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The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.
The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.

LBY4688467: The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998. / Bridgeman Images

ID: LBY4688467

The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.

The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.
The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.

LBY4688469: The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998. / Bridgeman Images

ID: LBY4688469

The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.

The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.
The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.

LBY4688475: The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998. / Bridgeman Images

ID: LBY4688475

The Museum of Art and History of Judah ¥ sme, Hotel de Saint Agnan, 71 rue du Temple in Paris 75003. Architects Catherine Bizouard and Francois Pin, 1998.

Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.
Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.

LBY4688479: Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998. / Bridgeman Images

ID: LBY4688479

Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.

Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.
Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.

LBY4688482: Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998. / Bridgeman Images

ID: LBY4688482

Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.

Ascension. Miniature in
Ascension. Miniature in

JLJ4688484: Ascension. Miniature in "Sacramentary of Saint-Martial de Limoges", 12th century (miniature), Unknown Artist, (12th century) / Bridgeman Images

ID: JLJ4688484

Ascension. Miniature in "Sacramentary of Saint-Martial de Limoges", 12th century (miniature)

Unknown Artist, (12th century)

Skulls of a native of Congo, Chitimacha, a native American from Louisiana, and Chinese of Canton. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).
Skulls of a native of Congo, Chitimacha, a native American from Louisiana, and Chinese of Canton. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).

FLO4688503: Skulls of a native of Congo, Chitimacha, a native American from Louisiana, and Chinese of Canton. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855). / Bridgeman Images

ID: FLO4688503

Skulls of a native of Congo, Chitimacha, a native American from Louisiana, and Chinese of Canton. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).

Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.
Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.

LBY4688507: Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998. / Bridgeman Images

ID: LBY4688507

Musee des Beaux Arts in Nancy (Meurthe et Moselle). Realisation 1998, architects Laurent and Emmanuelle Beaudouin. Photography 1998.

Tomboua Nakoro, a native of Fiji, with distinctive dyed red hair, wearing shirt and sleeveless jacket. Taken from Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Tomboua Nakoro, a native of Fiji, with distinctive dyed red hair, wearing shirt and sleeveless jacket. Taken from Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688508: Tomboua Nakoro, a native of Fiji, with distinctive dyed red hair, wearing shirt and sleeveless jacket. Taken from Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688508

Tomboua Nakoro, a native of Fiji, with distinctive dyed red hair, wearing shirt and sleeveless jacket. Taken from Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Ancient Egypt: Sarcophagus (332-330 BC) Ptolemaic period, 332-330 BC
Ancient Egypt: Sarcophagus (332-330 BC) Ptolemaic period, 332-330 BC

JLJ4688509: Ancient Egypt: Sarcophagus (332-330 BC) Ptolemaic period, 332-330 BC, Egyptian School / Bridgeman Images

ID: JLJ4688509

Ancient Egypt: Sarcophagus (332-330 BC) Ptolemaic period, 332-330 BC

Egyptian School

Automobile Ford T from 1908 (photo)
Automobile Ford T from 1908 (photo)

JLJ4688513: Automobile Ford T from 1908 (photo), American School, (20th century) / Bridgeman Images

ID: JLJ4688513

Automobile Ford T from 1908 (photo)

American School, (20th century)

Skull bones of a native of Congo, Chitimacha, a native American from Louisiana, and Chinese of Canton. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).
Skull bones of a native of Congo, Chitimacha, a native American from Louisiana, and Chinese of Canton. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).

FLO4688515: Skull bones of a native of Congo, Chitimacha, a native American from Louisiana, and Chinese of Canton. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855). / Bridgeman Images

ID: FLO4688515

Skull bones of a native of Congo, Chitimacha, a native American from Louisiana, and Chinese of Canton. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).

Renovation of the Musee des Arts et Metiers, 292 rue Saint Martin in Paris 75003. Architect Andrea Bruno, 2000. Photography 2000.
Renovation of the Musee des Arts et Metiers, 292 rue Saint Martin in Paris 75003. Architect Andrea Bruno, 2000. Photography 2000.

LBY4688516: Renovation of the Musee des Arts et Metiers, 292 rue Saint Martin in Paris 75003. Architect Andrea Bruno, 2000. Photography 2000. / Bridgeman Images

ID: LBY4688516

Renovation of the Musee des Arts et Metiers, 292 rue Saint Martin in Paris 75003. Architect Andrea Bruno, 2000. Photography 2000.

Women of the Ojibwe nation, ne-bet-neuh-qua and Wo-see-ab-e-neuh-qua, and a young girl Nib-nab-i-quah. All three were part of the troupe of dancers who traveled to England. Engraved by J. Harris after an original illustration by George Gatlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Women of the Ojibwe nation, ne-bet-neuh-qua and Wo-see-ab-e-neuh-qua, and a young girl Nib-nab-i-quah. All three were part of the troupe of dancers who traveled to England. Engraved by J. Harris after an original illustration by George Gatlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688526: Women of the Ojibwe nation, ne-bet-neuh-qua and Wo-see-ab-e-neuh-qua, and a young girl Nib-nab-i-quah. All three were part of the troupe of dancers who traveled to England. Engraved by J. Harris after an original illustration by George Gatlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688526

Women of the Ojibwe nation, ne-bet-neuh-qua and Wo-see-ab-e-neuh-qua, and a young girl Nib-nab-i-quah. All three were part of the troupe of dancers who traveled to England. Engraved by J. Harris after an original illustration by George Gatlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

The Alaskan Inuit man Qalasirssuaq (Erasmus Augustine Kallihirua). Eskimo guide on the Franklin Expedition of 1851, later settled in England. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Alaskan Inuit man Qalasirssuaq (Erasmus Augustine Kallihirua). Eskimo guide on the Franklin Expedition of 1851, later settled in England. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688527: The Alaskan Inuit man Qalasirssuaq (Erasmus Augustine Kallihirua). Eskimo guide on the Franklin Expedition of 1851, later settled in England. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688527

The Alaskan Inuit man Qalasirssuaq (Erasmus Augustine Kallihirua). Eskimo guide on the Franklin Expedition of 1851, later settled in England. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Anthropomorphic vase depicting a man sitting his hands on his chest wearing a monkey mask with his mouth open (clay)
Anthropomorphic vase depicting a man sitting his hands on his chest wearing a monkey mask with his mouth open (clay)

LRI4688534: Anthropomorphic vase depicting a man sitting his hands on his chest wearing a monkey mask with his mouth open (clay), Mayan / Bridgeman Images

ID: LRI4688534

Anthropomorphic vase depicting a man sitting his hands on his chest wearing a monkey mask with his mouth open (clay)

Mayan

War dance of the Ojibwe nation (Ojibbeway Indians). Pat-au-a-quot-a-wee-be, the Flying Cloud, Sa-mah, Tobacco, Gish-ee-gosh-e-gee, Moonlight Night, and We-nish-ka-wee-be, the Flying Gull, part of a troupe of nine who visited England in 1844. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
War dance of the Ojibwe nation (Ojibbeway Indians). Pat-au-a-quot-a-wee-be, the Flying Cloud, Sa-mah, Tobacco, Gish-ee-gosh-e-gee, Moonlight Night, and We-nish-ka-wee-be, the Flying Gull, part of a troupe of nine who visited England in 1844. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688539: War dance of the Ojibwe nation (Ojibbeway Indians). Pat-au-a-quot-a-wee-be, the Flying Cloud, Sa-mah, Tobacco, Gish-ee-gosh-e-gee, Moonlight Night, and We-nish-ka-wee-be, the Flying Gull, part of a troupe of nine who visited England in 1844. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688539

War dance of the Ojibwe nation (Ojibbeway Indians). Pat-au-a-quot-a-wee-be, the Flying Cloud, Sa-mah, Tobacco, Gish-ee-gosh-e-gee, Moonlight Night, and We-nish-ka-wee-be, the Flying Gull, part of a troupe of nine who visited England in 1844. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

View of the propylees of Eleusis, 5th-3rd century BC (photography)
View of the propylees of Eleusis, 5th-3rd century BC (photography)

LRI4688361: View of the propylees of Eleusis, 5th-3rd century BC (photography), Greek school, (5th-4th century BC) / Bridgeman Images

ID: LRI4688361

View of the propylees of Eleusis, 5th-3rd century BC (photography)

Greek school, (5th-4th century BC)

View of the propylees of Eleusis, 5th-3rd century BC (photography)
View of the propylees of Eleusis, 5th-3rd century BC (photography)

LRI4688363: View of the propylees of Eleusis, 5th-3rd century BC (photography), Greek school, (5th-4th century BC) / Bridgeman Images

ID: LRI4688363

View of the propylees of Eleusis, 5th-3rd century BC (photography)

Greek school, (5th-4th century BC)

The learned Abbas Gregorius, an Amharic Ethiopian, and Hausa man of west Africa. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The learned Abbas Gregorius, an Amharic Ethiopian, and Hausa man of west Africa. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688367: The learned Abbas Gregorius, an Amharic Ethiopian, and Hausa man of west Africa. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688367

The learned Abbas Gregorius, an Amharic Ethiopian, and Hausa man of west Africa. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688371: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (b.1929) / Bridgeman Images

ID: LBY4688371

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (b.1929)

Woman and child of the San people (Bushman), South Africa, 19th century, in fur cloak and dress, smoking a tobacco pipe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Woman and child of the San people (Bushman), South Africa, 19th century, in fur cloak and dress, smoking a tobacco pipe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688382: Woman and child of the San people (Bushman), South Africa, 19th century, in fur cloak and dress, smoking a tobacco pipe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688382

Woman and child of the San people (Bushman), South Africa, 19th century, in fur cloak and dress, smoking a tobacco pipe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Universal Charity. Personification of Charity holding in his arms the different peoples of the world, 1845 (oil on canvas)
Universal Charity. Personification of Charity holding in his arms the different peoples of the world, 1845 (oil on canvas)

JLJ4688383: Universal Charity. Personification of Charity holding in his arms the different peoples of the world, 1845 (oil on canvas), Laemlein, Alexandre (1813-71) / Bridgeman Images

ID: JLJ4688383

Universal Charity. Personification of Charity holding in his arms the different peoples of the world, 1845 (oil on canvas)

Laemlein, Alexandre (1813-71)

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688387: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (b.1929) / Bridgeman Images

ID: LBY4688387

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (b.1929)

Temple of Athena Nike, 5th century BC (photography)
Temple of Athena Nike, 5th century BC (photography)

LRI4688404: Temple of Athena Nike, 5th century BC (photography), Greek school, (5th century BC) / Bridgeman Images

ID: LRI4688404

Temple of Athena Nike, 5th century BC (photography)

Greek school, (5th century BC)

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688406: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (b.1929) / Bridgeman Images

ID: LBY4688406

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (b.1929)

Native of Mozambique with earrings and face painting, 19th century. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Native of Mozambique with earrings and face painting, 19th century. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688409: Native of Mozambique with earrings and face painting, 19th century. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688409

Native of Mozambique with earrings and face painting, 19th century. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Native of Benguela city in headdress and earrings, and native of Angola. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Native of Benguela city in headdress and earrings, and native of Angola. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688416: Native of Benguela city in headdress and earrings, and native of Angola. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688416

Native of Benguela city in headdress and earrings, and native of Angola. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Woman of the Samoan islands, 19th century, in shawl over one shoulder, fur skirt, holding a straw fan. Portrait of a Samoan woman brought to England by the missionary Rev. Stair. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Woman of the Samoan islands, 19th century, in shawl over one shoulder, fur skirt, holding a straw fan. Portrait of a Samoan woman brought to England by the missionary Rev. Stair. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688433: Woman of the Samoan islands, 19th century, in shawl over one shoulder, fur skirt, holding a straw fan. Portrait of a Samoan woman brought to England by the missionary Rev. Stair. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688433

Woman of the Samoan islands, 19th century, in shawl over one shoulder, fur skirt, holding a straw fan. Portrait of a Samoan woman brought to England by the missionary Rev. Stair. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06
Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06

LBY4689044: Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06 / Bridgeman Images

ID: LBY4689044

Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06

Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06
Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06

LBY4689050: Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06 / Bridgeman Images

ID: LBY4689050

Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06

Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06
Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06

LBY4689051: Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06 / Bridgeman Images

ID: LBY4689051

Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06

Etruscan civilization: gold necklace with pendants from the necropolis of Portona, Volterra, Italy 4th century BC (Etruscan art: golden necklace, 4th century BC) Florence Museo Archeologico, inv 15951 - Etruscan art: gold necklace with pendants from the necropolis of Porton, Volterra, Italy 4th century BC. Museum of Archaeology, inv 15951, Florence, Italy
Etruscan civilization: gold necklace with pendants from the necropolis of Portona, Volterra, Italy 4th century BC (Etruscan art: golden necklace, 4th century BC) Florence Museo Archeologico, inv 15951 - Etruscan art: gold necklace with pendants from the necropolis of Porton, Volterra, Italy 4th century BC. Museum of Archaeology, inv 15951, Florence, Italy

LRI4689069: Etruscan civilization: gold necklace with pendants from the necropolis of Portona, Volterra, Italy 4th century BC (Etruscan art: golden necklace, 4th century BC) Florence Museo Archeologico, inv 15951 - Etruscan art: gold necklace with pendants from the necropolis of Porton, Volterra, Italy 4th century BC. Museum of Archaeology, inv 15951, Florence, Italy, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689069

Etruscan civilization: gold necklace with pendants from the necropolis of Portona, Volterra, Italy 4th century BC (Etruscan art: golden necklace, 4th century BC) Florence Museo Archeologico, inv 15951 - Etruscan art: gold necklace with pendants from the necropolis of Porton, Volterra, Italy 4th century BC. Museum of Archaeology, inv 15951, Florence, Italy

Etruscan, (4th century BC)

Bronze razor, 9th century BC
Bronze razor, 9th century BC

LRI4689090: Bronze razor, 9th century BC, Etruscan / Bridgeman Images

ID: LRI4689090

Bronze razor, 9th century BC

Etruscan

The Sick Child (Madame Eugene Carriere And Son Leon), 1885 (oil on canvas)
The Sick Child (Madame Eugene Carriere And Son Leon), 1885 (oil on canvas)

JLJ4689096: The Sick Child (Madame Eugene Carriere And Son Leon), 1885 (oil on canvas), Carriere, Eugene (1849-1906) / Bridgeman Images

ID: JLJ4689096

The Sick Child (Madame Eugene Carriere And Son Leon), 1885 (oil on canvas)

Carriere, Eugene (1849-1906)

Portrait medallions of the Medusa, Cicero, Hecules and Omphale, Cleopatra and Mark Antony. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portrait medallions of the Medusa, Cicero, Hecules and Omphale, Cleopatra and Mark Antony. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689099: Portrait medallions of the Medusa, Cicero, Hecules and Omphale, Cleopatra and Mark Antony. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689099

Portrait medallions of the Medusa, Cicero, Hecules and Omphale, Cleopatra and Mark Antony. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.


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