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Classical guitar made by the Spanish luthier Armenal Barcellona, Spain, beginning of the 20th century.
Classical guitar made by the Spanish luthier Armenal Barcellona, Spain, beginning of the 20th century.

FAT4301701: Classical guitar made by the Spanish luthier Armenal Barcellona, Spain, beginning of the 20th century. / Bridgeman Images

Second World War (1939-1945) - Paris Uprising - August 25, 1944: soldiers being shot from roofs.
Second World War (1939-1945) - Paris Uprising - August 25, 1944: soldiers being shot from roofs.

NIK4308593: Second World War (1939-1945) - Paris Uprising - August 25, 1944: soldiers being shot from roofs. / Bridgeman Images

Second World War (1939-1945) - Paris Uprising - 26 August 1944: view of Boulevard des Batignolles, after the insurrection.
Second World War (1939-1945) - Paris Uprising - 26 August 1944: view of Boulevard des Batignolles, after the insurrection.

NIK4308613: Second World War (1939-1945) - Paris Uprising - 26 August 1944: view of Boulevard des Batignolles, after the insurrection. / Bridgeman Images

View of the old port of the city of Marseille. In the background, the Basilica of Our Lady of the Guard (Our Lady of the Guard), also called the “Good Mother”. Marseille, Bouches du Rhone (13), cenotype of the beginning of the 20th century.
View of the old port of the city of Marseille. In the background, the Basilica of Our Lady of the Guard (Our Lady of the Guard), also called the “Good Mother”. Marseille, Bouches du Rhone (13), cenotype of the beginning of the 20th century.

NIK4308666: View of the old port of the city of Marseille. In the background, the Basilica of Our Lady of the Guard (Our Lady of the Guard), also called the “Good Mother”. Marseille, Bouches du Rhone (13), cenotype of the beginning of the 20th century. / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: May 68 Debut d'une lutte prolonglongee - Poster edited by the Atelier Populaire (Beaux-Arts Beaux Arts). Size 70x48cm
France - Poster May 1968 - Poster, France, May 68: May 68 Debut d'une lutte prolonglongee - Poster edited by the Atelier Populaire (Beaux-Arts Beaux Arts). Size 70x48cm

OUC4364628: France - Poster May 1968 - Poster, France, May 68: May 68 Debut d'une lutte prolonglongee - Poster edited by the Atelier Populaire (Beaux-Arts Beaux Arts). Size 70x48cm, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: Popular University. Serigraphy, 84 x 75 cm, Atelier populaire ex Ecole des Beaux Arts
France - Poster May 1968 - Poster, France, May 68: Popular University. Serigraphy, 84 x 75 cm, Atelier populaire ex Ecole des Beaux Arts

OUC4364687: France - Poster May 1968 - Poster, France, May 68: Popular University. Serigraphy, 84 x 75 cm, Atelier populaire ex Ecole des Beaux Arts, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: Thomson CSF-CETH 4th week of struggle and no valid negotiations. Serigraphy, text poster, 55x70 cm, occupancy committee of the former school of fine arts
France - Poster May 1968 - Poster, France, May 68: Thomson CSF-CETH 4th week of struggle and no valid negotiations. Serigraphy, text poster, 55x70 cm, occupancy committee of the former school of fine arts

OUC4364932: France - Poster May 1968 - Poster, France, May 68: Thomson CSF-CETH 4th week of struggle and no valid negotiations. Serigraphy, text poster, 55x70 cm, occupancy committee of the former school of fine arts / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: Support the Grevists of Renault Choisy, “We all ensure our future”” Let's fight. CGT CFDT. Text poster, serigraphy 80x60 cm, Committee of occupation of the former school of fine arts
France - Poster May 1968 - Poster, France, May 68: Support the Grevists of Renault Choisy, “We all ensure our future”” Let's fight. CGT CFDT. Text poster, serigraphy 80x60 cm, Committee of occupation of the former school of fine arts

OUC4364953: France - Poster May 1968 - Poster, France, May 68: Support the Grevists of Renault Choisy, “We all ensure our future”” Let's fight. CGT CFDT. Text poster, serigraphy 80x60 cm, Committee of occupation of the former school of fine arts, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: What are you doing against hunger? I fight against imperialism!! Serigraphy, text poster, 75x 90 cm, popular workshop ex school of fine arts
France - Poster May 1968 - Poster, France, May 68: What are you doing against hunger? I fight against imperialism!! Serigraphy, text poster, 75x 90 cm, popular workshop ex school of fine arts

OUC4364759: France - Poster May 1968 - Poster, France, May 68: What are you doing against hunger? I fight against imperialism!! Serigraphy, text poster, 75x 90 cm, popular workshop ex school of fine arts, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: Madrid, Italy, Brussels, the struggle continues. Serigraphy 70x40 cm
France - Poster May 1968 - Poster, France, May 68: Madrid, Italy, Brussels, the struggle continues. Serigraphy 70x40 cm

OUC4364786: France - Poster May 1968 - Poster, France, May 68: Madrid, Italy, Brussels, the struggle continues. Serigraphy 70x40 cm / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: Let's finish with the 5th channel. Serigraphy 50x60 cm, Faculty of Sciences
France - Poster May 1968 - Poster, France, May 68: Let's finish with the 5th channel. Serigraphy 50x60 cm, Faculty of Sciences

OUC4364865: France - Poster May 1968 - Poster, France, May 68: Let's finish with the 5th channel. Serigraphy 50x60 cm, Faculty of Sciences / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: The intox comes to home (view of the roofs of a city, whose television antennas are crosses of Lorraine) - Poster edited by the Atelier Populaire (Beaux-Arts Beaux Arts). Size 85x63cm
France - Poster May 1968 - Poster, France, May 68: The intox comes to home (view of the roofs of a city, whose television antennas are crosses of Lorraine) - Poster edited by the Atelier Populaire (Beaux-Arts Beaux Arts). Size 85x63cm

OUC4364890: France - Poster May 1968 - Poster, France, May 68: The intox comes to home (view of the roofs of a city, whose television antennas are crosses of Lorraine) - Poster edited by the Atelier Populaire (Beaux-Arts Beaux Arts). Size 85x63cm, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: The struggle continues (the factory waving one hand). Serigraphy, red test, 75 x 55 cm Atelier Ecole des Beaux Arts
France - Poster May 1968 - Poster, France, May 68: The struggle continues (the factory waving one hand). Serigraphy, red test, 75 x 55 cm Atelier Ecole des Beaux Arts

OUC4364938: France - Poster May 1968 - Poster, France, May 68: The struggle continues (the factory waving one hand). Serigraphy, red test, 75 x 55 cm Atelier Ecole des Beaux Arts, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: The struggle continues at the metal construction sites of Provence. Serigraphy 90x55 cm
France - Poster May 1968 - Poster, France, May 68: The struggle continues at the metal construction sites of Provence. Serigraphy 90x55 cm

OUC4364720: France - Poster May 1968 - Poster, France, May 68: The struggle continues at the metal construction sites of Provence. Serigraphy 90x55 cm / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: Fete populaire du marais from June 20. Serigraphy 59x45 cm
France - Poster May 1968 - Poster, France, May 68: Fete populaire du marais from June 20. Serigraphy 59x45 cm

OUC4364730: France - Poster May 1968 - Poster, France, May 68: Fete populaire du marais from June 20. Serigraphy 59x45 cm / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: Who Cree? For who? Serigraphy, text poster, 50x40 cm, Art Schools Action Committee
France - Poster May 1968 - Poster, France, May 68: Who Cree? For who? Serigraphy, text poster, 50x40 cm, Art Schools Action Committee

OUC4364735: France - Poster May 1968 - Poster, France, May 68: Who Cree? For who? Serigraphy, text poster, 50x40 cm, Art Schools Action Committee, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

France May 68 Poster May 1968 Merry Christmas Poster 65 x 40 cm
France May 68 Poster May 1968 Merry Christmas Poster 65 x 40 cm

OUC4364783: France May 68 Poster May 1968 Merry Christmas Poster 65 x 40 cm / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: there are no problems in the health! Serigraphy 65x50 cm
France - Poster May 1968 - Poster, France, May 68: there are no problems in the health! Serigraphy 65x50 cm

OUC4364812: France - Poster May 1968 - Poster, France, May 68: there are no problems in the health! Serigraphy 65x50 cm / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: The voice of his master (caricature by Charles de Gaulle). Size 50x95cm
France - Poster May 1968 - Poster, France, May 68: The voice of his master (caricature by Charles de Gaulle). Size 50x95cm

OUC4364716: France - Poster May 1968 - Poster, France, May 68: The voice of his master (caricature by Charles de Gaulle). Size 50x95cm, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

France - Poster May 1968 - Poster, France, May 68: De Gaulle, Franco, Salazar. Serigraphy 32x100 cm, National School of Fine Arts
France - Poster May 1968 - Poster, France, May 68: De Gaulle, Franco, Salazar. Serigraphy 32x100 cm, National School of Fine Arts

OUC4364721: France - Poster May 1968 - Poster, France, May 68: De Gaulle, Franco, Salazar. Serigraphy 32x100 cm, National School of Fine Arts, Atelier populaire de l'ex-Ecole des Beaux-Arts (fl.c.1968) / Bridgeman Images

Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591679: Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

Hydraulics systems including floating action 1,2, hydromancy or water divination 3,4, and Archimedes' solution to the problem of Hiero's crown 5. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Hydraulics systems including floating action 1,2, hydromancy or water divination 3,4, and Archimedes' solution to the problem of Hiero's crown 5. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591722: Hydraulics systems including floating action 1,2, hydromancy or water divination 3,4, and Archimedes' solution to the problem of Hiero's crown 5. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

Types of fountains, 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.
Types of fountains, 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4591728: Types of fountains, 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images

Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591786: Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Thomas Telford's cast-iron aqueduct on the Shrewsbury Canal at Long (Longdon-upon-Tern) 1797, and Robert Fulton's design for an aqueduct. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Thomas Telford's cast-iron aqueduct on the Shrewsbury Canal at Long (Longdon-upon-Tern) 1797, and Robert Fulton's design for an aqueduct. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591847: Thomas Telford's cast-iron aqueduct on the Shrewsbury Canal at Long (Longdon-upon-Tern) 1797, and Robert Fulton's design for an aqueduct. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Furnaces including common air furnace, furnaces designed by Dr. Joseph Black (1728-1799), David Mushet (1772-1847) and Richard and George Knight of Foster Lane, and portable furnaces by Dr. Joseph Black and R. and G. Knight. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Furnaces including common air furnace, furnaces designed by Dr. Joseph Black (1728-1799), David Mushet (1772-1847) and Richard and George Knight of Foster Lane, and portable furnaces by Dr. Joseph Black and R. and G. Knight. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591886: Furnaces including common air furnace, furnaces designed by Dr. Joseph Black (1728-1799), David Mushet (1772-1847) and Richard and George Knight of Foster Lane, and portable furnaces by Dr. Joseph Black and R. and G. Knight. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Furnaces used by David Mushet (1772-1847) for his experiments on iron and steel, and used for tobacco pipe manufacture. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.
Furnaces used by David Mushet (1772-1847) for his experiments on iron and steel, and used for tobacco pipe manufacture. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

FLO4591898: Furnaces used by David Mushet (1772-1847) for his experiments on iron and steel, and used for tobacco pipe manufacture. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images

Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.
Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4591904: Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images

Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591970: Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Roving can frame, used to produce finer thread in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Roving can frame, used to produce finer thread in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591985: Roving can frame, used to produce finer thread in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Elevation and plan of a water spinning frame, used to twist yarn and wind onto a bobbin in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1813.
Elevation and plan of a water spinning frame, used to twist yarn and wind onto a bobbin in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1813.

FLO4592012: Elevation and plan of a water spinning frame, used to twist yarn and wind onto a bobbin in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1813. / Bridgeman Images

Elevations of a reeling machine for winding sewing cotton into balls in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Elevations of a reeling machine for winding sewing cotton into balls in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592027: Elevations of a reeling machine for winding sewing cotton into balls in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Sections through one of Jedediah Strutt's water-powered cotton mills at Belper, Derbyshire, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Sections through one of Jedediah Strutt's water-powered cotton mills at Belper, Derbyshire, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4592052: Sections through one of Jedediah Strutt's water-powered cotton mills at Belper, Derbyshire, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Batting machine used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Batting machine used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4592081: Batting machine used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Mule spinning frame, used for spinning yarn in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Mule spinning frame, used for spinning yarn in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4592120: Mule spinning frame, used for spinning yarn in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Electrical experiments, 18th century. Copperplate engraving by Wilson Lowry after an illustration by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Electrical experiments, 18th century. Copperplate engraving by Wilson Lowry after an illustration by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592127: Electrical experiments, 18th century. Copperplate engraving by Wilson Lowry after an illustration by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images


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