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Slave with her Mistress, c.1820 (w/c on ivory)
Slave with her Mistress, c.1820 (w/c on ivory)

MGS120396: Slave with her Mistress, c.1820 (w/c on ivory), French School, (19th century) / Bridgeman Images

Slave with Chains and a Poem, c.1827 (w/c on watermarked paper and prickwork)
Slave with Chains and a Poem, c.1827 (w/c on watermarked paper and prickwork)

MGS120399: Slave with Chains and a Poem, c.1827 (w/c on watermarked paper and prickwork), English School, (19th century) / Bridgeman Images

Wooded Landscape with Cattle and Goats, c.1768-72 (black & white chalk on paper)
Wooded Landscape with Cattle and Goats, c.1768-72 (black & white chalk on paper)

SGS120400: Wooded Landscape with Cattle and Goats, c.1768-72 (black & white chalk on paper), Gainsborough, Thomas (1727-88) / Bridgeman Images

A View in Nuremberg, c.1823 (w/c on paper)
A View in Nuremberg, c.1823 (w/c on paper)

SGS120410: A View in Nuremberg, c.1823 (w/c on paper), Prout, Samuel (1783-1852) / Bridgeman Images

Civilisation, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611)
Civilisation, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611)

MGS120613: Civilisation, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611) / Bridgeman Images

Anti-Slavery Coins and Medals (metal) (obverse) (for reverse see 120617)
Anti-Slavery Coins and Medals (metal) (obverse) (for reverse see 120617)

MGS120616: Anti-Slavery Coins and Medals (metal) (obverse) (for reverse see 120617) / Bridgeman Images

People of Mozambique, c.1850 (litho)
People of Mozambique, c.1850 (litho)

MGS120638: People of Mozambique, c.1850 (litho), Rugendas, Johann Moritz (1802-58) (after) / Bridgeman Images

African Hospitality, engraved by John Raphael Smith, pub. by S. Morgan, London, 1814 (mezzotint with later colouring) (pair of 120642)
African Hospitality, engraved by John Raphael Smith, pub. by S. Morgan, London, 1814 (mezzotint with later colouring) (pair of 120642)

MGS120643: African Hospitality, engraved by John Raphael Smith, pub. by S. Morgan, London, 1814 (mezzotint with later colouring) (pair of 120642), English School, (19th century) / Bridgeman Images

MGS120644: "Ebony and Ivory, or Chacun a son gout", pub. by S. and J. Fuller, London, 1824 (etching with publisher's colouring), English School, (19th century) / Bridgeman Images

Sale of Slaves by Auction, c.1800 (engraving)
Sale of Slaves by Auction, c.1800 (engraving)

MGS120660: Sale of Slaves by Auction, c.1800 (engraving), English School, (19th century) / Bridgeman Images

African Slavery, engraved by Clark and Dubourg, London, 1813 (steel engraving with publisher's colouring)
African Slavery, engraved by Clark and Dubourg, London, 1813 (steel engraving with publisher's colouring)

MGS120666: African Slavery, engraved by Clark and Dubourg, London, 1813 (steel engraving with publisher's colouring), English School, (19th century) / Bridgeman Images

Imam Calling to Prayer, probably by Cousinery, Ottoman period, third quarter of 18th century (w/c on paper)
Imam Calling to Prayer, probably by Cousinery, Ottoman period, third quarter of 18th century (w/c on paper)

UOL120668: Imam Calling to Prayer, probably by Cousinery, Ottoman period, third quarter of 18th century (w/c on paper), French School, (18th century) / Bridgeman Images

Musician, Ottoman period, third quarter of 18th century (w/c on paper)
Musician, Ottoman period, third quarter of 18th century (w/c on paper)

UOL120692: Musician, Ottoman period, third quarter of 18th century (w/c on paper), French School, (18th century) / Bridgeman Images

Carving from an apron, probably used in Tantric ceremonies, Tibetan, 18th century (human bone)
Carving from an apron, probably used in Tantric ceremonies, Tibetan, 18th century (human bone)

AMO120699: Carving from an apron, probably used in Tantric ceremonies, Tibetan, 18th century (human bone), Tibetan School, (18th century) / Bridgeman Images

Vase of Flowers, c.1900 (oil on canvas)
Vase of Flowers, c.1900 (oil on canvas)

NUM120730: Vase of Flowers, c.1900 (oil on canvas), Redon, Odilon (1840-1916) / Bridgeman Images

The Hallstatter Lake, 1824 (oil on canvas)
The Hallstatter Lake, 1824 (oil on canvas)

NUM120758: The Hallstatter Lake, 1824 (oil on canvas), Steinfeld, Franz II (1787-1868) / Bridgeman Images

Bradford Table Carpet, detail of men fishing and duck shooting, English, late 16th century (embroidered on linen canvas with coloured silks)
Bradford Table Carpet, detail of men fishing and duck shooting, English, late 16th century (embroidered on linen canvas with coloured silks)

NUM120761: Bradford Table Carpet, detail of men fishing and duck shooting, English, late 16th century (embroidered on linen canvas with coloured silks) / Bridgeman Images

Bradford Table Carpet, detail of a lion chasing a man up a tree, English, late 16th century (embroidered on linen canvas with coloured silks)
Bradford Table Carpet, detail of a lion chasing a man up a tree, English, late 16th century (embroidered on linen canvas with coloured silks)

NUM120763: Bradford Table Carpet, detail of a lion chasing a man up a tree, English, late 16th century (embroidered on linen canvas with coloured silks) / Bridgeman Images

Statuette of the king, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood)
Statuette of the king, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood)

ANC120780: Statuette of the king, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

The Valley of the Kings showing a natural pyramid in the background (photo)
The Valley of the Kings showing a natural pyramid in the background (photo)

SCN120787: The Valley of the Kings showing a natural pyramid in the background (photo) / Bridgeman Images

Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting)
Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting)

UOL120818: Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting), Japanese School, (17th century) / Bridgeman Images

Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail)
Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail)

UOL120831: Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail), Japanese School, (17th century) / Bridgeman Images

Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail) (see also 120832)
Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail) (see also 120832)

UOL120835: Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail) (see also 120832), Japanese School, (17th century) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120842: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120845: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120849: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Portrait of Oe Miromoto (1148-1225) with a poem, from 'Famous Generals of Japan', c.1858 (colour woodblock print)
Portrait of Oe Miromoto (1148-1225) with a poem, from 'Famous Generals of Japan', c.1858 (colour woodblock print)

UOL120865: Portrait of Oe Miromoto (1148-1225) with a poem, from 'Famous Generals of Japan', c.1858 (colour woodblock print), Yoshitora (fl.1850-80) / Bridgeman Images

Figure of the Bodhisattva Guanyin, holding a child and flanked by two standing children and a white dragon, Qing dynasty, 19th century (enamelled porcelain)
Figure of the Bodhisattva Guanyin, holding a child and flanked by two standing children and a white dragon, Qing dynasty, 19th century (enamelled porcelain)

ORM120886: Figure of the Bodhisattva Guanyin, holding a child and flanked by two standing children and a white dragon, Qing dynasty, 19th century (enamelled porcelain), Chinese School (19th century) / Bridgeman Images

The Gates, detail (photo)
The Gates, detail (photo)

JOE120901: The Gates, detail (photo) / Bridgeman Images

Neon Advertising (photo)
Neon Advertising (photo)

JOE120902: Neon Advertising (photo) / Bridgeman Images

Memorial to Sir John Myddleton (c.1560-1631) (photo) (see also 120900)
Memorial to Sir John Myddleton (c.1560-1631) (photo) (see also 120900)

JOE120913: Memorial to Sir John Myddleton (c.1560-1631) (photo) (see also 120900), English School, (17th century) / Bridgeman Images

Jar with associated cover, c.1660-80 (porcelain with enamel overglaze)
Jar with associated cover, c.1660-80 (porcelain with enamel overglaze)

AMO117732: Jar with associated cover, c.1660-80 (porcelain with enamel overglaze), Japanese School, (17th century) / Bridgeman Images

Large bottle vase, decorated in Holland in the Imari style, Ko-Imari, late 17th century (earthenware with enamel overglaze)
Large bottle vase, decorated in Holland in the Imari style, Ko-Imari, late 17th century (earthenware with enamel overglaze)

AMO117741: Large bottle vase, decorated in Holland in the Imari style, Ko-Imari, late 17th century (earthenware with enamel overglaze), Japanese School, (17th century) / Bridgeman Images

Cloisonne vase, probably 19th (century earthenware with enamel overglaze)
Cloisonne vase, probably 19th (century earthenware with enamel overglaze)

AMO117743: Cloisonne vase, probably 19th (century earthenware with enamel overglaze), Japanese School, (19th century) / Bridgeman Images

Inro depicting the Courtesan Morokoshi of Echizen-ya writing a letter, (polished lacquers and inlaid gold foil on a lacquer ground)
Inro depicting the Courtesan Morokoshi of Echizen-ya writing a letter, (polished lacquers and inlaid gold foil on a lacquer ground)

AMO117744: Inro depicting the Courtesan Morokoshi of Echizen-ya writing a letter, (polished lacquers and inlaid gold foil on a lacquer ground), Eishi, Hosada (1756-1829) (after) / Bridgeman Images

Tondino dish, Iznik 'Golden Horn' ware, Turkish, c.1535-45 (stone-paste with blue under glaze)
Tondino dish, Iznik 'Golden Horn' ware, Turkish, c.1535-45 (stone-paste with blue under glaze)

AMO117758: Tondino dish, Iznik 'Golden Horn' ware, Turkish, c.1535-45 (stone-paste with blue under glaze), Turkish School, (16th century) / Bridgeman Images


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