive manned mining outpost is built around a rocky near - Earth asteroid about 300 million miles from Earth. This oblong asteroid is approximately 2,000 feet long by 1,000 feet wide. The mining base and its supporting structure is almost one - half statute mile long

PIX4640756: Mine sur un asteroide - Illustration - Asteroid mining outpost - Artist's view a mining base installed on an asteroid. A massive manned mining outpost is built around a rocky near - Earth asteroid about 300 million miles from Earth. This oblong asteroid is approximately 2,000 feet long by 1,000 feet wide. The mining base and its supporting structure is almost one - half statute mile long / Bridgeman Images

Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640795: Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Masson, Charles (1894-1971) / Bridgeman Images

Villa Les Glycines, 5 rue des Brices (architect Emile Andre, 1904 and Jacques Philippon in 1924) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Villa Les Glycines, 5 rue des Brices (architect Emile Andre, 1904 and Jacques Philippon in 1924) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640867: Villa Les Glycines, 5 rue des Brices (architect Emile Andre, 1904 and Jacques Philippon in 1924) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

MK2 Bibliotheque created by Jean Michel Wilmotte in 2002, with the Bibliotheque de France realised by Dominique Perrault in 1995, Paris 75013.
MK2 Bibliotheque created by Jean Michel Wilmotte in 2002, with the Bibliotheque de France realised by Dominique Perrault in 1995, Paris 75013.

TEC4641574: MK2 Bibliotheque created by Jean Michel Wilmotte in 2002, with the Bibliotheque de France realised by Dominique Perrault in 1995, Paris 75013., Perrault, Dominique (b.1953) / Bridgeman Images

ZAC Paris Rive Gauche, avenue de France, Paris 75013. Photography 10/03/05.
ZAC Paris Rive Gauche, avenue de France, Paris 75013. Photography 10/03/05.

TEC4641700: ZAC Paris Rive Gauche, avenue de France, Paris 75013. Photography 10/03/05. / Bridgeman Images

ZAC Paris Seine Rive Gauche, Paris 75013. Photography 10/03/05.
ZAC Paris Seine Rive Gauche, Paris 75013. Photography 10/03/05.

TEC4641770: ZAC Paris Seine Rive Gauche, Paris 75013. Photography 10/03/05. / Bridgeman Images

A bird. (Detail of fresco, 530 BC)
A bird. (Detail of fresco, 530 BC)

LRI4641962: A bird. (Detail of fresco, 530 BC), Etruscan, (6th century BC) / Bridgeman Images

Mir: A. Solovyev and N. Budarin close the junction module - Shuttle - Mir: Solovyev and Budarin prepare to close hatch to docking module - Cosmoauts Anatoly Solovyev (commander of Mir 19) and Nikolai Budarin are about to close the junction module door of the Mir station. 22 July 1995. View of the Mir 19 commander Anatoly Solovyev and flight engineer Nikolai Budarin preparing to close the hatch to the docking module which leads to the Mir space station
Mir: A. Solovyev and N. Budarin close the junction module - Shuttle - Mir: Solovyev and Budarin prepare to close hatch to docking module - Cosmoauts Anatoly Solovyev (commander of Mir 19) and Nikolai Budarin are about to close the junction module door of the Mir station. 22 July 1995. View of the Mir 19 commander Anatoly Solovyev and flight engineer Nikolai Budarin preparing to close the hatch to the docking module which leads to the Mir space station

PIX4642037: Mir: A. Solovyev and N. Budarin close the junction module - Shuttle - Mir: Solovyev and Budarin prepare to close hatch to docking module - Cosmoauts Anatoly Solovyev (commander of Mir 19) and Nikolai Budarin are about to close the junction module door of the Mir station. 22 July 1995. View of the Mir 19 commander Anatoly Solovyev and flight engineer Nikolai Budarin preparing to close the hatch to the docking module which leads to the Mir space station / Bridgeman Images

Conversation (Detail of fresco, 530 BC)
Conversation (Detail of fresco, 530 BC)

LRI4642065: Conversation (Detail of fresco, 530 BC), Etruscan, (6th century BC) / Bridgeman Images

A bird sitting on a small tree (Fresco, detail, 530 BC)
A bird sitting on a small tree (Fresco, detail, 530 BC)

LRI4642102: A bird sitting on a small tree (Fresco, detail, 530 BC), Etruscan, (6th century BC) / Bridgeman Images

Mir Station 11/1995 - Mir Space Station seen from the Atlantis Shuttle. 11/1995. View of the complete Mir Space Station after docking over a portion of the Eart
Mir Station 11/1995 - Mir Space Station seen from the Atlantis Shuttle. 11/1995. View of the complete Mir Space Station after docking over a portion of the Eart

PIX4642040: Mir Station 11/1995 - Mir Space Station seen from the Atlantis Shuttle. 11/1995. View of the complete Mir Space Station after docking over a portion of the Eart / Bridgeman Images

Station Mir - Exit of S.Avdeev 28 - 07 - 1999 - Extravhicular exit of cosmonaut Sergei Avdeyev near mat Sofora of station Mir
Station Mir - Exit of S.Avdeev 28 - 07 - 1999 - Extravhicular exit of cosmonaut Sergei Avdeyev near mat Sofora of station Mir

PIX4642435: Station Mir - Exit of S.Avdeev 28 - 07 - 1999 - Extravhicular exit of cosmonaut Sergei Avdeyev near mat Sofora of station Mir / Bridgeman Images

Mir Station 09/1996 - Mir Space Station 09/1996 - Partial view of the Mir Space Station. Survey view of the Mir space station taken by the crew of the STS - 79 orbiter Atlantis after docking with the station on flight day 4. View includes: Spektr, Kristall and the Docking Module
Mir Station 09/1996 - Mir Space Station 09/1996 - Partial view of the Mir Space Station. Survey view of the Mir space station taken by the crew of the STS - 79 orbiter Atlantis after docking with the station on flight day 4. View includes: Spektr, Kristall and the Docking Module

PIX4642219: Mir Station 09/1996 - Mir Space Station 09/1996 - Partial view of the Mir Space Station. Survey view of the Mir space station taken by the crew of the STS - 79 orbiter Atlantis after docking with the station on flight day 4. View includes: Spektr, Kristall and the Docking Module / Bridgeman Images

Mir Station 09/1996 - Mir Space Station seen from the shuttle Atlantis STS-79 after the demooring. 24/09/1996. Russia's Mir Space Station seen from the STS - 76 Space Shuttle Atlantis following the undocking. Sep 24 1996
Mir Station 09/1996 - Mir Space Station seen from the shuttle Atlantis STS-79 after the demooring. 24/09/1996. Russia's Mir Space Station seen from the STS - 76 Space Shuttle Atlantis following the undocking. Sep 24 1996

PIX4642208: Mir Station 09/1996 - Mir Space Station seen from the shuttle Atlantis STS-79 after the demooring. 24/09/1996. Russia's Mir Space Station seen from the STS - 76 Space Shuttle Atlantis following the undocking. Sep 24 1996 / Bridgeman Images

The Mir space station seen from the shuttle Discovery. 12/06/1998 - Mir station seen in june 1998 - Mir space station seen from the shuttle Discovery. 12/06/1998. Overall view of Mir over the Earth horizon
The Mir space station seen from the shuttle Discovery. 12/06/1998 - Mir station seen in june 1998 - Mir space station seen from the shuttle Discovery. 12/06/1998. Overall view of Mir over the Earth horizon

PIX4642394: The Mir space station seen from the shuttle Discovery. 12/06/1998 - Mir station seen in june 1998 - Mir space station seen from the shuttle Discovery. 12/06/1998. Overall view of Mir over the Earth horizon / Bridgeman Images

Military satellite DSP - Military satellite DSP tilted to predeployment position - Deploiement d'un satellite militaire DSP (Defense Support Program) on board the space shuttle Atlantis on 1 December 1991. These American spy satellites detect missile and spacecraft launches and nuclear explosions thanks to their infrared sensor that detects heat emissions. Defense Support Program (DSP)/Inertial Upper Stage (IUS) spacecraft, with forward airborne support equipment payload retention latch actuator released (foreground), is raised to a 29 degree predeployment position by the ASE aft frame tilt actuator (AFTA) table in the payload bay of Atlantis, Orbiter Vehicle 104. DSP components include Infrared sensor (top), AR I, SHF Antenna, EHF Antenna, Link 2 High - Gain Antenna, star sensor, and stowed solar paddles (box - like structure around the base). The Earth's limb and the blackness of space create the backdrop for this deployment scene. DSP satellites detect missile or spacecraft launches and nuclear explosions using sensors that detect the infrared emissions from these intense sources of heat
Military satellite DSP - Military satellite DSP tilted to predeployment position - Deploiement d'un satellite militaire DSP (Defense Support Program) on board the space shuttle Atlantis on 1 December 1991. These American spy satellites detect missile and spacecraft launches and nuclear explosions thanks to their infrared sensor that detects heat emissions. Defense Support Program (DSP)/Inertial Upper Stage (IUS) spacecraft, with forward airborne support equipment payload retention latch actuator released (foreground), is raised to a 29 degree predeployment position by the ASE aft frame tilt actuator (AFTA) table in the payload bay of Atlantis, Orbiter Vehicle 104. DSP components include Infrared sensor (top), AR I, SHF Antenna, EHF Antenna, Link 2 High - Gain Antenna, star sensor, and stowed solar paddles (box - like structure around the base). The Earth's limb and the blackness of space create the backdrop for this deployment scene. DSP satellites detect missile or spacecraft launches and nuclear explosions using sensors that detect the infrared emissions from these intense sources of heat

PIX4642655: Military satellite DSP - Military satellite DSP tilted to predeployment position - Deploiement d'un satellite militaire DSP (Defense Support Program) on board the space shuttle Atlantis on 1 December 1991. These American spy satellites detect missile and spacecraft launches and nuclear explosions thanks to their infrared sensor that detects heat emissions. Defense Support Program (DSP)/Inertial Upper Stage (IUS) spacecraft, with forward airborne support equipment payload retention latch actuator released (foreground), is raised to a 29 degree predeployment position by the ASE aft frame tilt actuator (AFTA) table in the payload bay of Atlantis, Orbiter Vehicle 104. DSP components include Infrared sensor (top), AR I, SHF Antenna, EHF Antenna, Link 2 High - Gain Antenna, star sensor, and stowed solar paddles (box - like structure around the base). The Earth's limb and the blackness of space create the backdrop for this deployment scene. DSP satellites detect missile or spacecraft launches and nuclear explosions using sensors that detect the infrared emissions from these intense sources of heat / Bridgeman Images

Space Debris Falls in Texas - Space Debris: Delta 2 Rocket Tank - A reservoir of the American Delta 2 rocket fell to Earth near Georgetown, Texas on January 22, 1997. After a nine-month stay around the Earth, this reservoir of about 250 kg remains practically intact due to its atmospheric rental. This is the main propellant tank of the second stage of a Delta 2 launch vehicle which landed near Georgetown, TX, on 22 January 1997, after nine months in Earth - orbit. This approximately 250 kg tank is primarily a stainless steel structure and survived reentry relatively intact
Space Debris Falls in Texas - Space Debris: Delta 2 Rocket Tank - A reservoir of the American Delta 2 rocket fell to Earth near Georgetown, Texas on January 22, 1997. After a nine-month stay around the Earth, this reservoir of about 250 kg remains practically intact due to its atmospheric rental. This is the main propellant tank of the second stage of a Delta 2 launch vehicle which landed near Georgetown, TX, on 22 January 1997, after nine months in Earth - orbit. This approximately 250 kg tank is primarily a stainless steel structure and survived reentry relatively intact

PIX4642804: Space Debris Falls in Texas - Space Debris: Delta 2 Rocket Tank - A reservoir of the American Delta 2 rocket fell to Earth near Georgetown, Texas on January 22, 1997. After a nine-month stay around the Earth, this reservoir of about 250 kg remains practically intact due to its atmospheric rental. This is the main propellant tank of the second stage of a Delta 2 launch vehicle which landed near Georgetown, TX, on 22 January 1997, after nine months in Earth - orbit. This approximately 250 kg tank is primarily a stainless steel structure and survived reentry relatively intact / Bridgeman Images

Deploiement du satellite LDEF - Deployment of the LDEF satellite - Deployment of the Long Duration Exposure Facility (LDEF) satellite seen from the Challenger Shuttle over Florida on 7 April 1984. This satellite remained in space for more than five years and was brought back to Earth to analyse the 57 experiments on board, intended to better understand the consequences of a long stay in space. This single scene, taken during the Long Duration Exposure Facility (LDEF) satellite deploy, captures the entire Florida Peninsula (27.0N, 85.0W) in a single view. The multi - paneled LDEF satellite, suspended by the RMS, is undergoing final checkout procedures immediately prior to release. As a long term materials testing facility, the LDEF contained material samples in the many surface panels to determine the effects of long term exposure to space. multi - paneled LDEF satellite was deployed 27.0N, 85.0W)
Deploiement du satellite LDEF - Deployment of the LDEF satellite - Deployment of the Long Duration Exposure Facility (LDEF) satellite seen from the Challenger Shuttle over Florida on 7 April 1984. This satellite remained in space for more than five years and was brought back to Earth to analyse the 57 experiments on board, intended to better understand the consequences of a long stay in space. This single scene, taken during the Long Duration Exposure Facility (LDEF) satellite deploy, captures the entire Florida Peninsula (27.0N, 85.0W) in a single view. The multi - paneled LDEF satellite, suspended by the RMS, is undergoing final checkout procedures immediately prior to release. As a long term materials testing facility, the LDEF contained material samples in the many surface panels to determine the effects of long term exposure to space. multi - paneled LDEF satellite was deployed 27.0N, 85.0W)

PIX4642541: Deploiement du satellite LDEF - Deployment of the LDEF satellite - Deployment of the Long Duration Exposure Facility (LDEF) satellite seen from the Challenger Shuttle over Florida on 7 April 1984. This satellite remained in space for more than five years and was brought back to Earth to analyse the 57 experiments on board, intended to better understand the consequences of a long stay in space. This single scene, taken during the Long Duration Exposure Facility (LDEF) satellite deploy, captures the entire Florida Peninsula (27.0N, 85.0W) in a single view. The multi - paneled LDEF satellite, suspended by the RMS, is undergoing final checkout procedures immediately prior to release. As a long term materials testing facility, the LDEF contained material samples in the many surface panels to determine the effects of long term exposure to space. multi - paneled LDEF satellite was deployed 27.0N, 85.0W) / Bridgeman Images

Space Debris: Meteosat type satellite - Space debris: Meteosat satellite - Artist's view of a Meteosat satellite when it is put into orbit. As with many satellites, orbit operations cause new space debris (ejection of covers, bolts...). A measure against space debris is minimizing the number of objects released during spacecraft operations. Typical “” mission - related objects”” (MRO) include adapters used between two satellites in a dual launch, telescope covers, bolts, cast off yo - yo spinners, etc. Spacecraft designers and operators must design missions so that objects stay attached to the spacecraft and do not become additional space debris
Space Debris: Meteosat type satellite - Space debris: Meteosat satellite - Artist's view of a Meteosat satellite when it is put into orbit. As with many satellites, orbit operations cause new space debris (ejection of covers, bolts...). A measure against space debris is minimizing the number of objects released during spacecraft operations. Typical “” mission - related objects”” (MRO) include adapters used between two satellites in a dual launch, telescope covers, bolts, cast off yo - yo spinners, etc. Spacecraft designers and operators must design missions so that objects stay attached to the spacecraft and do not become additional space debris

PIX4642761: Space Debris: Meteosat type satellite - Space debris: Meteosat satellite - Artist's view of a Meteosat satellite when it is put into orbit. As with many satellites, orbit operations cause new space debris (ejection of covers, bolts...). A measure against space debris is minimizing the number of objects released during spacecraft operations. Typical “” mission - related objects”” (MRO) include adapters used between two satellites in a dual launch, telescope covers, bolts, cast off yo - yo spinners, etc. Spacecraft designers and operators must design missions so that objects stay attached to the spacecraft and do not become additional space debris / Bridgeman Images

Graphic computer of objects around the earth - View of debris in geostationary orbit (35,785 km) around the Earth. Approximately 11,000 objects over 10 cm have been identified. Most of these debris is in low orbit. The number of debris between 10 cm and 1 cm in diameter, greater than 100,000; particles less than 1 cm must exceed 10 million. The GEO images are images generated from a distant oblique vantage point to provide a good view of the object population in the geosynchronous region (around 35,785 km altitude). Note the larger population of objects over the northern hemisphere is due mostly to Russian objects in high - inclination, high - eccentricity orbits. Approximately 11,000 objects larger than 10 cm are known to exist. The estimated population of particles between 1 and 10 cm in diameter is greater than 100,000. The number of particles smaller than 1 cm probably exceeds tens of millions
Graphic computer of objects around the earth - View of debris in geostationary orbit (35,785 km) around the Earth. Approximately 11,000 objects over 10 cm have been identified. Most of these debris is in low orbit. The number of debris between 10 cm and 1 cm in diameter, greater than 100,000; particles less than 1 cm must exceed 10 million. The GEO images are images generated from a distant oblique vantage point to provide a good view of the object population in the geosynchronous region (around 35,785 km altitude). Note the larger population of objects over the northern hemisphere is due mostly to Russian objects in high - inclination, high - eccentricity orbits. Approximately 11,000 objects larger than 10 cm are known to exist. The estimated population of particles between 1 and 10 cm in diameter is greater than 100,000. The number of particles smaller than 1 cm probably exceeds tens of millions

PIX4642695: Graphic computer of objects around the earth - View of debris in geostationary orbit (35,785 km) around the Earth. Approximately 11,000 objects over 10 cm have been identified. Most of these debris is in low orbit. The number of debris between 10 cm and 1 cm in diameter, greater than 100,000; particles less than 1 cm must exceed 10 million. The GEO images are images generated from a distant oblique vantage point to provide a good view of the object population in the geosynchronous region (around 35,785 km altitude). Note the larger population of objects over the northern hemisphere is due mostly to Russian objects in high - inclination, high - eccentricity orbits. Approximately 11,000 objects larger than 10 cm are known to exist. The estimated population of particles between 1 and 10 cm in diameter is greater than 100,000. The number of particles smaller than 1 cm probably exceeds tens of millions / Bridgeman Images

Jupiter and its satellites -Illustration - Jupiter and its moons. Artwork: Jupiter and satellites -Illustration - Jupiter and its moons. Artwork
Jupiter and its satellites -Illustration - Jupiter and its moons. Artwork: Jupiter and satellites -Illustration - Jupiter and its moons. Artwork

PIX4614067: Jupiter and its satellites -Illustration - Jupiter and its moons. Artwork: Jupiter and satellites -Illustration - Jupiter and its moons. Artwork / Bridgeman Images

Memory box, opening B, 1962 (wood sculpture assemblage)
Memory box, opening B, 1962 (wood sculpture assemblage)

LRI4614295: Memory box, opening B, 1962 (wood sculpture assemblage), Del Pezzo, Lucio (1933-2020) / Bridgeman Images

The north is Parisian, seen from the Parc des Buttes Chaumont towards the Sacre Coeur.
The north is Parisian, seen from the Parc des Buttes Chaumont towards the Sacre Coeur.

MDA4614312: The north is Parisian, seen from the Parc des Buttes Chaumont towards the Sacre Coeur. / Bridgeman Images

Bassin de la Villette in Paris 19th. Photography 1988.
Bassin de la Villette in Paris 19th. Photography 1988.

MDA4614418: Bassin de la Villette in Paris 19th. Photography 1988. / Bridgeman Images

The Strings of the Wind, 1944 (Painting)
The Strings of the Wind, 1944 (Painting)

LRI4614430: The Strings of the Wind, 1944 (Painting), Donati, Enrico (1909-2008) / Bridgeman Images

Round point Paris 19th arrondissement.
Round point Paris 19th arrondissement.

TEC4613703: Round point Paris 19th arrondissement. / Bridgeman Images

Round point Paris 19th arrondissement.
Round point Paris 19th arrondissement.

TEC4613714: Round point Paris 19th arrondissement. / Bridgeman Images

Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards.
Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards.

TEC4613738: Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards. / Bridgeman Images

The organs of Flanders in Paris. Construction 1972-1977, architect Martin S. van Treck.
The organs of Flanders in Paris. Construction 1972-1977, architect Martin S. van Treck.

TEC4613750: The organs of Flanders in Paris. Construction 1972-1977, architect Martin S. van Treck., Treeck, Martin S. van (1926-1999) / Bridgeman Images


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