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Felling a Blue-Gum Tree in Huon Forest, Tasmania, c.1900, from 'Under the Southern Cross - Glimpses of Australia', published in 1908 (b/w photo)
Felling a Blue-Gum Tree in Huon Forest, Tasmania, c.1900, from 'Under the Southern Cross - Glimpses of Australia', published in 1908 (b/w photo)

KWE187919: Felling a Blue-Gum Tree in Huon Forest, Tasmania, c.1900, from 'Under the Southern Cross - Glimpses of Australia', published in 1908 (b/w photo), Australian Photographer (20th century) / Bridgeman Images

ID: KWE187919

Felling a Blue-Gum Tree in Huon Forest, Tasmania, c.1900, from 'Under the Southern Cross - Glimpses of Australia', published in 1908 (b/w photo)

Australian Photographer (20th century)

Sheep Shearing Shed, Queensland, c.1900, from 'Under the Southern Cross - Glimpses of Australia', published in 1908 (b/w photo)
Sheep Shearing Shed, Queensland, c.1900, from 'Under the Southern Cross - Glimpses of Australia', published in 1908 (b/w photo)

KWE187921: Sheep Shearing Shed, Queensland, c.1900, from 'Under the Southern Cross - Glimpses of Australia', published in 1908 (b/w photo), Australian Photographer (20th century) / Bridgeman Images

ID: KWE187921

Sheep Shearing Shed, Queensland, c.1900, from 'Under the Southern Cross - Glimpses of Australia', published in 1908 (b/w photo)

Australian Photographer (20th century)

Melbourne, Australia, from 'The Gallery of Geography' by Rev. Thomas Milner, published c.1880 (engraving)
Melbourne, Australia, from 'The Gallery of Geography' by Rev. Thomas Milner, published c.1880 (engraving)

KWE188561: Melbourne, Australia, from 'The Gallery of Geography' by Rev. Thomas Milner, published c.1880 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE188561

Melbourne, Australia, from 'The Gallery of Geography' by Rev. Thomas Milner, published c.1880 (engraving)

English School, (19th century)

Meeting with Madame de Stael (1766-1817) (engraving) (b/w photo)
Meeting with Madame de Stael (1766-1817) (engraving) (b/w photo)

XIR182940: Meeting with Madame de Stael (1766-1817) (engraving) (b/w photo), Debucourt, Philibert Louis (1755-1832) / Bridgeman Images

ID: XIR182940

Meeting with Madame de Stael (1766-1817) (engraving) (b/w photo)

Debucourt, Philibert Louis (1755-1832)

Portrait of Everhard Jabach (oil on canvas)
Portrait of Everhard Jabach (oil on canvas)

XIR183063: Portrait of Everhard Jabach (oil on canvas), Rigaud, Hyacinthe Francois (1659-1743) / Bridgeman Images

ID: XIR183063

Portrait of Everhard Jabach (oil on canvas)

Rigaud, Hyacinthe Francois (1659-1743)

Facsimile of a neolithic wall painting (b/w photo)
Facsimile of a neolithic wall painting (b/w photo)

XIR184049: Facsimile of a neolithic wall painting (b/w photo), French School / Bridgeman Images

ID: XIR184049

Facsimile of a neolithic wall painting (b/w photo)

French School

Joyful Company under a Crib (oil on canvas)
Joyful Company under a Crib (oil on canvas)

XIR184090: Joyful Company under a Crib (oil on canvas), Steen, Jan Havicksz. (1625/26-79) / Bridgeman Images

ID: XIR184090

Joyful Company under a Crib (oil on canvas)

Steen, Jan Havicksz. (1625/26-79)

The Nativity, made in Naples, detail of the central section (ceramic) (see also 169014)
The Nativity, made in Naples, detail of the central section (ceramic) (see also 169014)

XIR186232: The Nativity, made in Naples, detail of the central section (ceramic) (see also 169014), Italian School, (18th century) / Bridgeman Images

ID: XIR186232

The Nativity, made in Naples, detail of the central section (ceramic) (see also 169014)

Italian School, (18th century)

Louis-Francois Bertin (1766-1841) c.1803 (oil on canvas)
Louis-Francois Bertin (1766-1841) c.1803 (oil on canvas)

XIR186294: Louis-Francois Bertin (1766-1841) c.1803 (oil on canvas), Fabre, Francois Xavier (1766-1837) / Bridgeman Images

ID: XIR186294

Louis-Francois Bertin (1766-1841) c.1803 (oil on canvas)

Fabre, Francois Xavier (1766-1837)

The Landing Stage, 1635 (oil on panel)
The Landing Stage, 1635 (oil on panel)

XIR192819: The Landing Stage, 1635 (oil on panel), Ruisdael or Ruysdael, Salomon van (c.1602-70) / Bridgeman Images

ID: XIR192819

The Landing Stage, 1635 (oil on panel)

Ruisdael or Ruysdael, Salomon van (c.1602-70)

Travellers Caught in a Storm, c.1770 (oil on canvas)
Travellers Caught in a Storm, c.1770 (oil on canvas)

XIR192850: Travellers Caught in a Storm, c.1770 (oil on canvas), Loutherbourg, Philip James (Jacques) de (1740-1812) / Bridgeman Images

ID: XIR192850

Travellers Caught in a Storm, c.1770 (oil on canvas)

Loutherbourg, Philip James (Jacques) de (1740-1812)

Temperance, from a series of the Four Cardinal Virtues on the ceiling of the Queen's bedroom at Saint-Germain-en-Laye, c.1637-38 (oil on canvas)
Temperance, from a series of the Four Cardinal Virtues on the ceiling of the Queen's bedroom at Saint-Germain-en-Laye, c.1637-38 (oil on canvas)

XIR192854: Temperance, from a series of the Four Cardinal Virtues on the ceiling of the Queen's bedroom at Saint-Germain-en-Laye, c.1637-38 (oil on canvas), Vouet, Simon (1590-1649) / Bridgeman Images

ID: XIR192854

Temperance, from a series of the Four Cardinal Virtues on the ceiling of the Queen's bedroom at Saint-Germain-en-Laye, c.1637-38 (oil on canvas)

Vouet, Simon (1590-1649)

A Singer at the Clavichord with her Teacher (w/c on paper)
A Singer at the Clavichord with her Teacher (w/c on paper)

XIR192855: A Singer at the Clavichord with her Teacher (w/c on paper), Grevenbroeck, Jan van (1731-1807) / Bridgeman Images

ID: XIR192855

A Singer at the Clavichord with her Teacher (w/c on paper)

Grevenbroeck, Jan van (1731-1807)

Auto de Fe in Spain, from 'Universal Magazine', published in 1749 (engraving)
Auto de Fe in Spain, from 'Universal Magazine', published in 1749 (engraving)

KWE193060: Auto de Fe in Spain, from 'Universal Magazine', published in 1749 (engraving), English School, (18th century) / Bridgeman Images

ID: KWE193060

Auto de Fe in Spain, from 'Universal Magazine', published in 1749 (engraving)

English School, (18th century)

Portrait of a Gentleman (oil on canvas)
Portrait of a Gentleman (oil on canvas)

XAL193535: Portrait of a Gentleman (oil on canvas), Italian School, (16th century) / Bridgeman Images

ID: XAL193535

Portrait of a Gentleman (oil on canvas)

Italian School, (16th century)

Fragment of a poem by Wolfram of Eschenbach, published by Fetis, illustration from 'Science and Literature in the Middle Ages and Renaissance, written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
Fragment of a poem by Wolfram of Eschenbach, published by Fetis, illustration from 'Science and Literature in the Middle Ages and Renaissance, written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF193884: Fragment of a poem by Wolfram of Eschenbach, published by Fetis, illustration from 'Science and Literature in the Middle Ages and Renaissance, written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), German School, (13th century) (after) / Bridgeman Images

ID: XJF193884

Fragment of a poem by Wolfram of Eschenbach, published by Fetis, illustration from 'Science and Literature in the Middle Ages and Renaissance, written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

German School, (13th century) (after)

Fragment of Dante's (1265-1321) 'Divina Commedia', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
Fragment of Dante's (1265-1321) 'Divina Commedia', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF193890: Fragment of Dante's (1265-1321) 'Divina Commedia', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), Italian School, (14th century) (after) / Bridgeman Images

ID: XJF193890

Fragment of Dante's (1265-1321) 'Divina Commedia', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

Italian School, (14th century) (after)

Portrait of a Man (oil on canvas) (b/w photo)
Portrait of a Man (oil on canvas) (b/w photo)

XIR194101: Portrait of a Man (oil on canvas) (b/w photo), French School, (17th century) / Bridgeman Images

ID: XIR194101

Portrait of a Man (oil on canvas) (b/w photo)

French School, (17th century)

Portrait of Heinrich Schutz (1585-1672) (engraving) (b/w photo)
Portrait of Heinrich Schutz (1585-1672) (engraving) (b/w photo)

XIR194169: Portrait of Heinrich Schutz (1585-1672) (engraving) (b/w photo), Romstedt or Romstet, Christian (17th-18th century) / Bridgeman Images

ID: XIR194169

Portrait of Heinrich Schutz (1585-1672) (engraving) (b/w photo)

Romstedt or Romstet, Christian (17th-18th century)

'Les Caricatures a la Porte', c.1814 (coloured engraving)
'Les Caricatures a la Porte', c.1814 (coloured engraving)

XIR194778: 'Les Caricatures a la Porte', c.1814 (coloured engraving), French School, (19th century) / Bridgeman Images

ID: XIR194778

'Les Caricatures a la Porte', c.1814 (coloured engraving)

French School, (19th century)

The Phoenix rising from his ashes, from a Latin edition of Pliny published in Frankfurt in 1602, illustration from 'Science and Literature in The Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
The Phoenix rising from his ashes, from a Latin edition of Pliny published in Frankfurt in 1602, illustration from 'Science and Literature in The Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF194968: The Phoenix rising from his ashes, from a Latin edition of Pliny published in Frankfurt in 1602, illustration from 'Science and Literature in The Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), German School, (17th century) (after) / Bridgeman Images

ID: XJF194968

The Phoenix rising from his ashes, from a Latin edition of Pliny published in Frankfurt in 1602, illustration from 'Science and Literature in The Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

German School, (17th century) (after)

Landscape (oil on canvas)
Landscape (oil on canvas)

XIR195506: Landscape (oil on canvas), Manglard, Adrien (1695-1760) (attr. to) / Bridgeman Images

ID: XIR195506

Landscape (oil on canvas)

Manglard, Adrien (1695-1760) (attr. to)

Joseph Addison (1672-1719), from 'Gallery of Portraits', published 1833 (engraving)
Joseph Addison (1672-1719), from 'Gallery of Portraits', published 1833 (engraving)

KWE195699: Joseph Addison (1672-1719), from 'Gallery of Portraits', published 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE195699

Joseph Addison (1672-1719), from 'Gallery of Portraits', published 1833 (engraving)

English School, (19th century)

The Artist's Wife (oil on canvas)
The Artist's Wife (oil on canvas)

XKH191627: The Artist's Wife (oil on canvas), Faber, Joachim (1778-1846) / Bridgeman Images

ID: XKH191627

The Artist's Wife (oil on canvas)

Faber, Joachim (1778-1846)

Farmstead under Trees (oil on paper)
Farmstead under Trees (oil on paper)

XKH191665: Farmstead under Trees (oil on paper), Herbst, Thomas Ludwig (1848-1915) / Bridgeman Images

ID: XKH191665

Farmstead under Trees (oil on paper)

Herbst, Thomas Ludwig (1848-1915)

Study for the Head of the Libyan Sibyl (black chalk on paper) (verso)
Study for the Head of the Libyan Sibyl (black chalk on paper) (verso)

BAL191763: Study for the Head of the Libyan Sibyl (black chalk on paper) (verso), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL191763

Study for the Head of the Libyan Sibyl (black chalk on paper) (verso)

Buonarroti, Michelangelo (1475-1564)

Study of a Crouching Figure (black chalk on paper) (recto)
Study of a Crouching Figure (black chalk on paper) (recto)

BAL191781: Study of a Crouching Figure (black chalk on paper) (recto), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL191781

Study of a Crouching Figure (black chalk on paper) (recto)

Buonarroti, Michelangelo (1475-1564)

Study of Mourning Women (charcoal on paper) (recto)
Study of Mourning Women (charcoal on paper) (recto)

BAL191789: Study of Mourning Women (charcoal on paper) (recto), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL191789

Study of Mourning Women (charcoal on paper) (recto)

Buonarroti, Michelangelo (1475-1564)

Gentleman of the Royal Family and an Officer of the King (engraving)
Gentleman of the Royal Family and an Officer of the King (engraving)

XIR192116: Gentleman of the Royal Family and an Officer of the King (engraving), Saint-Jean, Jean Dieu de (fl.1671-1709) (after) / Bridgeman Images

ID: XIR192116

Gentleman of the Royal Family and an Officer of the King (engraving)

Saint-Jean, Jean Dieu de (fl.1671-1709) (after)

Philae, Egypt, 1863 (oil on canvas)
Philae, Egypt, 1863 (oil on canvas)

XYC136955: Philae, Egypt, 1863 (oil on canvas), Lear, Edward (1812-88) / Bridgeman Images

ID: XYC136955

Philae, Egypt, 1863 (oil on canvas)

Lear, Edward (1812-88)

Soyer's Phidomageireion or Modern Gas Cooking Apparatus (engraving) (b/w photo)
Soyer's Phidomageireion or Modern Gas Cooking Apparatus (engraving) (b/w photo)

XJF137010: Soyer's Phidomageireion or Modern Gas Cooking Apparatus (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: XJF137010

Soyer's Phidomageireion or Modern Gas Cooking Apparatus (engraving) (b/w photo)

English School, (19th century)

The Printer, published by Hartman Schopper (woodcut) (b/w photo)
The Printer, published by Hartman Schopper (woodcut) (b/w photo)

XJF137035: The Printer, published by Hartman Schopper (woodcut) (b/w photo), German School, (16th century) / Bridgeman Images

ID: XJF137035

The Printer, published by Hartman Schopper (woodcut) (b/w photo)

German School, (16th century)

The Paper Maker (woodcut) (b/w photo)
The Paper Maker (woodcut) (b/w photo)

XIR137040: The Paper Maker (woodcut) (b/w photo), Amman, Jost (1539-91) / Bridgeman Images

ID: XIR137040

The Paper Maker (woodcut) (b/w photo)

Amman, Jost (1539-91)

The Pedlar, published by Hartman Schopper (woodcut) (b/w photo)
The Pedlar, published by Hartman Schopper (woodcut) (b/w photo)

XJF137042: The Pedlar, published by Hartman Schopper (woodcut) (b/w photo), German School, (16th century) / Bridgeman Images

ID: XJF137042

The Pedlar, published by Hartman Schopper (woodcut) (b/w photo)

German School, (16th century)

Portrait of Sir Francis Drake (c.1540-96) engraved by Jacobus Houbraken (1698-1780) (engraving) (b/w photo)
Portrait of Sir Francis Drake (c.1540-96) engraved by Jacobus Houbraken (1698-1780) (engraving) (b/w photo)

XJF137050: Portrait of Sir Francis Drake (c.1540-96) engraved by Jacobus Houbraken (1698-1780) (engraving) (b/w photo), English School, (18th century) / Bridgeman Images

ID: XJF137050

Portrait of Sir Francis Drake (c.1540-96) engraved by Jacobus Houbraken (1698-1780) (engraving) (b/w photo)

English School, (18th century)

Santiago, Cape Verde, 1589 (hand-coloured engraving)
Santiago, Cape Verde, 1589 (hand-coloured engraving)

XJF137055: Santiago, Cape Verde, 1589 (hand-coloured engraving), Boazio, Baptista (fl.1588-1606) / Bridgeman Images

ID: XJF137055

Santiago, Cape Verde, 1589 (hand-coloured engraving)

Boazio, Baptista (fl.1588-1606)


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