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Children and passers-by, rue Legendre. Postcard beginning XXth century.
Children and passers-by, rue Legendre. Postcard beginning XXth century.

LSE4332927: Children and passers-by, rue Legendre. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

Les enfants de Paris, rue Legendre. Postcard beginning XXth century.
Les enfants de Paris, rue Legendre. Postcard beginning XXth century.

LSE4332955: Les enfants de Paris, rue Legendre. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

Laundry machines Mussetta, 26 rue Greuze, Paris. Postcard beginning XXth century.
Laundry machines Mussetta, 26 rue Greuze, Paris. Postcard beginning XXth century.

LSE4332994: Laundry machines Mussetta, 26 rue Greuze, Paris. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

Butchers and their apprentices in front of the facade of the Boucherie Nivernaise, rue Hericart, Paris. Postcard beginning XXth century.
Butchers and their apprentices in front of the facade of the Boucherie Nivernaise, rue Hericart, Paris. Postcard beginning XXth century.

LSE4332998: Butchers and their apprentices in front of the facade of the Boucherie Nivernaise, rue Hericart, Paris. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

The restaurant of Brittany, rue du depart, Paris, with the scooter of the pharmacy of Arrivee. Postcard beginning XXth century.
The restaurant of Brittany, rue du depart, Paris, with the scooter of the pharmacy of Arrivee. Postcard beginning XXth century.

LSE4333021: The restaurant of Brittany, rue du depart, Paris, with the scooter of the pharmacy of Arrivee. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

The delivery truck of Les Glacieres de Paris (39, quai de Grenelle), in front of a cafe in its turn. Postcard beginning XXth century.
The delivery truck of Les Glacieres de Paris (39, quai de Grenelle), in front of a cafe in its turn. Postcard beginning XXth century.

LSE4333036: The delivery truck of Les Glacieres de Paris (39, quai de Grenelle), in front of a cafe in its turn. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

The front of a wine and liqueur shop, grocery shop and catering, rue du departement, Paris. Postcard beginning XXth century.
The front of a wine and liqueur shop, grocery shop and catering, rue du departement, Paris. Postcard beginning XXth century.

LSE4333058: The front of a wine and liqueur shop, grocery shop and catering, rue du departement, Paris. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

Obstructions of the anterieties, thus immobilized, of valaque pigs, in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Obstructions of the anterieties, thus immobilized, of valaque pigs, in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328189: Obstructions of the anterieties, thus immobilized, of valaque pigs, in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

The manufacture of rakiou, cereal alcohol, sort of schnapps very common in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The manufacture of rakiou, cereal alcohol, sort of schnapps very common in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328196: The manufacture of rakiou, cereal alcohol, sort of schnapps very common in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

General view of the Colisee, in Rome, Flavian amphitheatre completed in 80, under the reign of Emperor Titus, accommodating up to 75,000 people, it remained in service until the 6th century, symbol of imperiale Rome, located east of the Roman Forum, it is one of the greatest works of Roman architecture and engineering. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
General view of the Colisee, in Rome, Flavian amphitheatre completed in 80, under the reign of Emperor Titus, accommodating up to 75,000 people, it remained in service until the 6th century, symbol of imperiale Rome, located east of the Roman Forum, it is one of the greatest works of Roman architecture and engineering. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328214: General view of the Colisee, in Rome, Flavian amphitheatre completed in 80, under the reign of Emperor Titus, accommodating up to 75,000 people, it remained in service until the 6th century, symbol of imperiale Rome, located east of the Roman Forum, it is one of the greatest works of Roman architecture and engineering. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Women and children of the Roman countryside at rest on the edge of the Tiber, behind the horizon: the domes of St. Peter's Basilica in the Vatican. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Women and children of the Roman countryside at rest on the edge of the Tiber, behind the horizon: the domes of St. Peter's Basilica in the Vatican. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328220: Women and children of the Roman countryside at rest on the edge of the Tiber, behind the horizon: the domes of St. Peter's Basilica in the Vatican. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A pilou-pilou (or pill or pill) in the night, a traditional dance of kanak tribal ceremonies. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
A pilou-pilou (or pill or pill) in the night, a traditional dance of kanak tribal ceremonies. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328232: A pilou-pilou (or pill or pill) in the night, a traditional dance of kanak tribal ceremonies. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The cleaning of cotton, in a workshop in the northern district of Yedo (or Edo, present-day Tokyo), as Japan still has no factory, these manual work is devolved to women, who perform their task together, in a domestic setting. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The cleaning of cotton, in a workshop in the northern district of Yedo (or Edo, present-day Tokyo), as Japan still has no factory, these manual work is devolved to women, who perform their task together, in a domestic setting. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328268: The cleaning of cotton, in a workshop in the northern district of Yedo (or Edo, present-day Tokyo), as Japan still has no factory, these manual work is devolved to women, who perform their task together, in a domestic setting. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Customers eat sitting on the stage of a restaurant and the neighbour of a butcher present to passers-by, under a big bamboo mesh bell a boar, hanging, its finest pieces of game, such as the squirrel, the hare or the monkey, whose climbing faces become the laughing of the children; the fox lying on the etal is condemned to hold in the mouth the knife that has to detecer him, to punish him for his reputatio de malignite; a Yedo (or Edo, present-day Tokyo),. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Customers eat sitting on the stage of a restaurant and the neighbour of a butcher present to passers-by, under a big bamboo mesh bell a boar, hanging, its finest pieces of game, such as the squirrel, the hare or the monkey, whose climbing faces become the laughing of the children; the fox lying on the etal is condemned to hold in the mouth the knife that has to detecer him, to punish him for his reputatio de malignite; a Yedo (or Edo, present-day Tokyo),. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328280: Customers eat sitting on the stage of a restaurant and the neighbour of a butcher present to passers-by, under a big bamboo mesh bell a boar, hanging, its finest pieces of game, such as the squirrel, the hare or the monkey, whose climbing faces become the laughing of the children; the fox lying on the etal is condemned to hold in the mouth the knife that has to detecer him, to punish him for his reputatio de malignite; a Yedo (or Edo, present-day Tokyo),. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A traveling salesman of painted lantern passes by a florist shop in Yedo (or Edo, present-day Tokyo), where a woman creates a composition of large flowers, while bonsai size is rather a masculine art. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A traveling salesman of painted lantern passes by a florist shop in Yedo (or Edo, present-day Tokyo), where a woman creates a composition of large flowers, while bonsai size is rather a masculine art. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328287: A traveling salesman of painted lantern passes by a florist shop in Yedo (or Edo, present-day Tokyo), where a woman creates a composition of large flowers, while bonsai size is rather a masculine art. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A young girl from Yedo (or Edo, present-day Tokyo), painting her lips in front of her mirror, has her dimensions the lacquer box containing her necessities: combs, brushes and hairpins, toothpowder, rice powder and other cosmetics. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A young girl from Yedo (or Edo, present-day Tokyo), painting her lips in front of her mirror, has her dimensions the lacquer box containing her necessities: combs, brushes and hairpins, toothpowder, rice powder and other cosmetics. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328301: A young girl from Yedo (or Edo, present-day Tokyo), painting her lips in front of her mirror, has her dimensions the lacquer box containing her necessities: combs, brushes and hairpins, toothpowder, rice powder and other cosmetics. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A group of blind egars at the passage of a gue; their infirmity forces them to specialize in massage, they travel by giving their hands, each holding a mountain stick sized in a whistle, with the sound of which they signal their presence to families in need of their services; they form a great and powerful confrerie in Japan. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A group of blind egars at the passage of a gue; their infirmity forces them to specialize in massage, they travel by giving their hands, each holding a mountain stick sized in a whistle, with the sound of which they signal their presence to families in need of their services; they form a great and powerful confrerie in Japan. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328320: A group of blind egars at the passage of a gue; their infirmity forces them to specialize in massage, they travel by giving their hands, each holding a mountain stick sized in a whistle, with the sound of which they signal their presence to families in need of their services; they form a great and powerful confrerie in Japan. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Fisherman of Yedo Bay (or Edo, present-day Tokyo), grabbed by an eagle, a low maree, the boats lay the fishermen on blocks of stone laid dry in the bay, the latter remain straight, motionless and fish with the hamecon of the fish that they slide in a long net bag that hangs from their belt until the water, so they keep their Live and fresh prey for walking until rising. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Fisherman of Yedo Bay (or Edo, present-day Tokyo), grabbed by an eagle, a low maree, the boats lay the fishermen on blocks of stone laid dry in the bay, the latter remain straight, motionless and fish with the hamecon of the fish that they slide in a long net bag that hangs from their belt until the water, so they keep their Live and fresh prey for walking until rising. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328340: Fisherman of Yedo Bay (or Edo, present-day Tokyo), grabbed by an eagle, a low maree, the boats lay the fishermen on blocks of stone laid dry in the bay, the latter remain straight, motionless and fish with the hamecon of the fish that they slide in a long net bag that hangs from their belt until the water, so they keep their Live and fresh prey for walking until rising. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

One night in the belly of a whale, the author is welcomed during his journey in a boer, home of fishermen, whose frame and furniture are made from the skeleton of the huge cetacee and from the skins of seals, horses and dogs. Engraving to illustrate the voyage in Iceland, recital by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
One night in the belly of a whale, the author is welcomed during his journey in a boer, home of fishermen, whose frame and furniture are made from the skeleton of the huge cetacee and from the skins of seals, horses and dogs. Engraving to illustrate the voyage in Iceland, recital by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328368: One night in the belly of a whale, the author is welcomed during his journey in a boer, home of fishermen, whose frame and furniture are made from the skeleton of the huge cetacee and from the skins of seals, horses and dogs. Engraving to illustrate the voyage in Iceland, recital by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection
A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection

LSE4328382: A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection, French School, (19th century) / Bridgeman Images

An Indian Mondurucu (or Mundurucu), tribe of the state of Para, in the region of the river Tapajos, (in the Amazon, Brazil), tattooed with geometric figures from the neck to the belt. Engraving to illustrate the voyage to Brazil, recital by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An Indian Mondurucu (or Mundurucu), tribe of the state of Para, in the region of the river Tapajos, (in the Amazon, Brazil), tattooed with geometric figures from the neck to the belt. Engraving to illustrate the voyage to Brazil, recital by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328417: An Indian Mondurucu (or Mundurucu), tribe of the state of Para, in the region of the river Tapajos, (in the Amazon, Brazil), tattooed with geometric figures from the neck to the belt. Engraving to illustrate the voyage to Brazil, recital by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328426: Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328439: An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Ball players in Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Ball players in Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328462: Ball players in Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A beggar religious. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A beggar religious. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328484: A beggar religious. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A fakir, snake charmer. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A fakir, snake charmer. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328510: A fakir, snake charmer. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A band of Indian jugglers. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A band of Indian jugglers. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328515: A band of Indian jugglers. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Milk merchants, in the streets of Madras (present-day Chennai, Tamil Nadu). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Milk merchants, in the streets of Madras (present-day Chennai, Tamil Nadu). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328518: Milk merchants, in the streets of Madras (present-day Chennai, Tamil Nadu). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

When the cotton is harvested, the women pick the cotton balls that they collect from wicker baskets, then, when they are filled, they pour them at the feet of the men, who beat the cotton with long sticks, in order to unleash it from all the useless dirt. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
When the cotton is harvested, the women pick the cotton balls that they collect from wicker baskets, then, when they are filled, they pour them at the feet of the men, who beat the cotton with long sticks, in order to unleash it from all the useless dirt. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328524: When the cotton is harvested, the women pick the cotton balls that they collect from wicker baskets, then, when they are filled, they pour them at the feet of the men, who beat the cotton with long sticks, in order to unleash it from all the useless dirt. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The eagle protecting his nest from the intruder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The eagle protecting his nest from the intruder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328529: The eagle protecting his nest from the intruder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Job (travel companion of the redactor), attacked by vultures. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Job (travel companion of the redactor), attacked by vultures. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328530: Job (travel companion of the redactor), attacked by vultures. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Chief Yellow Moccassin, of the Crow Indian tribe, living along the Lewis River. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Chief Yellow Moccassin, of the Crow Indian tribe, living along the Lewis River. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328540: Chief Yellow Moccassin, of the Crow Indian tribe, living along the Lewis River. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A warrior of the Crow Indian tribe (crows), living along the Lewis River, doing his toilet. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A warrior of the Crow Indian tribe (crows), living along the Lewis River, doing his toilet. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328541: A warrior of the Crow Indian tribe (crows), living along the Lewis River, doing his toilet. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Inside a Tatar cafe in Schoucha (Transcaucasia, Russia), where men meet to drink tea and smoke shisha. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Inside a Tatar cafe in Schoucha (Transcaucasia, Russia), where men meet to drink tea and smoke shisha. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328604: Inside a Tatar cafe in Schoucha (Transcaucasia, Russia), where men meet to drink tea and smoke shisha. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Tatars in prayer, in the Mosque of Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Tatars in prayer, in the Mosque of Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328615: Tatars in prayer, in the Mosque of Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images


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