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Village road (oil on canvas, 1903-1904)
Village road (oil on canvas, 1903-1904)

LRI4621023: Village road (oil on canvas, 1903-1904), Fattori, Giovanni (1825-1908) / Bridgeman Images

Tools of the extinct Coroados people including lip plugs, hammock, bow, arrow, axe head, and feather ornament. The Coroados lived along the Paraiba river, Sao Paulo, Brazil. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Tools of the extinct Coroados people including lip plugs, hammock, bow, arrow, axe head, and feather ornament. The Coroados lived along the Paraiba river, Sao Paulo, Brazil. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621337: Tools of the extinct Coroados people including lip plugs, hammock, bow, arrow, axe head, and feather ornament. The Coroados lived along the Paraiba river, Sao Paulo, Brazil. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Tools and weapons of the Camacan people of Bahia, Brazil. Bow 1, arrow 2,3, woven apron 4, bag 5, headdress with foliage 6, a gourd percussion instrument or kechieeh 7, and a bundle of dried leaves or herenehedioca 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Tools and weapons of the Camacan people of Bahia, Brazil. Bow 1, arrow 2,3, woven apron 4, bag 5, headdress with foliage 6, a gourd percussion instrument or kechieeh 7, and a bundle of dried leaves or herenehedioca 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621419: Tools and weapons of the Camacan people of Bahia, Brazil. Bow 1, arrow 2,3, woven apron 4, bag 5, headdress with foliage 6, a gourd percussion instrument or kechieeh 7, and a bundle of dried leaves or herenehedioca 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

Nomadic Puri people armed with spears and sticks moving through the Amazon jungle. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Nomadic Puri people armed with spears and sticks moving through the Amazon jungle. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621338: Nomadic Puri people armed with spears and sticks moving through the Amazon jungle. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Interior of a large communal house in Nootka Sound, with villagers smoking and drying fish, sleeping and caring for children. The beams are decorated with large totemic faces. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Interior of a large communal house in Nootka Sound, with villagers smoking and drying fish, sleeping and caring for children. The beams are decorated with large totemic faces. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621639: Interior of a large communal house in Nootka Sound, with villagers smoking and drying fish, sleeping and caring for children. The beams are decorated with large totemic faces. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Portraits of Botocudo people of Brazil with their distinctive wooden lip and ear plugs, including the brave chief Jeparack and a decorated shrunken head. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Portraits of Botocudo people of Brazil with their distinctive wooden lip and ear plugs, including the brave chief Jeparack and a decorated shrunken head. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621460: Portraits of Botocudo people of Brazil with their distinctive wooden lip and ear plugs, including the brave chief Jeparack and a decorated shrunken head. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Kwakiuti (Chelaski) village on Johnston Strait, Vancouver Island, with painted houses on a terraced hillside, kayaks on the shore. Engraving by Francisco Lavagnoli Veronese. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Kwakiuti (Chelaski) village on Johnston Strait, Vancouver Island, with painted houses on a terraced hillside, kayaks on the shore. Engraving by Francisco Lavagnoli Veronese. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621716: Kwakiuti (Chelaski) village on Johnston Strait, Vancouver Island, with painted houses on a terraced hillside, kayaks on the shore. Engraving by Francisco Lavagnoli Veronese. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

View of Harvard College, Boston, early 19th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of Harvard College, Boston, early 19th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621848: View of Harvard College, Boston, early 19th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

William Penn and Native Americans at the foundation of Philadelphia (1682). Handcoloured copperplate engraving by Sasso after the painting William Penn's Treaty with the Indians by Benjamin West from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
William Penn and Native Americans at the foundation of Philadelphia (1682). Handcoloured copperplate engraving by Sasso after the painting William Penn's Treaty with the Indians by Benjamin West from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621867: William Penn and Native Americans at the foundation of Philadelphia (1682). Handcoloured copperplate engraving by Sasso after the painting William Penn's Treaty with the Indians by Benjamin West from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Interior of a communal Inuit house in Greenland, with families cooking, sleeping, and nursing babies. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Interior of a communal Inuit house in Greenland, with families cooking, sleeping, and nursing babies. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621732: Interior of a communal Inuit house in Greenland, with families cooking, sleeping, and nursing babies. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

View of the north coast of Spitsbergen island, Norway, early 19th century. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of the north coast of Spitsbergen island, Norway, early 19th century. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621781: View of the north coast of Spitsbergen island, Norway, early 19th century. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Iroquois women dancing to music played by men on drums and percussion. Handcoloured copperplate engraving by Fr. Setti from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Iroquois women dancing to music played by men on drums and percussion. Handcoloured copperplate engraving by Fr. Setti from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621850: Iroquois women dancing to music played by men on drums and percussion. Handcoloured copperplate engraving by Fr. Setti from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Native American (Timucuan) tattooed chief in painted deerskin robe accompanied by his wives in necklaces and sashes, and two servant boys with fans. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841.
Native American (Timucuan) tattooed chief in painted deerskin robe accompanied by his wives in necklaces and sashes, and two servant boys with fans. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841.

FLO4621994: Native American (Timucuan) tattooed chief in painted deerskin robe accompanied by his wives in necklaces and sashes, and two servant boys with fans. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841. / Bridgeman Images

Common frogbit, Hydrocharis morsus-ranae (morene) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany.
Common frogbit, Hydrocharis morsus-ranae (morene) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany.

FLO4618572: Common frogbit, Hydrocharis morsus-ranae (morene) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany. / Bridgeman Images

Yew tree, Taxus baccata (Common If) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Yew tree, Taxus baccata (Common If) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618578: Yew tree, Taxus baccata (Common If) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Varietes of skin disease autoimmune psoriasis - Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, edition J.Adlard, London, 1822
Varietes of skin disease autoimmune psoriasis - Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, edition J.Adlard, London, 1822

FLO4618788: Varietes of skin disease autoimmune psoriasis - Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, edition J.Adlard, London, 1822 / Bridgeman Images

Toadstools, Agaricus semi-globatus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Toadstools, Agaricus semi-globatus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618796: Toadstools, Agaricus semi-globatus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Drinking party at the Christopher public house for a society of old Etonians that stole inn and shop signs. Signs for a pawn shop, milliners, optician, wineseller, fishmonger, cobbler, barber, etc. Oppidan's Museum, or Eton Court of Claims at the Christopher. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Drinking party at the Christopher public house for a society of old Etonians that stole inn and shop signs. Signs for a pawn shop, milliners, optician, wineseller, fishmonger, cobbler, barber, etc. Oppidan's Museum, or Eton Court of Claims at the Christopher. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618807: Drinking party at the Christopher public house for a society of old Etonians that stole inn and shop signs. Signs for a pawn shop, milliners, optician, wineseller, fishmonger, cobbler, barber, etc. Oppidan's Museum, or Eton Court of Claims at the Christopher. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Bow Street officers Daniel Bishop, James Smith and George Ruthven arresting thieves, Family Men gang members, pimps and prostitutes at the Finish coffee house, Covent Garden. A thief is about to throw a list of stolen property into the fire. Family Men at Fault, or an unexpected visit from the Bishop and his Chaplains. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Bow Street officers Daniel Bishop, James Smith and George Ruthven arresting thieves, Family Men gang members, pimps and prostitutes at the Finish coffee house, Covent Garden. A thief is about to throw a list of stolen property into the fire. Family Men at Fault, or an unexpected visit from the Bishop and his Chaplains. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618988: Bow Street officers Daniel Bishop, James Smith and George Ruthven arresting thieves, Family Men gang members, pimps and prostitutes at the Finish coffee house, Covent Garden. A thief is about to throw a list of stolen property into the fire. Family Men at Fault, or an unexpected visit from the Bishop and his Chaplains. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Black crowberry or crake-berry, Empetrum nigrum. Pistilliferous and staminiferous plants. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Black crowberry or crake-berry, Empetrum nigrum. Pistilliferous and staminiferous plants. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618525: Black crowberry or crake-berry, Empetrum nigrum. Pistilliferous and staminiferous plants. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Sea buckthorn, Elaeagnus rhamnoides (Hippophae rhamnoides) (sea buckthorn) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Sea buckthorn, Elaeagnus rhamnoides (Hippophae rhamnoides) (sea buckthorn) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618618: Sea buckthorn, Elaeagnus rhamnoides (Hippophae rhamnoides) (sea buckthorn) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Gamblers including Mr. Tanfield, John Gully and the Earl of Sefton settling bets after the Doncaster St. Leger at Tattersalls. Monday after the Great St. Leger, or Heroes of the Turf paying and receiving at Tattersalls. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Gamblers including Mr. Tanfield, John Gully and the Earl of Sefton settling bets after the Doncaster St. Leger at Tattersalls. Monday after the Great St. Leger, or Heroes of the Turf paying and receiving at Tattersalls. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618951: Gamblers including Mr. Tanfield, John Gully and the Earl of Sefton settling bets after the Doncaster St. Leger at Tattersalls. Monday after the Great St. Leger, or Heroes of the Turf paying and receiving at Tattersalls. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Bernard Blackmantle (Charles Molloy Westmacott) reading his Farce in the Green Room of the Theatre Royal, Drury Lane. Handcoloured copperplate drawn and engraved by Thomas Wageman from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Bernard Blackmantle (Charles Molloy Westmacott) reading his Farce in the Green Room of the Theatre Royal, Drury Lane. Handcoloured copperplate drawn and engraved by Thomas Wageman from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619019: Bernard Blackmantle (Charles Molloy Westmacott) reading his Farce in the Green Room of the Theatre Royal, Drury Lane. Handcoloured copperplate drawn and engraved by Thomas Wageman from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Upright annual broom-grass or brome grass, Bromus diandrus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Upright annual broom-grass or brome grass, Bromus diandrus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618565: Upright annual broom-grass or brome grass, Bromus diandrus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Moonwort, Botrychium lunaria (Osmunda lunaria) (Botryche) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Moonwort, Botrychium lunaria (Osmunda lunaria) (Botryche) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618640: Moonwort, Botrychium lunaria (Osmunda lunaria) (Botryche) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Fools parsley, Aethusa cynapium. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Fools parsley, Aethusa cynapium. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618705: Fools parsley, Aethusa cynapium. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Sand strapwort, Corrigiola litoralis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Sand strapwort, Corrigiola litoralis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618711: Sand strapwort, Corrigiola litoralis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

White, 1973 (mixed media)
White, 1973 (mixed media)

LRI4618757: White, 1973 (mixed media), Burri, Alberto (1915-95) / Bridgeman Images

Red black plastic, 1964  (mixed media)
Red black plastic, 1964  (mixed media)

LRI4618786: Red black plastic, 1964 (mixed media), Burri, Alberto (1915-95) / Bridgeman Images

Oxford university big wigs and donations including Dr. Kett, Lord Greville, Dr. Grosvenor, Alderman Fletcher and Mr. Swan promenading on a Sunday. Shew Sunday, Sketches of Character in the Broad Walk, Christ Church Meadows, Oxford. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Oxford university big wigs and donations including Dr. Kett, Lord Greville, Dr. Grosvenor, Alderman Fletcher and Mr. Swan promenading on a Sunday. Shew Sunday, Sketches of Character in the Broad Walk, Christ Church Meadows, Oxford. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618937: Oxford university big wigs and donations including Dr. Kett, Lord Greville, Dr. Grosvenor, Alderman Fletcher and Mr. Swan promenading on a Sunday. Shew Sunday, Sketches of Character in the Broad Walk, Christ Church Meadows, Oxford. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Berberis with boxwood leaf or calafate - Lithograph by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Magellan barberry, Berberis microphylla (Various-leaved barberry, Berberis heterophylla) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Berberis with boxwood leaf or calafate - Lithograph by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Magellan barberry, Berberis microphylla (Various-leaved barberry, Berberis heterophylla) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619323: Berberis with boxwood leaf or calafate - Lithograph by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Magellan barberry, Berberis microphylla (Various-leaved barberry, Berberis heterophylla) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

American Cryptocoryne or Candle Plant - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Aquatic orontium, Orontium aquatium - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”, Edinburgh, 1823
American Cryptocoryne or Candle Plant - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Aquatic orontium, Orontium aquatium - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”, Edinburgh, 1823

FLO4619351: American Cryptocoryne or Candle Plant - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Aquatic orontium, Orontium aquatium - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”, Edinburgh, 1823 / Bridgeman Images

Variete d'osbeckia “star” - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flora Exotic, Scotland, 1823 - Woolly-fruited osbeckia, Osbeckia stellata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,”” Blackwood, Edinburgh, 1823
Variete d'osbeckia “star” - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flora Exotic, Scotland, 1823 - Woolly-fruited osbeckia, Osbeckia stellata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619467: Variete d'osbeckia “star” - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flora Exotic, Scotland, 1823 - Woolly-fruited osbeckia, Osbeckia stellata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Hapless Londoners riding in the Epping Hunt, Easter Monday. Dandies and fops came down from London and rode on horses and in carriages chasing a single stag. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Hapless Londoners riding in the Epping Hunt, Easter Monday. Dandies and fops came down from London and rode on horses and in carriages chasing a single stag. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619105: Hapless Londoners riding in the Epping Hunt, Easter Monday. Dandies and fops came down from London and rode on horses and in carriages chasing a single stag. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Orchid: Yellow-flowered dendrobium variete - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Fringed-lipped or fringed dendrobium orchid, Dendrobium fimbriatum - Handcoloured copperplate illustration engraving by J. Swan after a botanical by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Orchid: Yellow-flowered dendrobium variete - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Fringed-lipped or fringed dendrobium orchid, Dendrobium fimbriatum - Handcoloured copperplate illustration engraving by J. Swan after a botanical by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619702: Orchid: Yellow-flowered dendrobium variete - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Fringed-lipped or fringed dendrobium orchid, Dendrobium fimbriatum - Handcoloured copperplate illustration engraving by J. Swan after a botanical by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Calceolar in corymb or small slipper - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Slipper flower, Calceolaria corymbosa (Glandular-stalked slipper flower, Calceolaria paralia) - Handcoloured copperplate engraving by J. Swan a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Calceolar in corymb or small slipper - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Slipper flower, Calceolaria corymbosa (Glandular-stalked slipper flower, Calceolaria paralia) - Handcoloured copperplate engraving by J. Swan a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619722: Calceolar in corymb or small slipper - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Slipper flower, Calceolaria corymbosa (Glandular-stalked slipper flower, Calceolaria paralia) - Handcoloured copperplate engraving by J. Swan a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images


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