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Bat nocturtilion (Noctilio albiventris) and bat frugivorous (Phyllostomus hastatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Bulldog bat and speech-nosed bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Bat nocturtilion (Noctilio albiventris) and bat frugivorous (Phyllostomus hastatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Bulldog bat and speech-nosed bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611086: Bat nocturtilion (Noctilio albiventris) and bat frugivorous (Phyllostomus hastatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Bulldog bat and speech-nosed bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Dorstenia contrajerva - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dorstenia contrajerva - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Dorstenia contrajerva - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dorstenia contrajerva - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611181: Dorstenia contrajerva - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dorstenia contrajerva - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

La grande lobelie - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Great blue lobelia, Lobelia siphilitica - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1880-1858) 45), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
La grande lobelie - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Great blue lobelia, Lobelia siphilitica - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1880-1858) 45), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611338: La grande lobelie - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Great blue lobelia, Lobelia siphilitica - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1880-1858) 45), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Ferret (Mustela putorius putorius) and civet or cat musque -Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Badger and civet cat - Handcoloured copperplate engraving, illustration J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Ferret (Mustela putorius putorius) and civet or cat musque -Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Badger and civet cat - Handcoloured copperplate engraving, illustration J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610892: Ferret (Mustela putorius putorius) and civet or cat musque -Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Badger and civet cat - Handcoloured copperplate engraving, illustration J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Marina of the por (oil on canvas, 17th century)
Marina of the por (oil on canvas, 17th century)

LRI4610947: Marina of the por (oil on canvas, 17th century), Rosa, Salvator (1615-73) / Bridgeman Images

The Philosophers Wood (oil on canvas, 1645-1648)
The Philosophers Wood (oil on canvas, 1645-1648)

LRI4610960: The Philosophers Wood (oil on canvas, 1645-1648), Rosa, Salvator (1615-73) / Bridgeman Images

Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837
Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837

FLO4611018: Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610996: Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4611079: African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Blossom bangle or butome with umbrellas - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Flowering rush, Butomus umbellatus - Handcoloured copperplate engraving, illustration by J. G. Pretre (178aving (178aving) 0-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837
Blossom bangle or butome with umbrellas - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Flowering rush, Butomus umbellatus - Handcoloured copperplate engraving, illustration by J. G. Pretre (178aving (178aving) 0-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837

FLO4611163: Blossom bangle or butome with umbrellas - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Flowering rush, Butomus umbellatus - Handcoloured copperplate engraving, illustration by J. G. Pretre (178aving (178aving) 0-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

Callistephus of China, Queen Daisy or Aster of China -Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - China aster, Callistephus chinensis - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
Callistephus of China, Queen Daisy or Aster of China -Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - China aster, Callistephus chinensis - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4611308: Callistephus of China, Queen Daisy or Aster of China -Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - China aster, Callistephus chinensis - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Primevere officinale ou brerelle, poppy or cuckoo - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Cowslip, Primula veris - Handcoloured copperplate engraving, illustration by J. G. Priest ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Primevere officinale ou brerelle, poppy or cuckoo - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Cowslip, Primula veris - Handcoloured copperplate engraving, illustration by J. G. Priest ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611423: Primevere officinale ou brerelle, poppy or cuckoo - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Cowslip, Primula veris - Handcoloured copperplate engraving, illustration by J. G. Priest ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Tamarin labie (Saguinus labiatus) and common saimiri or squirrel monkey (Saimiri sciureus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Tamarin and squirrel monkey - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
Tamarin labie (Saguinus labiatus) and common saimiri or squirrel monkey (Saimiri sciureus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Tamarin and squirrel monkey - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4611499: Tamarin labie (Saguinus labiatus) and common saimiri or squirrel monkey (Saimiri sciureus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Tamarin and squirrel monkey - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

The thebaid of the hermits, c.1420 (tempera on wood)
The thebaid of the hermits, c.1420 (tempera on wood)

LRI4611556: The thebaid of the hermits, c.1420 (tempera on wood), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

Disarm after parrying the carte thrust, Second position of the disarm and disarm on thrust in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Disarm after parrying the carte thrust, Second position of the disarm and disarm on thrust in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611686: Disarm after parrying the carte thrust, Second position of the disarm and disarm on thrust in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Sword and cloak versus sword and lantern, defensive guard of small and broad swords, and weapons, breastplate, mask, glove. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Sword and cloak versus sword and lantern, defensive guard of small and broad swords, and weapons, breastplate, mask, glove. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611714: Sword and cloak versus sword and lantern, defensive guard of small and broad swords, and weapons, breastplate, mask, glove. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

surgical chair with patient to remove a vesical calculation through the groin - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Surgical chairs with patients held in place for a bladder stone operation through the groin, Plate 12. Surgical instruments including dilators 1-3, curette 6 and hook curette 7, Plate 11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
surgical chair with patient to remove a vesical calculation through the groin - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Surgical chairs with patients held in place for a bladder stone operation through the groin, Plate 12. Surgical instruments including dilators 1-3, curette 6 and hook curette 7, Plate 11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611780: surgical chair with patient to remove a vesical calculation through the groin - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Surgical chairs with patients held in place for a bladder stone operation through the groin, Plate 12. Surgical instruments including dilators 1-3, curette 6 and hook curette 7, Plate 11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Foubert surgical operation to remove a vesical stone - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Foubert's surgical operation to remove a bladder stone. Lateral incision in the hypogastrium, showing the direction of the trocar in the bladder. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Foubert surgical operation to remove a vesical stone - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Foubert's surgical operation to remove a bladder stone. Lateral incision in the hypogastrium, showing the direction of the trocar in the bladder. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611828: Foubert surgical operation to remove a vesical stone - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Foubert's surgical operation to remove a bladder stone. Lateral incision in the hypogastrium, showing the direction of the trocar in the bladder. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Parable of the Good Samaritan (oil on canvas, 17th century)
Parable of the Good Samaritan (oil on canvas, 17th century)

LRI4611876: Parable of the Good Samaritan (oil on canvas, 17th century), Fetti or Feti, Domenico (1589-1624) / Bridgeman Images

Bandages, corbin beak pliers, cane spout pliers, balls removal pliers and various sutures - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Examples of 18th century bandages 1, beak-de-corbin flip-flops 2, flops 4, bullet-de-de-de-de-de-de-de-de-de-de-de-cane flip-de-de-de-de-de ver flip flops 4, and various sutures 5-11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Bandages, corbin beak pliers, cane spout pliers, balls removal pliers and various sutures - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Examples of 18th century bandages 1, beak-de-corbin flip-flops 2, flops 4, bullet-de-de-de-de-de-de-de-de-de-de-de-cane flip-de-de-de-de-de ver flip flops 4, and various sutures 5-11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611896: Bandages, corbin beak pliers, cane spout pliers, balls removal pliers and various sutures - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Examples of 18th century bandages 1, beak-de-corbin flip-flops 2, flops 4, bullet-de-de-de-de-de-de-de-de-de-de-de-cane flip-de-de-de-de-de ver flip flops 4, and various sutures 5-11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Surgical knee pad and machine for treating disloqueous joints of Jean Louis Petite - Plate drawn from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - 18th century surgical knee pad in place on a leg 1, Jean Louis Petite's machine for dislocated joints 2-5. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Surgical knee pad and machine for treating disloqueous joints of Jean Louis Petite - Plate drawn from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - 18th century surgical knee pad in place on a leg 1, Jean Louis Petite's machine for dislocated joints 2-5. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611913: Surgical knee pad and machine for treating disloqueous joints of Jean Louis Petite - Plate drawn from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - 18th century surgical knee pad in place on a leg 1, Jean Louis Petite's machine for dislocated joints 2-5. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Pistachier commun ou vrai - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Pistachio, Pistacia vera - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Pistachier commun ou vrai - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Pistachio, Pistacia vera - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611411: Pistachier commun ou vrai - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Pistachio, Pistacia vera - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Patriots shooting rifle (oil on canvas, 19th century)
Patriots shooting rifle (oil on canvas, 19th century)

LRI4611414: Patriots shooting rifle (oil on canvas, 19th century), Sernesi, Raffaello (1838-66) / Bridgeman Images

Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611552: Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Base of the skull, human teeth, knee cap (after Clopton Havers), mucus gland, etc. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Base of the skull, human teeth, knee cap (after Clopton Havers), mucus gland, etc. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611538: Base of the skull, human teeth, knee cap (after Clopton Havers), mucus gland, etc. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611670: Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611687: Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Abel cries by his parents (oil on canvas, circa 1630)
Abel cries by his parents (oil on canvas, circa 1630)

LRI4611908: Abel cries by his parents (oil on canvas, circa 1630), Liss, Johann (c.1595-1631) / Bridgeman Images

Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606722: Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606782: Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Miss Henrietta Charton as Leonore in Fiesque by Francois Ancelot, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Miss Henrietta Charton as Leonore in Fiesque by Francois Ancelot, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606962: Miss Henrietta Charton as Leonore in Fiesque by Francois Ancelot, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

English tenor Adolphe Nourrit as the soldier Tarare in the opera Tarare by Antonio Salieri, Royal Academy of Music, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
English tenor Adolphe Nourrit as the soldier Tarare in the opera Tarare by Antonio Salieri, Royal Academy of Music, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606989: English tenor Adolphe Nourrit as the soldier Tarare in the opera Tarare by Antonio Salieri, Royal Academy of Music, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Actor Dominique Pitrot as Don Mendoze in La Parisienne en Espagne by Marc-Antoine Desaugiers, Theatre du Vaudeville, 1822. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Actor Dominique Pitrot as Don Mendoze in La Parisienne en Espagne by Marc-Antoine Desaugiers, Theatre du Vaudeville, 1822. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4607033: Actor Dominique Pitrot as Don Mendoze in La Parisienne en Espagne by Marc-Antoine Desaugiers, Theatre du Vaudeville, 1822. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Actress Mademoiselle Minette or Jeanne-Marie-Francoise Menestrier as Francoise in Nicolas Remi by Sewrin, Theatre du Vaudeville, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Actress Mademoiselle Minette or Jeanne-Marie-Francoise Menestrier as Francoise in Nicolas Remi by Sewrin, Theatre du Vaudeville, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4607094: Actress Mademoiselle Minette or Jeanne-Marie-Francoise Menestrier as Francoise in Nicolas Remi by Sewrin, Theatre du Vaudeville, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825., Colin, Alexandre Marie (1798-1875) / Bridgeman Images

Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607168: Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle
A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle

PIX4607452: A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle, Bergeron, Joe / Bridgeman Images


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