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Entrance to Mr
Entrance to Mr

FLO6340499: Entrance to Mr, Smith, John Thomas (1766-1833) / Bridgeman Images

Red/Gold Ammonite, 2020 (oil on canvas)Abstract, mineral textures
Red/Gold Ammonite, 2020 (oil on canvas)Abstract, mineral textures

LCB6340524: Red/Gold Ammonite, 2020 (oil on canvas)Abstract, mineral textures, Campbell, Lee / Bridgeman Images

Richmond Park with City View, 2020 (oil on canvas)Landscape
Richmond Park with City View, 2020 (oil on canvas)Landscape

LCB6340530: Richmond Park with City View, 2020 (oil on canvas)Landscape, Campbell, Lee / Bridgeman Images

Richmond Mist; 2020 (oil on canvas)Landscape
Richmond Mist; 2020 (oil on canvas)Landscape

LCB6340531: Richmond Mist; 2020 (oil on canvas)Landscape, Campbell, Lee / Bridgeman Images

Bas relief, horse
Bas relief, horse

MES6340632: Bas relief, horse / Bridgeman Images

Four Women in Costumes from Prague, 1643 (4 prints on a single mat, etching)
Four Women in Costumes from Prague, 1643 (4 prints on a single mat, etching)

LBI6340649: Four Women in Costumes from Prague, 1643 (4 prints on a single mat, etching), Hollar, Wenceslaus (1607-77) / Bridgeman Images

Arab Village on Mount Carmel, 1938 (lithograph, ink on paper)
Arab Village on Mount Carmel, 1938 (lithograph, ink on paper)

LBI6340651: Arab Village on Mount Carmel, 1938 (lithograph, ink on paper), Struck, Hermann (1876-1944) / Bridgeman Images

Bacharach on the Rhine (etching)
Bacharach on the Rhine (etching)

LBI6340678: Bacharach on the Rhine (etching), Unknown Artist / Bridgeman Images

Frankfurt a. Main, Platz an der Saalgasse, 19th century ( ink and w/c on paper)
Frankfurt a. Main, Platz an der Saalgasse, 19th century ( ink and w/c on paper)

LBI6340691: Frankfurt a. Main, Platz an der Saalgasse, 19th century ( ink and w/c on paper), Unknown Artist, (19th century) / Bridgeman Images

Young Cart Driver with a Hat, early 20th century (etching, ink on paper)
Young Cart Driver with a Hat, early 20th century (etching, ink on paper)

LBI6340699: Young Cart Driver with a Hat, early 20th century (etching, ink on paper), Lilien, Ephraim Moses (1874-1925) / Bridgeman Images

The Jewish Lane in Amsterdam, c.1900 (etching)
The Jewish Lane in Amsterdam, c.1900 (etching)

LBI6340712: The Jewish Lane in Amsterdam, c.1900 (etching), Liebermann, Max (1847-1935) / Bridgeman Images

Portrait of Richard Beer-Hofmann, 1920 (etching, ink on wove paper)
Portrait of Richard Beer-Hofmann, 1920 (etching, ink on wove paper)

LBI6340718: Portrait of Richard Beer-Hofmann, 1920 (etching, ink on wove paper), Struck, Hermann (1876-1944) / Bridgeman Images

Trades in Regency England: Cheese making, check manufacture and cotton printing
Trades in Regency England: Cheese making, check manufacture and cotton printing

FLO6340303: Trades in Regency England: Cheese making, check manufacture and cotton printing, Taylor, Isaac (1730-1807) / Bridgeman Images

Coat of arms and crest of the right noble Philip Wharton, 1st Duke of Wharton, 1698-1731
Coat of arms and crest of the right noble Philip Wharton, 1st Duke of Wharton, 1698-1731

FLO6340309: Coat of arms and crest of the right noble Philip Wharton, 1st Duke of Wharton, 1698-1731, Johnston, Andrew (18th century) / Bridgeman Images

Trades in Regency Scotland: distillery, cannon boring and paviours
Trades in Regency Scotland: distillery, cannon boring and paviours

FLO6340315: Trades in Regency Scotland: distillery, cannon boring and paviours, Taylor, Isaac (1730-1807) / Bridgeman Images

Trades in Regency England: Covent Garden, Smithfield Market and gaslights on Carlton House
Trades in Regency England: Covent Garden, Smithfield Market and gaslights on Carlton House

FLO6340326: Trades in Regency England: Covent Garden, Smithfield Market and gaslights on Carlton House, Taylor, Isaac (1730-1807) / Bridgeman Images

Countrymen on a stage coach, the Monument and Pie Corner
Countrymen on a stage coach, the Monument and Pie Corner

FLO6340331: Countrymen on a stage coach, the Monument and Pie Corner, Taylor, Isaac (1730-1807) / Bridgeman Images

The Custom House, the Press Gang and the Tower of London
The Custom House, the Press Gang and the Tower of London

FLO6340339: The Custom House, the Press Gang and the Tower of London, Taylor, Isaac (1730-1807) / Bridgeman Images

Coat of arms and crest of the right honorable Henry Bowes Howard, 11th Earl of Berkshire, 1686-1757
Coat of arms and crest of the right honorable Henry Bowes Howard, 11th Earl of Berkshire, 1686-1757

FLO6340342: Coat of arms and crest of the right honorable Henry Bowes Howard, 11th Earl of Berkshire, 1686-1757, Johnston, Andrew (18th century) / Bridgeman Images

Nosegays, Watercress girl, Brewer’s Dray and Twopenny-Post Boy
Nosegays, Watercress girl, Brewer’s Dray and Twopenny-Post Boy

FLO6340346: Nosegays, Watercress girl, Brewer’s Dray and Twopenny-Post Boy, Taylor, Isaac (1730-1807) / Bridgeman Images

London Guildhall, Gog and Magog and the Mansion House
London Guildhall, Gog and Magog and the Mansion House

FLO6340353: London Guildhall, Gog and Magog and the Mansion House, Taylor, Isaac (1730-1807) / Bridgeman Images

The Bank of England, St Paul’s Cathedral and the Blue-Coat School or Christ’s Hospital
The Bank of England, St Paul’s Cathedral and the Blue-Coat School or Christ’s Hospital

FLO6340354: The Bank of England, St Paul’s Cathedral and the Blue-Coat School or Christ’s Hospital, Taylor, Isaac (1730-1807) / Bridgeman Images

Underground vaults in Gerard’s Hall Inn in Basing Lane, Bread Street, Cheapside, 1795
Underground vaults in Gerard’s Hall Inn in Basing Lane, Bread Street, Cheapside, 1795

FLO6340357: Underground vaults in Gerard’s Hall Inn in Basing Lane, Bread Street, Cheapside, 1795, Smith, John Thomas (1766-1833) / Bridgeman Images

Remains of the crypt part of the ancient priory of Black-Nuns, adjoining St Helen’s Church, Bishopsgate Street
Remains of the crypt part of the ancient priory of Black-Nuns, adjoining St Helen’s Church, Bishopsgate Street

FLO6340359: Remains of the crypt part of the ancient priory of Black-Nuns, adjoining St Helen’s Church, Bishopsgate Street, Smith, John Thomas (1766-1833) / Bridgeman Images

Winchester House in Winchester Street, London Wall
Winchester House in Winchester Street, London Wall

FLO6340368: Winchester House in Winchester Street, London Wall, Smith, John Thomas (1766-1833) / Bridgeman Images

A curious gate in variegated brickwork called St John Gate, the oldest house in Stepney
A curious gate in variegated brickwork called St John Gate, the oldest house in Stepney

FLO6340370: A curious gate in variegated brickwork called St John Gate, the oldest house in Stepney, Smith, John Thomas (1766-1833) / Bridgeman Images

The General Post-Office, Southwark Bridge and Waterloo Bridge
The General Post-Office, Southwark Bridge and Waterloo Bridge

FLO6340373: The General Post-Office, Southwark Bridge and Waterloo Bridge, Taylor, Isaac (1730-1807) / Bridgeman Images

Old houses in the Butcher Row, London The right-hand corner house on St Clement’s Lane reputedly used by the leaders of the Gunpowder Plot
Old houses in the Butcher Row, London The right-hand corner house on St Clement’s Lane reputedly used by the leaders of the Gunpowder Plot

FLO6340386: Old houses in the Butcher Row, London The right-hand corner house on St Clement’s Lane reputedly used by the leaders of the Gunpowder Plot, Smith, John Thomas (1766-1833) / Bridgeman Images

Wild sarsaparilla, Aralia nudicaulis
Wild sarsaparilla, Aralia nudicaulis

FLO6339731: Wild sarsaparilla, Aralia nudicaulis, Endicott (18th-19th century) / Bridgeman Images

Low rough aster or rough wood aster, Eurybia radula (Rasp-leaved aster, Aster radula)
Low rough aster or rough wood aster, Eurybia radula (Rasp-leaved aster, Aster radula)

FLO6339736: Low rough aster or rough wood aster, Eurybia radula (Rasp-leaved aster, Aster radula), Endicott (18th-19th century) / Bridgeman Images

Sickleleaf silkgrass or sickle-leaved golden aster, Pityopsis falcata (Sickle-leaved chrysopsis, Chrysopsis falcata)
Sickleleaf silkgrass or sickle-leaved golden aster, Pityopsis falcata (Sickle-leaved chrysopsis, Chrysopsis falcata)

FLO6339739: Sickleleaf silkgrass or sickle-leaved golden aster, Pityopsis falcata (Sickle-leaved chrysopsis, Chrysopsis falcata), Endicott (18th-19th century) / Bridgeman Images

The suffering Saviour stands, with outstretched arms, to shelter repentant people; and the Father looks lovingly from Heaven, upon His Son, 2002 (w/c on paper)
The suffering Saviour stands, with outstretched arms, to shelter repentant people; and the Father looks lovingly from Heaven, upon His Son, 2002 (w/c on paper)

WNG6341349: The suffering Saviour stands, with outstretched arms, to shelter repentant people; and the Father looks lovingly from Heaven, upon His Son, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Wherever there are souls who are 'lit' by Christ's life and aflame with praise, it is as if God sees lights shining like diamonds across the earth, 2002 (w/c on paper)
Wherever there are souls who are 'lit' by Christ's life and aflame with praise, it is as if God sees lights shining like diamonds across the earth, 2002 (w/c on paper)

WNG6341351: Wherever there are souls who are 'lit' by Christ's life and aflame with praise, it is as if God sees lights shining like diamonds across the earth, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

The same Spirit who comforted Christ in Gethsemane can console us, 2002 (w/c on paper)
The same Spirit who comforted Christ in Gethsemane can console us, 2002 (w/c on paper)

WNG6341354: The same Spirit who comforted Christ in Gethsemane can console us, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

In the heart and mind of one who welcomes Him, the Holy Spirit is like a lamp, a source of wisdom and infinite power, and the means of prayer, 2002 (w/c on paper)
In the heart and mind of one who welcomes Him, the Holy Spirit is like a lamp, a source of wisdom and infinite power, and the means of prayer, 2002 (w/c on paper)

WNG6341375: In the heart and mind of one who welcomes Him, the Holy Spirit is like a lamp, a source of wisdom and infinite power, and the means of prayer, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

At every Mass we reach up and meet the Father through the Sacrifice of Christ our Head, bound together with each other and with Him , 2002 (w/c on paper)
At every Mass we reach up and meet the Father through the Sacrifice of Christ our Head, bound together with each other and with Him , 2002 (w/c on paper)

WNG6341376: At every Mass we reach up and meet the Father through the Sacrifice of Christ our Head, bound together with each other and with Him , 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images


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