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Vaulting: The author demonstrating 'Long Overswing' (b/w photo)
Vaulting: The author demonstrating 'Long Overswing' (b/w photo)

LLM6011977: Vaulting: The author demonstrating 'Long Overswing' (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM6011977

Vaulting: The author demonstrating 'Long Overswing' (b/w photo)

English Photographer, (20th century)

Jerusalem: The Jews' Wailing Place (litho)
Jerusalem: The Jews' Wailing Place (litho)

LLM6012228: Jerusalem: The Jews' Wailing Place (litho), European School, (20th century) / Bridgeman Images

ID: LLM6012228

Jerusalem: The Jews' Wailing Place (litho)

European School, (20th century)

Pastry Sands Flanders for the brand Geslot & Voreux (lithograph)
Pastry Sands Flanders for the brand Geslot & Voreux (lithograph)

SED5979360: Pastry Sands Flanders for the brand Geslot & Voreux (lithograph) / Bridgeman Images

ID: SED5979360

Pastry Sands Flanders for the brand Geslot & Voreux (lithograph)

Ms 354. Livy, Ab Urbe Condita, 31-40, f.17v. Illuminated inhabited initial [C], containing portrait of a lady, and partial border, 1409 (parchment)
Ms 354. Livy, Ab Urbe Condita, 31-40, f.17v. Illuminated inhabited initial [C], containing portrait of a lady, and partial border, 1409 (parchment)

HLK5979408: Ms 354. Livy, Ab Urbe Condita, 31-40, f.17v. Illuminated inhabited initial [C], containing portrait of a lady, and partial border, 1409 (parchment), Italian School, (15th century) / Bridgeman Images

ID: HLK5979408

Ms 354. Livy, Ab Urbe Condita, 31-40, f.17v. Illuminated inhabited initial [C], containing portrait of a lady, and partial border, 1409 (parchment)

Italian School, (15th century)

Ms 365. Quintus Curtius Rufus, Historia Alexandri Magni, f.1r. Illuminated initial with white vine-stem decoration and partial border with similar decoration in the bas-de-page, with roundel for arms left blank, Florence, 15th century, thirds quarter, c.1450-60 (parchment)
Ms 365. Quintus Curtius Rufus, Historia Alexandri Magni, f.1r. Illuminated initial with white vine-stem decoration and partial border with similar decoration in the bas-de-page, with roundel for arms left blank, Florence, 15th century, thirds quarter, c.1450-60 (parchment)

HLK5979419: Ms 365. Quintus Curtius Rufus, Historia Alexandri Magni, f.1r. Illuminated initial with white vine-stem decoration and partial border with similar decoration in the bas-de-page, with roundel for arms left blank, Florence, 15th century, thirds quarter, c.1450-60 (parchment), Italian School, (15th century) / Bridgeman Images

ID: HLK5979419

Ms 365. Quintus Curtius Rufus, Historia Alexandri Magni, f.1r. Illuminated initial with white vine-stem decoration and partial border with similar decoration in the bas-de-page, with roundel for arms left blank, Florence, 15th century, thirds quarter, c.1450-60 (parchment)

Italian School, (15th century)

Ms 390. Seneca the Younger, Opera, and Seneca the Elder, Excerpta controversiarum, f. v recto. Frontispiece inserted in the 17th Century by Janus Wouwers before presenting the manuscript to Gaspar de Guzmán, Conde-Duque de Olivares, 17th Century (parchment)
Ms 390. Seneca the Younger, Opera, and Seneca the Elder, Excerpta controversiarum, f. v recto. Frontispiece inserted in the 17th Century by Janus Wouwers before presenting the manuscript to Gaspar de Guzmán, Conde-Duque de Olivares, 17th Century (parchment)

HLK5979448: Ms 390. Seneca the Younger, Opera, and Seneca the Elder, Excerpta controversiarum, f. v recto. Frontispiece inserted in the 17th Century by Janus Wouwers before presenting the manuscript to Gaspar de Guzmán, Conde-Duque de Olivares, 17th Century (parchment), Wouwers, Janus (d.1636) / Bridgeman Images

ID: HLK5979448

Ms 390. Seneca the Younger, Opera, and Seneca the Elder, Excerpta controversiarum, f. v recto. Frontispiece inserted in the 17th Century by Janus Wouwers before presenting the manuscript to Gaspar de Guzmán, Conde-Duque de Olivares, 17th Century (parchment)

Wouwers, Janus (d.1636)

Ms 392. Quintus Asconius Pedianus, Commentarii in Orationibus Ciceronis, and other texts, ff.1v-2r. Penwork initial [H] with strapwork decoration to f.2r, and table of contents on f.1v, Venice soon after 1477 (paper)
Ms 392. Quintus Asconius Pedianus, Commentarii in Orationibus Ciceronis, and other texts, ff.1v-2r. Penwork initial [H] with strapwork decoration to f.2r, and table of contents on f.1v, Venice soon after 1477 (paper)

HLK5979451: Ms 392. Quintus Asconius Pedianus, Commentarii in Orationibus Ciceronis, and other texts, ff.1v-2r. Penwork initial [H] with strapwork decoration to f.2r, and table of contents on f.1v, Venice soon after 1477 (paper), Dolfin, Pietro (1427-1506) / Bridgeman Images

ID: HLK5979451

Ms 392. Quintus Asconius Pedianus, Commentarii in Orationibus Ciceronis, and other texts, ff.1v-2r. Penwork initial [H] with strapwork decoration to f.2r, and table of contents on f.1v, Venice soon after 1477 (paper)

Dolfin, Pietro (1427-1506)

Ms 137. Augustine, Sermones de Verbis Domini, f.47v. Caroline miniscule hand with red initial [A] drawn as a bird with foliage emerging from its beak, 12th Century (parchment)
Ms 137. Augustine, Sermones de Verbis Domini, f.47v. Caroline miniscule hand with red initial [A] drawn as a bird with foliage emerging from its beak, 12th Century (parchment)

HLK5979465: Ms 137. Augustine, Sermones de Verbis Domini, f.47v. Caroline miniscule hand with red initial [A] drawn as a bird with foliage emerging from its beak, 12th Century (parchment), Central Italian School, (12th century) / Bridgeman Images

ID: HLK5979465

Ms 137. Augustine, Sermones de Verbis Domini, f.47v. Caroline miniscule hand with red initial [A] drawn as a bird with foliage emerging from its beak, 12th Century (parchment)

Central Italian School, (12th century)

Ms 148. Gregory the Great, Dialogi in Italian transl. by Domenico Cavalca, f.1r Decorated letters [P] and [D] in red with pen-work decoration in blue, 14th Century (paper)
Ms 148. Gregory the Great, Dialogi in Italian transl. by Domenico Cavalca, f.1r Decorated letters [P] and [D] in red with pen-work decoration in blue, 14th Century (paper)

HLK5979473: Ms 148. Gregory the Great, Dialogi in Italian transl. by Domenico Cavalca, f.1r Decorated letters [P] and [D] in red with pen-work decoration in blue, 14th Century (paper), Central Italian School, (14th century) / Bridgeman Images

ID: HLK5979473

Ms 148. Gregory the Great, Dialogi in Italian transl. by Domenico Cavalca, f.1r Decorated letters [P] and [D] in red with pen-work decoration in blue, 14th Century (paper)

Central Italian School, (14th century)

Ms 167.Jacopo Palladini, Litigatio Christi cum Belial sive Consolatio peccatorum, in Italian transl., Consolacione dei peccatori, f. 4r. Gothic hand and initials [A] and [P] in alternating blue and red with contrasting pen-flourishing, signed and dated 8 March 1465 by Vitturi (paper)
Ms 167.Jacopo Palladini, Litigatio Christi cum Belial sive Consolatio peccatorum, in Italian transl., Consolacione dei peccatori, f. 4r. Gothic hand and initials [A] and [P] in alternating blue and red with contrasting pen-flourishing, signed and dated 8 March 1465 by Vitturi (paper)

HLK5979483: Ms 167.Jacopo Palladini, Litigatio Christi cum Belial sive Consolatio peccatorum, in Italian transl., Consolacione dei peccatori, f. 4r. Gothic hand and initials [A] and [P] in alternating blue and red with contrasting pen-flourishing, signed and dated 8 March 1465 by Vitturi (paper), Vitturi, Andrea di Nicolò (b.1465) / Bridgeman Images

ID: HLK5979483

Ms 167.Jacopo Palladini, Litigatio Christi cum Belial sive Consolatio peccatorum, in Italian transl., Consolacione dei peccatori, f. 4r. Gothic hand and initials [A] and [P] in alternating blue and red with contrasting pen-flourishing, signed and dated 8 March 1465 by Vitturi (paper)

Vitturi, Andrea di Nicolò (b.1465)

Ms 314. Horace, Carmina, Liber Epodon, Carmen Saeculare, ff.1v-2r. Example of a Humanistic cursive hand with blue initial marking book division, 15th Century (paper)
Ms 314. Horace, Carmina, Liber Epodon, Carmen Saeculare, ff.1v-2r. Example of a Humanistic cursive hand with blue initial marking book division, 15th Century (paper)

HLK5979505: Ms 314. Horace, Carmina, Liber Epodon, Carmen Saeculare, ff.1v-2r. Example of a Humanistic cursive hand with blue initial marking book division, 15th Century (paper), Central Italian School, (15th century) / Bridgeman Images

ID: HLK5979505

Ms 314. Horace, Carmina, Liber Epodon, Carmen Saeculare, ff.1v-2r. Example of a Humanistic cursive hand with blue initial marking book division, 15th Century (paper)

Central Italian School, (15th century)

Ms 325. Lucan, Bellum Civile, and other works, f.35r. Parted Initial [P] in red and blue with contrasting pen flourishing, c.1353 (parchment)
Ms 325. Lucan, Bellum Civile, and other works, f.35r. Parted Initial [P] in red and blue with contrasting pen flourishing, c.1353 (parchment)

HLK5979511: Ms 325. Lucan, Bellum Civile, and other works, f.35r. Parted Initial [P] in red and blue with contrasting pen flourishing, c.1353 (parchment), Central Italian School, (14th century) / Bridgeman Images

ID: HLK5979511

Ms 325. Lucan, Bellum Civile, and other works, f.35r. Parted Initial [P] in red and blue with contrasting pen flourishing, c.1353 (parchment)

Central Italian School, (14th century)

Soup Kitchen, Paris, France, 1930-34 (b/w photo)
Soup Kitchen, Paris, France, 1930-34 (b/w photo)

SED5979369: Soup Kitchen, Paris, France, 1930-34 (b/w photo), Woodland, Jules (1859-1936) / Bridgeman Images

ID: SED5979369

Soup Kitchen, Paris, France, 1930-34 (b/w photo)

Woodland, Jules (1859-1936)

Ms 344. Livy, Ab Urbe Condita, 1-10, 21-30, 31-40, and Periochae, ff.359v-360r. Portrait of Justus Lipius and engraving of his tomb, 17th Century (parchment)
Ms 344. Livy, Ab Urbe Condita, 1-10, 21-30, 31-40, and Periochae, ff.359v-360r. Portrait of Justus Lipius and engraving of his tomb, 17th Century (parchment)

HLK5979391: Ms 344. Livy, Ab Urbe Condita, 1-10, 21-30, 31-40, and Periochae, ff.359v-360r. Portrait of Justus Lipius and engraving of his tomb, 17th Century (parchment), Jode, Pieter de, II (1606-c.1674) / Bridgeman Images

ID: HLK5979391

Ms 344. Livy, Ab Urbe Condita, 1-10, 21-30, 31-40, and Periochae, ff.359v-360r. Portrait of Justus Lipius and engraving of his tomb, 17th Century (parchment)

Jode, Pieter de, II (1606-c.1674)

Ms 349. Livy, Ab Urbe Condita, 21-30, with Sicco Polentone's Apparatus, f.83v. Illuminated initial [S] in gold and colours with acanthus-leaf and gold bezants decoration extending into partial border in the upper and outer margins, 15th Century, second quarter, before 1442 (parchment)
Ms 349. Livy, Ab Urbe Condita, 21-30, with Sicco Polentone's Apparatus, f.83v. Illuminated initial [S] in gold and colours with acanthus-leaf and gold bezants decoration extending into partial border in the upper and outer margins, 15th Century, second quarter, before 1442 (parchment)

HLK5979400: Ms 349. Livy, Ab Urbe Condita, 21-30, with Sicco Polentone's Apparatus, f.83v. Illuminated initial [S] in gold and colours with acanthus-leaf and gold bezants decoration extending into partial border in the upper and outer margins, 15th Century, second quarter, before 1442 (parchment), Italian School, (15th century) / Bridgeman Images

ID: HLK5979400

Ms 349. Livy, Ab Urbe Condita, 21-30, with Sicco Polentone's Apparatus, f.83v. Illuminated initial [S] in gold and colours with acanthus-leaf and gold bezants decoration extending into partial border in the upper and outer margins, 15th Century, second quarter, before 1442 (parchment)

Italian School, (15th century)

Ms 355. Livy, Ab Urbe Condita, 31-40, f.1r. Illuminated three-quarter border and initial [M] with white vine-stem decoration, with coat-of-arms in the bas-de-page, 1470 (parchment)
Ms 355. Livy, Ab Urbe Condita, 31-40, f.1r. Illuminated three-quarter border and initial [M] with white vine-stem decoration, with coat-of-arms in the bas-de-page, 1470 (parchment)

HLK5979409: Ms 355. Livy, Ab Urbe Condita, 31-40, f.1r. Illuminated three-quarter border and initial [M] with white vine-stem decoration, with coat-of-arms in the bas-de-page, 1470 (parchment), Italian School, (15th century) / Bridgeman Images

ID: HLK5979409

Ms 355. Livy, Ab Urbe Condita, 31-40, f.1r. Illuminated three-quarter border and initial [M] with white vine-stem decoration, with coat-of-arms in the bas-de-page, 1470 (parchment)

Italian School, (15th century)

Ms 132. Augustine, Epistolae, f.1r. Incipit page with illuminated foliate partial border and initial [D], and laurel wreath with author-portrait of St Augustine, 15th Century (parchment)
Ms 132. Augustine, Epistolae, f.1r. Incipit page with illuminated foliate partial border and initial [D], and laurel wreath with author-portrait of St Augustine, 15th Century (parchment)

HLK5979462: Ms 132. Augustine, Epistolae, f.1r. Incipit page with illuminated foliate partial border and initial [D], and laurel wreath with author-portrait of St Augustine, 15th Century (parchment), Italian School, (15th century) / Bridgeman Images

ID: HLK5979462

Ms 132. Augustine, Epistolae, f.1r. Incipit page with illuminated foliate partial border and initial [D], and laurel wreath with author-portrait of St Augustine, 15th Century (parchment)

Italian School, (15th century)

Ms 169. Johannes de Turrecremata, Tractatus de sacramento Eucharistiae, f.10v. Humanistic bookhand with some cursive features, with rubrics and marginalia in dark grey ink, and initial [A] in red, 15th Century (parchment)
Ms 169. Johannes de Turrecremata, Tractatus de sacramento Eucharistiae, f.10v. Humanistic bookhand with some cursive features, with rubrics and marginalia in dark grey ink, and initial [A] in red, 15th Century (parchment)

HLK5979484: Ms 169. Johannes de Turrecremata, Tractatus de sacramento Eucharistiae, f.10v. Humanistic bookhand with some cursive features, with rubrics and marginalia in dark grey ink, and initial [A] in red, 15th Century (parchment), Italian School, (15th century) / Bridgeman Images

ID: HLK5979484

Ms 169. Johannes de Turrecremata, Tractatus de sacramento Eucharistiae, f.10v. Humanistic bookhand with some cursive features, with rubrics and marginalia in dark grey ink, and initial [A] in red, 15th Century (parchment)

Italian School, (15th century)

Ms 323. Ovid, Metamorphoses, f.1r. Illuminated initial [I] in acanthus motifs extending into a full border of penwork stems and painted flower finials, 1458 (parchment)
Ms 323. Ovid, Metamorphoses, f.1r. Illuminated initial [I] in acanthus motifs extending into a full border of penwork stems and painted flower finials, 1458 (parchment)

HLK5979509: Ms 323. Ovid, Metamorphoses, f.1r. Illuminated initial [I] in acanthus motifs extending into a full border of penwork stems and painted flower finials, 1458 (parchment), Italian School, (15th century) / Bridgeman Images

ID: HLK5979509

Ms 323. Ovid, Metamorphoses, f.1r. Illuminated initial [I] in acanthus motifs extending into a full border of penwork stems and painted flower finials, 1458 (parchment)

Italian School, (15th century)

Ms 326. Valerius Flaccus, Argonautica, f.1r. Example of a mid 15th-century humanistic formal bookhand, 15th Century (paper)
Ms 326. Valerius Flaccus, Argonautica, f.1r. Example of a mid 15th-century humanistic formal bookhand, 15th Century (paper)

HLK5979512: Ms 326. Valerius Flaccus, Argonautica, f.1r. Example of a mid 15th-century humanistic formal bookhand, 15th Century (paper), Italian School, (15th century) / Bridgeman Images

ID: HLK5979512

Ms 326. Valerius Flaccus, Argonautica, f.1r. Example of a mid 15th-century humanistic formal bookhand, 15th Century (paper)

Italian School, (15th century)

Ms 120. Lactantius, Divinae Institutiones, f.2r. Miniature showing author writing the work, a small initial [M] in the top right corner, with illuminated border and unidentified arms, North-east Italy, Bologna or Padua, c.1408-10 (parchment)
Ms 120. Lactantius, Divinae Institutiones, f.2r. Miniature showing author writing the work, a small initial [M] in the top right corner, with illuminated border and unidentified arms, North-east Italy, Bologna or Padua, c.1408-10 (parchment)

HLK5979533: Ms 120. Lactantius, Divinae Institutiones, f.2r. Miniature showing author writing the work, a small initial [M] in the top right corner, with illuminated border and unidentified arms, North-east Italy, Bologna or Padua, c.1408-10 (parchment), Master of the Brussels Initials (fl.1389-1410) (attr.to) / Bridgeman Images

ID: HLK5979533

Ms 120. Lactantius, Divinae Institutiones, f.2r. Miniature showing author writing the work, a small initial [M] in the top right corner, with illuminated border and unidentified arms, North-east Italy, Bologna or Padua, c.1408-10 (parchment)

Master of the Brussels Initials (fl.1389-1410) (attr.to)

Maison de la Radio, 116 avenue du President Kennedy, Paris 16th: light sign of Radio France illuminated by night - logo - photo Patrice Cartier
Maison de la Radio, 116 avenue du President Kennedy, Paris 16th: light sign of Radio France illuminated by night - logo - photo Patrice Cartier

PCT5980593: Maison de la Radio, 116 avenue du President Kennedy, Paris 16th: light sign of Radio France illuminated by night - logo - photo Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT5980593

Maison de la Radio, 116 avenue du President Kennedy, Paris 16th: light sign of Radio France illuminated by night - logo - photo Patrice Cartier

Cartier, Patrice

The facade of Serge Gainsbourg's Hotel Particulier, tagged by fans, rue de Verneuil in the 7th arrondissement of Paris. Picture Patrice Cartier 2020
The facade of Serge Gainsbourg's Hotel Particulier, tagged by fans, rue de Verneuil in the 7th arrondissement of Paris. Picture Patrice Cartier 2020

PCT5980616: The facade of Serge Gainsbourg's Hotel Particulier, tagged by fans, rue de Verneuil in the 7th arrondissement of Paris. Picture Patrice Cartier 2020, Cartier, Patrice / Bridgeman Images

ID: PCT5980616

The facade of Serge Gainsbourg's Hotel Particulier, tagged by fans, rue de Verneuil in the 7th arrondissement of Paris. Picture Patrice Cartier 2020

Cartier, Patrice

Felix Feneon (1861-1944), art critic and collector, in prison (in the cell) - lithograph (1894) by Maximilien Luce (1858-1941) from the book by Julles Valles Mazas
Felix Feneon (1861-1944), art critic and collector, in prison (in the cell) - lithograph (1894) by Maximilien Luce (1858-1941) from the book by Julles Valles Mazas

PCT5980622: Felix Feneon (1861-1944), art critic and collector, in prison (in the cell) - lithograph (1894) by Maximilien Luce (1858-1941) from the book by Julles Valles Mazas, Luce, Maximilien (1858-1941) / Bridgeman Images

ID: PCT5980622

Felix Feneon (1861-1944), art critic and collector, in prison (in the cell) - lithograph (1894) by Maximilien Luce (1858-1941) from the book by Julles Valles Mazas

Luce, Maximilien (1858-1941)

Auditorium - concert and recording studio of Radio France. Color photo
Auditorium - concert and recording studio of Radio France. Color photo

PCT5980631: Auditorium - concert and recording studio of Radio France. Color photo, Cartier, Patrice / Bridgeman Images

ID: PCT5980631

Auditorium - concert and recording studio of Radio France. Color photo

Cartier, Patrice

Hercules, c.1520 (boxwood)
Hercules, c.1520 (boxwood)

TWC5980401: Hercules, c.1520 (boxwood), Pomarano, Francesco (Francesco di Giacomo da Sant'Agata) (c.1460/65-1524) / Bridgeman Images

ID: TWC5980401

Hercules, c.1520 (boxwood)

Pomarano, Francesco (Francesco di Giacomo da Sant'Agata) (c.1460/65-1524)

Geographic map of the planet Mars from the work L'astronomy des dames by Camille Flammarion 1903
Geographic map of the planet Mars from the work L'astronomy des dames by Camille Flammarion 1903

PCT5980597: Geographic map of the planet Mars from the work L'astronomy des dames by Camille Flammarion 1903 / Bridgeman Images

ID: PCT5980597

Geographic map of the planet Mars from the work L'astronomy des dames by Camille Flammarion 1903

The flame of freedom, at the entrance of the Alma tunnel in Paris. This sculpture is the exact replica of the flame of the statue of Liberty in New York, it is the symbol of Franco-American friendship and was offered to the French people and installed in 1987 - This monument dominates the place where the Princess of Galle Lady Diana (Lady Di) died in a traffic accident in 1997. As a result, the sculpture acts as a mausolee on and around which the eplore admirers of the deceased princess deposit their tributes. The place is renamed “Place Diana” - Eiffel Tower, Eiffel Tower- Liberty flame, at the entrance of Alma tunnel in Paris. This sculpture is the reproduction of the statue of Liberty in New York. It's the symbol of english american friendship and was put here in 1987 - photo Patrice Cartier
The flame of freedom, at the entrance of the Alma tunnel in Paris. This sculpture is the exact replica of the flame of the statue of Liberty in New York, it is the symbol of Franco-American friendship and was offered to the French people and installed in 1987 - This monument dominates the place where the Princess of Galle Lady Diana (Lady Di) died in a traffic accident in 1997. As a result, the sculpture acts as a mausolee on and around which the eplore admirers of the deceased princess deposit their tributes. The place is renamed “Place Diana” - Eiffel Tower, Eiffel Tower- Liberty flame, at the entrance of Alma tunnel in Paris. This sculpture is the reproduction of the statue of Liberty in New York. It's the symbol of english american friendship and was put here in 1987 - photo Patrice Cartier

PCT5980621: The flame of freedom, at the entrance of the Alma tunnel in Paris. This sculpture is the exact replica of the flame of the statue of Liberty in New York, it is the symbol of Franco-American friendship and was offered to the French people and installed in 1987 - This monument dominates the place where the Princess of Galle Lady Diana (Lady Di) died in a traffic accident in 1997. As a result, the sculpture acts as a mausolee on and around which the eplore admirers of the deceased princess deposit their tributes. The place is renamed “Place Diana” - Eiffel Tower, Eiffel Tower- Liberty flame, at the entrance of Alma tunnel in Paris. This sculpture is the reproduction of the statue of Liberty in New York. It's the symbol of english american friendship and was put here in 1987 - photo Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT5980621

The flame of freedom, at the entrance of the Alma tunnel in Paris. This sculpture is the exact replica of the flame of the statue of Liberty in New York, it is the symbol of Franco-American friendship and was offered to the French people and installed in 1987 - This monument dominates the place where the Princess of Galle Lady Diana (Lady Di) died in a traffic accident in 1997. As a result, the sculpture acts as a mausolee on and around which the eplore admirers of the deceased princess deposit their tributes. The place is renamed “Place Diana” - Eiffel Tower, Eiffel Tower- Liberty flame, at the entrance of Alma tunnel in Paris. This sculpture is the reproduction of the statue of Liberty in New York. It's the symbol of english american friendship and was put here in 1987 - photo Patrice Cartier

Cartier, Patrice

The young Service is riding on an ostrich. Engraving, 1888
The young Service is riding on an ostrich. Engraving, 1888

PCT5980630: The young Service is riding on an ostrich. Engraving, 1888, Benett, Leon (1839-1917) / Bridgeman Images

ID: PCT5980630

The young Service is riding on an ostrich. Engraving, 1888

Benett, Leon (1839-1917)

Portrait of Thomas Howard, 14th earl of Arundel, c.1618 (oil on canvas)
Portrait of Thomas Howard, 14th earl of Arundel, c.1618 (oil on canvas)

DON5981402: Portrait of Thomas Howard, 14th earl of Arundel, c.1618 (oil on canvas), Mytens, Daniel (1590-c.1648) / Bridgeman Images

ID: DON5981402

Portrait of Thomas Howard, 14th earl of Arundel, c.1618 (oil on canvas)

Mytens, Daniel (1590-c.1648)

Old Voronezh, 2002 (linocut, w/c on paper)
Old Voronezh, 2002 (linocut, w/c on paper)

AGC5981528: Old Voronezh, 2002 (linocut, w/c on paper), Akhunov, Masabikh (1928-2008) / Bridgeman Images

ID: AGC5981528

Old Voronezh, 2002 (linocut, w/c on paper)

Akhunov, Masabikh (1928-2008)

Black Roses, 1998 (linocut)
Black Roses, 1998 (linocut)

AGC5981534: Black Roses, 1998 (linocut), Akhunov, Masabikh (1928-2008) / Bridgeman Images

ID: AGC5981534

Black Roses, 1998 (linocut)

Akhunov, Masabikh (1928-2008)

Guest in Red Wig, 1997 (oil on board)
Guest in Red Wig, 1997 (oil on board)

AGC5981561: Guest in Red Wig, 1997 (oil on board), Uspenskaya, Marina (1925-2007) / Bridgeman Images

ID: AGC5981561

Guest in Red Wig, 1997 (oil on board)

Uspenskaya, Marina (1925-2007)

The Pool at Jas de Bouffan c.1885–86 (oil on canvas)
The Pool at Jas de Bouffan c.1885–86 (oil on canvas)

XOS5981405: The Pool at Jas de Bouffan c.1885–86 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: XOS5981405

The Pool at Jas de Bouffan c.1885–86 (oil on canvas)

Cezanne, Paul (1839-1906)

The Cyrillic Alphabet, 1949 (gouache on paper)
The Cyrillic Alphabet, 1949 (gouache on paper)

AGC5981604: The Cyrillic Alphabet, 1949 (gouache on paper), Uspensky, Boris (1927-2005) / Bridgeman Images

ID: AGC5981604

The Cyrillic Alphabet, 1949 (gouache on paper)

Uspensky, Boris (1927-2005)

Little Cardinal speaking to their admirers. Around 1876-1877. Monotype has black ink.
Little Cardinal speaking to their admirers. Around 1876-1877. Monotype has black ink.

SYC5977410: Little Cardinal speaking to their admirers. Around 1876-1877. Monotype has black ink., Degas, Edgar (1834-1917) / Bridgeman Images

ID: SYC5977410

Little Cardinal speaking to their admirers. Around 1876-1877. Monotype has black ink.

Degas, Edgar (1834-1917)


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