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Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a book from 1948 (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Seventh voyage: An elephant seizes Sindbad with his trunk -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a book from 1948 (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Seventh voyage: An elephant seizes Sindbad with his trunk -

PCT4278233: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a book from 1948 (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Seventh voyage: An elephant seizes Sindbad with his trunk -, Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4278233

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a book from 1948 (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Seventh voyage: An elephant seizes Sindbad with his trunk -

Robida, Albert (1848-1926)

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a 1948 book (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Fifth voyage: Merchants accompanying Sindbad who wanted to seize an egg of the giant bird called Roc are attacked by the latter -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a 1948 book (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Fifth voyage: Merchants accompanying Sindbad who wanted to seize an egg of the giant bird called Roc are attacked by the latter -

PCT4278242: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a 1948 book (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Fifth voyage: Merchants accompanying Sindbad who wanted to seize an egg of the giant bird called Roc are attacked by the latter -, Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4278242

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration of a 1948 book (Fortin edition, collection Wonderful Imaging of Childhood) telling his adventures - illustration by Albert Robida (1848 - 1926) - Fifth voyage: Merchants accompanying Sindbad who wanted to seize an egg of the giant bird called Roc are attacked by the latter -

Robida, Albert (1848-1926)

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures - see details of this scene: GUT5106 -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures - see details of this scene: GUT5106 -

PCT4278424: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures - see details of this scene: GUT5106 -, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4278424

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures - see details of this scene: GUT5106 -

Dore, Gustave (1832-83)

Illustration of the novel 'Ile Mysterieuse' by Jules Verne, 1874 (engraving)
Illustration of the novel 'Ile Mysterieuse' by Jules Verne, 1874 (engraving)

PCT4260033: Illustration of the novel 'Ile Mysterieuse' by Jules Verne, 1874 (engraving), Férat, Jules-Descartes (1829-1906) / Bridgeman Images

ID: PCT4260033

Illustration of the novel 'Ile Mysterieuse' by Jules Verne, 1874 (engraving)

Férat, Jules-Descartes (1829-1906)

Illustration of the novel by Jules Verne “A floating city””, edition Hetzel/Voyages extraordinaire 1871, drawing by Férat. The gigantic steam-ship Great-Eastern, sail and steam-powered, with its paddle wheels.
Illustration of the novel by Jules Verne “A floating city””, edition Hetzel/Voyages extraordinaire 1871, drawing by Férat. The gigantic steam-ship Great-Eastern, sail and steam-powered, with its paddle wheels.

PCT4260129: Illustration of the novel by Jules Verne “A floating city””, edition Hetzel/Voyages extraordinaire 1871, drawing by Férat. The gigantic steam-ship Great-Eastern, sail and steam-powered, with its paddle wheels. / Bridgeman Images

ID: PCT4260129

Illustration of the novel by Jules Verne “A floating city””, edition Hetzel/Voyages extraordinaire 1871, drawing by Férat. The gigantic steam-ship Great-Eastern, sail and steam-powered, with its paddle wheels.

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him.
Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him.

PCT4260235: Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him. / Bridgeman Images

ID: PCT4260235

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Refuge at the top of a sailboat's mat, Jim Hawkins shoots a gun at a sailor revolt chasing him.

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th.
Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th.

PCT4260238: Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. / Bridgeman Images

ID: PCT4260238

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th.

Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting.
Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting.

PCT4260893: Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260893

Grandville engraving, extracted from the book Private and Public Life of Animals (Les animaux ints par them memes), edition Hetzel 1867 - Caricature of a human political assembly - In the travees occupied by various animals (dogs, donkey, hippo...), a hyena makes a hate speech: It is not a question of barking, but of biting.

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition.
Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition.

PCT4260933: Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260933

Grandville engraving from the book “” Private and public life of animals (Les animaux painted par eux memes)””, Hetzel edition 1867 - Caricature: wild boar writing a petition.

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260936

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

Grandville (Jean Ignace Isidore Gerard) (1803-47)

engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile
engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile

PCT4260992: engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile / Bridgeman Images

ID: PCT4260992

engraving of the book of Ambroise Pare: Des Monsters et Prodiges (first edition 1573, appendix: Monsters marine) - Triton et Sirene du Nile

Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531.
Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531.

PCT4261015: Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531. / Bridgeman Images

ID: PCT4261015

Engraving of the book of Ambroise Pare: Monsters and Prodiges (first edition 1573, appendix: marine monsters) - A marine monster with scales, having its mitre and pontifical ornaments, as an eveque, seen in Poland in 1531.

The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving)
The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving)

PCT4261083: The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving), French School, (20th century) / Bridgeman Images

ID: PCT4261083

The 100 kilos cycling race, velodrome of the Parc des Princes, Paris. Cover of the “Supplement Litteraire Illustrie du Petit Parisien”” n° 713, October 5, 1902 (engraving)

French School, (20th century)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261303: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261303

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261308: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261308

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261316: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261316

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261335: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261335

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261352: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261352

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners.
War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners.

PCT4261354: War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261354

War of 1914-1918: Goumier a horse - Horseman from Algeria or Morocco, fighting in the French army in Belgium, in the reconnaissance and escort services of German prisoners.

Unknown photographer, (20th century)

May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924).
May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924).

PCT4261362: May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924)., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261362

May/June 1915: General Petain with Etienne Alexandre Milherand (1859-1943, Minister of War from 1912 to 1915 and President of the French Republic from 1920 to 1924).

Unknown photographer, (20th century)

Mandarin in Korea in 1866: drawing by M.H. Zuber in the newspaper “Le tour du Monde””, 1873.
Mandarin in Korea in 1866: drawing by M.H. Zuber in the newspaper “Le tour du Monde””, 1873.

PCT4261687: Mandarin in Korea in 1866: drawing by M.H. Zuber in the newspaper “Le tour du Monde””, 1873. / Bridgeman Images

ID: PCT4261687

Mandarin in Korea in 1866: drawing by M.H. Zuber in the newspaper “Le tour du Monde””, 1873.

postcard war 1914-1918 sent in 1917: glorious soldier wearing a helmet of the navy laying at your guard between two French flags, above a ratelier of weapons abundantly filled with swords, swords, bayonets of all kinds and rifle bullets.
postcard war 1914-1918 sent in 1917: glorious soldier wearing a helmet of the navy laying at your guard between two French flags, above a ratelier of weapons abundantly filled with swords, swords, bayonets of all kinds and rifle bullets.

PCT4261817: postcard war 1914-1918 sent in 1917: glorious soldier wearing a helmet of the navy laying at your guard between two French flags, above a ratelier of weapons abundantly filled with swords, swords, bayonets of all kinds and rifle bullets., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261817

postcard war 1914-1918 sent in 1917: glorious soldier wearing a helmet of the navy laying at your guard between two French flags, above a ratelier of weapons abundantly filled with swords, swords, bayonets of all kinds and rifle bullets.

Unknown photographer, (20th century)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262215: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262215

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262228: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262228

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262249: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262249

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262254: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262254

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Book cover 'Les explorateurs de l'Afrique' by Paul Bory, 1889 (print)
Book cover 'Les explorateurs de l'Afrique' by Paul Bory, 1889 (print)

PCT4258648: Book cover 'Les explorateurs de l'Afrique' by Paul Bory, 1889 (print) / Bridgeman Images

ID: PCT4258648

Book cover 'Les explorateurs de l'Afrique' by Paul Bory, 1889 (print)

Illustration by George Roux for a book by Jules Verne: frontispiece of the double volume (first print 1901), including the two novels “” Le village aerien”” and “Les histoires de Jean-Marie Cabidoulin””. Hetzel Edition/Extraordinary Voyages, Known and Unknown Worlds.
Illustration by George Roux for a book by Jules Verne: frontispiece of the double volume (first print 1901), including the two novels “” Le village aerien”” and “Les histoires de Jean-Marie Cabidoulin””. Hetzel Edition/Extraordinary Voyages, Known and Unknown Worlds.

PCT4258771: Illustration by George Roux for a book by Jules Verne: frontispiece of the double volume (first print 1901), including the two novels “” Le village aerien”” and “Les histoires de Jean-Marie Cabidoulin””. Hetzel Edition/Extraordinary Voyages, Known and Unknown Worlds., Roux, George (1853-1929) / Bridgeman Images

ID: PCT4258771

Illustration by George Roux for a book by Jules Verne: frontispiece of the double volume (first print 1901), including the two novels “” Le village aerien”” and “Les histoires de Jean-Marie Cabidoulin””. Hetzel Edition/Extraordinary Voyages, Known and Unknown Worlds.

Roux, George (1853-1929)

Illustration by George Roux for Jules Verne's book “The Aerien Village”” (1901), Hetzel edition/Extraordinary Voyages, Known and Unknown Worlds. Arrival of the explorers in the village perched in the trees of the Wagddis (monkeys of the Congolese forest)
Illustration by George Roux for Jules Verne's book “The Aerien Village”” (1901), Hetzel edition/Extraordinary Voyages, Known and Unknown Worlds. Arrival of the explorers in the village perched in the trees of the Wagddis (monkeys of the Congolese forest)

PCT4258837: Illustration by George Roux for Jules Verne's book “The Aerien Village”” (1901), Hetzel edition/Extraordinary Voyages, Known and Unknown Worlds. Arrival of the explorers in the village perched in the trees of the Wagddis (monkeys of the Congolese forest), Roux, George (1853-1929) / Bridgeman Images

ID: PCT4258837

Illustration by George Roux for Jules Verne's book “The Aerien Village”” (1901), Hetzel edition/Extraordinary Voyages, Known and Unknown Worlds. Arrival of the explorers in the village perched in the trees of the Wagddis (monkeys of the Congolese forest)

Roux, George (1853-1929)

Experimental model of simplified phonograph invented by Lambrigot around 1879: the talking blades - engraving, by B. Bonnafoux, of the book Le téléphone, le microphone et le phonographe, Bibliotheque des Merveilles/1880 (Figure 106)
Experimental model of simplified phonograph invented by Lambrigot around 1879: the talking blades - engraving, by B. Bonnafoux, of the book Le téléphone, le microphone et le phonographe, Bibliotheque des Merveilles/1880 (Figure 106)

PCT4259197: Experimental model of simplified phonograph invented by Lambrigot around 1879: the talking blades - engraving, by B. Bonnafoux, of the book Le téléphone, le microphone et le phonographe, Bibliotheque des Merveilles/1880 (Figure 106) / Bridgeman Images

ID: PCT4259197

Experimental model of simplified phonograph invented by Lambrigot around 1879: the talking blades - engraving, by B. Bonnafoux, of the book Le téléphone, le microphone et le phonographe, Bibliotheque des Merveilles/1880 (Figure 106)

cross-section view of Edison's phonograph: one of the first (and simplest) models of the system deposited in 1876- engraving, by B. Bonnafoux, of the book Le téléphone, le microphone et le phonographe, Bibliotheque des Merveilles/1880 (figure 100)
cross-section view of Edison's phonograph: one of the first (and simplest) models of the system deposited in 1876- engraving, by B. Bonnafoux, of the book Le téléphone, le microphone et le phonographe, Bibliotheque des Merveilles/1880 (figure 100)

PCT4259210: cross-section view of Edison's phonograph: one of the first (and simplest) models of the system deposited in 1876- engraving, by B. Bonnafoux, of the book Le téléphone, le microphone et le phonographe, Bibliotheque des Merveilles/1880 (figure 100) / Bridgeman Images

ID: PCT4259210

cross-section view of Edison's phonograph: one of the first (and simplest) models of the system deposited in 1876- engraving, by B. Bonnafoux, of the book Le téléphone, le microphone et le phonographe, Bibliotheque des Merveilles/1880 (figure 100)

Drawing by Leon Benett, from the book of Jules Verne “The 500 million of the Begum”” - edition Hetzel/Extraordinary Voyages 1879. View of the “Steel City”, gigantic set of factories (blast furnaces - steel foundries)
Drawing by Leon Benett, from the book of Jules Verne “The 500 million of the Begum”” - edition Hetzel/Extraordinary Voyages 1879. View of the “Steel City”, gigantic set of factories (blast furnaces - steel foundries)

PCT4259644: Drawing by Leon Benett, from the book of Jules Verne “The 500 million of the Begum”” - edition Hetzel/Extraordinary Voyages 1879. View of the “Steel City”, gigantic set of factories (blast furnaces - steel foundries), Benett, Léon (1839-1917) / Bridgeman Images

ID: PCT4259644

Drawing by Leon Benett, from the book of Jules Verne “The 500 million of the Begum”” - edition Hetzel/Extraordinary Voyages 1879. View of the “Steel City”, gigantic set of factories (blast furnaces - steel foundries)

Benett, Léon (1839-1917)

Illustration for Jules Verne “Tribulations of a Chinaman in China”, 1879 (engraving)
Illustration for Jules Verne “Tribulations of a Chinaman in China”, 1879 (engraving)

PCT4259740: Illustration for Jules Verne “Tribulations of a Chinaman in China”, 1879 (engraving), Benett, Léon (1839-1917) / Bridgeman Images

ID: PCT4259740

Illustration for Jules Verne “Tribulations of a Chinaman in China”, 1879 (engraving)

Benett, Léon (1839-1917)

Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.
Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.

PCT4259807: Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4259807

Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.

Bayard, Emile Antoine (1837-91)

Group of Delawares Indians in their tipi camp. Engraving attributed to Janet Lange, circa 1870. Illustration of the 1888 Hachette edition of the book “The Last of the Mohicans””, after Fenimore Cooper.
Group of Delawares Indians in their tipi camp. Engraving attributed to Janet Lange, circa 1870. Illustration of the 1888 Hachette edition of the book “The Last of the Mohicans””, after Fenimore Cooper.

PCT4259913: Group of Delawares Indians in their tipi camp. Engraving attributed to Janet Lange, circa 1870. Illustration of the 1888 Hachette edition of the book “The Last of the Mohicans””, after Fenimore Cooper., Pelcoq, Jules (19th century) / Bridgeman Images

ID: PCT4259913

Group of Delawares Indians in their tipi camp. Engraving attributed to Janet Lange, circa 1870. Illustration of the 1888 Hachette edition of the book “The Last of the Mohicans””, after Fenimore Cooper.

Pelcoq, Jules (19th century)

La hen aux eggs d'or: La Fontaine fable illustrated by Grandville.
La hen aux eggs d'or: La Fontaine fable illustrated by Grandville.

PCT4269303: La hen aux eggs d'or: La Fontaine fable illustrated by Grandville., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4269303

La hen aux eggs d'or: La Fontaine fable illustrated by Grandville.

Grandville (Jean Ignace Isidore Gerard) (1803-47)


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