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Madame Marie Laurent and Antoinette in La Corde de Pendu by Ferdinand Laloue and Anicet Bourgeois, Theatre du Cirque Olympique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Madame Marie Laurent and Antoinette in La Corde de Pendu by Ferdinand Laloue and Anicet Bourgeois, Theatre du Cirque Olympique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632973: Madame Marie Laurent and Antoinette in La Corde de Pendu by Ferdinand Laloue and Anicet Bourgeois, Theatre du Cirque Olympique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632973

Madame Marie Laurent and Antoinette in La Corde de Pendu by Ferdinand Laloue and Anicet Bourgeois, Theatre du Cirque Olympique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist
City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist

PIX4632997: City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist / Bridgeman Images

ID: PIX4632997

City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist

Variete of Stylidium armeria with pink flowers, carnicore plant during flowering and a branch of mimosas (Acacia undulaefolia). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Variete of Stylidium armeria with pink flowers, carnicore plant during flowering and a branch of mimosas (Acacia undulaefolia). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633005: Variete of Stylidium armeria with pink flowers, carnicore plant during flowering and a branch of mimosas (Acacia undulaefolia). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

ID: FLO4633005

Variete of Stylidium armeria with pink flowers, carnicore plant during flowering and a branch of mimosas (Acacia undulaefolia). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

City of the future - Artist's view - City of the future - Vue d'artiste
City of the future - Artist's view - City of the future - Vue d'artiste

PIX4633013: City of the future - Artist's view - City of the future - Vue d'artiste / Bridgeman Images

ID: PIX4633013

City of the future - Artist's view - City of the future - Vue d'artiste

Philibert Rouviere as King Charles IX in La Reine Margot by Alexandre Dumas and Auguste Maquet, Theatre Historique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.
Philibert Rouviere as King Charles IX in La Reine Margot by Alexandre Dumas and Auguste Maquet, Theatre Historique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

FLO4632410: Philibert Rouviere as King Charles IX in La Reine Margot by Alexandre Dumas and Auguste Maquet, Theatre Historique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847. / Bridgeman Images

ID: FLO4632410

Philibert Rouviere as King Charles IX in La Reine Margot by Alexandre Dumas and Auguste Maquet, Theatre Historique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

The war in Madagascar - The Malagasy Red War Flag plant on the Tananarive Mountains, 1885-1895 (engraving)
The war in Madagascar - The Malagasy Red War Flag plant on the Tananarive Mountains, 1885-1895 (engraving)

JLJ4632411: The war in Madagascar - The Malagasy Red War Flag plant on the Tananarive Mountains, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4632411

The war in Madagascar - The Malagasy Red War Flag plant on the Tananarive Mountains, 1885-1895 (engraving)

Bombled, Louis Charles (1862-1927)

Source Cachat to Evian les Bains in Haute Savoie.
Source Cachat to Evian les Bains in Haute Savoie.

TEC4632420: Source Cachat to Evian les Bains in Haute Savoie. / Bridgeman Images

ID: TEC4632420

Source Cachat to Evian les Bains in Haute Savoie.

The War in Madagascar - A post Hova fortifies, 1885-1895 (engraving)
The War in Madagascar - A post Hova fortifies, 1885-1895 (engraving)

JLJ4632424: The War in Madagascar - A post Hova fortifies, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4632424

The War in Madagascar - A post Hova fortifies, 1885-1895 (engraving)

Bombled, Louis Charles (1862-1927)

Earth seen by the Envisat satellite - Ocean temperature - Map obtained from data collected by the European Envisat satellite in 2003. Dark blue indicates cold temperatures, red darts hot temperatures
Earth seen by the Envisat satellite - Ocean temperature - Map obtained from data collected by the European Envisat satellite in 2003. Dark blue indicates cold temperatures, red darts hot temperatures

PIX4632448: Earth seen by the Envisat satellite - Ocean temperature - Map obtained from data collected by the European Envisat satellite in 2003. Dark blue indicates cold temperatures, red darts hot temperatures / Bridgeman Images

ID: PIX4632448

Earth seen by the Envisat satellite - Ocean temperature - Map obtained from data collected by the European Envisat satellite in 2003. Dark blue indicates cold temperatures, red darts hot temperatures

The war in Madagascar - French outpost in Diego-Suarez in Madagascar in 1885-1895 (engraving)
The war in Madagascar - French outpost in Diego-Suarez in Madagascar in 1885-1895 (engraving)

JLJ4632449: The war in Madagascar - French outpost in Diego-Suarez in Madagascar in 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4632449

The war in Madagascar - French outpost in Diego-Suarez in Madagascar in 1885-1895 (engraving)

Bombled, Louis Charles (1862-1927)

Actress Emilie Honorine Guyon as Helene in La Duchesse de Marsan, Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Actress Emilie Honorine Guyon as Helene in La Duchesse de Marsan, Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632453: Actress Emilie Honorine Guyon as Helene in La Duchesse de Marsan, Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4632453

Actress Emilie Honorine Guyon as Helene in La Duchesse de Marsan, Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Planetarium (planetarium) astronomical instrument representing the solar system and the movement of its main planets known in the 18th century. Mercury, Venus, Earth and Moon can move through the action of a crank. Mars, Jupiter and Saturn are fixed. Developed by George Adams the Old. 1750 Cambridge, Whipple Museum, United Kingdom
Planetarium (planetarium) astronomical instrument representing the solar system and the movement of its main planets known in the 18th century. Mercury, Venus, Earth and Moon can move through the action of a crank. Mars, Jupiter and Saturn are fixed. Developed by George Adams the Old. 1750 Cambridge, Whipple Museum, United Kingdom

LRI4632465: Planetarium (planetarium) astronomical instrument representing the solar system and the movement of its main planets known in the 18th century. Mercury, Venus, Earth and Moon can move through the action of a crank. Mars, Jupiter and Saturn are fixed. Developed by George Adams the Old. 1750 Cambridge, Whipple Museum, United Kingdom, Adams, George the Elder (c.1709-1773) / Bridgeman Images

ID: LRI4632465

Planetarium (planetarium) astronomical instrument representing the solar system and the movement of its main planets known in the 18th century. Mercury, Venus, Earth and Moon can move through the action of a crank. Mars, Jupiter and Saturn are fixed. Developed by George Adams the Old. 1750 Cambridge, Whipple Museum, United Kingdom

Adams, George the Elder (c.1709-1773)

The war in Madagascar - Sakalaves attack French negociators at Marosakoa in 1895, 1885-1895 (engraving)
The war in Madagascar - Sakalaves attack French negociators at Marosakoa in 1895, 1885-1895 (engraving)

JLJ4632472: The war in Madagascar - Sakalaves attack French negociators at Marosakoa in 1895, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4632472

The war in Madagascar - Sakalaves attack French negociators at Marosakoa in 1895, 1885-1895 (engraving)

Bombled, Louis Charles (1862-1927)

English comic actor Hugues Bouffe in Leonard le Perruquier by Dumanoir and Clairville, Theatre des Varieties, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English comic actor Hugues Bouffe in Leonard le Perruquier by Dumanoir and Clairville, Theatre des Varieties, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632473: English comic actor Hugues Bouffe in Leonard le Perruquier by Dumanoir and Clairville, Theatre des Varieties, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4632473

English comic actor Hugues Bouffe in Leonard le Perruquier by Dumanoir and Clairville, Theatre des Varieties, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Italian ballet dancer Sofia Fuoco as a soldier and French dancer Maria Jacob in the ballet Ozai by Jean Carolli, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.
Italian ballet dancer Sofia Fuoco as a soldier and French dancer Maria Jacob in the ballet Ozai by Jean Carolli, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

FLO4632474: Italian ballet dancer Sofia Fuoco as a soldier and French dancer Maria Jacob in the ballet Ozai by Jean Carolli, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847. / Bridgeman Images

ID: FLO4632474

Italian ballet dancer Sofia Fuoco as a soldier and French dancer Maria Jacob in the ballet Ozai by Jean Carolli, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

Universal solar clock made of copper, gold brad, glass and paper made in Germany. Debut of the 17th century Sun. 24,7x25,7 cm Florence, Istituto e Museo di Storia delle Scienze
Universal solar clock made of copper, gold brad, glass and paper made in Germany. Debut of the 17th century Sun. 24,7x25,7 cm Florence, Istituto e Museo di Storia delle Scienze

LRI4632481: Universal solar clock made of copper, gold brad, glass and paper made in Germany. Debut of the 17th century Sun. 24,7x25,7 cm Florence, Istituto e Museo di Storia delle Scienze, German School, (17th century) / Bridgeman Images

ID: LRI4632481

Universal solar clock made of copper, gold brad, glass and paper made in Germany. Debut of the 17th century Sun. 24,7x25,7 cm Florence, Istituto e Museo di Storia delle Scienze

German School, (17th century)

Earth at night - Asia - Earth at night - Asia - Earth centred on Asia observed at night by satellite. The Earth with city lights seen from satellite, centered on Asia
Earth at night - Asia - Earth at night - Asia - Earth centred on Asia observed at night by satellite. The Earth with city lights seen from satellite, centered on Asia

PIX4632487: Earth at night - Asia - Earth at night - Asia - Earth centred on Asia observed at night by satellite. The Earth with city lights seen from satellite, centered on Asia / Bridgeman Images

ID: PIX4632487

Earth at night - Asia - Earth at night - Asia - Earth centred on Asia observed at night by satellite. The Earth with city lights seen from satellite, centered on Asia

Source Cachat to Evian les Bains in Haute Savoie.
Source Cachat to Evian les Bains in Haute Savoie.

TEC4632499: Source Cachat to Evian les Bains in Haute Savoie. / Bridgeman Images

ID: TEC4632499

Source Cachat to Evian les Bains in Haute Savoie.

French actor Louis-Nicolas Brette Saint-Ernest as Kerouan in La Closerie des Genets by Frederic Soulie, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
French actor Louis-Nicolas Brette Saint-Ernest as Kerouan in La Closerie des Genets by Frederic Soulie, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632078: French actor Louis-Nicolas Brette Saint-Ernest as Kerouan in La Closerie des Genets by Frederic Soulie, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4632078

French actor Louis-Nicolas Brette Saint-Ernest as Kerouan in La Closerie des Genets by Frederic Soulie, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

China, War Lords decorations: 1st and 2nd class plates (1922) and Empire of Annam: Kim Tien of exceptional class (1916-1925)
China, War Lords decorations: 1st and 2nd class plates (1922) and Empire of Annam: Kim Tien of exceptional class (1916-1925)

LRI4632102: China, War Lords decorations: 1st and 2nd class plates (1922) and Empire of Annam: Kim Tien of exceptional class (1916-1925), Anonymous / Bridgeman Images

ID: LRI4632102

China, War Lords decorations: 1st and 2nd class plates (1922) and Empire of Annam: Kim Tien of exceptional class (1916-1925)

Anonymous

Japan - Badge of the Marechaux - beginning of the 20th century
Japan - Badge of the Marechaux - beginning of the 20th century

LRI4632109: Japan - Badge of the Marechaux - beginning of the 20th century, Anonymous / Bridgeman Images

ID: LRI4632109

Japan - Badge of the Marechaux - beginning of the 20th century

Anonymous

Actress Miss Emilie Honorine Guyon and Louise in La Closerie des Genets by Frederic Soulie, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Actress Miss Emilie Honorine Guyon and Louise in La Closerie des Genets by Frederic Soulie, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632113: Actress Miss Emilie Honorine Guyon and Louise in La Closerie des Genets by Frederic Soulie, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4632113

Actress Miss Emilie Honorine Guyon and Louise in La Closerie des Genets by Frederic Soulie, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Vals in Switzerland.
Vals in Switzerland.

LBY4632134: Vals in Switzerland. / Bridgeman Images

ID: LBY4632134

Vals in Switzerland.

A bullfight in Spain. Joachim Murat (1767-1815) was at the head of the Spanish expeditionary force, 1910 (engraving)
A bullfight in Spain. Joachim Murat (1767-1815) was at the head of the Spanish expeditionary force, 1910 (engraving)

JLJ4621608: A bullfight in Spain. Joachim Murat (1767-1815) was at the head of the Spanish expeditionary force, 1910 (engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4621608

A bullfight in Spain. Joachim Murat (1767-1815) was at the head of the Spanish expeditionary force, 1910 (engraving)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Cometary Globule CG22 - CG22 in Pyxis - Cometary Globule CG22 (HMSTG 44) is a very low light object located in the southern constellation of the Compsole. On this image obtained in March 2009, more than 150,000 stars appear. This is one of the dark nebulae cataloged as a cometary globule, number 22. It is also cataloged as HMSTG 44. It is a very faint object among a myriad of stars. Over 150,000 stars are visible in this image. CG22 is one of the many cometary globules in the GUM nebula. The 5.6 magnitude star near the “” tail”” is HIP 41723
Cometary Globule CG22 - CG22 in Pyxis - Cometary Globule CG22 (HMSTG 44) is a very low light object located in the southern constellation of the Compsole. On this image obtained in March 2009, more than 150,000 stars appear. This is one of the dark nebulae cataloged as a cometary globule, number 22. It is also cataloged as HMSTG 44. It is a very faint object among a myriad of stars. Over 150,000 stars are visible in this image. CG22 is one of the many cometary globules in the GUM nebula. The 5.6 magnitude star near the “” tail”” is HIP 41723

PIX4621622: Cometary Globule CG22 - CG22 in Pyxis - Cometary Globule CG22 (HMSTG 44) is a very low light object located in the southern constellation of the Compsole. On this image obtained in March 2009, more than 150,000 stars appear. This is one of the dark nebulae cataloged as a cometary globule, number 22. It is also cataloged as HMSTG 44. It is a very faint object among a myriad of stars. Over 150,000 stars are visible in this image. CG22 is one of the many cometary globules in the GUM nebula. The 5.6 magnitude star near the “” tail”” is HIP 41723 / Bridgeman Images

ID: PIX4621622

Cometary Globule CG22 - CG22 in Pyxis - Cometary Globule CG22 (HMSTG 44) is a very low light object located in the southern constellation of the Compsole. On this image obtained in March 2009, more than 150,000 stars appear. This is one of the dark nebulae cataloged as a cometary globule, number 22. It is also cataloged as HMSTG 44. It is a very faint object among a myriad of stars. Over 150,000 stars are visible in this image. CG22 is one of the many cometary globules in the GUM nebula. The 5.6 magnitude star near the “” tail”” is HIP 41723

Joachim Murat saw an English frigate while riding on the seashore, 1910 (Engraving)
Joachim Murat saw an English frigate while riding on the seashore, 1910 (Engraving)

JLJ4621640: Joachim Murat saw an English frigate while riding on the seashore, 1910 (Engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4621640

Joachim Murat saw an English frigate while riding on the seashore, 1910 (Engraving)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

African slaves driving horses to extract sugar from sugar cane in a mill on a plantation in the West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
African slaves driving horses to extract sugar from sugar cane in a mill on a plantation in the West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621663: African slaves driving horses to extract sugar from sugar cane in a mill on a plantation in the West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621663

African slaves driving horses to extract sugar from sugar cane in a mill on a plantation in the West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Male and female pirates of the West Indies, armed with musket and cutlass.early 1800s. The buccaneer at left wears a linen shirt dyed with animal blood. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Male and female pirates of the West Indies, armed with musket and cutlass.early 1800s. The buccaneer at left wears a linen shirt dyed with animal blood. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621671: Male and female pirates of the West Indies, armed with musket and cutlass.early 1800s. The buccaneer at left wears a linen shirt dyed with animal blood. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621671

Male and female pirates of the West Indies, armed with musket and cutlass.early 1800s. The buccaneer at left wears a linen shirt dyed with animal blood. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Strength and temperance with six ancient heros On the left self-portrait of the artist in trompe-l'oeil, then from left to right, Lucius Licinius Crassus (140-91 BC), Leonidas I of Sparta (540-480 BC), King of Lacede, Publius Cornelius Scipion (255-211 BC), Pericles (around 495-449 BC), Cius Quinctius Cincinnatus (ca. 519- around 430 BC) '' (fortitude and temperance over six heroes antique, self-portrait and from left to right, Lucius Licinius Crassus, Leonidas I, Horatius Cocles, Scipio Africanus, Pericles and Cincinnatus) Fresco by Pietro Vannucci dit il Perugino (Le Perugin, 1446 - 1523) 1497 approx. Dim 291x400 cm Perugia, Collegio Cambio
Strength and temperance with six ancient heros On the left self-portrait of the artist in trompe-l'oeil, then from left to right, Lucius Licinius Crassus (140-91 BC), Leonidas I of Sparta (540-480 BC), King of Lacede, Publius Cornelius Scipion (255-211 BC), Pericles (around 495-449 BC), Cius Quinctius Cincinnatus (ca. 519- around 430 BC) '' (fortitude and temperance over six heroes antique, self-portrait and from left to right, Lucius Licinius Crassus, Leonidas I, Horatius Cocles, Scipio Africanus, Pericles and Cincinnatus) Fresco by Pietro Vannucci dit il Perugino (Le Perugin, 1446 - 1523) 1497 approx. Dim 291x400 cm Perugia, Collegio Cambio

LRI4621677: Strength and temperance with six ancient heros On the left self-portrait of the artist in trompe-l'oeil, then from left to right, Lucius Licinius Crassus (140-91 BC), Leonidas I of Sparta (540-480 BC), King of Lacede, Publius Cornelius Scipion (255-211 BC), Pericles (around 495-449 BC), Cius Quinctius Cincinnatus (ca. 519- around 430 BC) '' (fortitude and temperance over six heroes antique, self-portrait and from left to right, Lucius Licinius Crassus, Leonidas I, Horatius Cocles, Scipio Africanus, Pericles and Cincinnatus) Fresco by Pietro Vannucci dit il Perugino (Le Perugin, 1446 - 1523) 1497 approx. Dim 291x400 cm Perugia, Collegio Cambio, Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4621677

Strength and temperance with six ancient heros On the left self-portrait of the artist in trompe-l'oeil, then from left to right, Lucius Licinius Crassus (140-91 BC), Leonidas I of Sparta (540-480 BC), King of Lacede, Publius Cornelius Scipion (255-211 BC), Pericles (around 495-449 BC), Cius Quinctius Cincinnatus (ca. 519- around 430 BC) '' (fortitude and temperance over six heroes antique, self-portrait and from left to right, Lucius Licinius Crassus, Leonidas I, Horatius Cocles, Scipio Africanus, Pericles and Cincinnatus) Fresco by Pietro Vannucci dit il Perugino (Le Perugin, 1446 - 1523) 1497 approx. Dim 291x400 cm Perugia, Collegio Cambio

Perugino, Pietro (c.1445-1523)

Rattan table and sneakers for food and fish made by the Island Carib or Kalinago people, West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Rattan table and sneakers for food and fish made by the Island Carib or Kalinago people, West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621678: Rattan table and sneakers for food and fish made by the Island Carib or Kalinago people, West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621678

Rattan table and sneakers for food and fish made by the Island Carib or Kalinago people, West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

View from the arch of the Recova on the east of the market square in Buenos Aires, Argentina, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
View from the arch of the Recova on the east of the market square in Buenos Aires, Argentina, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621679: View from the arch of the Recova on the east of the market square in Buenos Aires, Argentina, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621679

View from the arch of the Recova on the east of the market square in Buenos Aires, Argentina, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

The Coal Bag - The Coalsack - The Coal Bag is a dark nebula visible in the constellation of the Southern Cross about 600 years from Earth. Here, a detail near the crude alpha star. The Coalsack Dark Nebula is located at a distance of approximately 600 light years away from Earth in the Crux constellation. Here is a detail near star alpha Crux
The Coal Bag - The Coalsack - The Coal Bag is a dark nebula visible in the constellation of the Southern Cross about 600 years from Earth. Here, a detail near the crude alpha star. The Coalsack Dark Nebula is located at a distance of approximately 600 light years away from Earth in the Crux constellation. Here is a detail near star alpha Crux

PIX4621701: The Coal Bag - The Coalsack - The Coal Bag is a dark nebula visible in the constellation of the Southern Cross about 600 years from Earth. Here, a detail near the crude alpha star. The Coalsack Dark Nebula is located at a distance of approximately 600 light years away from Earth in the Crux constellation. Here is a detail near star alpha Crux / Bridgeman Images

ID: PIX4621701

The Coal Bag - The Coalsack - The Coal Bag is a dark nebula visible in the constellation of the Southern Cross about 600 years from Earth. Here, a detail near the crude alpha star. The Coalsack Dark Nebula is located at a distance of approximately 600 light years away from Earth in the Crux constellation. Here is a detail near star alpha Crux

Joachim Murat (1767-1815), 1910 (engraving)
Joachim Murat (1767-1815), 1910 (engraving)

JLJ4621703: Joachim Murat (1767-1815), 1910 (engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4621703

Joachim Murat (1767-1815), 1910 (engraving)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Joachim Murat (1767-1815), dechu king of Naples, taken prisoner in Pizzo in Calabria, 1910 (engraving)
Joachim Murat (1767-1815), dechu king of Naples, taken prisoner in Pizzo in Calabria, 1910 (engraving)

JLJ4621711: Joachim Murat (1767-1815), dechu king of Naples, taken prisoner in Pizzo in Calabria, 1910 (engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4621711

Joachim Murat (1767-1815), dechu king of Naples, taken prisoner in Pizzo in Calabria, 1910 (engraving)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Portrait of Maximilian Louis Pierre de Bethune (1686-1760), 18th century (oil on canvas)
Portrait of Maximilian Louis Pierre de Bethune (1686-1760), 18th century (oil on canvas)

JLJ4621838: Portrait of Maximilian Louis Pierre de Bethune (1686-1760), 18th century (oil on canvas), Unknown artist, (18th century) / Bridgeman Images

ID: JLJ4621838

Portrait of Maximilian Louis Pierre de Bethune (1686-1760), 18th century (oil on canvas)

Unknown artist, (18th century)

La nativite (Nativity) Fresco by Pietro Vannucci dit il Perugino (Perugin) (1448-1523) 1498 Dim 264x225 cm Perugia Collegio del Cambio
La nativite (Nativity) Fresco by Pietro Vannucci dit il Perugino (Perugin) (1448-1523) 1498 Dim 264x225 cm Perugia Collegio del Cambio

LRI4621839: La nativite (Nativity) Fresco by Pietro Vannucci dit il Perugino (Perugin) (1448-1523) 1498 Dim 264x225 cm Perugia Collegio del Cambio, Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4621839

La nativite (Nativity) Fresco by Pietro Vannucci dit il Perugino (Perugin) (1448-1523) 1498 Dim 264x225 cm Perugia Collegio del Cambio

Perugino, Pietro (c.1445-1523)


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