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French costumes of the late 15th century, 1889 (chromolithograph)
French costumes of the late 15th century, 1889 (chromolithograph)

FLO5912648: French costumes of the late 15th century, 1889 (chromolithograph) / Bridgeman Images

Uniform of a sailor in boarding clothes, French Navy, 1844 (print)
Uniform of a sailor in boarding clothes, French Navy, 1844 (print)

FLO5912657: Uniform of a sailor in boarding clothes, French Navy, 1844 (print) / Bridgeman Images

Plan and elevation for a Gothic cottage, 1816 (engraving)
Plan and elevation for a Gothic cottage, 1816 (engraving)

FLO5912678: Plan and elevation for a Gothic cottage, 1816 (engraving), British School, (19th century) / Bridgeman Images

Sleigh used in winter by Alexander Emperor of Russia, 1816 (engraving)
Sleigh used in winter by Alexander Emperor of Russia, 1816 (engraving)

FLO5912681: Sleigh used in winter by Alexander Emperor of Russia, 1816 (engraving), British School, (19th century) / Bridgeman Images

Plan and elevation of a Regency villa, 1817 (engraving)
Plan and elevation of a Regency villa, 1817 (engraving)

FLO5912702: Plan and elevation of a Regency villa, 1817 (engraving), British School, (19th century) / Bridgeman Images

Views of the spa town of Bad Liebenstein, Germany, 1817 (engraving)
Views of the spa town of Bad Liebenstein, Germany, 1817 (engraving)

FLO5912714: Views of the spa town of Bad Liebenstein, Germany, 1817 (engraving), British School, (19th century) / Bridgeman Images

Sion House or Syon House, Isleworth, 1823 (engraving)
Sion House or Syon House, Isleworth, 1823 (engraving)

FLO5912726: Sion House or Syon House, Isleworth, 1823 (engraving), British School, (19th century) / Bridgeman Images

Woburn Abbey, seat of the Duke of Bedford, 1823 (engraving)
Woburn Abbey, seat of the Duke of Bedford, 1823 (engraving)

FLO5912738: Woburn Abbey, seat of the Duke of Bedford, 1823 (engraving), British School, (19th century) / Bridgeman Images

Title page with calligraphic title and vignette, 1817 (engraving)
Title page with calligraphic title and vignette, 1817 (engraving)

FLO5912744: Title page with calligraphic title and vignette, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)
Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

FLO5912759: Young English gentleman arriving back home after the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Priest of the Camillians or Clerics Regular, Ministers to the Sick, Clerc Regulier pour le Service des Malades. Handcoloured woodblock engraving by E. Duverger after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Priest of the Camillians or Clerics Regular, Ministers to the Sick, Clerc Regulier pour le Service des Malades. Handcoloured woodblock engraving by E. Duverger after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912789: Priest of the Camillians or Clerics Regular, Ministers to the Sick, Clerc Regulier pour le Service des Malades. Handcoloured woodblock engraving by E. Duverger after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Priest of the Congregation of France, or Genovefain, founded at the Abbey of Saint Genevieve, Congregation de France, Genovefains. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Priest of the Congregation of France, or Genovefain, founded at the Abbey of Saint Genevieve, Congregation de France, Genovefains. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912798: Priest of the Congregation of France, or Genovefain, founded at the Abbey of Saint Genevieve, Congregation de France, Genovefains. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Knight of the Knights Templar in battle costume, Templier en costume de guerre. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Knight of the Knights Templar in battle costume, Templier en costume de guerre. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912810: Knight of the Knights Templar in battle costume, Templier en costume de guerre. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

Rembrandt, Dutch painter, 1827 (lithograph)
Rembrandt, Dutch painter, 1827 (lithograph)

FLO5912834: Rembrandt, Dutch painter, 1827 (lithograph) / Bridgeman Images

Jan Brueghel the Elder, Flemish painter, 1827 (lithograph)
Jan Brueghel the Elder, Flemish painter, 1827 (lithograph)

FLO5912837: Jan Brueghel the Elder, Flemish painter, 1827 (lithograph) / Bridgeman Images

Black Hamburgh cock and hen, 1872 (chromolithograph)
Black Hamburgh cock and hen, 1872 (chromolithograph)

FLO5912858: Black Hamburgh cock and hen, 1872 (chromolithograph) / Bridgeman Images

Dark Brahma cockerel, 1871 (chromolithograph)
Dark Brahma cockerel, 1871 (chromolithograph)

FLO5912857: Dark Brahma cockerel, 1871 (chromolithograph) / Bridgeman Images

Japanese bantams, black bantams and Pekin bantams, 1890 (chromolithograph)
Japanese bantams, black bantams and Pekin bantams, 1890 (chromolithograph)

FLO5912884: Japanese bantams, black bantams and Pekin bantams, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

Portrait of Mary, daughter of George Howard, 6th Earl of Carlisle, later Mary Matilda Georgiana Labouchere, Lady Taunton. In ringlets, with satin dress decorated with ribbons and lace. Steel engraving by William Henry Mote after an illustration by John Bostock from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.
Portrait of Mary, daughter of George Howard, 6th Earl of Carlisle, later Mary Matilda Georgiana Labouchere, Lady Taunton. In ringlets, with satin dress decorated with ribbons and lace. Steel engraving by William Henry Mote after an illustration by John Bostock from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.

FLO5912902: Portrait of Mary, daughter of George Howard, 6th Earl of Carlisle, later Mary Matilda Georgiana Labouchere, Lady Taunton. In ringlets, with satin dress decorated with ribbons and lace. Steel engraving by William Henry Mote after an illustration by John Bostock from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838., Mote, William Henry (1803-1871) / Bridgeman Images

Sarah Elizabeth, Susannah and Sophia Copley, daughters of John Copley, 1st Baron Lyndhurst. Two younger sisters playing with the ringlets of the oldest sister Sarah. Susannah on the left died at age 15 after this portrait was painted. They wear off the shoulder dresses decorated with ribbons, the youngest in bloomers. A parrot on a stand in the background. Steel engraving by Henry Cook after an illustration by Daniel Maclise from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.
Sarah Elizabeth, Susannah and Sophia Copley, daughters of John Copley, 1st Baron Lyndhurst. Two younger sisters playing with the ringlets of the oldest sister Sarah. Susannah on the left died at age 15 after this portrait was painted. They wear off the shoulder dresses decorated with ribbons, the youngest in bloomers. A parrot on a stand in the background. Steel engraving by Henry Cook after an illustration by Daniel Maclise from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.

FLO5912908: Sarah Elizabeth, Susannah and Sophia Copley, daughters of John Copley, 1st Baron Lyndhurst. Two younger sisters playing with the ringlets of the oldest sister Sarah. Susannah on the left died at age 15 after this portrait was painted. They wear off the shoulder dresses decorated with ribbons, the youngest in bloomers. A parrot on a stand in the background. Steel engraving by Henry Cook after an illustration by Daniel Maclise from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838., Maclise, Daniel (1806-70) (after) / Bridgeman Images

Lady Katherine Grey Egerton, 1835-1920. Hair in ringlets, wearing off-the-shoulder dress with lace and ribbons. Steel engraving by H. Hall  after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.
Lady Katherine Grey Egerton, 1835-1920. Hair in ringlets, wearing off-the-shoulder dress with lace and ribbons. Steel engraving by H. Hall  after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.

FLO5912911: Lady Katherine Grey Egerton, 1835-1920. Hair in ringlets, wearing off-the-shoulder dress with lace and ribbons. Steel engraving by H. Hall after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843., Mote, William Henry (1803-1871) / Bridgeman Images

Portrait of the Honorable Louisa Hay, daughter of 8th Marquess of Tweeddale, later Lady Louisa Jane Wardlaw-Ramsay. In off-the-shoulder dress with ribbon belt. Steel stipple engraving by W.F. Holl after an illustration by Claude-Marie Dubufe from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.
Portrait of the Honorable Louisa Hay, daughter of 8th Marquess of Tweeddale, later Lady Louisa Jane Wardlaw-Ramsay. In off-the-shoulder dress with ribbon belt. Steel stipple engraving by W.F. Holl after an illustration by Claude-Marie Dubufe from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.

FLO5912914: Portrait of the Honorable Louisa Hay, daughter of 8th Marquess of Tweeddale, later Lady Louisa Jane Wardlaw-Ramsay. In off-the-shoulder dress with ribbon belt. Steel stipple engraving by W.F. Holl after an illustration by Claude-Marie Dubufe from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843., Mote, William Henry (1803-1871) / Bridgeman Images

Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.
Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.

FLO5912926: Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846. / Bridgeman Images

La Camarera-Mayor, First Lady of the Bedchamber, Royal Household of Spain, 17th century. Lady in huge lace ruff collar, veil, luxurious robe, holding a fan. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.
La Camarera-Mayor, First Lady of the Bedchamber, Royal Household of Spain, 17th century. Lady in huge lace ruff collar, veil, luxurious robe, holding a fan. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

FLO5912941: La Camarera-Mayor, First Lady of the Bedchamber, Royal Household of Spain, 17th century. Lady in huge lace ruff collar, veil, luxurious robe, holding a fan. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841. / Bridgeman Images

The Devonport Mail coach near Amesbury, going post through an avalanche of snow, 1837. Six-horse coach with six guards and concerned passengers looking out of the window. Color print after an engraving by R. Havell from an illustration by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
The Devonport Mail coach near Amesbury, going post through an avalanche of snow, 1837. Six-horse coach with six guards and concerned passengers looking out of the window. Color print after an engraving by R. Havell from an illustration by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912962: The Devonport Mail coach near Amesbury, going post through an avalanche of snow, 1837. Six-horse coach with six guards and concerned passengers looking out of the window. Color print after an engraving by R. Havell from an illustration by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

Viscount Grey de Wilton and Elizabeth Grey Egerton, children of the Thomas Egerton, 2nd Earl of Wilton. Daughter in ringlets and frilly dress holding a doll, and son in dress and feather bonnet holding a ribbon tied to a toy horse. Steel engraving by Henry Cook after an illustration by Alfred Edward Chalon from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.
Viscount Grey de Wilton and Elizabeth Grey Egerton, children of the Thomas Egerton, 2nd Earl of Wilton. Daughter in ringlets and frilly dress holding a doll, and son in dress and feather bonnet holding a ribbon tied to a toy horse. Steel engraving by Henry Cook after an illustration by Alfred Edward Chalon from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.

FLO5912901: Viscount Grey de Wilton and Elizabeth Grey Egerton, children of the Thomas Egerton, 2nd Earl of Wilton. Daughter in ringlets and frilly dress holding a doll, and son in dress and feather bonnet holding a ribbon tied to a toy horse. Steel engraving by Henry Cook after an illustration by Alfred Edward Chalon from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838., Chalon, Alfred-Edward (1780-1860) (after) / Bridgeman Images

Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving)
Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving)

FLO5912992: Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving), British School, (19th century) / Bridgeman Images

Young Queen Victoria, early 20s. Steel stipple engraving by William Henry Mote after an illustration by William Drummond from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.
Young Queen Victoria, early 20s. Steel stipple engraving by William Henry Mote after an illustration by William Drummond from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.

FLO5912910: Young Queen Victoria, early 20s. Steel stipple engraving by William Henry Mote after an illustration by William Drummond from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843., Mote, William Henry (1803-1871) / Bridgeman Images

Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 1825 (engraving)
Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 1825 (engraving)

FLO5913007: Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 1825 (engraving), British School, (19th century) / Bridgeman Images

The Brighton mail coach driving in a snow storm on Sunday December 25, 1836. Color print after an illustration by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
The Brighton mail coach driving in a snow storm on Sunday December 25, 1836. Color print after an illustration by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912961: The Brighton mail coach driving in a snow storm on Sunday December 25, 1836. Color print after an illustration by Henry Alken in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908. / Bridgeman Images

Clumber Park, Nottinghamshire, seat of the Duke of Newcastle, 1826 (engraving)
Clumber Park, Nottinghamshire, seat of the Duke of Newcastle, 1826 (engraving)

FLO5913019: Clumber Park, Nottinghamshire, seat of the Duke of Newcastle, 1826 (engraving), British School, (19th century) / Bridgeman Images

Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving)
Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving)

FLO5912985: Orchard Cottage, Isle of Wight, the seat of Sir Willoughby Gordo, 1825 (engraving), British School, (19th century) / Bridgeman Images

Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 1825 (engraving)
Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 1825 (engraving)

FLO5913000: Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 1825 (engraving), British School, (19th century) / Bridgeman Images

Fashionable gentlemen in top hat and tails with canes. At a big race day at Longchamp racecourse. Crowds of fashionable people and carriages. The Great Longchamps Day, 1820. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.
Fashionable gentlemen in top hat and tails with canes. At a big race day at Longchamp racecourse. Crowds of fashionable people and carriages. The Great Longchamps Day, 1820. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.

FLO5913055: Fashionable gentlemen in top hat and tails with canes. At a big race day at Longchamp racecourse. Crowds of fashionable people and carriages. The Great Longchamps Day, 1820. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898., Courboin, François (1865-1926) / Bridgeman Images

Fashionable woman arriving for an appointment at the Cafe des Tuileries, Paris, Year VI, 1798. She wears a bonnet, lilac fichu, low-cut classical style dress, sandals.
Fashionable woman arriving for an appointment at the Cafe des Tuileries, Paris, Year VI, 1798. She wears a bonnet, lilac fichu, low-cut classical style dress, sandals.

FLO5913024: Fashionable woman arriving for an appointment at the Cafe des Tuileries, Paris, Year VI, 1798. She wears a bonnet, lilac fichu, low-cut classical style dress, sandals., Courboin, François (1865-1926) / Bridgeman Images

Prinking before the ball in 1858, 1898 (litho)
Prinking before the ball in 1858, 1898 (litho)

FLO5913088: Prinking before the ball in 1858, 1898 (litho), Courboin, François (1865-1926) / Bridgeman Images


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