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A dandy piegan. Around 1855, the young men began to make a parting in their hair from one temple to the other and to curl their back with a wand of a pre-heated rifle. Some made nates, others didn't. Photo taken from volume 6 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.
A dandy piegan. Around 1855, the young men began to make a parting in their hair from one temple to the other and to curl their back with a wand of a pre-heated rifle. Some made nates, others didn't. Photo taken from volume 6 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.

PCT4263784: A dandy piegan. Around 1855, the young men began to make a parting in their hair from one temple to the other and to curl their back with a wand of a pre-heated rifle. Some made nates, others didn't. Photo taken from volume 6 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published., Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: PCT4263784

A dandy piegan. Around 1855, the young men began to make a parting in their hair from one temple to the other and to curl their back with a wand of a pre-heated rifle. Some made nates, others didn't. Photo taken from volume 6 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.

Curtis, Edward Sheriff (1868-1952)

The sheep-sheep hunter, Sioux. Mountain sheep, grazing in the most inaccessible parts of the Bad Lands, were sought only by the most daring hunters. Photo taken from volume 3 of Edward S. Curtis's encyclopedia (1868-1952) on North American Indians, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.
The sheep-sheep hunter, Sioux. Mountain sheep, grazing in the most inaccessible parts of the Bad Lands, were sought only by the most daring hunters. Photo taken from volume 3 of Edward S. Curtis's encyclopedia (1868-1952) on North American Indians, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.

PCT4263786: The sheep-sheep hunter, Sioux. Mountain sheep, grazing in the most inaccessible parts of the Bad Lands, were sought only by the most daring hunters. Photo taken from volume 3 of Edward S. Curtis's encyclopedia (1868-1952) on North American Indians, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published., Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: PCT4263786

The sheep-sheep hunter, Sioux. Mountain sheep, grazing in the most inaccessible parts of the Bad Lands, were sought only by the most daring hunters. Photo taken from volume 3 of Edward S. Curtis's encyclopedia (1868-1952) on North American Indians, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.

Curtis, Edward Sheriff (1868-1952)

Crow Eagle, Piegan. In ancient times of traditional customs and laws, they were based on customs, especially in their social relations, and these constraints were largely part of their religion. A custom worthy of attention is the intensive use of the pipe. When they lit it, they made it touch earth and put it to heaven in a silent prayer to the spirits. Every significant act of their day was preceded by this rite. Photo taken from volume 6 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.
Crow Eagle, Piegan. In ancient times of traditional customs and laws, they were based on customs, especially in their social relations, and these constraints were largely part of their religion. A custom worthy of attention is the intensive use of the pipe. When they lit it, they made it touch earth and put it to heaven in a silent prayer to the spirits. Every significant act of their day was preceded by this rite. Photo taken from volume 6 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.

PCT4263793: Crow Eagle, Piegan. In ancient times of traditional customs and laws, they were based on customs, especially in their social relations, and these constraints were largely part of their religion. A custom worthy of attention is the intensive use of the pipe. When they lit it, they made it touch earth and put it to heaven in a silent prayer to the spirits. Every significant act of their day was preceded by this rite. Photo taken from volume 6 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published., Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: PCT4263793

Crow Eagle, Piegan. In ancient times of traditional customs and laws, they were based on customs, especially in their social relations, and these constraints were largely part of their religion. A custom worthy of attention is the intensive use of the pipe. When they lit it, they made it touch earth and put it to heaven in a silent prayer to the spirits. Every significant act of their day was preceded by this rite. Photo taken from volume 6 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.

Curtis, Edward Sheriff (1868-1952)

Two Leggings, Apsaroke, did about 1848. His visions did not give him great powers, and he was admitted to a secrete tobacco society by Bull Goes Hunting, who gave him his amulet made of a fossil or a coarsely sulptee stone in the form of a two-sided horse. Two Leggings thus became a great warlord. Photo taken from volume 4 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.
Two Leggings, Apsaroke, did about 1848. His visions did not give him great powers, and he was admitted to a secrete tobacco society by Bull Goes Hunting, who gave him his amulet made of a fossil or a coarsely sulptee stone in the form of a two-sided horse. Two Leggings thus became a great warlord. Photo taken from volume 4 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.

PCT4263805: Two Leggings, Apsaroke, did about 1848. His visions did not give him great powers, and he was admitted to a secrete tobacco society by Bull Goes Hunting, who gave him his amulet made of a fossil or a coarsely sulptee stone in the form of a two-sided horse. Two Leggings thus became a great warlord. Photo taken from volume 4 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published., Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: PCT4263805

Two Leggings, Apsaroke, did about 1848. His visions did not give him great powers, and he was admitted to a secrete tobacco society by Bull Goes Hunting, who gave him his amulet made of a fossil or a coarsely sulptee stone in the form of a two-sided horse. Two Leggings thus became a great warlord. Photo taken from volume 4 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published.

Curtis, Edward Sheriff (1868-1952)

Medicine Crow, Apsaroke. The falcon tied to its head is a way of carrying the symbol of its guardian spirit. Photo taken from volume 4 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published. ©Gusman/Leemage
Medicine Crow, Apsaroke. The falcon tied to its head is a way of carrying the symbol of its guardian spirit. Photo taken from volume 4 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published. ©Gusman/Leemage

PCT4263860: Medicine Crow, Apsaroke. The falcon tied to its head is a way of carrying the symbol of its guardian spirit. Photo taken from volume 4 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published. ©Gusman/Leemage, Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: PCT4263860

Medicine Crow, Apsaroke. The falcon tied to its head is a way of carrying the symbol of its guardian spirit. Photo taken from volume 4 of the encyclopedia published by Edward S. Curtis (1868-1952) on the Indians of North America, with a foreword by Theodore Roosevelt. Between 1907 and 1930, 20 volumes were published. ©Gusman/Leemage

Curtis, Edward Sheriff (1868-1952)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261316: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261316

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261335: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261335

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261352: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261352

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners.
War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners.

PCT4261354: War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261354

War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners.

Unknown photographer, (20th century)

May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924).
May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924).

PCT4261362: May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924)., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261362

May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924).

Unknown photographer, (20th century)

Mandarin in Korea in 1866: drawing by M.H. Zuber in the newspaper “Le tour du Monde””, 1873.
Mandarin in Korea in 1866: drawing by M.H. Zuber in the newspaper “Le tour du Monde””, 1873.

PCT4261687: Mandarin in Korea in 1866: drawing by M.H. Zuber in the newspaper “Le tour du Monde””, 1873. / Bridgeman Images

ID: PCT4261687

Mandarin in Korea in 1866: drawing by M.H. Zuber in the newspaper “Le tour du Monde””, 1873.

postcard war 1914-1918 sent in 1917: glorious soldier wearing a helmet of the navy laying at your guard between two French flags, above a ratelier of weapons abundantly filled with swords, swords, bayonets of all kinds and rifle bullets.
postcard war 1914-1918 sent in 1917: glorious soldier wearing a helmet of the navy laying at your guard between two French flags, above a ratelier of weapons abundantly filled with swords, swords, bayonets of all kinds and rifle bullets.

PCT4261817: postcard war 1914-1918 sent in 1917: glorious soldier wearing a helmet of the navy laying at your guard between two French flags, above a ratelier of weapons abundantly filled with swords, swords, bayonets of all kinds and rifle bullets., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261817

postcard war 1914-1918 sent in 1917: glorious soldier wearing a helmet of the navy laying at your guard between two French flags, above a ratelier of weapons abundantly filled with swords, swords, bayonets of all kinds and rifle bullets.

Unknown photographer, (20th century)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262215: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262215

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262228: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262228

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262249: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262249

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262254: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262254

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262298: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262298

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262300: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262300

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262324: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262324

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him.
Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him.

PCT4260235: Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him. / Bridgeman Images

ID: PCT4260235

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him.

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th.
Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th.

PCT4260238: Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. / Bridgeman Images

ID: PCT4260238

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th.

Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting.
Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting.

PCT4260893: Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260893

Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting.

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition.
Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition.

PCT4260933: Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260933

Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition.

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260936

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

Grandville (Jean Ignace Isidore Gerard) (1803-47)

engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile
engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile

PCT4260992: engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile / Bridgeman Images

ID: PCT4260992

engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile

Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531.
Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531.

PCT4261015: Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531. / Bridgeman Images

ID: PCT4261015

Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531.

The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving)
The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving)

PCT4261083: The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving), French School, (20th century) / Bridgeman Images

ID: PCT4261083

The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving)

French School, (20th century)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261303: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261303

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261308: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261308

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Cover of the illustrious novel from Louis Feuillade's film “Judex”, 1910s (print)
Cover of the illustrious novel from Louis Feuillade's film “Judex”, 1910s (print)

PCT4263988: Cover of the illustrious novel from Louis Feuillade's film “Judex”, 1910s (print) / Bridgeman Images

ID: PCT4263988

Cover of the illustrious novel from Louis Feuillade's film “Judex”, 1910s (print)

Chateau de Chaumont-sur-Loire (Chaumont sur Loire), Loir-et-Cher (Loir et Cher), Centre, France. Engraving by A. Racinet in the book “Les residences royales de la Loire” by Jules Loiseleur, edition Dentu 1863.
Chateau de Chaumont-sur-Loire (Chaumont sur Loire), Loir-et-Cher (Loir et Cher), Centre, France. Engraving by A. Racinet in the book “Les residences royales de la Loire” by Jules Loiseleur, edition Dentu 1863.

PCT4264126: Chateau de Chaumont-sur-Loire (Chaumont sur Loire), Loir-et-Cher (Loir et Cher), Centre, France. Engraving by A. Racinet in the book “Les residences royales de la Loire” by Jules Loiseleur, edition Dentu 1863. / Bridgeman Images

ID: PCT4264126

Chateau de Chaumont-sur-Loire (Chaumont sur Loire), Loir-et-Cher (Loir et Cher), Centre, France. Engraving by A. Racinet in the book “Les residences royales de la Loire” by Jules Loiseleur, edition Dentu 1863.

Chateau de la Loire: Chenonceaux. Engraving by A. Racinet in the book “Les residences royales de la Loire” by Jules Loiseleur, edition Dentu 1863.
Chateau de la Loire: Chenonceaux. Engraving by A. Racinet in the book “Les residences royales de la Loire” by Jules Loiseleur, edition Dentu 1863.

PCT4264132: Chateau de la Loire: Chenonceaux. Engraving by A. Racinet in the book “Les residences royales de la Loire” by Jules Loiseleur, edition Dentu 1863. / Bridgeman Images

ID: PCT4264132

Chateau de la Loire: Chenonceaux. Engraving by A. Racinet in the book “Les residences royales de la Loire” by Jules Loiseleur, edition Dentu 1863.

school at the end of the 19th century: a good student. Young laureat has prize distribution, laurel wreath and arms loads of books. Illustration by B. de Monvel of Adrienne Piazzi's book “” Sans-souci””, Delagrave bookshop.
school at the end of the 19th century: a good student. Young laureat has prize distribution, laurel wreath and arms loads of books. Illustration by B. de Monvel of Adrienne Piazzi's book “” Sans-souci””, Delagrave bookshop.

PCT4264146: school at the end of the 19th century: a good student. Young laureat has prize distribution, laurel wreath and arms loads of books. Illustration by B. de Monvel of Adrienne Piazzi's book “” Sans-souci””, Delagrave bookshop. / Bridgeman Images

ID: PCT4264146

school at the end of the 19th century: a good student. Young laureat has prize distribution, laurel wreath and arms loads of books. Illustration by B. de Monvel of Adrienne Piazzi's book “” Sans-souci””, Delagrave bookshop.

Interview in 1023 of Henri 2 (known as the lame and the saint, 973-1024), German Emperor (Duke of Baviere and King of Germania) and Robert 2 the Pieux (970-1031), King of France from 996 to his death. Robert was the son of Hugues Capet, whose coronation in 987 marked the beginning of the Capetian dynasty, which returned to France, in direct or indirect succession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
Interview in 1023 of Henri 2 (known as the lame and the saint, 973-1024), German Emperor (Duke of Baviere and King of Germania) and Robert 2 the Pieux (970-1031), King of France from 996 to his death. Robert was the son of Hugues Capet, whose coronation in 987 marked the beginning of the Capetian dynasty, which returned to France, in direct or indirect succession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264735: Interview in 1023 of Henri 2 (known as the lame and the saint, 973-1024), German Emperor (Duke of Baviere and King of Germania) and Robert 2 the Pieux (970-1031), King of France from 996 to his death. Robert was the son of Hugues Capet, whose coronation in 987 marked the beginning of the Capetian dynasty, which returned to France, in direct or indirect succession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264735

Interview in 1023 of Henri 2 (known as the lame and the saint, 973-1024), German Emperor (Duke of Baviere and King of Germania) and Robert 2 the Pieux (970-1031), King of France from 996 to his death. Robert was the son of Hugues Capet, whose coronation in 987 marked the beginning of the Capetian dynasty, which returned to France, in direct or indirect succession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

Philippe Auguste (Philip 2, 1165-1223, king of France from 1180 until his death), victory over the English at Mantis in 1188. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
Philippe Auguste (Philip 2, 1165-1223, king of France from 1180 until his death), victory over the English at Mantis in 1188. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264765: Philippe Auguste (Philip 2, 1165-1223, king of France from 1180 until his death), victory over the English at Mantis in 1188. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264765

Philippe Auguste (Philip 2, 1165-1223, king of France from 1180 until his death), victory over the English at Mantis in 1188. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

The Gauls took Rome after the Battle of Allia in 390. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
The Gauls took Rome after the Battle of Allia in 390. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264781: The Gauls took Rome after the Battle of Allia in 390. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264781

The Gauls took Rome after the Battle of Allia in 390. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)


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