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Native American Indians practising the Ghost Dance, aka the Ghost Dance of 1890.
Native American Indians practising the Ghost Dance, aka the Ghost Dance of 1890.

KWE2967852: Native American Indians practising the Ghost Dance, aka the Ghost Dance of 1890. / Bridgeman Images

Práxedes Mariano Mateo Sagasta y Escolar, 1825 - 1903.  S
Práxedes Mariano Mateo Sagasta y Escolar, 1825 - 1903.  S

KWE2967866: Práxedes Mariano Mateo Sagasta y Escolar, 1825 - 1903. S / Bridgeman Images

Publius Cornelius Scipio Nasica, b.227 BC - 171 BC.  Consul of ancient Rome in 191 BC.  From Crabbs Historical Dictionary published 1825
Publius Cornelius Scipio Nasica, b.227 BC - 171 BC.  Consul of ancient Rome in 191 BC.  From Crabbs Historical Dictionary published 1825

KWE2967878: Publius Cornelius Scipio Nasica, b.227 BC - 171 BC. Consul of ancient Rome in 191 BC. From Crabbs Historical Dictionary published 1825 / Bridgeman Images

The Battle of Las Guasimas, Cuba, June 24, 1898, the first land engagement of the Spanish-American War.   From The History of Our Country, published 1900
The Battle of Las Guasimas, Cuba, June 24, 1898, the first land engagement of the Spanish-American War.   From The History of Our Country, published 1900

KWE2967886: The Battle of Las Guasimas, Cuba, June 24, 1898, the first land engagement of the Spanish-American War. From The History of Our Country, published 1900 / Bridgeman Images

Wesley Merritt , 1836 - 1910.  General in the United States Army during the American Civil War and the Spanish-American War.
Wesley Merritt , 1836 - 1910.  General in the United States Army during the American Civil War and the Spanish-American War.

KWE2967894: Wesley Merritt , 1836 - 1910. General in the United States Army during the American Civil War and the Spanish-American War. / Bridgeman Images

Planting Fragrant Fungus at the Tiaozhou'an, Ming dynasty (1368-1644), 1627 (hanging scroll; ink and light colour on paper)
Planting Fragrant Fungus at the Tiaozhou'an, Ming dynasty (1368-1644), 1627 (hanging scroll; ink and light colour on paper)

XCC2968144: Planting Fragrant Fungus at the Tiaozhou'an, Ming dynasty (1368-1644), 1627 (hanging scroll; ink and light colour on paper), Chen Guan (1563-1639) / Bridgeman Images

John Thomlinson and His Family, 1745 (oil on canvas)
John Thomlinson and His Family, 1745 (oil on canvas)

XCC2968182: John Thomlinson and His Family, 1745 (oil on canvas), Devis, Arthur (1712-87) / Bridgeman Images

Study head of a bearded man, c.1565 (oil on panel)
Study head of a bearded man, c.1565 (oil on panel)

XCC2968199: Study head of a bearded man, c.1565 (oil on panel), Floris, Frans (1519-70) / Bridgeman Images

Study for The Last Supper, c.1792 (pen & brown ink & brush & brown wash, with touches of pen & black ink, graphite, & traces of red chalk & brush & red chalk wash, on lunette-shaped tan laid paper, laid down on tan wove card)
Study for The Last Supper, c.1792 (pen & brown ink & brush & brown wash, with touches of pen & black ink, graphite, & traces of red chalk & brush & red chalk wash, on lunette-shaped tan laid paper, laid down on tan wove card)

XCC2968271: Study for The Last Supper, c.1792 (pen & brown ink & brush & brown wash, with touches of pen & black ink, graphite, & traces of red chalk & brush & red chalk wash, on lunette-shaped tan laid paper, laid down on tan wove card), Huet, Jean-Baptiste (1745-1811) / Bridgeman Images

Ruins of the Opera After the Fire of 1781, 1781 (black chalk on ivory laid paper)
Ruins of the Opera After the Fire of 1781, 1781 (black chalk on ivory laid paper)

XCC2968304: Ruins of the Opera After the Fire of 1781, 1781 (black chalk on ivory laid paper), Robert, Hubert (1733-1808) / Bridgeman Images

Affections Offering (Valentine), c.1850 (collaged elements with w/c & silver & gold paint on cut & embossed ivory wove paper (lace))
Affections Offering (Valentine), c.1850 (collaged elements with w/c & silver & gold paint on cut & embossed ivory wove paper (lace))

XCC2968314: Affections Offering (Valentine), c.1850 (collaged elements with w/c & silver & gold paint on cut & embossed ivory wove paper (lace)), American School, (19th century) / Bridgeman Images

Untitled Valentine (Country Couples), 1860-69 (collaged elements & gold paint on cut & embossed (designed) ivory wove paper)
Untitled Valentine (Country Couples), 1860-69 (collaged elements & gold paint on cut & embossed (designed) ivory wove paper)

XCC2968316: Untitled Valentine (Country Couples), 1860-69 (collaged elements & gold paint on cut & embossed (designed) ivory wove paper), American School, (19th century) / Bridgeman Images

Plate Nine from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)
Plate Nine from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

XCC2968349: Plate Nine from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper), Robert, Hubert (1733-1808) / Bridgeman Images

Tassel, A.D. 500-900 (textile)
Tassel, A.D. 500-900 (textile)

XCC2968356: Tassel, A.D. 500-900 (textile), Nazca Culture, (6th century) / Bridgeman Images

Cosmetic Tools, Masada (mixed media)
Cosmetic Tools, Masada (mixed media)

BLP2968405: Cosmetic Tools, Masada (mixed media), Roman / Bridgeman Images

View of Saleve, near Geneva, 1834 (oil on paper, mounted to canvas)
View of Saleve, near Geneva, 1834 (oil on paper, mounted to canvas)

XCC2968203: View of Saleve, near Geneva, 1834 (oil on paper, mounted to canvas), Rousseau, Theodore (1812-67) / Bridgeman Images

A boat tied to a pier, 1892 (brush and black and gray wash, over touches of graphite, on tan wove paper)
A boat tied to a pier, 1892 (brush and black and gray wash, over touches of graphite, on tan wove paper)

XCC2968245: A boat tied to a pier, 1892 (brush and black and gray wash, over touches of graphite, on tan wove paper), Munch, Edvard (1863-1944) / Bridgeman Images

Beata Humbelina with Crucifix, c.1700 (brush & black & gray wash, over graphite & red chalk, on ivory laid paper, laid down on ivory laid paper)
Beata Humbelina with Crucifix, c.1700 (brush & black & gray wash, over graphite & red chalk, on ivory laid paper, laid down on ivory laid paper)

XCC2968296: Beata Humbelina with Crucifix, c.1700 (brush & black & gray wash, over graphite & red chalk, on ivory laid paper, laid down on ivory laid paper), Lischka, Johann Christoph (1650-1712) / Bridgeman Images

View of the Park at Arcueil, 1744 (black chalk with white chalk & charcoal, on gray laid paper with blue fibers, laid down on cream card)
View of the Park at Arcueil, 1744 (black chalk with white chalk & charcoal, on gray laid paper with blue fibers, laid down on cream card)

XCC2968310: View of the Park at Arcueil, 1744 (black chalk with white chalk & charcoal, on gray laid paper with blue fibers, laid down on cream card), Oudry, Jean-Baptiste (1686-1755) / Bridgeman Images

Feathered Tunic, A.D. 1470-1532 (cotton, plain weave; embellished with feathers knotted & attached with cotton in overcast stitches)
Feathered Tunic, A.D. 1470-1532 (cotton, plain weave; embellished with feathers knotted & attached with cotton in overcast stitches)

XCC2968355: Feathered Tunic, A.D. 1470-1532 (cotton, plain weave; embellished with feathers knotted & attached with cotton in overcast stitches), Chimu Culture (15th-16th Century) / Bridgeman Images

The Seven Bishops of the Church of England going to the Tower of London in 1688, where they were imprisoned and tried for seditious libel over their opposition to the second Declaration of Indulgence issued by James II.  From The Story of England, published 1930.
The Seven Bishops of the Church of England going to the Tower of London in 1688, where they were imprisoned and tried for seditious libel over their opposition to the second Declaration of Indulgence issued by James II.  From The Story of England, published 1930.

MOR2968390: The Seven Bishops of the Church of England going to the Tower of London in 1688, where they were imprisoned and tried for seditious libel over their opposition to the second Declaration of Indulgence issued by James II. From The Story of England, published 1930. / Bridgeman Images

Improvisation No. 30 (Cannons), 1913 (oil on canvas)
Improvisation No. 30 (Cannons), 1913 (oil on canvas)

XCC2968462: Improvisation No. 30 (Cannons), 1913 (oil on canvas), Kandinsky, Wassily (1866-1944) / Bridgeman Images

After a Summer Shower, 1894 (oil on canvas)
After a Summer Shower, 1894 (oil on canvas)

XCC2968535: After a Summer Shower, 1894 (oil on canvas), Inness, George Snr. (1825-94) / Bridgeman Images

Cutting at Little Weeton, 1882 (sepia photo)
Cutting at Little Weeton, 1882 (sepia photo)

STT2968565: Cutting at Little Weeton, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

Mill Lane Bridge and Culvert, 1882 (sepia photo)
Mill Lane Bridge and Culvert, 1882 (sepia photo)

STT2968576: Mill Lane Bridge and Culvert, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

Norton Cutting, 1882 (sepia photo)
Norton Cutting, 1882 (sepia photo)

STT2968599: Norton Cutting, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)
Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

XCC2968606: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Cutting No.6 Hague Lane, 1882 (sepia photo)
Cutting No.6 Hague Lane, 1882 (sepia photo)

STT2968612: Cutting No.6 Hague Lane, 1882 (sepia photo), Pickering, R.J. (fl.1882) / Bridgeman Images

The Association's Celebrated and Extensive Menagerie and Aviary from their Zoological Institute in the City of New York, 1835 (litho)
The Association's Celebrated and Extensive Menagerie and Aviary from their Zoological Institute in the City of New York, 1835 (litho)

SBN2959541: The Association's Celebrated and Extensive Menagerie and Aviary from their Zoological Institute in the City of New York, 1835 (litho) , Bell, Jared W. (fl.1835) / Bridgeman Images

Grand Zoological Aggregation of Rare and Costly Animals with Batcheller and Doris (chromolitho)
Grand Zoological Aggregation of Rare and Costly Animals with Batcheller and Doris (chromolitho)

SBN2959549: Grand Zoological Aggregation of Rare and Costly Animals with Batcheller and Doris (chromolitho), American School, (19th century) / Bridgeman Images

Vauxhall Gardens, bronze pass, c.1750 (bronze)
Vauxhall Gardens, bronze pass, c.1750 (bronze)

TML2959870: Vauxhall Gardens, bronze pass, c.1750 (bronze), English School, (18th century) / Bridgeman Images

Scotland, Glasgow and South Western Railway, directors pass, c.1850 (gold & enamel)
Scotland, Glasgow and South Western Railway, directors pass, c.1850 (gold & enamel)

TML2959876: Scotland, Glasgow and South Western Railway, directors pass, c.1850 (gold & enamel), Scottish School, (19th century) / Bridgeman Images

Shakespeare / Edward VI, Shovelboard Piece, c.1550 (metal)
Shakespeare / Edward VI, Shovelboard Piece, c.1550 (metal)

TML2959887: Shakespeare / Edward VI, Shovelboard Piece, c.1550 (metal), English School, (16th century) / Bridgeman Images

King's Theatre, Haymarket, Lord Chamberlain’s gold pass, c.1790 (gold)
King's Theatre, Haymarket, Lord Chamberlain’s gold pass, c.1790 (gold)

TML2959895: King's Theatre, Haymarket, Lord Chamberlain’s gold pass, c.1790 (gold), English School, (18th century) / Bridgeman Images

Earl Howe, Glorious 1st of June Scent bottle, 1794 (glass)
Earl Howe, Glorious 1st of June Scent bottle, 1794 (glass)

TML2959920: Earl Howe, Glorious 1st of June Scent bottle, 1794 (glass), English School, (18th century) / Bridgeman Images

Silver Counter of Ambrose Dudley, Third Earl of Warwick, 1588 (silver)
Silver Counter of Ambrose Dudley, Third Earl of Warwick, 1588 (silver)

TML2959933: Silver Counter of Ambrose Dudley, Third Earl of Warwick, 1588 (silver), English School, (16th century) / Bridgeman Images


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