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Portrait of Jean Baptiste Paul Beau (1857-1926) new governor general of Indochina, upon his arrival in Saigon, the local officials gathered in a cortege to welcome him during his departure from the ship L'Annam. Engraving in
Portrait of Jean Baptiste Paul Beau (1857-1926) new governor general of Indochina, upon his arrival in Saigon, the local officials gathered in a cortege to welcome him during his departure from the ship L'Annam. Engraving in

LSE4327635: Portrait of Jean Baptiste Paul Beau (1857-1926) new governor general of Indochina, upon his arrival in Saigon, the local officials gathered in a cortege to welcome him during his departure from the ship L'Annam. Engraving in "Le petit journal" 9/10/1902. Selva Collection., Dufresne, Paul (1885-1956) / Bridgeman Images

ID: LSE4327635

Portrait of Jean Baptiste Paul Beau (1857-1926) new governor general of Indochina, upon his arrival in Saigon, the local officials gathered in a cortege to welcome him during his departure from the ship L'Annam. Engraving in "Le petit journal" 9/10/1902. Selva Collection.

Dufresne, Paul (1885-1956)

In Macedoine, massacre of a Christian Orthodox marriage, which is targeted by Turks, 1903 (print)
In Macedoine, massacre of a Christian Orthodox marriage, which is targeted by Turks, 1903 (print)

LSE4327666: In Macedoine, massacre of a Christian Orthodox marriage, which is targeted by Turks, 1903 (print), French School, (20th century) / Bridgeman Images

ID: LSE4327666

In Macedoine, massacre of a Christian Orthodox marriage, which is targeted by Turks, 1903 (print)

French School, (20th century)

Male character of the Pekin Opera. Painted paper cutting or
Male character of the Pekin Opera. Painted paper cutting or

LSE4322242: Male character of the Pekin Opera. Painted paper cutting or "Jian Zhi", Chinese folk art, Pekin., Chinese School (20th century) / Bridgeman Images

ID: LSE4322242

Male character of the Pekin Opera. Painted paper cutting or "Jian Zhi", Chinese folk art, Pekin.

Chinese School (20th century)

Battle of the bridge of Pa li Kiao (Pa-li-kiao, Baliqiao) in 1860 between British and French troops victorious against the Chinese, opening them the gates of Pekin, and draining the bag of the Ete Palace. Engraving by Bayard, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.
Battle of the bridge of Pa li Kiao (Pa-li-kiao, Baliqiao) in 1860 between British and French troops victorious against the Chinese, opening them the gates of Pekin, and draining the bag of the Ete Palace. Engraving by Bayard, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.

LSE4322265: Battle of the bridge of Pa li Kiao (Pa-li-kiao, Baliqiao) in 1860 between British and French troops victorious against the Chinese, opening them the gates of Pekin, and draining the bag of the Ete Palace. Engraving by Bayard, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4322265

Battle of the bridge of Pa li Kiao (Pa-li-kiao, Baliqiao) in 1860 between British and French troops victorious against the Chinese, opening them the gates of Pekin, and draining the bag of the Ete Palace. Engraving by Bayard, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.

Bayard, Emile Antoine (1837-91)

Wall of China. Engraving after a drawing by Dosso, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.
Wall of China. Engraving after a drawing by Dosso, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.

LSE4322399: Wall of China. Engraving after a drawing by Dosso, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882., Dosso, (19th century) / Bridgeman Images

ID: LSE4322399

Wall of China. Engraving after a drawing by Dosso, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.

Dosso, (19th century)

Winston Churchill, prime minister, some excerts from wartime speeches.
Winston Churchill, prime minister, some excerts from wartime speeches.

LSE4322462: Winston Churchill, prime minister, some excerts from wartime speeches., English School, (20th century) / Bridgeman Images

ID: LSE4322462

Winston Churchill, prime minister, some excerts from wartime speeches.

English School, (20th century)

British Prime Minister Winston Churchill (1874-1965) and US President Franklin Roosevelt (1882-1945) in London in June 1943. Photography, in “Winston Churchill, prime minister”, New York, 1943.
British Prime Minister Winston Churchill (1874-1965) and US President Franklin Roosevelt (1882-1945) in London in June 1943. Photography, in “Winston Churchill, prime minister”, New York, 1943.

LSE4322482: British Prime Minister Winston Churchill (1874-1965) and US President Franklin Roosevelt (1882-1945) in London in June 1943. Photography, in “Winston Churchill, prime minister”, New York, 1943., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4322482

British Prime Minister Winston Churchill (1874-1965) and US President Franklin Roosevelt (1882-1945) in London in June 1943. Photography, in “Winston Churchill, prime minister”, New York, 1943.

Unknown photographer, (20th century)

British Prime Minister Winston Churchill (1874-1965) and his wife Clementine Churchill (1885-1977) in June 1940. Photography, in “Winston Churchill, prime minister”, New York, 1943.
British Prime Minister Winston Churchill (1874-1965) and his wife Clementine Churchill (1885-1977) in June 1940. Photography, in “Winston Churchill, prime minister”, New York, 1943.

LSE4322494: British Prime Minister Winston Churchill (1874-1965) and his wife Clementine Churchill (1885-1977) in June 1940. Photography, in “Winston Churchill, prime minister”, New York, 1943., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4322494

British Prime Minister Winston Churchill (1874-1965) and his wife Clementine Churchill (1885-1977) in June 1940. Photography, in “Winston Churchill, prime minister”, New York, 1943.

Unknown photographer, (20th century)

General d'Amade (1856-1941) commanding French troops from ships in Casablanca, Morocco in 1907, posing with his headquarters. Postcard of the Selva collection.
General d'Amade (1856-1941) commanding French troops from ships in Casablanca, Morocco in 1907, posing with his headquarters. Postcard of the Selva collection.

LSE4322634: General d'Amade (1856-1941) commanding French troops from ships in Casablanca, Morocco in 1907, posing with his headquarters. Postcard of the Selva collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4322634

General d'Amade (1856-1941) commanding French troops from ships in Casablanca, Morocco in 1907, posing with his headquarters. Postcard of the Selva collection.

Unknown Artist, (20th century)

The amphitheatre of El Djem (or El Jem) in Tunisia also calls the thysdrus colisee, built in 238 AD, or known as Ksar de la Kahena, named after a Berber princess of the 7th century, who had found refuge there to resist the Muslim invader. Postcard of the Selva collection.
The amphitheatre of El Djem (or El Jem) in Tunisia also calls the thysdrus colisee, built in 238 AD, or known as Ksar de la Kahena, named after a Berber princess of the 7th century, who had found refuge there to resist the Muslim invader. Postcard of the Selva collection.

LSE4322645: The amphitheatre of El Djem (or El Jem) in Tunisia also calls the thysdrus colisee, built in 238 AD, or known as Ksar de la Kahena, named after a Berber princess of the 7th century, who had found refuge there to resist the Muslim invader. Postcard of the Selva collection., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4322645

The amphitheatre of El Djem (or El Jem) in Tunisia also calls the thysdrus colisee, built in 238 AD, or known as Ksar de la Kahena, named after a Berber princess of the 7th century, who had found refuge there to resist the Muslim invader. Postcard of the Selva collection.

Unknown photographer, (20th century)

Pavillon Noir, American adventure film by Frank Borzage starring Maureen O'Hara and Paul Henreid (poster)
Pavillon Noir, American adventure film by Frank Borzage starring Maureen O'Hara and Paul Henreid (poster)

LSE4322748: Pavillon Noir, American adventure film by Frank Borzage starring Maureen O'Hara and Paul Henreid (poster), Segogne, Pierre (d.1958) / Bridgeman Images

ID: LSE4322748

Pavillon Noir, American adventure film by Frank Borzage starring Maureen O'Hara and Paul Henreid (poster)

Segogne, Pierre (d.1958)

An alienee woman, Maxence Amelot, kills the abbe Paul de Broglie (1834-1895) at his home rue Notre Dame des champs, in Paris. Engraving in “” Le petit journal”” 26/05/1895. Selva's collection.
An alienee woman, Maxence Amelot, kills the abbe Paul de Broglie (1834-1895) at his home rue Notre Dame des champs, in Paris. Engraving in “” Le petit journal”” 26/05/1895. Selva's collection.

LSE4324062: An alienee woman, Maxence Amelot, kills the abbe Paul de Broglie (1834-1895) at his home rue Notre Dame des champs, in Paris. Engraving in “” Le petit journal”” 26/05/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324062

An alienee woman, Maxence Amelot, kills the abbe Paul de Broglie (1834-1895) at his home rue Notre Dame des champs, in Paris. Engraving in “” Le petit journal”” 26/05/1895. Selva's collection.

Unknown Artist, (19th century)

The assassination of the British, Swedish, Norwegian, Russian and French consuls on 30 May 1895 in Jeddah (Saudi Arabia) by a dozen Bedouins from the surrounding towns. Engraving in “” Le petit journal”” 16/06/1895. Selva's collection.
The assassination of the British, Swedish, Norwegian, Russian and French consuls on 30 May 1895 in Jeddah (Saudi Arabia) by a dozen Bedouins from the surrounding towns. Engraving in “” Le petit journal”” 16/06/1895. Selva's collection.

LSE4324084: The assassination of the British, Swedish, Norwegian, Russian and French consuls on 30 May 1895 in Jeddah (Saudi Arabia) by a dozen Bedouins from the surrounding towns. Engraving in “” Le petit journal”” 16/06/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324084

The assassination of the British, Swedish, Norwegian, Russian and French consuls on 30 May 1895 in Jeddah (Saudi Arabia) by a dozen Bedouins from the surrounding towns. Engraving in “” Le petit journal”” 16/06/1895. Selva's collection.

Unknown Artist, (19th century)

The death of Lieutenant Collot, in charge of a geographic mission in the south of El Golea, near the fort of Miribel (Oran department in Algeria), he and his spahis escort succumbed to the attack of the Chambaa. Engraving in “” Le petit journal””/1896. Selva's collection.
The death of Lieutenant Collot, in charge of a geographic mission in the south of El Golea, near the fort of Miribel (Oran department in Algeria), he and his spahis escort succumbed to the attack of the Chambaa. Engraving in “” Le petit journal””/1896. Selva's collection.

LSE4324271: The death of Lieutenant Collot, in charge of a geographic mission in the south of El Golea, near the fort of Miribel (Oran department in Algeria), he and his spahis escort succumbed to the attack of the Chambaa. Engraving in “” Le petit journal””/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324271

The death of Lieutenant Collot, in charge of a geographic mission in the south of El Golea, near the fort of Miribel (Oran department in Algeria), he and his spahis escort succumbed to the attack of the Chambaa. Engraving in “” Le petit journal””/1896. Selva's collection.

Unknown Artist, (19th century)

Inside a ruined workshop in Stalingrad (present-day Volgograd), two German grenadiers inspect the destroyed energy generator - Photography in
Inside a ruined workshop in Stalingrad (present-day Volgograd), two German grenadiers inspect the destroyed energy generator - Photography in

LSE4324629: Inside a ruined workshop in Stalingrad (present-day Volgograd), two German grenadiers inspect the destroyed energy generator - Photography in "die Woche" 2/12/1942 - Selva Collection, German Photographer, (20th century) / Bridgeman Images

ID: LSE4324629

Inside a ruined workshop in Stalingrad (present-day Volgograd), two German grenadiers inspect the destroyed energy generator - Photography in "die Woche" 2/12/1942 - Selva Collection

German Photographer, (20th century)

Portrait of Joachim von Ribbentrop (1893-1946), Minister of Foreign Affairs of the Third Reich from 1938 to 1945, he was responsible for the German-Sovietic Pact (1939) of Non-Aggression and the Steel Pact (1939) for the rapprochement between Hitler and Mussolini, then he pushed to the end of the war with Russia in 1941 - Photography in
Portrait of Joachim von Ribbentrop (1893-1946), Minister of Foreign Affairs of the Third Reich from 1938 to 1945, he was responsible for the German-Sovietic Pact (1939) of Non-Aggression and the Steel Pact (1939) for the rapprochement between Hitler and Mussolini, then he pushed to the end of the war with Russia in 1941 - Photography in

LSE4324720: Portrait of Joachim von Ribbentrop (1893-1946), Minister of Foreign Affairs of the Third Reich from 1938 to 1945, he was responsible for the German-Sovietic Pact (1939) of Non-Aggression and the Steel Pact (1939) for the rapprochement between Hitler and Mussolini, then he pushed to the end of the war with Russia in 1941 - Photography in "die Woche" 28 /04/1943 - Selva Collection / Bridgeman Images

ID: LSE4324720

Portrait of Joachim von Ribbentrop (1893-1946), Minister of Foreign Affairs of the Third Reich from 1938 to 1945, he was responsible for the German-Sovietic Pact (1939) of Non-Aggression and the Steel Pact (1939) for the rapprochement between Hitler and Mussolini, then he pushed to the end of the war with Russia in 1941 - Photography in "die Woche" 28 /04/1943 - Selva Collection

Chinese thief condemns the cangue, led and struck by police officers, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Chinese thief condemns the cangue, led and struck by police officers, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325333: Chinese thief condemns the cangue, led and struck by police officers, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Janet, Ange-Louis (Janet-Lange) (1815-72) / Bridgeman Images

ID: LSE4325333

Chinese thief condemns the cangue, led and struck by police officers, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Janet, Ange-Louis (Janet-Lange) (1815-72)

The torture of adulteres in Khiva (Uzbekistan), the woman buries alive is stoned by the crowd, the man is hanged in public places. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The torture of adulteres in Khiva (Uzbekistan), the woman buries alive is stoned by the crowd, the man is hanged in public places. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325534: The torture of adulteres in Khiva (Uzbekistan), the woman buries alive is stoned by the crowd, the man is hanged in public places. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325534

The torture of adulteres in Khiva (Uzbekistan), the woman buries alive is stoned by the crowd, the man is hanged in public places. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Unknown Artist, (19th century)

Tempete ribbon on the red river (Quebec), on which the authors boarded an Indian canoe, these storms have as their furrow the course of a river, the air overload with electricity develops a real violence of destruction. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Tempete ribbon on the red river (Quebec), on which the authors boarded an Indian canoe, these storms have as their furrow the course of a river, the air overload with electricity develops a real violence of destruction. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325960: Tempete ribbon on the red river (Quebec), on which the authors boarded an Indian canoe, these storms have as their furrow the course of a river, the air overload with electricity develops a real violence of destruction. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325960

Tempete ribbon on the red river (Quebec), on which the authors boarded an Indian canoe, these storms have as their furrow the course of a river, the air overload with electricity develops a real violence of destruction. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

A scaphandrier discovers a tresor at the bottom of the sea, cover illustration for the novel “Les etranges noces de Rouletabille, 2nd part: les mysteres du Bosphorus” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.
A scaphandrier discovers a tresor at the bottom of the sea, cover illustration for the novel “Les etranges noces de Rouletabille, 2nd part: les mysteres du Bosphorus” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.

LSE4326494: A scaphandrier discovers a tresor at the bottom of the sea, cover illustration for the novel “Les etranges noces de Rouletabille, 2nd part: les mysteres du Bosphorus” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4326494

A scaphandrier discovers a tresor at the bottom of the sea, cover illustration for the novel “Les etranges noces de Rouletabille, 2nd part: les mysteres du Bosphorus” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.

Unknown Artist, (20th century)

Battle of an orang utan (orang-utan, orang outang, orang-utang) and a Dyak, his companions arrived to rescue him, weapons of axes and spades, in the vicinity of Borneo. Engraving to illustrate the voyage in the Malaysian archipelago, by Alfred Russell Wallace, in 1854-1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Battle of an orang utan (orang-utan, orang outang, orang-utang) and a Dyak, his companions arrived to rescue him, weapons of axes and spades, in the vicinity of Borneo. Engraving to illustrate the voyage in the Malaysian archipelago, by Alfred Russell Wallace, in 1854-1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329076: Battle of an orang utan (orang-utan, orang outang, orang-utang) and a Dyak, his companions arrived to rescue him, weapons of axes and spades, in the vicinity of Borneo. Engraving to illustrate the voyage in the Malaysian archipelago, by Alfred Russell Wallace, in 1854-1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Wallace, Alfred Russel (1823-1913) / Bridgeman Images

ID: LSE4329076

Battle of an orang utan (orang-utan, orang outang, orang-utang) and a Dyak, his companions arrived to rescue him, weapons of axes and spades, in the vicinity of Borneo. Engraving to illustrate the voyage in the Malaysian archipelago, by Alfred Russell Wallace, in 1854-1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Wallace, Alfred Russel (1823-1913)

The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329444: The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329444

The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.
From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329456: From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329456

From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

Amalgamation mills for the processing of silver ores (wheeler's parts of the Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after the drawing of Jahandier, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition. , Paris. Selva Collection.
Amalgamation mills for the processing of silver ores (wheeler's parts of the Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after the drawing of Jahandier, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition. , Paris. Selva Collection.

LSE4329679: Amalgamation mills for the processing of silver ores (wheeler's parts of the Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after the drawing of Jahandier, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition. , Paris. Selva Collection., Jahandier, A. (19th century) / Bridgeman Images

ID: LSE4329679

Amalgamation mills for the processing of silver ores (wheeler's parts of the Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after the drawing of Jahandier, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition. , Paris. Selva Collection.

Jahandier, A. (19th century)

Face of a new skier, above three Olympic rings - A vignette illustrated by G. Gorde, claimed for the FIS World Games, World Ski Championship, Chamonix Mont Blanc (Alpes, France), 1937
Face of a new skier, above three Olympic rings - A vignette illustrated by G. Gorde, claimed for the FIS World Games, World Ski Championship, Chamonix Mont Blanc (Alpes, France), 1937

LEG4338504: Face of a new skier, above three Olympic rings - A vignette illustrated by G. Gorde, claimed for the FIS World Games, World Ski Championship, Chamonix Mont Blanc (Alpes, France), 1937, Gorde, Gaston (1908-95) / Bridgeman Images

ID: LEG4338504

Face of a new skier, above three Olympic rings - A vignette illustrated by G. Gorde, claimed for the FIS World Games, World Ski Championship, Chamonix Mont Blanc (Alpes, France), 1937

Gorde, Gaston (1908-95)

On the site of the Resurrection: the pool of Ezechias and the domes of the Basilica of Saint Sepulchre in Jerusalem - cover of
On the site of the Resurrection: the pool of Ezechias and the domes of the Basilica of Saint Sepulchre in Jerusalem - cover of

XEE4148920: On the site of the Resurrection: the pool of Ezechias and the domes of the Basilica of Saint Sepulchre in Jerusalem - cover of "Le-Pelerin", April 7, 1929, French School, (20th century) / Bridgeman Images

ID: XEE4148920

On the site of the Resurrection: the pool of Ezechias and the domes of the Basilica of Saint Sepulchre in Jerusalem - cover of "Le-Pelerin", April 7, 1929

French School, (20th century)

The explorer Roald Amundsen and Commander Rene Guilbaud, departed aboard the Latham 02, to the rescue of General Umberto Nobile ; shall we see them again? - cover of
The explorer Roald Amundsen and Commander Rene Guilbaud, departed aboard the Latham 02, to the rescue of General Umberto Nobile ; shall we see them again? - cover of

XEE4148930: The explorer Roald Amundsen and Commander Rene Guilbaud, departed aboard the Latham 02, to the rescue of General Umberto Nobile ; shall we see them again? - cover of "Le-Pelerin", July 1, 1928, French School, (20th century) / Bridgeman Images

ID: XEE4148930

The explorer Roald Amundsen and Commander Rene Guilbaud, departed aboard the Latham 02, to the rescue of General Umberto Nobile ; shall we see them again? - cover of "Le-Pelerin", July 1, 1928

French School, (20th century)

Clotaire (Clothaire) I (497-561), King of the Francs, burns in a cottage his son Chramne (Chram, Chramn) and his wife, who revolted against him - Engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.
Clotaire (Clothaire) I (497-561), King of the Francs, burns in a cottage his son Chramne (Chram, Chramn) and his wife, who revolted against him - Engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

XEE4149087: Clotaire (Clothaire) I (497-561), King of the Francs, burns in a cottage his son Chramne (Chram, Chramn) and his wife, who revolted against him - Engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4149087

Clotaire (Clothaire) I (497-561), King of the Francs, burns in a cottage his son Chramne (Chram, Chramn) and his wife, who revolted against him - Engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

Primo Carnera, Italian boxer, 1930
Primo Carnera, Italian boxer, 1930

XEE4149111: Primo Carnera, Italian boxer, 1930, Italian Photographer, (20th century) / Bridgeman Images

ID: XEE4149111

Primo Carnera, Italian boxer, 1930

Italian Photographer, (20th century)

Otter eating a fish - Otter en manger un poisson - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
Otter eating a fish - Otter en manger un poisson - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154277: Otter eating a fish - Otter en manger un poisson - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154277

Otter eating a fish - Otter en manger un poisson - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

The monkeys will sing - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
The monkeys will sing - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154289: The monkeys will sing - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154289

The monkeys will sing - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

Walk a camel back - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
Walk a camel back - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154297: Walk a camel back - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154297

Walk a camel back - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

Le petit bear n'is pas peur du lynx - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
Le petit bear n'is pas peur du lynx - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154299: Le petit bear n'is pas peur du lynx - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154299

Le petit bear n'is pas peur du lynx - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

Michelle jumps over the wall at the sight of the wild boar - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
Michelle jumps over the wall at the sight of the wild boar - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154306: Michelle jumps over the wall at the sight of the wild boar - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154306

Michelle jumps over the wall at the sight of the wild boar - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

Portrait of Anne Hilarion de Costentin (Cotentin), Count of Tourville (1642-1701) (Admiral Tourville) - Battle of Bantry (Battle of the Bay of Bantry), 1689 - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.
Portrait of Anne Hilarion de Costentin (Cotentin), Count of Tourville (1642-1701) (Admiral Tourville) - Battle of Bantry (Battle of the Bay of Bantry), 1689 - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

XEE4152195: Portrait of Anne Hilarion de Costentin (Cotentin), Count of Tourville (1642-1701) (Admiral Tourville) - Battle of Bantry (Battle of the Bay of Bantry), 1689 - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4152195

Portrait of Anne Hilarion de Costentin (Cotentin), Count of Tourville (1642-1701) (Admiral Tourville) - Battle of Bantry (Battle of the Bay of Bantry), 1689 - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

The death of Charles Ferdinand de Bourbon, Duke of Berry (1778-1820) on 13/02/1820 at the exit of the Royal Academy of Music”” The nephew of King Louis XVIII is assassine at the Opera by Louvel a republican wanting to quench the royal dynasty - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.
The death of Charles Ferdinand de Bourbon, Duke of Berry (1778-1820) on 13/02/1820 at the exit of the Royal Academy of Music”” The nephew of King Louis XVIII is assassine at the Opera by Louvel a republican wanting to quench the royal dynasty - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

XEE4152199: The death of Charles Ferdinand de Bourbon, Duke of Berry (1778-1820) on 13/02/1820 at the exit of the Royal Academy of Music”” The nephew of King Louis XVIII is assassine at the Opera by Louvel a republican wanting to quench the royal dynasty - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4152199

The death of Charles Ferdinand de Bourbon, Duke of Berry (1778-1820) on 13/02/1820 at the exit of the Royal Academy of Music”” The nephew of King Louis XVIII is assassine at the Opera by Louvel a republican wanting to quench the royal dynasty - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)


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