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Raoul Rigault (1846-1871), delegate of the Commune to the former prefecture of police. Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.
Raoul Rigault (1846-1871), delegate of the Commune to the former prefecture of police. Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

LSE4335455: Raoul Rigault (1846-1871), delegate of the Commune to the former prefecture of police. Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris., Unknown Artist, (19th century) / Bridgeman Images

Dr. Roudil, chief medical officer of the municipal police (1867-1877). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.
Dr. Roudil, chief medical officer of the municipal police (1867-1877). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

LSE4335465: Dr. Roudil, chief medical officer of the municipal police (1867-1877). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris., Unknown Artist, (19th century) / Bridgeman Images

Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335542: Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Moharum festival, celebrated at the beginning of the year by the Islamic community of India, after making taboons, golden paper temples imitating the tombs of the imams and after passing them through the streets, the taboons are thrown into the sea. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Moharum festival, celebrated at the beginning of the year by the Islamic community of India, after making taboons, golden paper temples imitating the tombs of the imams and after passing them through the streets, the taboons are thrown into the sea. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329095: Moharum festival, celebrated at the beginning of the year by the Islamic community of India, after making taboons, golden paper temples imitating the tombs of the imams and after passing them through the streets, the taboons are thrown into the sea. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Philarete Ushka, known as the miner, (did in 1803) former serf and beggar monk, who made a fortune by selling crosses and pious images, accompanied by his three sons, he is a figure representative of the black clergyman, a clergyman who regularly opposes any reform and possesses the support of women and peasants. Engraving to illustrate the voyage in free Russia, by William Hepworth Dixon, in 1869, published in “Le tour du monde”” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Philarete Ushka, known as the miner, (did in 1803) former serf and beggar monk, who made a fortune by selling crosses and pious images, accompanied by his three sons, he is a figure representative of the black clergyman, a clergyman who regularly opposes any reform and possesses the support of women and peasants. Engraving to illustrate the voyage in free Russia, by William Hepworth Dixon, in 1869, published in “Le tour du monde”” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329143: Philarete Ushka, known as the miner, (did in 1803) former serf and beggar monk, who made a fortune by selling crosses and pious images, accompanied by his three sons, he is a figure representative of the black clergyman, a clergyman who regularly opposes any reform and possesses the support of women and peasants. Engraving to illustrate the voyage in free Russia, by William Hepworth Dixon, in 1869, published in “Le tour du monde”” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The passage of the gue, the Siriniris Indians, spontaneously propose to carry on their shoulds the members of the expedition, in order to make them cross the ponds formed at the foot of Mount Basiri (Peru). Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The passage of the gue, the Siriniris Indians, spontaneously propose to carry on their shoulds the members of the expedition, in order to make them cross the ponds formed at the foot of Mount Basiri (Peru). Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329155: The passage of the gue, the Siriniris Indians, spontaneously propose to carry on their shoulds the members of the expedition, in order to make them cross the ponds formed at the foot of Mount Basiri (Peru). Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Two Siriniris Indians try to coat up pants and vest, which a member of the expedition had put to dry on the shore of the lakes at the foot of Mount Basiri (Peru). Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Two Siriniris Indians try to coat up pants and vest, which a member of the expedition had put to dry on the shore of the lakes at the foot of Mount Basiri (Peru). Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329156: Two Siriniris Indians try to coat up pants and vest, which a member of the expedition had put to dry on the shore of the lakes at the foot of Mount Basiri (Peru). Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The preparation of a meal in the pristine forest in the Caravaya valley (Andes cordilliere), a boa constrictor with short broth. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The preparation of a meal in the pristine forest in the Caravaya valley (Andes cordilliere), a boa constrictor with short broth. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329166: The preparation of a meal in the pristine forest in the Caravaya valley (Andes cordilliere), a boa constrictor with short broth. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The palace of the seth: on the ground floor, a bazaar; on the floors, apartments, where the author lodges during his visit to Ajmir. Engravure pour illustrrer l'Inde des Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The palace of the seth: on the ground floor, a bazaar; on the floors, apartments, where the author lodges during his visit to Ajmir. Engravure pour illustrrer l'Inde des Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329183: The palace of the seth: on the ground floor, a bazaar; on the floors, apartments, where the author lodges during his visit to Ajmir. Engravure pour illustrrer l'Inde des Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The palmist cabbages; after being robbed by Indians, the expedition has no equipment and uses local techniques to collect food, making a hoop with a vine, the peons of the team can climb along the trunks to collect some fruit. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The palmist cabbages; after being robbed by Indians, the expedition has no equipment and uses local techniques to collect food, making a hoop with a vine, the peons of the team can climb along the trunks to collect some fruit. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329185: The palmist cabbages; after being robbed by Indians, the expedition has no equipment and uses local techniques to collect food, making a hoop with a vine, the peons of the team can climb along the trunks to collect some fruit. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Meta Bridge (Ukraine), under construction. Engraving to illustrate La Russie libre, by William Hepworth Dixon, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Meta Bridge (Ukraine), under construction. Engraving to illustrate La Russie libre, by William Hepworth Dixon, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329240: Meta Bridge (Ukraine), under construction. Engraving to illustrate La Russie libre, by William Hepworth Dixon, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The etal of a butcher in the suburbs of Sainte Martha (Santa Marta, Colombia), the oxen are bleeding and the skin carefully extended, the flesh is cut into stripes and put to salt and dry, the rest, unconsumable, is thrown on the ground and attracts vultures. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The etal of a butcher in the suburbs of Sainte Martha (Santa Marta, Colombia), the oxen are bleeding and the skin carefully extended, the flesh is cut into stripes and put to salt and dry, the rest, unconsumable, is thrown on the ground and attracts vultures. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329243: The etal of a butcher in the suburbs of Sainte Martha (Santa Marta, Colombia), the oxen are bleeding and the skin carefully extended, the flesh is cut into stripes and put to salt and dry, the rest, unconsumable, is thrown on the ground and attracts vultures. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The indigenous population of Xieng Hong (Laos), wearing traditional costumes, over their jacket, a velvet chest with trimmings, with a skirt or short pants complete by a small cap decorates. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The indigenous population of Xieng Hong (Laos), wearing traditional costumes, over their jacket, a velvet chest with trimmings, with a skirt or short pants complete by a small cap decorates. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329265: The indigenous population of Xieng Hong (Laos), wearing traditional costumes, over their jacket, a velvet chest with trimmings, with a skirt or short pants complete by a small cap decorates. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329288: A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329290: The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A cane merchant and his mule in Cartago (Costa Rica), the only merchant who animates the empty streets of the city. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A cane merchant and his mule in Cartago (Costa Rica), the only merchant who animates the empty streets of the city. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329326: A cane merchant and his mule in Cartago (Costa Rica), the only merchant who animates the empty streets of the city. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329413: Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A convoy of merchants and their porters en route to Yunnan (China), engraved after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
A convoy of merchants and their porters en route to Yunnan (China), engraved after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329429: A convoy of merchants and their porters en route to Yunnan (China), engraved after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Delaporte, Louis (fl.1866-73) / Bridgeman Images

The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329444: The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.
From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329456: From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

A court of justice in the jungle, near the village of Sanchi, after the theft of the explorers' chest, the magistrate of the district of Bhopal and his gendarmes are sent to the scene of the crime in order to investigate and judge the tracks.The narrator L.Rousselet is a representative sitting on the left of the clerk and in the background, the witnesses are beaten with sticks. to encourage the denunciations, engraving after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A court of justice in the jungle, near the village of Sanchi, after the theft of the explorers' chest, the magistrate of the district of Bhopal and his gendarmes are sent to the scene of the crime in order to investigate and judge the tracks.The narrator L.Rousselet is a representative sitting on the left of the clerk and in the background, the witnesses are beaten with sticks. to encourage the denunciations, engraving after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329537: A court of justice in the jungle, near the village of Sanchi, after the theft of the explorers' chest, the magistrate of the district of Bhopal and his gendarmes are sent to the scene of the crime in order to investigate and judge the tracks.The narrator L.Rousselet is a representative sitting on the left of the clerk and in the background, the witnesses are beaten with sticks. to encourage the denunciations, engraving after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

Rue et barracks de Freetown, Sierra Leone, engraving after the drawing of A. de Bar, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Rue et barracks de Freetown, Sierra Leone, engraving after the drawing of A. de Bar, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329562: Rue et barracks de Freetown, Sierra Leone, engraving after the drawing of A. de Bar, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bar, Alexandre de (1821-1901) (after) / Bridgeman Images

Les mullahs de la mosque de Bhopal, in full discussion of the contentious points of the Muslim religion, engraving after the drawing of A. de Neuville, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Les mullahs de la mosque de Bhopal, in full discussion of the contentious points of the Muslim religion, engraving after the drawing of A. de Neuville, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329563: Les mullahs de la mosque de Bhopal, in full discussion of the contentious points of the Muslim religion, engraving after the drawing of A. de Neuville, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

Young girls of Grand-Bassam (Grand Bassam) (former capital of the Ivory Coast), styling herself, engraving after Emile Bayard's drawing, illustrating the voyage to the African Coast in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Young girls of Grand-Bassam (Grand Bassam) (former capital of the Ivory Coast), styling herself, engraving after Emile Bayard's drawing, illustrating the voyage to the African Coast in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329573: Young girls of Grand-Bassam (Grand Bassam) (former capital of the Ivory Coast), styling herself, engraving after Emile Bayard's drawing, illustrating the voyage to the African Coast in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The hauling of the German ship La Hansa, by its crew, to cross an ice barrier to navigable waters, engraved after J.Moynet's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “Le tour du monde” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The hauling of the German ship La Hansa, by its crew, to cross an ice barrier to navigable waters, engraved after J.Moynet's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “Le tour du monde” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329586: The hauling of the German ship La Hansa, by its crew, to cross an ice barrier to navigable waters, engraved after J.Moynet's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “Le tour du monde” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Moynet, Jean Pierre (1819-76) / Bridgeman Images

Mexican arastras (area trampled by the feet of the mules, as for the treading of the bles) for the grinding and amalgamation of silver ores (Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after J.Ferat's drawing, illustrating the journey from Washington to San Francisco in 1868, by L. Simonin, published in “” of world”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Mexican arastras (area trampled by the feet of the mules, as for the treading of the bles) for the grinding and amalgamation of silver ores (Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after J.Ferat's drawing, illustrating the journey from Washington to San Francisco in 1868, by L. Simonin, published in “” of world”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329713: Mexican arastras (area trampled by the feet of the mules, as for the treading of the bles) for the grinding and amalgamation of silver ores (Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after J.Ferat's drawing, illustrating the journey from Washington to San Francisco in 1868, by L. Simonin, published in “” of world”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ferat, Jules (b.1819) (after) / Bridgeman Images

The fishermen of the Mediterranee draw their net from the beach, etched after O.Mathieu's drawing, illustrating the journey of Menton and Bordhighera in 1871, by Adolphe Joanne, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The fishermen of the Mediterranee draw their net from the beach, etched after O.Mathieu's drawing, illustrating the journey of Menton and Bordhighera in 1871, by Adolphe Joanne, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329728: The fishermen of the Mediterranee draw their net from the beach, etched after O.Mathieu's drawing, illustrating the journey of Menton and Bordhighera in 1871, by Adolphe Joanne, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Mathieu, Oscar Pierre (1845-1881) / Bridgeman Images

Vue de l'Occidental Hotel (Occidental Hotel), in Montgomery-street (Montgomery street), San Francisco (California), engraving after the drawing by Ph. Benoist, illustrating the journey from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Vue de l'Occidental Hotel (Occidental Hotel), in Montgomery-street (Montgomery street), San Francisco (California), engraving after the drawing by Ph. Benoist, illustrating the journey from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329729: Vue de l'Occidental Hotel (Occidental Hotel), in Montgomery-street (Montgomery street), San Francisco (California), engraving after the drawing by Ph. Benoist, illustrating the journey from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Benoist, Philippe (1813-c.1905) / Bridgeman Images

Dinkas from the village of Koudj (Senegal), whose body covered with ashes, to protect them from insects and parasites is also a cosmetic and social feature, engraved after Laguillermie's drawing, illustrating the journey to the heart of Africa in 1868-1871, by Dr. Georges Schweinfurth, published in “Le tour du monde” direction 1874, under the of Edouard Charton, Hachette edition, Paris. Selva Collection.
Dinkas from the village of Koudj (Senegal), whose body covered with ashes, to protect them from insects and parasites is also a cosmetic and social feature, engraved after Laguillermie's drawing, illustrating the journey to the heart of Africa in 1868-1871, by Dr. Georges Schweinfurth, published in “Le tour du monde” direction 1874, under the of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329746: Dinkas from the village of Koudj (Senegal), whose body covered with ashes, to protect them from insects and parasites is also a cosmetic and social feature, engraved after Laguillermie's drawing, illustrating the journey to the heart of Africa in 1868-1871, by Dr. Georges Schweinfurth, published in “Le tour du monde” direction 1874, under the of Edouard Charton, Hachette edition, Paris. Selva Collection., Laguillermie, Frederic Auguste (1841-1934) / Bridgeman Images

L'abatage des bestiaux (Argentina), engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
L'abatage des bestiaux (Argentina), engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329766: L'abatage des bestiaux (Argentina), engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

The travel suit of Lieutenant Payer and Lieutenant Weyprecht, several thicknesses of clothing to fight the snow squalls, a retractable leather jacket to protect the face from frost, boots and mittens made of veil and flannel and heavy glasses. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The travel suit of Lieutenant Payer and Lieutenant Weyprecht, several thicknesses of clothing to fight the snow squalls, a retractable leather jacket to protect the face from frost, boots and mittens made of veil and flannel and heavy glasses. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330539: The travel suit of Lieutenant Payer and Lieutenant Weyprecht, several thicknesses of clothing to fight the snow squalls, a retractable leather jacket to protect the face from frost, boots and mittens made of veil and flannel and heavy glasses. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Costume of Count leaving for the war (on horseback), accompanied by his vassals (on foot), from the 8th to the 9th century. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costume of Count leaving for the war (on horseback), accompanied by his vassals (on foot), from the 8th to the 9th century. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330556: Costume of Count leaving for the war (on horseback), accompanied by his vassals (on foot), from the 8th to the 9th century. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Portrait of Marie de Medicis (1573-1642), queen of France, in a widow's habit, surrounded by a lady of the court and a gentleman, circa 1620. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portrait of Marie de Medicis (1573-1642), queen of France, in a widow's habit, surrounded by a lady of the court and a gentleman, circa 1620. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330678: Portrait of Marie de Medicis (1573-1642), queen of France, in a widow's habit, surrounded by a lady of the court and a gentleman, circa 1620. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Portraits of the marechal of Souvre (died 1626), of Roger de Saint Lary, Duke of Bellegarde (1562-1646), Grand Ecuyer of France and Antoine de Pluvinel (1556-1605), Master of Horse Riding of Louis XIII (1610-1643). Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portraits of the marechal of Souvre (died 1626), of Roger de Saint Lary, Duke of Bellegarde (1562-1646), Grand Ecuyer of France and Antoine de Pluvinel (1556-1605), Master of Horse Riding of Louis XIII (1610-1643). Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330682: Portraits of the marechal of Souvre (died 1626), of Roger de Saint Lary, Duke of Bellegarde (1562-1646), Grand Ecuyer of France and Antoine de Pluvinel (1556-1605), Master of Horse Riding of Louis XIII (1610-1643). Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

The hat, sense in front of the back and the hairstyle in brown buckles, 18th century. Colour engraving after the drawing of Harlem's fashion cabinets, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
The hat, sense in front of the back and the hairstyle in brown buckles, 18th century. Colour engraving after the drawing of Harlem's fashion cabinets, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330708: The hat, sense in front of the back and the hairstyle in brown buckles, 18th century. Colour engraving after the drawing of Harlem's fashion cabinets, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Scene of zoophilia, in a bedroom, a naked woman leaning on a chair facing a crucifix, has sex with her dog. Graffiti around 1873, on the wall of an apartment at 31 Clock Street in Sedan. Photography Leonard de Selva, France, 2008.
Scene of zoophilia, in a bedroom, a naked woman leaning on a chair facing a crucifix, has sex with her dog. Graffiti around 1873, on the wall of an apartment at 31 Clock Street in Sedan. Photography Leonard de Selva, France, 2008.

LSE4330738: Scene of zoophilia, in a bedroom, a naked woman leaning on a chair facing a crucifix, has sex with her dog. Graffiti around 1873, on the wall of an apartment at 31 Clock Street in Sedan. Photography Leonard de Selva, France, 2008., French School, (19th century) / Bridgeman Images


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