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Mother and daughter, 1913 photo card.
Mother and daughter, 1913 photo card.

PCT4271033: Mother and daughter, 1913 photo card. / Bridgeman Images

ID: PCT4271033

Mother and daughter, 1913 photo card.

card guessing (hidden image) beginning 20th century: Robinson Crusoe seeks Friday. To find it, you have to return the map, Friday's face appears in the cliff.
card guessing (hidden image) beginning 20th century: Robinson Crusoe seeks Friday. To find it, you have to return the map, Friday's face appears in the cliff.

PCT4271049: card guessing (hidden image) beginning 20th century: Robinson Crusoe seeks Friday. To find it, you have to return the map, Friday's face appears in the cliff. / Bridgeman Images

ID: PCT4271049

card guessing (hidden image) beginning 20th century: Robinson Crusoe seeks Friday. To find it, you have to return the map, Friday's face appears in the cliff.

In 1934, the Byrrh company, producing the aperitif of the same name in Thuir (Pyrenes Orientales), had the largest oak tank in the world: its capacity was 4205 hectolitres (420,500 litres). It was at this time that it was decided to build twice as large, with a capacity of more than one million litres (exactly 1,000,200 litres). It lasted 15 years and is still the largest wooden tank ever made. Photograph in helioengraving from a Byrrh advertising booklet, circa 1935.
In 1934, the Byrrh company, producing the aperitif of the same name in Thuir (Pyrenes Orientales), had the largest oak tank in the world: its capacity was 4205 hectolitres (420,500 litres). It was at this time that it was decided to build twice as large, with a capacity of more than one million litres (exactly 1,000,200 litres). It lasted 15 years and is still the largest wooden tank ever made. Photograph in helioengraving from a Byrrh advertising booklet, circa 1935.

PCT4271175: In 1934, the Byrrh company, producing the aperitif of the same name in Thuir (Pyrenes Orientales), had the largest oak tank in the world: its capacity was 4205 hectolitres (420,500 litres). It was at this time that it was decided to build twice as large, with a capacity of more than one million litres (exactly 1,000,200 litres). It lasted 15 years and is still the largest wooden tank ever made. Photograph in helioengraving from a Byrrh advertising booklet, circa 1935. / Bridgeman Images

ID: PCT4271175

In 1934, the Byrrh company, producing the aperitif of the same name in Thuir (Pyrenes Orientales), had the largest oak tank in the world: its capacity was 4205 hectolitres (420,500 litres). It was at this time that it was decided to build twice as large, with a capacity of more than one million litres (exactly 1,000,200 litres). It lasted 15 years and is still the largest wooden tank ever made. Photograph in helioengraving from a Byrrh advertising booklet, circa 1935.

Allegorical portrait of his eminence Cardinal Eugenio Pacelli (1876-1958) elected pope on March 2, 1939 as Pius XII (Pius 12) - In the Almanach of Pelerin (Catholic press) of 1940.
Allegorical portrait of his eminence Cardinal Eugenio Pacelli (1876-1958) elected pope on March 2, 1939 as Pius XII (Pius 12) - In the Almanach of Pelerin (Catholic press) of 1940.

PCT4273877: Allegorical portrait of his eminence Cardinal Eugenio Pacelli (1876-1958) elected pope on March 2, 1939 as Pius XII (Pius 12) - In the Almanach of Pelerin (Catholic press) of 1940. / Bridgeman Images

ID: PCT4273877

Allegorical portrait of his eminence Cardinal Eugenio Pacelli (1876-1958) elected pope on March 2, 1939 as Pius XII (Pius 12) - In the Almanach of Pelerin (Catholic press) of 1940.

Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Chromolitography (chromo) advertising of Chocolat d'Annecy, early 20th century.
Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Chromolitography (chromo) advertising of Chocolat d'Annecy, early 20th century.

PCT4273890: Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Chromolitography (chromo) advertising of Chocolat d'Annecy, early 20th century. / Bridgeman Images

ID: PCT4273890

Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Chromolitography (chromo) advertising of Chocolat d'Annecy, early 20th century.

Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Detail of an advertising chromolitography (chromo) of Chocolat d'Annecy, early 20th century.
Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Detail of an advertising chromolitography (chromo) of Chocolat d'Annecy, early 20th century.

PCT4273894: Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Detail of an advertising chromolitography (chromo) of Chocolat d'Annecy, early 20th century. / Bridgeman Images

ID: PCT4273894

Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Detail of an advertising chromolitography (chromo) of Chocolat d'Annecy, early 20th century.

Canal du Midi (Canal des deux mers): large basin and port in Cacassonne. Sailing boats docked near a lock. Postcard 1905 -
Canal du Midi (Canal des deux mers): large basin and port in Cacassonne. Sailing boats docked near a lock. Postcard 1905 -

PCT4273992: Canal du Midi (Canal des deux mers): large basin and port in Cacassonne. Sailing boats docked near a lock. Postcard 1905 - / Bridgeman Images

ID: PCT4273992

Canal du Midi (Canal des deux mers): large basin and port in Cacassonne. Sailing boats docked near a lock. Postcard 1905 -

Canal du Midi (Canal des deux mers) at the beginning of the 20th century (around 1900). Castelnaudary and its flour mills. Bridge on donkey. Photography Ramon.
Canal du Midi (Canal des deux mers) at the beginning of the 20th century (around 1900). Castelnaudary and its flour mills. Bridge on donkey. Photography Ramon.

PCT4273998: Canal du Midi (Canal des deux mers) at the beginning of the 20th century (around 1900). Castelnaudary and its flour mills. Bridge on donkey. Photography Ramon. / Bridgeman Images

ID: PCT4273998

Canal du Midi (Canal des deux mers) at the beginning of the 20th century (around 1900). Castelnaudary and its flour mills. Bridge on donkey. Photography Ramon.

The cyclist Louison Bobet during the 1954 Tour de France, Cover of the Magazine Mirror Sprint, July 23, 1954. French cyclist Bobet (1925-1983).
The cyclist Louison Bobet during the 1954 Tour de France, Cover of the Magazine Mirror Sprint, July 23, 1954. French cyclist Bobet (1925-1983).

PCT4274012: The cyclist Louison Bobet during the 1954 Tour de France, Cover of the Magazine Mirror Sprint, July 23, 1954. French cyclist Bobet (1925-1983). / Bridgeman Images

ID: PCT4274012

The cyclist Louison Bobet during the 1954 Tour de France, Cover of the Magazine Mirror Sprint, July 23, 1954. French cyclist Bobet (1925-1983).

Practical guide of the French gardener, full treatment of horticulture by Th. Desmoulins, edition Taride 1912.
Practical guide of the French gardener, full treatment of horticulture by Th. Desmoulins, edition Taride 1912.

PCT4274023: Practical guide of the French gardener, full treatment of horticulture by Th. Desmoulins, edition Taride 1912., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4274023

Practical guide of the French gardener, full treatment of horticulture by Th. Desmoulins, edition Taride 1912.

Unknown Artist, (20th century)

Railway between 1900 and 1910. Departure of the steam train at Ferrals les Corbieres station (Ferrals les Corbieres, Aude) Railway workers with women and children pose proudly for the picture around the locomotive, while passengers ride in the wagons. Period postcard.
Railway between 1900 and 1910. Departure of the steam train at Ferrals les Corbieres station (Ferrals les Corbieres, Aude) Railway workers with women and children pose proudly for the picture around the locomotive, while passengers ride in the wagons. Period postcard.

PCT4274062: Railway between 1900 and 1910. Departure of the steam train at Ferrals les Corbieres station (Ferrals les Corbieres, Aude) Railway workers with women and children pose proudly for the picture around the locomotive, while passengers ride in the wagons. Period postcard. / Bridgeman Images

ID: PCT4274062

Railway between 1900 and 1910. Departure of the steam train at Ferrals les Corbieres station (Ferrals les Corbieres, Aude) Railway workers with women and children pose proudly for the picture around the locomotive, while passengers ride in the wagons. Period postcard.

Railway - railroad - between 1900 and 1910. The arrival of the steam train at Sallele d'Aude station. Period postcard.
Railway - railroad - between 1900 and 1910. The arrival of the steam train at Sallele d'Aude station. Period postcard.

PCT4274068: Railway - railroad - between 1900 and 1910. The arrival of the steam train at Sallele d'Aude station. Period postcard. / Bridgeman Images

ID: PCT4274068

Railway - railroad - between 1900 and 1910. The arrival of the steam train at Sallele d'Aude station. Period postcard.

Portrait of Pasquale or Pascal Paoli (1725-1807), Corsican patriot, end of 19th century (chromo)
Portrait of Pasquale or Pascal Paoli (1725-1807), Corsican patriot, end of 19th century (chromo)

PCT4274124: Portrait of Pasquale or Pascal Paoli (1725-1807), Corsican patriot, end of 19th century (chromo) / Bridgeman Images

ID: PCT4274124

Portrait of Pasquale or Pascal Paoli (1725-1807), Corsican patriot, end of 19th century (chromo)

Cover of the Great European Military Alphabet (abecedary) - Imaging of Pont-a-Mousson (Pont a Mousson) late 19th century.
Cover of the Great European Military Alphabet (abecedary) - Imaging of Pont-a-Mousson (Pont a Mousson) late 19th century.

PCT4274161: Cover of the Great European Military Alphabet (abecedary) - Imaging of Pont-a-Mousson (Pont a Mousson) late 19th century. / Bridgeman Images

ID: PCT4274161

Cover of the Great European Military Alphabet (abecedary) - Imaging of Pont-a-Mousson (Pont a Mousson) late 19th century.

The Golden Age. Frontispice engraving of the complete works of Ovide, edition Ch. Poncelin an VII (1793). “The Golden Age began. The rules of good faith and justice were observed...”
The Golden Age. Frontispice engraving of the complete works of Ovide, edition Ch. Poncelin an VII (1793). “The Golden Age began. The rules of good faith and justice were observed...”

PCT4274181: The Golden Age. Frontispice engraving of the complete works of Ovide, edition Ch. Poncelin an VII (1793). “The Golden Age began. The rules of good faith and justice were observed...” / Bridgeman Images

ID: PCT4274181

The Golden Age. Frontispice engraving of the complete works of Ovide, edition Ch. Poncelin an VII (1793). “The Golden Age began. The rules of good faith and justice were observed...”

Two Gascons at the castle fort of Mauvezin (Hautes-Pyrenees - built by the Counts of Bigorre in the 11th century, rebuilt by Gaston Febus around 1380). Gaston III Phoebus, Count of Foix, Lord of Bearn (1331-1391) and Henry IV (1553-1610 noste Henric = our Henri) Postcard beginning 20th century (Bouquet chromolithography)
Two Gascons at the castle fort of Mauvezin (Hautes-Pyrenees - built by the Counts of Bigorre in the 11th century, rebuilt by Gaston Febus around 1380). Gaston III Phoebus, Count of Foix, Lord of Bearn (1331-1391) and Henry IV (1553-1610 noste Henric = our Henri) Postcard beginning 20th century (Bouquet chromolithography)

PCT4274217: Two Gascons at the castle fort of Mauvezin (Hautes-Pyrenees - built by the Counts of Bigorre in the 11th century, rebuilt by Gaston Febus around 1380). Gaston III Phoebus, Count of Foix, Lord of Bearn (1331-1391) and Henry IV (1553-1610 noste Henric = our Henri) Postcard beginning 20th century (Bouquet chromolithography) / Bridgeman Images

ID: PCT4274217

Two Gascons at the castle fort of Mauvezin (Hautes-Pyrenees - built by the Counts of Bigorre in the 11th century, rebuilt by Gaston Febus around 1380). Gaston III Phoebus, Count of Foix, Lord of Bearn (1331-1391) and Henry IV (1553-1610 noste Henric = our Henri) Postcard beginning 20th century (Bouquet chromolithography)

Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, with mariners on deck. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. In the foreground: manual opening of the lock. He owned his house on the edge of the Detail of a postcard 1907.
Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, with mariners on deck. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. In the foreground: manual opening of the lock. He owned his house on the edge of the Detail of a postcard 1907.

PCT4274365: Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, with mariners on deck. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. In the foreground: manual opening of the lock. He owned his house on the edge of the Detail of a postcard 1907. / Bridgeman Images

ID: PCT4274365

Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, with mariners on deck. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. In the foreground: manual opening of the lock. He owned his house on the edge of the Detail of a postcard 1907.

Cover of the magazine La Science et La Vie n°278 of October 1940: Canal du Midi (print)
Cover of the magazine La Science et La Vie n°278 of October 1940: Canal du Midi (print)

PCT4274379: Cover of the magazine La Science et La Vie n°278 of October 1940: Canal du Midi (print) / Bridgeman Images

ID: PCT4274379

Cover of the magazine La Science et La Vie n°278 of October 1940: Canal du Midi (print)

Cover of Cinemonde, Noel 1952. American actress Cyd Charisse (Tula Ellice Finklea, 1921-2008) offers beauty, music and dance. The comedian and dancer, partner of Fred Astaire, dazzling in the musical “Singons in the Rain” (Singin in the Rain by Stanley Donen and Gene Kelly, 1952) had received the flattering nickname “” the legacies””, “” Hollywood's most beautiful legs.” Long legs with perfect shape, insured by the film firm Metro Goldwyn Mayer for $5 million (some say $10 million). Ektachrome MGM.
Cover of Cinemonde, Noel 1952. American actress Cyd Charisse (Tula Ellice Finklea, 1921-2008) offers beauty, music and dance. The comedian and dancer, partner of Fred Astaire, dazzling in the musical “Singons in the Rain” (Singin in the Rain by Stanley Donen and Gene Kelly, 1952) had received the flattering nickname “” the legacies””, “” Hollywood's most beautiful legs.” Long legs with perfect shape, insured by the film firm Metro Goldwyn Mayer for $5 million (some say $10 million). Ektachrome MGM.

PCT4274382: Cover of Cinemonde, Noel 1952. American actress Cyd Charisse (Tula Ellice Finklea, 1921-2008) offers beauty, music and dance. The comedian and dancer, partner of Fred Astaire, dazzling in the musical “Singons in the Rain” (Singin in the Rain by Stanley Donen and Gene Kelly, 1952) had received the flattering nickname “” the legacies””, “” Hollywood's most beautiful legs.” Long legs with perfect shape, insured by the film firm Metro Goldwyn Mayer for $5 million (some say $10 million). Ektachrome MGM. / Bridgeman Images

ID: PCT4274382

Cover of Cinemonde, Noel 1952. American actress Cyd Charisse (Tula Ellice Finklea, 1921-2008) offers beauty, music and dance. The comedian and dancer, partner of Fred Astaire, dazzling in the musical “Singons in the Rain” (Singin in the Rain by Stanley Donen and Gene Kelly, 1952) had received the flattering nickname “” the legacies””, “” Hollywood's most beautiful legs.” Long legs with perfect shape, insured by the film firm Metro Goldwyn Mayer for $5 million (some say $10 million). Ektachrome MGM.

Up in a tree. Child sitting a caliphourchon on a tree branch, imagining that he rides a horse. Game, dream, imagination. Illustration of an English book for children (Sunny days for little people), early 20th century.
Up in a tree. Child sitting a caliphourchon on a tree branch, imagining that he rides a horse. Game, dream, imagination. Illustration of an English book for children (Sunny days for little people), early 20th century.

PCT4274393: Up in a tree. Child sitting a caliphourchon on a tree branch, imagining that he rides a horse. Game, dream, imagination. Illustration of an English book for children (Sunny days for little people), early 20th century. / Bridgeman Images

ID: PCT4274393

Up in a tree. Child sitting a caliphourchon on a tree branch, imagining that he rides a horse. Game, dream, imagination. Illustration of an English book for children (Sunny days for little people), early 20th century.

Grandfather reading a book to his little daughter who falls asleep on her lap. Read a story to put the kids to sleep. Illustration of an English book for children (Sunny days for little people), early 20th century.
Grandfather reading a book to his little daughter who falls asleep on her lap. Read a story to put the kids to sleep. Illustration of an English book for children (Sunny days for little people), early 20th century.

PCT4274398: Grandfather reading a book to his little daughter who falls asleep on her lap. Read a story to put the kids to sleep. Illustration of an English book for children (Sunny days for little people), early 20th century. / Bridgeman Images

ID: PCT4274398

Grandfather reading a book to his little daughter who falls asleep on her lap. Read a story to put the kids to sleep. Illustration of an English book for children (Sunny days for little people), early 20th century.

But where are these Alsatian villagers running into the main street at the beginning of the 20th century? Buy an umbrella from the peddler who has just settled in its usual location in the center of the village! Photos on glass plate.
But where are these Alsatian villagers running into the main street at the beginning of the 20th century? Buy an umbrella from the peddler who has just settled in its usual location in the center of the village! Photos on glass plate.

PCT4271933: But where are these Alsatian villagers running into the main street at the beginning of the 20th century? Buy an umbrella from the peddler who has just settled in its usual location in the center of the village! Photos on glass plate. / Bridgeman Images

ID: PCT4271933

But where are these Alsatian villagers running into the main street at the beginning of the 20th century? Buy an umbrella from the peddler who has just settled in its usual location in the center of the village! Photos on glass plate.

The injured hippo can load the canoes: cover of the “” Chasseur Français”” n°717, November 1956. Colonial safari in Africa.
The injured hippo can load the canoes: cover of the “” Chasseur Français”” n°717, November 1956. Colonial safari in Africa.

PCT4271940: The injured hippo can load the canoes: cover of the “” Chasseur Français”” n°717, November 1956. Colonial safari in Africa. / Bridgeman Images

ID: PCT4271940

The injured hippo can load the canoes: cover of the “” Chasseur Français”” n°717, November 1956. Colonial safari in Africa.

Fragment of text with illustration from the Bibliotheque edition Rose Illustree Hachette beginning 20th century of the novel by Daniel Defoe (De Foe) Robinson Crusoe. This adaptation of the text (abbrege for the use of children) differs significantly from the same passage in Petrus Borel's translation in 1836: “After eating, I tried to walk; but I found myself so weakened that I could barely carry my musket - for I never went out without him.” As I was there, it came to mind these thoughts: What is the land and the sea, of which I have seen so many regions? where did it come from? what am i myself? what are all creatures, wild or police? human or raw? where do we get from? Surely we were all made by some secret power, which formed the earth and the ocean, the air and the heavens; but what is it?”
Fragment of text with illustration from the Bibliotheque edition Rose Illustree Hachette beginning 20th century of the novel by Daniel Defoe (De Foe) Robinson Crusoe. This adaptation of the text (abbrege for the use of children) differs significantly from the same passage in Petrus Borel's translation in 1836: “After eating, I tried to walk; but I found myself so weakened that I could barely carry my musket - for I never went out without him.” As I was there, it came to mind these thoughts: What is the land and the sea, of which I have seen so many regions? where did it come from? what am i myself? what are all creatures, wild or police? human or raw? where do we get from? Surely we were all made by some secret power, which formed the earth and the ocean, the air and the heavens; but what is it?”

PCT4271945: Fragment of text with illustration from the Bibliotheque edition Rose Illustree Hachette beginning 20th century of the novel by Daniel Defoe (De Foe) Robinson Crusoe. This adaptation of the text (abbrege for the use of children) differs significantly from the same passage in Petrus Borel's translation in 1836: “After eating, I tried to walk; but I found myself so weakened that I could barely carry my musket - for I never went out without him.” As I was there, it came to mind these thoughts: What is the land and the sea, of which I have seen so many regions? where did it come from? what am i myself? what are all creatures, wild or police? human or raw? where do we get from? Surely we were all made by some secret power, which formed the earth and the ocean, the air and the heavens; but what is it?” / Bridgeman Images

ID: PCT4271945

Fragment of text with illustration from the Bibliotheque edition Rose Illustree Hachette beginning 20th century of the novel by Daniel Defoe (De Foe) Robinson Crusoe. This adaptation of the text (abbrege for the use of children) differs significantly from the same passage in Petrus Borel's translation in 1836: “After eating, I tried to walk; but I found myself so weakened that I could barely carry my musket - for I never went out without him.” As I was there, it came to mind these thoughts: What is the land and the sea, of which I have seen so many regions? where did it come from? what am i myself? what are all creatures, wild or police? human or raw? where do we get from? Surely we were all made by some secret power, which formed the earth and the ocean, the air and the heavens; but what is it?”

American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925.
American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925.

PCT4271967: American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925., Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4271967

American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925.

Pennell, Joseph (1858-1926)

Wallet of 20 real photos published at the Liberation de Paris (19 to 26 August 1944). In the centre: general (then marechal) Philippe Leclerc of Hauteclocque (1902-1947). Arrest of German prisoners by the FFI, reception of American soldiers, General Charles de Gaulle (1890-1970) in front of the grave of the unknown soldier.
Wallet of 20 real photos published at the Liberation de Paris (19 to 26 August 1944). In the centre: general (then marechal) Philippe Leclerc of Hauteclocque (1902-1947). Arrest of German prisoners by the FFI, reception of American soldiers, General Charles de Gaulle (1890-1970) in front of the grave of the unknown soldier.

PCT4271999: Wallet of 20 real photos published at the Liberation de Paris (19 to 26 August 1944). In the centre: general (then marechal) Philippe Leclerc of Hauteclocque (1902-1947). Arrest of German prisoners by the FFI, reception of American soldiers, General Charles de Gaulle (1890-1970) in front of the grave of the unknown soldier. / Bridgeman Images

ID: PCT4271999

Wallet of 20 real photos published at the Liberation de Paris (19 to 26 August 1944). In the centre: general (then marechal) Philippe Leclerc of Hauteclocque (1902-1947). Arrest of German prisoners by the FFI, reception of American soldiers, General Charles de Gaulle (1890-1970) in front of the grave of the unknown soldier.

French boxing: board extracted from a work from the beginning of the 20th century. 1: guard - 2: stop on low kick - 3: low kick and leg dodge - 4: training exercise - 5: kick on the kidneys - 6: hook - 7: direct from left to stomach - 8: direct from left to jaw - 9: cross from right to heart - 10: blow from bottom to top (uppercut) of the right - 11 and 12: swing and response from the left to the stomach - 13: fight, opponents and referee in the ring - 14: knock out.
French boxing: board extracted from a work from the beginning of the 20th century. 1: guard - 2: stop on low kick - 3: low kick and leg dodge - 4: training exercise - 5: kick on the kidneys - 6: hook - 7: direct from left to stomach - 8: direct from left to jaw - 9: cross from right to heart - 10: blow from bottom to top (uppercut) of the right - 11 and 12: swing and response from the left to the stomach - 13: fight, opponents and referee in the ring - 14: knock out.

PCT4272006: French boxing: board extracted from a work from the beginning of the 20th century. 1: guard - 2: stop on low kick - 3: low kick and leg dodge - 4: training exercise - 5: kick on the kidneys - 6: hook - 7: direct from left to stomach - 8: direct from left to jaw - 9: cross from right to heart - 10: blow from bottom to top (uppercut) of the right - 11 and 12: swing and response from the left to the stomach - 13: fight, opponents and referee in the ring - 14: knock out. / Bridgeman Images

ID: PCT4272006

French boxing: board extracted from a work from the beginning of the 20th century. 1: guard - 2: stop on low kick - 3: low kick and leg dodge - 4: training exercise - 5: kick on the kidneys - 6: hook - 7: direct from left to stomach - 8: direct from left to jaw - 9: cross from right to heart - 10: blow from bottom to top (uppercut) of the right - 11 and 12: swing and response from the left to the stomach - 13: fight, opponents and referee in the ring - 14: knock out.

Robinson Crusoe: German edition 1910 (print)
Robinson Crusoe: German edition 1910 (print)

PCT4272019: Robinson Crusoe: German edition 1910 (print) / Bridgeman Images

ID: PCT4272019

Robinson Crusoe: German edition 1910 (print)

Charlemagne is the crown Emperor of the West by Pope Leon III on Christmas Day of the year 800. Engraving by Alphonse Cabasson (1814-1884).
Charlemagne is the crown Emperor of the West by Pope Leon III on Christmas Day of the year 800. Engraving by Alphonse Cabasson (1814-1884).

PCT4272046: Charlemagne is the crown Emperor of the West by Pope Leon III on Christmas Day of the year 800. Engraving by Alphonse Cabasson (1814-1884). / Bridgeman Images

ID: PCT4272046

Charlemagne is the crown Emperor of the West by Pope Leon III on Christmas Day of the year 800. Engraving by Alphonse Cabasson (1814-1884).

Geneva: Willow trail and Rhone banks. Mr. Peche has the line while Madame reads a book on the bank. The photograph of this bucolic scene was published as a postcard at the beginning of the 20th century.
Geneva: Willow trail and Rhone banks. Mr. Peche has the line while Madame reads a book on the bank. The photograph of this bucolic scene was published as a postcard at the beginning of the 20th century.

PCT4272079: Geneva: Willow trail and Rhone banks. Mr. Peche has the line while Madame reads a book on the bank. The photograph of this bucolic scene was published as a postcard at the beginning of the 20th century. / Bridgeman Images

ID: PCT4272079

Geneva: Willow trail and Rhone banks. Mr. Peche has the line while Madame reads a book on the bank. The photograph of this bucolic scene was published as a postcard at the beginning of the 20th century.

Little elves (gnomes, garden dwarves) carrying victuals and gifts for a party. Fantasy card beginning 20th century signed Hedvig Rosendahl.
Little elves (gnomes, garden dwarves) carrying victuals and gifts for a party. Fantasy card beginning 20th century signed Hedvig Rosendahl.

PCT4272080: Little elves (gnomes, garden dwarves) carrying victuals and gifts for a party. Fantasy card beginning 20th century signed Hedvig Rosendahl. / Bridgeman Images

ID: PCT4272080

Little elves (gnomes, garden dwarves) carrying victuals and gifts for a party. Fantasy card beginning 20th century signed Hedvig Rosendahl.

Algiers, the port. Panorama taken from La Sante. View of the docks. Postcard dispatched in 1910.
Algiers, the port. Panorama taken from La Sante. View of the docks. Postcard dispatched in 1910.

PCT4272142: Algiers, the port. Panorama taken from La Sante. View of the docks. Postcard dispatched in 1910. / Bridgeman Images

ID: PCT4272142

Algiers, the port. Panorama taken from La Sante. View of the docks. Postcard dispatched in 1910.

The army of Quaresmeprenant. Soldiers are represented as fish, some of which have only the aretes, by reference to Careme's lean (young) meal. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century.
The army of Quaresmeprenant. Soldiers are represented as fish, some of which have only the aretes, by reference to Careme's lean (young) meal. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century.

PCT4272149: The army of Quaresmeprenant. Soldiers are represented as fish, some of which have only the aretes, by reference to Careme's lean (young) meal. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4272149

The army of Quaresmeprenant. Soldiers are represented as fish, some of which have only the aretes, by reference to Careme's lean (young) meal. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century.

Robida, Albert (1848-1926)

Captured by pirates, taken to Turkey and employed in the kitchens of a Turkish Pasha, Panurge revolts and kills the Pasha by piercing it with a pin. Illustration of Robida for the Gargantua de Rabelais - Librairie Armand Colin debut 20th century.
Captured by pirates, taken to Turkey and employed in the kitchens of a Turkish Pasha, Panurge revolts and kills the Pasha by piercing it with a pin. Illustration of Robida for the Gargantua de Rabelais - Librairie Armand Colin debut 20th century.

PCT4272151: Captured by pirates, taken to Turkey and employed in the kitchens of a Turkish Pasha, Panurge revolts and kills the Pasha by piercing it with a pin. Illustration of Robida for the Gargantua de Rabelais - Librairie Armand Colin debut 20th century. / Bridgeman Images

ID: PCT4272151

Captured by pirates, taken to Turkey and employed in the kitchens of a Turkish Pasha, Panurge revolts and kills the Pasha by piercing it with a pin. Illustration of Robida for the Gargantua de Rabelais - Librairie Armand Colin debut 20th century.

During the picrocholine wars (against Picrochole), Gant Gargantua received a flock of cannonballs that he drove from his hair with his comb. Illustration by Albert Robida (1848-1926) for an episode based on the work of Francois Rabelais - Librairie Armand Colin debut 20th century.
During the picrocholine wars (against Picrochole), Gant Gargantua received a flock of cannonballs that he drove from his hair with his comb. Illustration by Albert Robida (1848-1926) for an episode based on the work of Francois Rabelais - Librairie Armand Colin debut 20th century.

PCT4272195: During the picrocholine wars (against Picrochole), Gant Gargantua received a flock of cannonballs that he drove from his hair with his comb. Illustration by Albert Robida (1848-1926) for an episode based on the work of Francois Rabelais - Librairie Armand Colin debut 20th century., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4272195

During the picrocholine wars (against Picrochole), Gant Gargantua received a flock of cannonballs that he drove from his hair with his comb. Illustration by Albert Robida (1848-1926) for an episode based on the work of Francois Rabelais - Librairie Armand Colin debut 20th century.

Robida, Albert (1848-1926)

Photograph taken from the magazine 'Le nu ideal' 1905 (print)
Photograph taken from the magazine 'Le nu ideal' 1905 (print)

PCT4272230: Photograph taken from the magazine 'Le nu ideal' 1905 (print) / Bridgeman Images

ID: PCT4272230

Photograph taken from the magazine 'Le nu ideal' 1905 (print)


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