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A View from Mezzomonte, Tuscany, 2010 (oil on linen)
A View from Mezzomonte, Tuscany, 2010 (oil on linen)

FHL6374107: A View from Mezzomonte, Tuscany, 2010 (oil on linen), Hamel, Francis / Bridgeman Images

It is no small matter that many Christian bodies do not have the 'fullness of the means of salvation' which the Catholic Church has, as the 'one true Church', 2005 (w/c on paper)
It is no small matter that many Christian bodies do not have the 'fullness of the means of salvation' which the Catholic Church has, as the 'one true Church', 2005 (w/c on paper)

WNG6379106: It is no small matter that many Christian bodies do not have the 'fullness of the means of salvation' which the Catholic Church has, as the 'one true Church', 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

The Father listens eagerly to our prayers for help for ourselves and for other people, 2005 (w/c on paper)
The Father listens eagerly to our prayers for help for ourselves and for other people, 2005 (w/c on paper)

WNG6379118: The Father listens eagerly to our prayers for help for ourselves and for other people, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

A Catholic's soul is almost lifeless - like a vast melting ice sheet unable to provide for life - if there is no evident love for Jesus, especially for Jesus in the Blessed Sacrament, 2004 (w/c on paper)
A Catholic's soul is almost lifeless - like a vast melting ice sheet unable to provide for life - if there is no evident love for Jesus, especially for Jesus in the Blessed Sacrament, 2004 (w/c on paper)

WNG6379157: A Catholic's soul is almost lifeless - like a vast melting ice sheet unable to provide for life - if there is no evident love for Jesus, especially for Jesus in the Blessed Sacrament, 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Christ does not expect us to become perfect just because we spend time with Him at Exposition, 2005 (w/c on paper)
Christ does not expect us to become perfect just because we spend time with Him at Exposition, 2005 (w/c on paper)

WNG6379205: Christ does not expect us to become perfect just because we spend time with Him at Exposition, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Care must be taken when Catholic Bishops meet with Anglican clergy, so that Catholics are not led to believe that there are parallel sets of 'Bishops', with sacramental orders of equal validity, 2005 (w/c on paper)
Care must be taken when Catholic Bishops meet with Anglican clergy, so that Catholics are not led to believe that there are parallel sets of 'Bishops', with sacramental orders of equal validity, 2005 (w/c on paper)

WNG6379223: Care must be taken when Catholic Bishops meet with Anglican clergy, so that Catholics are not led to believe that there are parallel sets of 'Bishops', with sacramental orders of equal validity, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Many Bishops are unwilling to speak about sin and repentance, thinking it uncharitable to tell people they ought to change if they wish to please God, 2005 (w/c on paper)
Many Bishops are unwilling to speak about sin and repentance, thinking it uncharitable to tell people they ought to change if they wish to please God, 2005 (w/c on paper)

WNG6379278: Many Bishops are unwilling to speak about sin and repentance, thinking it uncharitable to tell people they ought to change if they wish to please God, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Life lived in union with God through Baptism is like a journey in a seat on a monorail; the train arrives at an airport, which represents a happy death; for there is a flight waiting, which will end in Heaven, 2004 (w/c on paper)
Life lived in union with God through Baptism is like a journey in a seat on a monorail; the train arrives at an airport, which represents a happy death; for there is a flight waiting, which will end in Heaven, 2004 (w/c on paper)

WNG6379290: Life lived in union with God through Baptism is like a journey in a seat on a monorail; the train arrives at an airport, which represents a happy death; for there is a flight waiting, which will end in Heaven, 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

When I had repented of my fault, Christ told me joyfully that I was forgiven; indeed, that He had forgiven me as swiftly as I used to forgive my own children when one was at fault, 2005 (w/c on paper)
When I had repented of my fault, Christ told me joyfully that I was forgiven; indeed, that He had forgiven me as swiftly as I used to forgive my own children when one was at fault, 2005 (w/c on paper)

WNG6379302: When I had repented of my fault, Christ told me joyfully that I was forgiven; indeed, that He had forgiven me as swiftly as I used to forgive my own children when one was at fault, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

San Benedetto, Lago Maggiore, 2011 (oil on linen)
San Benedetto, Lago Maggiore, 2011 (oil on linen)

FHL6374134: San Benedetto, Lago Maggiore, 2011 (oil on linen), Hamel, Francis / Bridgeman Images

Group of Cypresses by the Lake, 2011 (oil on linen)
Group of Cypresses by the Lake, 2011 (oil on linen)

FHL6374143: Group of Cypresses by the Lake, 2011 (oil on linen), Hamel, Francis / Bridgeman Images

Theatre Royal Drury Lane, Ooom Pah Pah, 2009 (oil on panel)
Theatre Royal Drury Lane, Ooom Pah Pah, 2009 (oil on panel)

FHL6374161: Theatre Royal Drury Lane, Ooom Pah Pah, 2009 (oil on panel), Hamel, Francis / Bridgeman Images

Study for the Foyer at Wyndham's Theatre, 2009 (oil on panel)
Study for the Foyer at Wyndham's Theatre, 2009 (oil on panel)

FHL6374170: Study for the Foyer at Wyndham's Theatre, 2009 (oil on panel), Hamel, Francis / Bridgeman Images

Study for Oliver, II, 2009 (oil on linen)
Study for Oliver, II, 2009 (oil on linen)

FHL6374176: Study for Oliver, II, 2009 (oil on linen), Hamel, Francis / Bridgeman Images

Tech Rehearsals, Oliver, Study, 2009 (oil on panel)
Tech Rehearsals, Oliver, Study, 2009 (oil on panel)

FHL6374179: Tech Rehearsals, Oliver, Study, 2009 (oil on panel), Hamel, Francis / Bridgeman Images

River in Summer, 2005 (oil on panel)
River in Summer, 2005 (oil on panel)

FHL6374188: River in Summer, 2005 (oil on panel), Hamel, Francis / Bridgeman Images

Tackley in Summer Sunshine, 2006 (oil on panel)
Tackley in Summer Sunshine, 2006 (oil on panel)

FHL6374197: Tackley in Summer Sunshine, 2006 (oil on panel), Hamel, Francis / Bridgeman Images

Rhoscolyn Bay in the Evening, 2006 (oil on panel)
Rhoscolyn Bay in the Evening, 2006 (oil on panel)

FHL6374200: Rhoscolyn Bay in the Evening, 2006 (oil on panel), Hamel, Francis / Bridgeman Images

Monte Primo from the East, 2013 (oil on panel)
Monte Primo from the East, 2013 (oil on panel)

FHL6374227: Monte Primo from the East, 2013 (oil on panel), Hamel, Francis / Bridgeman Images

Rhoscolyn Crow Step, 2013 (oil on panel)
Rhoscolyn Crow Step, 2013 (oil on panel)

FHL6374230: Rhoscolyn Crow Step, 2013 (oil on panel), Hamel, Francis / Bridgeman Images

Rousham from Tackley Woods, 2013 (oil on panel)
Rousham from Tackley Woods, 2013 (oil on panel)

FHL6374233: Rousham from Tackley Woods, 2013 (oil on panel), Hamel, Francis / Bridgeman Images

The Warren Stable, Rousham, 2018 (oil on linen)
The Warren Stable, Rousham, 2018 (oil on linen)

FHL6374257: The Warren Stable, Rousham, 2018 (oil on linen), Hamel, Francis / Bridgeman Images

The Cherwell in Frostiness, 2018 (oil on linen)
The Cherwell in Frostiness, 2018 (oil on linen)

FHL6374272: The Cherwell in Frostiness, 2018 (oil on linen), Hamel, Francis / Bridgeman Images

Farm Track, Tackley Fields, 2018 (oil on linen)
Farm Track, Tackley Fields, 2018 (oil on linen)

FHL6374275: Farm Track, Tackley Fields, 2018 (oil on linen), Hamel, Francis / Bridgeman Images

Claes Oldenburg and Coosje Van Brugen, Venice, Italy, 1984 (photo)
Claes Oldenburg and Coosje Van Brugen, Venice, Italy, 1984 (photo)

MRS6373513: Claes Oldenburg and Coosje Van Brugen, Venice, Italy, 1984 (photo), Mulas, Maria / Bridgeman Images

Eliseo Mattiacci, Rome, Italy, 1980 (b/w photo)
Eliseo Mattiacci, Rome, Italy, 1980 (b/w photo)

MRS6373519: Eliseo Mattiacci, Rome, Italy, 1980 (b/w photo), Mulas, Maria / Bridgeman Images

Enrico Astori, Milan, Italy, 1998 (photo)
Enrico Astori, Milan, Italy, 1998 (photo)

MRS6373525: Enrico Astori, Milan, Italy, 1998 (photo), Mulas, Maria / Bridgeman Images

Francois Morellet, Milan, Italy, 1987 (b/w photo)
Francois Morellet, Milan, Italy, 1987 (b/w photo)

MRS6373537: Francois Morellet, Milan, Italy, 1987 (b/w photo), Mulas, Maria / Bridgeman Images

Longhorn Cattle in the shade at Rousham, 2017 (oil on linen)
Longhorn Cattle in the shade at Rousham, 2017 (oil on linen)

FHL6373767: Longhorn Cattle in the shade at Rousham, 2017 (oil on linen), Hamel, Francis / Bridgeman Images

The Lake at the Banyan camp, 2017 (oil on linen)
The Lake at the Banyan camp, 2017 (oil on linen)

FHL6373773: The Lake at the Banyan camp, 2017 (oil on linen), Hamel, Francis / Bridgeman Images

Fever Tree Pool, 2017 (oil on linen)
Fever Tree Pool, 2017 (oil on linen)

FHL6373785: Fever Tree Pool, 2017 (oil on linen), Hamel, Francis / Bridgeman Images

Blue oak in May, 2019 (oil on linen)
Blue oak in May, 2019 (oil on linen)

FHL6373791: Blue oak in May, 2019 (oil on linen), Hamel, Francis / Bridgeman Images

Phoenix Bamboo on the River in Yangshuo, 2019 (oil on linen)
Phoenix Bamboo on the River in Yangshuo, 2019 (oil on linen)

FHL6373824: Phoenix Bamboo on the River in Yangshuo, 2019 (oil on linen), Hamel, Francis / Bridgeman Images

Monte San Vicino from Camerino, 2015 (oil on linen)
Monte San Vicino from Camerino, 2015 (oil on linen)

FHL6373872: Monte San Vicino from Camerino, 2015 (oil on linen), Hamel, Francis / Bridgeman Images

Val D'Orcia, Sunday Lunchtime, 2015 (oil on linen)
Val D'Orcia, Sunday Lunchtime, 2015 (oil on linen)

FHL6373881: Val D'Orcia, Sunday Lunchtime, 2015 (oil on linen), Hamel, Francis / Bridgeman Images

Virgile at Gifford's Circus, 2015 (oil on linen)
Virgile at Gifford's Circus, 2015 (oil on linen)

FHL6373890: Virgile at Gifford's Circus, 2015 (oil on linen), Hamel, Francis / Bridgeman Images


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