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Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679173: Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

Teacher flogging a child with birch twigs in a Regency school. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Teacher flogging a child with birch twigs in a Regency school. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679234: Teacher flogging a child with birch twigs in a Regency school. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

Title page with vignette of two men in frock coats and breeches. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Title page with vignette of two men in frock coats and breeches. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679251: Title page with vignette of two men in frock coats and breeches. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

Serving dropping a tea-urn on gentleman's leg in a parlour. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Serving dropping a tea-urn on gentleman's leg in a parlour. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679268: Serving dropping a tea-urn on gentleman's leg in a parlour. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

Great auk, Pinguinus impennis. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850.
Great auk, Pinguinus impennis. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850.

FLO4679280: Great auk, Pinguinus impennis. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850. / Bridgeman Images

Orchid: oncidium variete, West Indies epiphyte - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Oncidium baueri orchid (Lofty oncidium, Oncidium altissimum) - Engraving by S. Watts after an after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833
Orchid: oncidium variete, West Indies epiphyte - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Oncidium baueri orchid (Lofty oncidium, Oncidium altissimum) - Engraving by S. Watts after an after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4679302: Orchid: oncidium variete, West Indies epiphyte - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Oncidium baueri orchid (Lofty oncidium, Oncidium altissimum) - Engraving by S. Watts after an after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

From a very ancient vase in the British Museum decorated with a man riding a two-horse chariot, another man with a spear. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
From a very ancient vase in the British Museum decorated with a man riding a two-horse chariot, another man with a spear. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679311: From a very ancient vase in the British Museum decorated with a man riding a two-horse chariot, another man with a spear. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Elevation of the Mausoleum of Hadrian in its perfect state in Parco Adriano, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Elevation of the Mausoleum of Hadrian in its perfect state in Parco Adriano, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679377: Elevation of the Mausoleum of Hadrian in its perfect state in Parco Adriano, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Section through the Mausoleum of Hadrian in Parco Adriano, Rome, from Bartoli. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Section through the Mausoleum of Hadrian in Parco Adriano, Rome, from Bartoli. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679380: Section through the Mausoleum of Hadrian in Parco Adriano, Rome, from Bartoli. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678322: Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678336: A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678379: Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678441: Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678997: Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Cartoon of English fashions in Paris, 1814. Man in flowerpot hat, women in bottom-shaped gowns. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Cartoon of English fashions in Paris, 1814. Man in flowerpot hat, women in bottom-shaped gowns. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677482: Cartoon of English fashions in Paris, 1814. Man in flowerpot hat, women in bottom-shaped gowns. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

The old young man. Old dandy in jacket with high collar, bicorn, tight breeches and hose, has a tie ties by a young shopgirl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
The old young man. Old dandy in jacket with high collar, bicorn, tight breeches and hose, has a tie ties by a young shopgirl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677534: The old young man. Old dandy in jacket with high collar, bicorn, tight breeches and hose, has a tie ties by a young shopgirl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Fashionable women in decollete dresses playing the game of hide and seek in a garden. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Fashionable women in decollete dresses playing the game of hide and seek in a garden. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677559: Fashionable women in decollete dresses playing the game of hide and seek in a garden. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Francoise d'Aubigne, Marquise de Maintenon, wife of King Louis XIV of France, 1653-1719. After an enamel portrait. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.
Francoise d'Aubigne, Marquise de Maintenon, wife of King Louis XIV of France, 1653-1719. After an enamel portrait. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.

FLO4678098: Francoise d'Aubigne, Marquise de Maintenon, wife of King Louis XIV of France, 1653-1719. After an enamel portrait. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827. / Bridgeman Images

Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385. Guy de Bryan wears mixed armour of chainmail and plate, short hauberk, brasselbow vandykes, gauntlets, chausses, and bassinet with camail. Visconti wears mixed armour, with chainmail hauberk and thighs, knee pads, jambs or steel boots and spurs. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385. Guy de Bryan wears mixed armour of chainmail and plate, short hauberk, brasselbow vandykes, gauntlets, chausses, and bassinet with camail. Visconti wears mixed armour, with chainmail hauberk and thighs, knee pads, jambs or steel boots and spurs. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678203: Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385. Guy de Bryan wears mixed armour of chainmail and plate, short hauberk, brasselbow vandykes, gauntlets, chausses, and bassinet with camail. Visconti wears mixed armour, with chainmail hauberk and thighs, knee pads, jambs or steel boots and spurs. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Sir John Harsich, 1384. He wears his tilting helmet with turkey-feather crest and cointisse over his bassinet. The wreath below the crest is two pieces of silk in his armorial colours twisted together by a lady. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Harsich, 1384. He wears his tilting helmet with turkey-feather crest and cointisse over his bassinet. The wreath below the crest is two pieces of silk in his armorial colours twisted together by a lady. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678208: Sir John Harsich, 1384. He wears his tilting helmet with turkey-feather crest and cointisse over his bassinet. The wreath below the crest is two pieces of silk in his armorial colours twisted together by a lady. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678217: A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Woman from the Chaussee-d'Antin in the Chinese fashion. She wears a tall bonnet with flowers and ribbons over her piled up hairstyle a la Chinoque, ruff collar, tunic with bells, shawl tied in a bow, and shoes with bows. Illustration by Louis-Philibert Debucourt. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman from the Chaussee-d'Antin in the Chinese fashion. She wears a tall bonnet with flowers and ribbons over her piled up hairstyle a la Chinoque, ruff collar, tunic with bells, shawl tied in a bow, and shoes with bows. Illustration by Louis-Philibert Debucourt. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677385: Woman from the Chaussee-d'Antin in the Chinese fashion. She wears a tall bonnet with flowers and ribbons over her piled up hairstyle a la Chinoque, ruff collar, tunic with bells, shawl tied in a bow, and shoes with bows. Illustration by Louis-Philibert Debucourt. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

English fashions and military uniforms, 1815. One woman on the right wears English-influenced fashions, while talking with a hussar and dragoon. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
English fashions and military uniforms, 1815. One woman on the right wears English-influenced fashions, while talking with a hussar and dragoon. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677558: English fashions and military uniforms, 1815. One woman on the right wears English-influenced fashions, while talking with a hussar and dragoon. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Military costume: un soldat milanese (Italy), 15th century - Milanese soldier, 15th century - He wears a red helmet ornamented with gold, one-piece tunic and breeches, chainmail chlamys, steel-plate arm and leg armour - He carries a spear and buckler (shield) - From a painting in the chapel in the Duomo of Monza - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: un soldat milanese (Italy), 15th century - Milanese soldier, 15th century - He wears a red helmet ornamented with gold, one-piece tunic and breeches, chainmail chlamys, steel-plate arm and leg armour - He carries a spear and buckler (shield) - From a painting in the chapel in the Duomo of Monza - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676267: Military costume: un soldat milanese (Italy), 15th century - Milanese soldier, 15th century - He wears a red helmet ornamented with gold, one-piece tunic and breeches, chainmail chlamys, steel-plate arm and leg armour - He carries a spear and buckler (shield) - From a painting in the chapel in the Duomo of Monza - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Alberto Aringhieri en veteau ecclesial de chevalier de Rhodes (order of Saint John of Jerusalem a Rhodes or Order of Hospitallers), kneeling in prayer, 15th century - Alberto Aringhieri in ecclesiastical garb as a Knight of Rhodes, or Hospitaler, 15th century - He wears a velvet cap, black cape with white cross of From a painting by Pinturicchio in Siena Cathedral - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Alberto Aringhieri en veteau ecclesial de chevalier de Rhodes (order of Saint John of Jerusalem a Rhodes or Order of Hospitallers), kneeling in prayer, 15th century - Alberto Aringhieri in ecclesiastical garb as a Knight of Rhodes, or Hospitaler, 15th century - He wears a velvet cap, black cape with white cross of From a painting by Pinturicchio in Siena Cathedral - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676282: Alberto Aringhieri en veteau ecclesial de chevalier de Rhodes (order of Saint John of Jerusalem a Rhodes or Order of Hospitallers), kneeling in prayer, 15th century - Alberto Aringhieri in ecclesiastical garb as a Knight of Rhodes, or Hospitaler, 15th century - He wears a velvet cap, black cape with white cross of From a painting by Pinturicchio in Siena Cathedral - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un seigneur de Rimini, prince de la famille Malatesta (ou Malatesti), 15th century - Costume of a lord of Rimini, one of the Malatesta princes, 15th century - He wears a red toque, damask doublet edged in fur, multicoloured stockings - He carries a gold stick, symbol of authority - From a manuscript of poetry by Petrarch in Barberini library, Rome Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un seigneur de Rimini, prince de la famille Malatesta (ou Malatesti), 15th century - Costume of a lord of Rimini, one of the Malatesta princes, 15th century - He wears a red toque, damask doublet edged in fur, multicoloured stockings - He carries a gold stick, symbol of authority - From a manuscript of poetry by Petrarch in Barberini library, Rome Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676328: Costume d'un seigneur de Rimini, prince de la famille Malatesta (ou Malatesti), 15th century - Costume of a lord of Rimini, one of the Malatesta princes, 15th century - He wears a red toque, damask doublet edged in fur, multicoloured stockings - He carries a gold stick, symbol of authority - From a manuscript of poetry by Petrarch in Barberini library, Rome Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Judges storytellers, guarantors of the deroulement of a chivalry tournament, and a heraut king of arms, officer supervisor of the arms march, 15th century - Four tournament judges, judges', and the king of arms, roi d'armes, 15th century - The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes) - The king of arms wears a chlamys with a parchment painting of the coats of arms of the combatants, doublet, black trousers, cracows with spurs, and holds a paper with the tourney challenges - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861
Judges storytellers, guarantors of the deroulement of a chivalry tournament, and a heraut king of arms, officer supervisor of the arms march, 15th century - Four tournament judges, judges', and the king of arms, roi d'armes, 15th century - The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes) - The king of arms wears a chlamys with a parchment painting of the coats of arms of the combatants, doublet, black trousers, cracows with spurs, and holds a paper with the tourney challenges - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

FLO4676342: Judges storytellers, guarantors of the deroulement of a chivalry tournament, and a heraut king of arms, officer supervisor of the arms march, 15th century - Four tournament judges, judges', and the king of arms, roi d'armes, 15th century - The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes) - The king of arms wears a chlamys with a parchment painting of the coats of arms of the combatants, doublet, black trousers, cracows with spurs, and holds a paper with the tourney challenges - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood, while the witness wears a short cape lined with marten fur, doublet, stockings, cracows (pointed shoes) - From a miniature ature in manuscript 6829 in the Imperiale Library, Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood, while the witness wears a short cape lined with marten fur, doublet, stockings, cracows (pointed shoes) - From a miniature ature in manuscript 6829 in the Imperiale Library, Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676419: Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood, while the witness wears a short cape lined with marten fur, doublet, stockings, cracows (pointed shoes) - From a miniature ature in manuscript 6829 in the Imperiale Library, Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676469: Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'une femme de la nobility d'Italie, 15th century - Noblewoman of Italy, 15th century - She wears a crimson velvet bonnet with black lining, crimson silk simar with huge furlined sleeves, and blue velvet dress - It shows that the fashion has barely in changed over a century - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'une femme de la nobility d'Italie, 15th century - Noblewoman of Italy, 15th century - She wears a crimson velvet bonnet with black lining, crimson silk simar with huge furlined sleeves, and blue velvet dress - It shows that the fashion has barely in changed over a century - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676513: Costume d'une femme de la nobility d'Italie, 15th century - Noblewoman of Italy, 15th century - She wears a crimson velvet bonnet with black lining, crimson silk simar with huge furlined sleeves, and blue velvet dress - It shows that the fashion has barely in changed over a century - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un jeune homme siennois (Italy), 15th century - Costume of a young man of Siena, 15th century - He wears a tunic in two-tone white and gold fabric lined with fur, gold doublet, green stockings - From a small painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un jeune homme siennois (Italy), 15th century - Costume of a young man of Siena, 15th century - He wears a tunic in two-tone white and gold fabric lined with fur, gold doublet, green stockings - From a small painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676526: Costume d'un jeune homme siennois (Italy), 15th century - Costume of a young man of Siena, 15th century - He wears a tunic in two-tone white and gold fabric lined with fur, gold doublet, green stockings - From a small painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Military costume: un soldat de Verona (Italy), 15th century - Costume of a soldier of Verona, 15th century - He wears a white cap, woolen coat with black velvet collar, brown breeches and black boots - A sabre in black scabbard hangs from his belt - From the painting “” Crucifixion””” by Michele de Verona, dated 1501 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: un soldat de Verona (Italy), 15th century - Costume of a soldier of Verona, 15th century - He wears a white cap, woolen coat with black velvet collar, brown breeches and black boots - A sabre in black scabbard hangs from his belt - From the painting “” Crucifixion””” by Michele de Verona, dated 1501 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676545: Military costume: un soldat de Verona (Italy), 15th century - Costume of a soldier of Verona, 15th century - He wears a white cap, woolen coat with black velvet collar, brown breeches and black boots - A sabre in black scabbard hangs from his belt - From the painting “” Crucifixion””” by Michele de Verona, dated 1501 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Le condottiere Giulio Orsini (d. 1517) - Jordan Orsini, Italian condottiere, 15th century - He wears a scarlet cap, suit of armour in steel ornamented with engraved details, gold chainmail joints, gold shoes and spurs - His horse is accoutred with leather saddle, lance cup and harness - From the sepulchral monument in a church in Monte Rotondo, Sabina- Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Le condottiere Giulio Orsini (d. 1517) - Jordan Orsini, Italian condottiere, 15th century - He wears a scarlet cap, suit of armour in steel ornamented with engraved details, gold chainmail joints, gold shoes and spurs - His horse is accoutred with leather saddle, lance cup and harness - From the sepulchral monument in a church in Monte Rotondo, Sabina- Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676587: Le condottiere Giulio Orsini (d. 1517) - Jordan Orsini, Italian condottiere, 15th century - He wears a scarlet cap, suit of armour in steel ornamented with engraved details, gold chainmail joints, gold shoes and spurs - His horse is accoutred with leather saddle, lance cup and harness - From the sepulchral monument in a church in Monte Rotondo, Sabina- Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume of a young Italian man, lifting his hat as a sign of salvation, 15th century - Young Italian man doffing his hat in salute, 15th century - He wears a violet peaked cap, a crimson velvet doublet, green damask tunic with fur trim, crimson stockings and leather boots - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a young Italian man, lifting his hat as a sign of salvation, 15th century - Young Italian man doffing his hat in salute, 15th century - He wears a violet peaked cap, a crimson velvet doublet, green damask tunic with fur trim, crimson stockings and leather boots - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676589: Costume of a young Italian man, lifting his hat as a sign of salvation, 15th century - Young Italian man doffing his hat in salute, 15th century - He wears a violet peaked cap, a crimson velvet doublet, green damask tunic with fur trim, crimson stockings and leather boots - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Mathilde of Tuscany (ca. 1046-1145), called Countess Mathilde, Mathilde de Briey or Mathilde de Canossa - Matilda of Tuscany, 1046-1115 - She wears a conical hat decorated with gemstones, pink veil, red chlamys edged with gold tied at the left shoulder, blue robe edged with gold on the sleeves She sits on a throne, with cushion and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis -”” Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Mathilde of Tuscany (ca. 1046-1145), called Countess Mathilde, Mathilde de Briey or Mathilde de Canossa - Matilda of Tuscany, 1046-1115 - She wears a conical hat decorated with gemstones, pink veil, red chlamys edged with gold tied at the left shoulder, blue robe edged with gold on the sleeves She sits on a throne, with cushion and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis -”” Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676631: Mathilde of Tuscany (ca. 1046-1145), called Countess Mathilde, Mathilde de Briey or Mathilde de Canossa - Matilda of Tuscany, 1046-1115 - She wears a conical hat decorated with gemstones, pink veil, red chlamys edged with gold tied at the left shoulder, blue robe edged with gold on the sleeves She sits on a throne, with cushion and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis -”” Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676632: Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images


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