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A portrait of a young girl, wearing a white dress with frilled collar and blue waist sash (w/c on ivory)
A portrait of a young girl, wearing a white dress with frilled collar and blue waist sash (w/c on ivory)

MOU367075: A portrait of a young girl, wearing a white dress with frilled collar and blue waist sash (w/c on ivory), Nixon, James (c.1741-1812) / Bridgeman Images

ID: MOU367075

A portrait of a young girl, wearing a white dress with frilled collar and blue waist sash (w/c on ivory)

Nixon, James (c.1741-1812)

Stream, c.1890 (oil on canvas)
Stream, c.1890 (oil on canvas)

PNH367119: Stream, c.1890 (oil on canvas), Thaulow, Fritz (1847-1906) / Bridgeman Images

ID: PNH367119

Stream, c.1890 (oil on canvas)

Thaulow, Fritz (1847-1906)

Plans of the Bourgeoisie in the face of impending revolution (litho)
Plans of the Bourgeoisie in the face of impending revolution (litho)

STC366179: Plans of the Bourgeoisie in the face of impending revolution (litho), Russian School, (20th century) / Bridgeman Images

ID: STC366179

Plans of the Bourgeoisie in the face of impending revolution (litho)

Russian School, (20th century)

Sledge Riding, 1914 (oil on canvas)
Sledge Riding, 1914 (oil on canvas)

OVR366200: Sledge Riding, 1914 (oil on canvas), Ender, Axel Hjalmar (1853-1920) / Bridgeman Images

ID: OVR366200

Sledge Riding, 1914 (oil on canvas)

Ender, Axel Hjalmar (1853-1920)

Continuation of the retinue of the Marquis of Waterford, Knight of the Dragon and Viscount Alford, Knight of the Black Lion, 1839 (pencil, watercolour, gouache & gold paint on paper) (see also 366229)
Continuation of the retinue of the Marquis of Waterford, Knight of the Dragon and Viscount Alford, Knight of the Black Lion, 1839 (pencil, watercolour, gouache & gold paint on paper) (see also 366229)

AJV366230: Continuation of the retinue of the Marquis of Waterford, Knight of the Dragon and Viscount Alford, Knight of the Black Lion, 1839 (pencil, watercolour, gouache & gold paint on paper) (see also 366229), Nixon, James Henry (1802-57) / Bridgeman Images

ID: AJV366230

Continuation of the retinue of the Marquis of Waterford, Knight of the Dragon and Viscount Alford, Knight of the Black Lion, 1839 (pencil, watercolour, gouache & gold paint on paper) (see also 366229)

Nixon, James Henry (1802-57)

The Banquet, 1839 (pencil, watercolour & gouache on paper)
The Banquet, 1839 (pencil, watercolour & gouache on paper)

AJV366237: The Banquet, 1839 (pencil, watercolour & gouache on paper), Nixon, James Henry (1802-57) / Bridgeman Images

ID: AJV366237

The Banquet, 1839 (pencil, watercolour & gouache on paper)

Nixon, James Henry (1802-57)

Illustration after J. Leech for the poem 'The Legend of Hamilton Tighe', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)
Illustration after J. Leech for the poem 'The Legend of Hamilton Tighe', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

KWE366259: Illustration after J. Leech for the poem 'The Legend of Hamilton Tighe', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho), English School, (19th century) / Bridgeman Images

ID: KWE366259

Illustration after J. Leech for the poem 'The Legend of Hamilton Tighe', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

English School, (19th century)

'She has given him a bun and a roll', illustration after George Cruikshank for the poem 'Bloudie Jacke of Shrewsberrie', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)
'She has given him a bun and a roll', illustration after George Cruikshank for the poem 'Bloudie Jacke of Shrewsberrie', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

KWE366274: 'She has given him a bun and a roll', illustration after George Cruikshank for the poem 'Bloudie Jacke of Shrewsberrie', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho), English School, (19th century) / Bridgeman Images

ID: KWE366274

'She has given him a bun and a roll', illustration after George Cruikshank for the poem 'Bloudie Jacke of Shrewsberrie', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

English School, (19th century)

The Hay Wagon (w/c on paper)
The Hay Wagon (w/c on paper)

XPG366312: The Hay Wagon (w/c on paper), Baird, Nathaniel Hughes John (1865-1936) / Bridgeman Images

ID: XPG366312

The Hay Wagon (w/c on paper)

Baird, Nathaniel Hughes John (1865-1936)

Red Flower (w/c on paper)
Red Flower (w/c on paper)

XPG366317: Red Flower (w/c on paper), Barribal, William H. (1873-1956) / Bridgeman Images

ID: XPG366317

Red Flower (w/c on paper)

Barribal, William H. (1873-1956)

A scene in Morocco (oil on board)
A scene in Morocco (oil on board)

XPG366384: A scene in Morocco (oil on board), Brangwyn, Frank (1867-1956) / Bridgeman Images

ID: XPG366384

A scene in Morocco (oil on board)

Brangwyn, Frank (1867-1956)

Self Portrait, engraved by Wenceslaus Hollar, 1644 (engraving)
Self Portrait, engraved by Wenceslaus Hollar, 1644 (engraving)

XJF366922: Self Portrait, engraved by Wenceslaus Hollar, 1644 (engraving), Gheeraerts, Marcus, the Younger (c.1561-1635) (after) / Bridgeman Images

ID: XJF366922

Self Portrait, engraved by Wenceslaus Hollar, 1644 (engraving)

Gheeraerts, Marcus, the Younger (c.1561-1635) (after)

James Ward RA, 'The Drawing Room Portrait Gallery of Eminent Personages', engraved by D. J Pound (engraving)
James Ward RA, 'The Drawing Room Portrait Gallery of Eminent Personages', engraved by D. J Pound (engraving)

XJF366936: James Ward RA, 'The Drawing Room Portrait Gallery of Eminent Personages', engraved by D. J Pound (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: XJF366936

James Ward RA, 'The Drawing Room Portrait Gallery of Eminent Personages', engraved by D. J Pound (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Twelfth Paper Octagonal, 1970 (paper on wall)
Twelfth Paper Octagonal, 1970 (paper on wall)

IMJ367002: Twelfth Paper Octagonal, 1970 (paper on wall), Tuttle, Richard (b.1941) / Bridgeman Images

ID: IMJ367002

Twelfth Paper Octagonal, 1970 (paper on wall)

Tuttle, Richard (b.1941)

Valley of Jehosaphat from the North, 1858 (sepia photograph)
Valley of Jehosaphat from the North, 1858 (sepia photograph)

IMJ367028: Valley of Jehosaphat from the North, 1858 (sepia photograph), Mendel, John (1827-1900) / Bridgeman Images

ID: IMJ367028

Valley of Jehosaphat from the North, 1858 (sepia photograph)

Mendel, John (1827-1900)

Volcano in Hawaii, 1888 (oil on canvas)
Volcano in Hawaii, 1888 (oil on canvas)

PNH367114: Volcano in Hawaii, 1888 (oil on canvas), Tavernier, Jules (1844-89) / Bridgeman Images

ID: PNH367114

Volcano in Hawaii, 1888 (oil on canvas)

Tavernier, Jules (1844-89)

The Conception of Flight, 1954 (oil on canvas laid on board)
The Conception of Flight, 1954 (oil on canvas laid on board)

PNH367137: The Conception of Flight, 1954 (oil on canvas laid on board), Todd, Cecil (1912-86) / Bridgeman Images

ID: PNH367137

The Conception of Flight, 1954 (oil on canvas laid on board)

Todd, Cecil (1912-86)

Portrait of a young woman (oil on board)
Portrait of a young woman (oil on board)

PNH367448: Portrait of a young woman (oil on board), Peacock, Ralph (1868-1946) / Bridgeman Images

ID: PNH367448

Portrait of a young woman (oil on board)

Peacock, Ralph (1868-1946)

Antique map of Daphne from the 'Atlas Major', 1662 (coloured engraving)
Antique map of Daphne from the 'Atlas Major', 1662 (coloured engraving)

XOT366484: Antique map of Daphne from the 'Atlas Major', 1662 (coloured engraving), Blaeu, Joan (1596-1673) / Bridgeman Images

ID: XOT366484

Antique map of Daphne from the 'Atlas Major', 1662 (coloured engraving)

Blaeu, Joan (1596-1673)

Historiated initial 'H' depicting a landscape and an apothecary, from the 'Naturalis Historia' by Pliny the Elder (vellum)
Historiated initial 'H' depicting a landscape and an apothecary, from the 'Naturalis Historia' by Pliny the Elder (vellum)

XIR366597: Historiated initial 'H' depicting a landscape and an apothecary, from the 'Naturalis Historia' by Pliny the Elder (vellum), Italian School, (15th century) / Bridgeman Images

ID: XIR366597

Historiated initial 'H' depicting a landscape and an apothecary, from the 'Naturalis Historia' by Pliny the Elder (vellum)

Italian School, (15th century)

Portrait of the poet Sergei Yesenin (b/w photo)
Portrait of the poet Sergei Yesenin (b/w photo)

XBH366675: Portrait of the poet Sergei Yesenin (b/w photo), unknown photographer / Bridgeman Images

ID: XBH366675

Portrait of the poet Sergei Yesenin (b/w photo)

unknown photographer

Mercury offers the Cup of Immortality to Psyche (red chalk on white paper)
Mercury offers the Cup of Immortality to Psyche (red chalk on white paper)

CTS366734: Mercury offers the Cup of Immortality to Psyche (red chalk on white paper), Romano, Giulio (1492-1546) / Bridgeman Images

ID: CTS366734

Mercury offers the Cup of Immortality to Psyche (red chalk on white paper)

Romano, Giulio (1492-1546)

Bust of a boy in profile to the right (pen & brown ink on white paper)
Bust of a boy in profile to the right (pen & brown ink on white paper)

CTS366745: Bust of a boy in profile to the right (pen & brown ink on white paper), Parmigianino (Francesco Mazzola) (1503-40) / Bridgeman Images

ID: CTS366745

Bust of a boy in profile to the right (pen & brown ink on white paper)

Parmigianino (Francesco Mazzola) (1503-40)

The Siege of Sevastopol Panorama (mixed media)
The Siege of Sevastopol Panorama (mixed media)

XAB367602: The Siege of Sevastopol Panorama (mixed media), Roubaud, Franz (1856-1928) / Bridgeman Images

ID: XAB367602

The Siege of Sevastopol Panorama (mixed media)

Roubaud, Franz (1856-1928)

Beach scene (oil on canvas)
Beach scene (oil on canvas)

NOO367875: Beach scene (oil on canvas), Hanney, Clifford (1890-1990) / Bridgeman Images

ID: NOO367875

Beach scene (oil on canvas)

Hanney, Clifford (1890-1990)

Girl Skipping, 1863 (oil on canvas)
Girl Skipping, 1863 (oil on canvas)

NOO367887: Girl Skipping, 1863 (oil on canvas), Houston, John Adam P. (1812-84) / Bridgeman Images

ID: NOO367887

Girl Skipping, 1863 (oil on canvas)

Houston, John Adam P. (1812-84)

'If you can't go to the factory help the neighbour who can' (colour litho)
'If you can't go to the factory help the neighbour who can' (colour litho)

TEP367940: 'If you can't go to the factory help the neighbour who can' (colour litho), English School, (20th century) / Bridgeman Images

ID: TEP367940

'If you can't go to the factory help the neighbour who can' (colour litho)

English School, (20th century)

'Great Britain will pursue the war against Japan to the very end - Winston Churchill' (colour litho)
'Great Britain will pursue the war against Japan to the very end - Winston Churchill' (colour litho)

TEP367973: 'Great Britain will pursue the war against Japan to the very end - Winston Churchill' (colour litho), English School, (20th century) / Bridgeman Images

ID: TEP367973

'Great Britain will pursue the war against Japan to the very end - Winston Churchill' (colour litho)

English School, (20th century)

The legend of seven kings paying homage to a pope (pen & brown ink with wash and white body colour on carta azzurra)
The legend of seven kings paying homage to a pope (pen & brown ink with wash and white body colour on carta azzurra)

CTS366788: The legend of seven kings paying homage to a pope (pen & brown ink with wash and white body colour on carta azzurra), Porta Salviati, Giuseppe della (1520-75) / Bridgeman Images

ID: CTS366788

The legend of seven kings paying homage to a pope (pen & brown ink with wash and white body colour on carta azzurra)

Porta Salviati, Giuseppe della (1520-75)

Circe seated, the bewitched Argonauts transmogrified (black chalk with brown wash & white body colour on paper)
Circe seated, the bewitched Argonauts transmogrified (black chalk with brown wash & white body colour on paper)

CTS366797: Circe seated, the bewitched Argonauts transmogrified (black chalk with brown wash & white body colour on paper), Zuccaro, Taddeo (1529-66) / Bridgeman Images

ID: CTS366797

Circe seated, the bewitched Argonauts transmogrified (black chalk with brown wash & white body colour on paper)

Zuccaro, Taddeo (1529-66)

Portrait of Venanzio Rauzzini (1746-1810) engraved by Samuel Freeman (1773-1857) (engraving)
Portrait of Venanzio Rauzzini (1746-1810) engraved by Samuel Freeman (1773-1857) (engraving)

XJF366818: Portrait of Venanzio Rauzzini (1746-1810) engraved by Samuel Freeman (1773-1857) (engraving), English School, (19th century) / Bridgeman Images

ID: XJF366818

Portrait of Venanzio Rauzzini (1746-1810) engraved by Samuel Freeman (1773-1857) (engraving)

English School, (19th century)

Giuseppe Parini (litho)
Giuseppe Parini (litho)

XJF366970: Giuseppe Parini (litho), Rosaspina, Francesco (1762-1841) / Bridgeman Images

ID: XJF366970

Giuseppe Parini (litho)

Rosaspina, Francesco (1762-1841)

The Wailing Wall, 1940s (b/w photo)
The Wailing Wall, 1940s (b/w photo)

IMJ367035: The Wailing Wall, 1940s (b/w photo), Rosner, Yaakov (Jack) (1903-50) / Bridgeman Images

ID: IMJ367035

The Wailing Wall, 1940s (b/w photo)

Rosner, Yaakov (Jack) (1903-50)

Arm in Arm (w/c on paper)
Arm in Arm (w/c on paper)

NOO367871: Arm in Arm (w/c on paper), French School, (18th century) / Bridgeman Images

ID: NOO367871

Arm in Arm (w/c on paper)

French School, (18th century)

'Empire Ford Factories Work for Britain', 1940 (colour litho)
'Empire Ford Factories Work for Britain', 1940 (colour litho)

TEP367915: 'Empire Ford Factories Work for Britain', 1940 (colour litho), New Zealand School, (20th Century) / Bridgeman Images

ID: TEP367915

'Empire Ford Factories Work for Britain', 1940 (colour litho)

New Zealand School, (20th Century)

'Spot At Sight' (colour litho)
'Spot At Sight' (colour litho)

TEP367948: 'Spot At Sight' (colour litho), English School, (20th century) / Bridgeman Images

ID: TEP367948

'Spot At Sight' (colour litho)

English School, (20th century)


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